\n<\/p>\n
\n\tA primary arc in the second season of Landman<\/a><\/em>, Taylor Sheridan<\/a>\u2019s Paramount+ series set in the Texas oilfields, focuses on the character Cami Miller, played by Demi Moore. Navigating the personal and economic fallout from the death of her oil tycoon husband, Cami is wracked by loneliness and stress and, in an intense scene late in the third episode, collapses on the marble patio of her mansion while holding a photo of herself and her late spouse. As she does, a heavy acoustic guitar gives way to Drayton Farley\u2019s muted voice singing, \u201cEverything about this place has changed.\u201d<\/p>\n \n\tIt\u2019s a pivotal scene in the series. As it turns out, it\u2019s also a pivotal scene in Farley\u2019s career \u2014 and in those of Sunny Sweeney and Dani Rose, too. The three artists co-wrote \u201cTouch and Go,\u201d the song heard in the scene, in 2023 at a writing camp organized by Andrea von Foerster, the music supervisor who curates the music in Landman<\/em> just as she has done for Sheridan\u2019s juggernaut series Yellowstone<\/em>. It was Farley\u2019s first-ever co-write, and von Foerster held onto the song for more than a year before deeming it a fit for Cami\u2019s emotional breakdown.<\/p>\n \n\t\u201cWe all talked about watching our parents growing older and how hard those emotions can hit you,\u201d Farley says of the song. \u201cThere\u2019s this one line, \u2018Wish I could stop the age in my daddy\u2019s eyes,\u2019 that really stands out. That one, I believe, was born from Sunny. It\u2019s the kind of line that keeps the song true and the writer on track. I\u2019m really proud of this song, and honestly Andrea could not have placed it in a more fitting scene.\u201d<\/p>\n \n\tWithin a week, \u201cTouch and Go\u201d topped Shazam\u2019s Top 200 U.S. chart for all genres. Out of nowhere, Farley, Sweeney, and Rose had a viral hit. In the month following its placement in Landman<\/em>, the song received more than half a million streams on Spotify alone.<\/p>\n