{"id":56549,"date":"2026-01-26T18:37:33","date_gmt":"2026-01-26T18:37:33","guid":{"rendered":"https:\/\/musicianvoice.com\/index.php\/2026\/01\/26\/sly-dunbar-legendary-reggae-drummer-dead-at-73\/"},"modified":"2026-01-26T18:37:33","modified_gmt":"2026-01-26T18:37:33","slug":"sly-dunbar-legendary-reggae-drummer-dead-at-73","status":"publish","type":"post","link":"https:\/\/musicianvoice.com\/index.php\/2026\/01\/26\/sly-dunbar-legendary-reggae-drummer-dead-at-73\/","title":{"rendered":"Sly Dunbar, Legendary Reggae Drummer, Dead at 73"},"content":{"rendered":"<p> <br \/>\n<\/p>\n<div>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\tSly Dunbar, the <a href=\"https:\/\/www.rollingstone.com\/music\/music-lists\/100-greatest-drummers-of-all-time-77933\/sly-dunbar-144025\/\">legendary Jamaican drummer<\/a> who helped steer <a href=\"https:\/\/www.rollingstone.com\/t\/reggae\/\" id=\"auto-tag_reggae\" data-tag=\"reggae\">reggae<\/a>\u2018s modern evolution while providing the backbeat to countless recordings, has died. He was 73.<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\tDunbar\u2019s wife, Thelma, confirmed his death to Jamaican newspaper <em><a rel=\"noreferrer noopener nofollow\" target=\"_blank\" href=\"https:\/\/jamaica-gleaner.com\/article\/entertainment\/20260126\/iconic-drummer-sly-dunbar-has-died\">The Gleaner<\/a><\/em>. \u201cAbout seven o\u2019clock this morning I went to wake him up and he wasn\u2019t responding, I called the doctor and that was the news,\u201d she said. An exact cause of death was not given, though Dunbar had reportedly been ill for some time.\u00a0<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\t\u201cYesterday was such a good day for him,\u201d Thelma said. \u201cHe had friends come over to visit him and we all had such a good time. He ate well yesterday \u2026 sometimes he\u2019s not into food. I knew he was sick \u2026 but I didn\u2019t know that he was this sick.\u201d<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\tDunbar was just 15 when he joined his first band and recorded his initial song. It marked the start of a prolific and deeply influential career, with Dunbar earning worldwide acclaim for his work alongside bassist Robbie Shakespeare (who <a href=\"https:\/\/www.rollingstone.com\/music\/music-news\/robbie-shakespeare-sly-and-robbie-dead-1269024\/\">died in 2021<\/a>). It\u2019s been estimated that, over the decades, <a href=\"https:\/\/www.rollingstone.com\/t\/sly-and-robbie\/\" id=\"auto-tag_sly-and-robbie\" data-tag=\"sly-and-robbie\">Sly and Robbie<\/a> played on more than 200,000 recordings, including the original tracks, remixes, and the numerous songs that have sampled their work.<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\tAs the rhythm section (and production duo) Sly and Robbie, the pair played on reggae classics by Black Uhuru, Jimmy Cliff, and Peter Tosh, developing a reputation that would garner them work with the likes of Bob Dylan, Grace Jones, and the Rolling Stones. Sly and Robbie also released numerous albums of their own, and played a crucial role in pushing reggae into the future with their adoption of electronic instruments and more syncopated rhythms.\u00a0<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\tLowell Fillmore Dunbar was born May 10, 1952 in Kingston, Jamaica. Dunbar, in a <a rel=\"noreferrer noopener nofollow\" target=\"_blank\" href=\"https:\/\/online.berklee.edu\/takenote\/sly-and-robbie-drummer-sly-dunbar-on-revolutionizing-reggae-drums\/\">2021 interview<\/a>, credited his sisters with filling his childhood home with Otis Redding, Booker T. &amp; the MGs, and Sly and the Family Stone (it was his love for the latter than led to him being nicknamed \u201cSly\u201d). But Dunbar was inspired to become a drummer after hearing Lloyd Knibb play with the Skatalites. Before he had a kit of his own, he played on his desk at school, as well as cans. At the age of 13, he successfully convinced his mother to let him abandon school to pursue music.\u00a0<\/p>\n<section class=\"brands-most-popular \/\/ editors-pick-module lrv-u-margin-tb-2 lrv-u-border-a-2 u-box-shadow-5-5 lrv-u-padding-lr-1 a-span1 u-padding-b-1@tablet u-overflow-hidden\">\n<h2 id=\"section-heading\" class=\"c-heading larva  lrv-u-text-align-center u-border-color-black a-font-theme-primary-xxs lrv-u-color-black lrv-u-text-transform-uppercase u-letter-spacing-0063 lrv-u-padding-t-050 u-padding-b-0375@tablet lrv-u-padding-b-050@mobile-max lrv-u-border-b-2\">\n<p>\t\tEditor\u2019s picks<\/p>\n<\/h2>\n<\/section>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\tDunbar\u2019s first gig was with a band called the Yardbrooms, while his first recording session took place with Lee \u201cScratch\u201d Perry and his backing band the Upsetters, during which they cut, \u201cNight Doctor.\u201d In 1969, Dunbar played on the album <em>Double Barrel <\/em>by Dave and Ansell Collins, with the song\u2019s hit title-track going to Number One in the U.K.<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\tIn 1973, Shakespeare saw Dunbar play at a nightclub and was immediately taken with his prowess. He recommended Dunbar for a studio session, and the pair hit it off. \u201cThe first time we played together I think it was magic,\u201d Dunbar <a href=\"https:\/\/www.scotsman.com\/news\/sly-and-robbie-interview-sly-and-rabbie-2473770\" rel=\"nofollow\" target=\"_blank\">said<\/a> in 2009. \u201cWe locked into that groove immediately. I listen to him and he listens to me. We try to keep it simple.\u201d<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\tSoon, Dunbar and Shakespeare were playing with the Revolutionaries, the house band for Jamaica\u2019s Channel One studio, while also touring and recording with Tosh. Additionally, the so-called Riddim Twins formed their own production company, Taxi, and spent the Seventies working with major reggae acts like Gregory Isaacs, Dennis Brown, and Barrington Levy. A big part of their success was their pioneering of the \u201crockers\u201d rhythm, which allowed them to inject more syncopation and energy into the already popular and omnipresent \u201cone drop\u201d rhythm.<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\tIn 2021, Dunbar explained how the rockers beat was partly inspired by all the funk and disco he and Shakespeare were listening to during the late Seventies, as well as their tour with Tosh (opening for the Rolling Stones) in 1978. During that run, Dunbar said, the pair \u201cdiscovered our fears, and we had to change and try to get some energy in reggae because the one drop was a bit light playing indoors in a big arena, a big stadium\u2026 When we come back to Jamaica, now, we started experimenting with the open snare thing with the Black Uhuru, and the snare came alive.\u201d\u00a0<\/p>\n<section class=\"brands-most-popular \/\/ recirculation-modules lrv-u-margin-tb-2 lrv-u-border-a-2 u-box-shadow-5-5 lrv-u-padding-lr-1 a-span1 u-padding-b-1@tablet u-overflow-hidden\">\n<h2 id=\"section-heading\" class=\"c-heading larva  lrv-u-text-align-center u-border-color-black a-font-theme-primary-xxs lrv-u-color-black lrv-u-text-transform-uppercase u-letter-spacing-0063 lrv-u-padding-t-050 u-padding-b-0375@tablet lrv-u-padding-b-050@mobile-max lrv-u-border-b-2\">\n<p>\t\tRelated Content<\/p>\n<\/h2>\n<\/section>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\tThat more energetic sound defined Sly and Robbie\u2019s work with Black Uhuru, with whom they linked in the late Seventies as both rhythm section and producers. With Sly and Robbie\u2019s backing, Black Uhuru released several successful albums, including <em>Red<\/em>, <em>Guess Who\u2019s Coming to Dinner<\/em>, and <em>Anthem<\/em>, which won the inaugural Grammy for Best Reggae Album in 1985.<\/p>\n<section class=\"brands-most-popular \/\/ recirculation-modules trending-in-article lrv-u-margin-tb-2 lrv-u-border-a-2 u-box-shadow-5-5 lrv-u-padding-lr-1 a-span1 u-padding-b-1@tablet u-overflow-hidden\">\n<h2 id=\"section-heading\" class=\"c-heading larva  lrv-u-text-align-center u-border-color-black a-font-theme-primary-xxs lrv-u-color-black lrv-u-text-transform-uppercase u-letter-spacing-0063 lrv-u-padding-t-050 u-padding-b-0375@tablet lrv-u-padding-b-050@mobile-max lrv-u-border-b-2\">\n<p>\t\tTrending Stories<\/p>\n<\/h2>\n<\/section>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\tBlack Uhuru\u2019s success also led to greater recognition \u2014 and more work \u2014 for Sly and Robbie, as both producers and session musicians. They played on Jones\u2019 genre-smashing 1981 classic <em>Nightclubbing<\/em>, two Dylan records (1983\u2019s <em>Infidels<\/em> and 1985\u2019s <em>Empire Burlesque<\/em>), and also worked with Mick Jagger, Yoko Ono, Jackson Browne, and Carly Simon.<\/p>\n<\/div>\n<p><br \/>\n<br \/><a href=\"https:\/\/www.rollingstone.com\/music\/music-news\/sly-dunbar-reggae-drummer-dead-obituary-1235504654\/\">Source link <\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Sly Dunbar, the legendary Jamaican drummer who helped steer reggae\u2018s modern evolution while providing the backbeat to countless recordings, has died. He was 73&#8230;.<\/p>\n","protected":false},"author":5,"featured_media":56550,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[36],"tags":[],"class_list":["post-56549","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-pop","article","has-excerpt","has-avatar","has-author","has-date","has-comment-count","has-category-meta","has-read-more","thumbnail-"],"_links":{"self":[{"href":"https:\/\/musicianvoice.com\/index.php\/wp-json\/wp\/v2\/posts\/56549","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/musicianvoice.com\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/musicianvoice.com\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/musicianvoice.com\/index.php\/wp-json\/wp\/v2\/users\/5"}],"replies":[{"embeddable":true,"href":"https:\/\/musicianvoice.com\/index.php\/wp-json\/wp\/v2\/comments?post=56549"}],"version-history":[{"count":0,"href":"https:\/\/musicianvoice.com\/index.php\/wp-json\/wp\/v2\/posts\/56549\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/musicianvoice.com\/index.php\/wp-json\/wp\/v2\/media\/56550"}],"wp:attachment":[{"href":"https:\/\/musicianvoice.com\/index.php\/wp-json\/wp\/v2\/media?parent=56549"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/musicianvoice.com\/index.php\/wp-json\/wp\/v2\/categories?post=56549"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/musicianvoice.com\/index.php\/wp-json\/wp\/v2\/tags?post=56549"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}