{"id":58031,"date":"2026-02-13T16:09:29","date_gmt":"2026-02-13T16:09:29","guid":{"rendered":"https:\/\/musicianvoice.com\/index.php\/2026\/02\/13\/jill-scotts-to-whom-this-may-concern-review-neo-soul-icon-returns\/"},"modified":"2026-02-13T16:09:29","modified_gmt":"2026-02-13T16:09:29","slug":"jill-scotts-to-whom-this-may-concern-review-neo-soul-icon-returns","status":"publish","type":"post","link":"https:\/\/musicianvoice.com\/index.php\/2026\/02\/13\/jill-scotts-to-whom-this-may-concern-review-neo-soul-icon-returns\/","title":{"rendered":"Jill Scott&#8217;s &#8216;To Whom This May Concern&#8217; Review: Neo-Soul Icon Returns"},"content":{"rendered":"<p> <br \/>\n<\/p>\n<div id=\"\">\n<p>The neo-soul icon&#8217;s first album in more than a decade dabbles in everything from trip-hop to New Orleans rhythm &amp; blues while showing off a hard-won graininess <\/p>\n<\/p><\/div>\n<div>\n\t\t<!-- do not apply CSS styles to this element! --><\/p>\n<div class=\"pmc-paywall\">\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\t<em><a href=\"https:\/\/www.rollingstone.com\/t\/to-whom-this-may-concern\/\" id=\"auto-tag_to-whom-this-may-concern\" data-tag=\"to-whom-this-may-concern\">To Whom This May Concern<\/a><\/em> is <a href=\"https:\/\/www.rollingstone.com\/t\/jill-scott\/\" id=\"auto-tag_jill-scott\" data-tag=\"jill-scott\">Jill Scott<\/a>\u2019s first album in more than a dec\u00adade. Listeners who missed Scott\u2019s turn-of-the-century heyday, when she recorded her classic 2000 debut, <em>Who Is Jill Scott?: Words and Sounds Vol. 1,<\/em> have had to settle for her appearance with Erykah Badu on a popular 2020 edition of <em><a href=\"https:\/\/www.rollingstone.com\/pro\/news\/verzuz-partners-with-apple-music-1031271\/\">Verzuz<\/a>,<\/em> replaying Kaytranada\u2019s remix of her 2004 hit \u201cGolden,\u201d and watching the sometimes actor make cameos on sitcoms like <em>Abbott Elementary<\/em>.\u00a0<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\tNow, with her long-awaited sixth \u00adalbum, Scott pushes her adventurous streak to the fore, dabbling in everything from trip-hop to New Orleans rhythm &amp; blues. On \u201cNorf Side,\u201d she uses a DJ Premier beat to capably spit alongside fellow Philadelphian \u00adTierra Whack. \u201cThey stay chatting about my body on IG,\u201d raps Scott, perhaps referencing a viral incident where an NFL player obnoxiously insulted her. Longtime fans who adore her babymaker R&amp;B anthems may be initially disappointed with the musical eclecticism. But <em>To Whom This May Concern<\/em> reveals its treasures with \u00adrepeated listens, even if the experience isn\u2019t as smoothly edifying as her past work.<\/p>\n<section class=\"brands-most-popular \/\/ recirculation-modules trending-in-article lrv-u-margin-tb-2 lrv-u-border-a-2 u-box-shadow-5-5 lrv-u-padding-lr-1 a-span1 u-padding-b-1@tablet u-overflow-hidden\">\n<h2 id=\"section-heading\" class=\"c-heading larva  lrv-u-text-align-center u-border-color-black a-font-theme-primary-xxs lrv-u-color-black lrv-u-text-transform-uppercase u-letter-spacing-0063 lrv-u-padding-t-050 u-padding-b-0375@tablet lrv-u-padding-b-050@mobile-max lrv-u-border-b-2\">\n<p>\t\tTrending Stories<\/p>\n<\/h2>\n<\/section>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\tIt\u2019s not always clear which direction Scott\u2019s headed, whether that\u2019s adopting an ethos to \u201cBe Great,\u201d or meditating on the past. On \u201cPay U on Tuesday,\u201d she sings in a bluesy drawl, \u201cI don\u2019t want no more nigga blues,\u201d then adds, \u201cIf you think I\u2019m just talkin\u2019 \u2019bout somebody Black\/Well, you is the nigga, and you need to know that.\u201d She could be singing about anyone, male or female, Black or otherwise. She could also be arguing with herself.<\/p>\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube\">\n<div class=\"wp-block-embed__wrapper\">\n<p><iframe loading=\"lazy\" title=\"Pay U on Tuesday\" width=\"1200\" height=\"900\" src=\"https:\/\/www.youtube.com\/embed\/UyYubnjHxJI?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe><\/p>\n<\/div>\n<\/figure>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\tScott\u2019s performances are girded by a hard-won graininess instead of the light and feathery flirtations of past gems like 2000\u2019s \u201cLove Rain.\u201d But she\u2019s hardly lost her sense of play. There\u2019s plenty of tricks and treats, like \u201cBPOTY,\u201d where Scott and Too $hort label crooked preachers and pharmaceutical companies as the \u201cbiggest pimp of the year,\u201d and \u201cTo B Honest,\u201d a pairing with rapper J.I.D, or \u201cLiftin\u2019 Me Up,\u201d with its bubbly go-go rhythm and a strong, gospel-\u00adinflected hook. It all adds up to a freshly made portrait of a warmly familiar, complex, all-too-human artist.<\/p>\n<\/div><\/div>\n<p><br \/>\n<br \/><a href=\"https:\/\/www.rollingstone.com\/music\/music-album-reviews\/jill-scott-to-whom-this-may-concern-review-1235514240\/\">Source link <\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>The neo-soul icon&#8217;s first album in more than a decade dabbles in everything from trip-hop to New Orleans rhythm &amp; blues while showing off&#8230;<\/p>\n","protected":false},"author":5,"featured_media":58032,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[36],"tags":[],"class_list":["post-58031","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-pop","article","has-excerpt","has-avatar","has-author","has-date","has-comment-count","has-category-meta","has-read-more","thumbnail-"],"_links":{"self":[{"href":"https:\/\/musicianvoice.com\/index.php\/wp-json\/wp\/v2\/posts\/58031","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/musicianvoice.com\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/musicianvoice.com\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/musicianvoice.com\/index.php\/wp-json\/wp\/v2\/users\/5"}],"replies":[{"embeddable":true,"href":"https:\/\/musicianvoice.com\/index.php\/wp-json\/wp\/v2\/comments?post=58031"}],"version-history":[{"count":0,"href":"https:\/\/musicianvoice.com\/index.php\/wp-json\/wp\/v2\/posts\/58031\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/musicianvoice.com\/index.php\/wp-json\/wp\/v2\/media\/58032"}],"wp:attachment":[{"href":"https:\/\/musicianvoice.com\/index.php\/wp-json\/wp\/v2\/media?parent=58031"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/musicianvoice.com\/index.php\/wp-json\/wp\/v2\/categories?post=58031"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/musicianvoice.com\/index.php\/wp-json\/wp\/v2\/tags?post=58031"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}