{"id":58211,"date":"2026-02-16T23:52:35","date_gmt":"2026-02-16T23:52:35","guid":{"rendered":"https:\/\/musicianvoice.com\/index.php\/2026\/02\/16\/the-top-10-best-songs-by-rb-group-702-new-rb-music-songs-interviews\/"},"modified":"2026-02-16T23:52:35","modified_gmt":"2026-02-16T23:52:35","slug":"the-top-10-best-songs-by-rb-group-702-new-rb-music-songs-interviews","status":"publish","type":"post","link":"https:\/\/musicianvoice.com\/index.php\/2026\/02\/16\/the-top-10-best-songs-by-rb-group-702-new-rb-music-songs-interviews\/","title":{"rendered":"The Top 10 Best Songs By R&B Group 702 – New R&B Music, Songs & Interviews"},"content":{"rendered":"


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\"702<\/p>\n

While the late 90s and early 2000s were saturated with girl groups, few captured the essence of \u201ccool\u201d quite like 702. Named after the area code of their hometown, Las Vegas, the trio\u2014originally consisting of sisters Irish and Orish Grinstead and Kameelah Williams\u2014brought a distinct blend of street-smart attitude and polished vocal harmony to the R&B landscape.<\/p>\n

Discovered by Sinbad and mentored by Michael Bivins, 702 became the faces of a sophisticated, youth-driven soul movement. Their music bridged the gap between the hip-hop soul of Mary J. Blige<\/a> and the pop-leaning R&B of Destiny\u2019s Child. Though the lineup saw changes over the years, the \u201c702 sound\u201d remained consistent: crisp production, relatable lyrics about young love and independence, and harmonies that were as smooth as the desert heat.<\/p>\n

Here are 10 of their best songs, presented in chronological order.<\/p>\n

1. \u201cThis Lil\u2019 Game We Play\u201d (with Subway)<\/h3>\n

\nAlbum: Good Times (1994)<\/strong><\/p>\n

Technically a guest appearance on the group Subway\u2019s debut, this was the world\u2019s introduction to 702. The song is a quintessential 90s mid-tempo \u201cinnocent love\u201d record. It showcased their ability to hold their own alongside male counterparts and set the stage for their debut album two years later.<\/p>\n

2. \u201cSteelo\u201d<\/h3>\n

\nAlbum: No Doubt (1996)<\/strong><\/p>\n

The song that officially put them on the map. Produced by Missy Elliott<\/a>, \u201cSteelo\u201d was a masterclass in 90s cool. With its infectious bassline and the group\u2019s effortless swagger, it became a generation-defining anthem and the theme for Nickelodeon\u2019s Cousin Skeeter.<\/p>\n

3. \u201cGet It Together\u201d<\/h3>\n

\nAlbum: No Doubt (1996)<\/strong><\/p>\n

Moving away from the upbeat energy of \u201cSteelo,\u201d this ballad showcased their vocal maturity. Written and produced by Donell Jones, \u201cGet It Together\u201d is a soulful, pleading track that remains one of the most covered and sampled girl group ballads of the era.<\/p>\n

4. \u201cNo Doubt\u201d<\/h3>\n

\nAlbum: No Doubt (1996)<\/strong><\/p>\n

The title track of their debut is a hidden gem of the New Jack Swing<\/a> tail-end. It\u2019s a rhythmic, upbeat declaration of confidence that highlighted the group\u2019s tight harmonies and their ability to command a dance-heavy production.<\/p>\n

5. \u201cAll I Want\u201d<\/h3>\n

\nAlbum: No Doubt (1996)<\/strong><\/p>\n

This track further solidified their relationship with Missy Elliott. It\u2019s a bouncy, hip-hop-influenced record that perfectly captured the \u201cjeep soul\u201d vibe of the mid-90s. It\u2019s light, catchy, and quintessential 702.<\/p>\n

6. \u201cWhere My Girls At?\u201d<\/h3>\n

\nAlbum: 702 (1999)<\/strong><\/p>\n

Their biggest commercial hit and a definitive late-90s anthem. Produced by Missy Elliott, the song\u2019s iconic \u201cbeep-beep\u201d hook and empowering lyrics about loyalty became a global phenomenon, peaking at #4 on the Billboard Hot 100.<\/p>\n

7. \u201cYou Don\u2019t Know\u201d<\/h3>\n

\nAlbum: 702 (1999)<\/strong><\/p>\n

A sophisticated, mid-tempo groove that showed a more \u201cgrown\u201d side of the group. It leaned into a smoother R&B sound that favored vocal layering and atmospheric production over aggressive beats.<\/p>\n

8. \u201cGotta Leave\u201d<\/h3>\n

\nAlbum: 702 (1999)<\/strong><\/p>\n

An underrated breakup anthem. \u201cGotta Leave\u201d is a stark, percussion-driven track that allowed the group to showcase their emotive range. It\u2019s a perfect example of the futuristic R&B sound that dominated the turn of the millennium.<\/p>\n

9. \u201cYou\u2019ll Just Never Know\u201d<\/h3>\n

\nAlbum: 702 (1999)<\/strong><\/p>\n

A fan-favorite deep cut that highlights the group\u2019s ability to tackle mid-tempo, melodic soul. It features a lush arrangement that complements their harmonies perfectly, cementing the 702 album as a classic in the girl group canon.<\/p>\n

10. \u201cI Still Love You\u201d<\/h3>\n

\nAlbum: Star (2003)<\/strong><\/p>\n

From their final studio album, this Pharrell Williams (The Neptunes) produced track is a standout. It features the signature Neptunes \u201cknock\u201d and a minimalist arrangement that lets the girls\u2019 harmonies shine, serving as a sophisticated swan song for the group.<\/p>\n

Honorable Mentions: Essential Features & Fan Favorites<\/strong><\/p>\n

\u201cBeep Me 911\u201d (Missy Elliott ft. 702)<\/strong> \u2013 Supa Dupa Fly (1997): A legendary collaboration that showcased the chemistry between the group and Missy Elliott.<\/p>\n

\u201cPootie Tangin’\u201d<\/strong> \u2013 Pootie Tang (Soundtrack) (2001): A funky, experimental track that showed the group\u2019s ability to adapt to early 2000s trends.<\/p>\n

\u201cMake Time\u201d<\/strong> \u2013 702 (1999): A smooth, romantic deep cut that highlights the trio\u2019s vocal blend.<\/p>\n

\u201cFinally\u201d<\/strong> \u2013 702 (1999): An uplifting and soulful record that showcased a more vulnerable side of their discography.<\/p>\n

\u201cNo Way\u201d<\/strong> \u2013 Star (2003): A gritty, rhythmic track from their final album that proved they still had their street-smart edge.<\/p>\n

\u201cFinding My Way\u201d<\/strong> \u2013 No Doubt (1996): A beautiful acoustic-leaning ballad that proves the group didn\u2019t need heavy production to sound incredible.<\/p>\n

\u201cStar\u201d (ft. Clipse)<\/strong> \u2013 Star (2003): A high-energy Neptunes production that brought a Virginia hip-hop flair to their catalog.<\/p>\n

\u201cReality\u201d<\/strong> \u2013 702 (1999): A soulful deep cut that explores the complexities of relationships with a maturity beyond their years.<\/p>\n

\u201cDon\u2019t Go Breaking My Heart\u201d<\/strong> \u2013 702 (1999): A lush, mid-tempo track that highlights the group\u2019s ability to create \u201cvibe\u201d music long before the term was a genre.<\/p>\n<\/p><\/div>\n


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