{"id":59076,"date":"2026-02-27T20:48:30","date_gmt":"2026-02-27T20:48:30","guid":{"rendered":"https:\/\/musicianvoice.com\/index.php\/2026\/02\/27\/the-albums-latin-music-influences\/"},"modified":"2026-02-27T20:48:30","modified_gmt":"2026-02-27T20:48:30","slug":"the-albums-latin-music-influences","status":"publish","type":"post","link":"https:\/\/musicianvoice.com\/index.php\/2026\/02\/27\/the-albums-latin-music-influences\/","title":{"rendered":"The Album&#8217;s Latin Music Influences"},"content":{"rendered":"<p> <br \/>\n<\/p>\n<div>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\t<a href=\"https:\/\/www.rollingstone.com\/t\/bruno-mars\/\" id=\"auto-tag_bruno-mars\" data-tag=\"bruno-mars\">Bruno Mars<\/a> is tapping into his <a href=\"https:\/\/www.rollingstone.com\/t\/latin\/\" id=\"auto-tag_latin\" data-tag=\"latin\">Latin<\/a> roots like never before on <em>The Romantic<\/em>, his fourth album and <a data-id=\"https:\/\/www.rollingstone.com\/music\/music-news\/bruno-mars-new-album-done-1235494480\/\" data-type=\"link\" href=\"https:\/\/www.rollingstone.com\/music\/music-news\/bruno-mars-new-album-done-1235494480\/\">first solo LP<\/a> in a decade. Born Peter Gene Hernandez in Hawaii to a Filipino mother and Puerto Rican father, Mars has infused soul, funk, and old-school R&amp;B into shimmery, <a data-id=\"https:\/\/www.rollingstone.com\/music\/music-lists\/most-romantic-bruno-mars-songs-1235513513\/\" data-type=\"link\" href=\"https:\/\/www.rollingstone.com\/music\/music-lists\/most-romantic-bruno-mars-songs-1235513513\/\">love-laden<\/a> pop songs in the past. But on this project, Mars is leaning into his Latin side in his music.<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\tAcross the album, he taps into Mexican and Cuban-inspired sounds like boleros, mariachi, and salsa. Here\u2019s a few highlights off the album and a breakdown of its Latin music inspirations.<\/p>\n<h3 id=\"risk-it-all\" class=\"heading larva \/\/      \">\n\t\t\u201cRisk It All\u201d \t<\/h3>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\tMars kicks off <em>The Romantic<\/em> with a cinematic roar of trumpets and delicate strings. Immediately, it evokes a Mexican bolero, which is a romantic ballad that originated in Cuba and became popularized by Mexican musicians like Agust\u00edn Lara and, later, Javier Sol\u00eds. The track credits a bevy of session musicians, including a saxophonist, a whopping six violinists, two viola players, a couple of trumpet players, a cello player, and conga player Daniel Rodriguez, who played <a href=\"https:\/\/www.instagram.com\/p\/DS7D45aFDXQ\/?hl=en&amp;img_index=1\" data-type=\"link\" data-id=\"https:\/\/www.instagram.com\/p\/DS7D45aFDXQ\/?hl=en&amp;img_index=1\" target=\"_blank\" rel=\"noreferrer noopener nofollow\">alongside Mars<\/a> at his 2025 New Year\u2019s Eve show in Las Vegas. In the music video for \u201cRisk It All,\u201d Mars incorporates a ton of visual nods to Mexican culture, including a full-on mariachi band and a Virgen de Guadalupe gold chain.<\/p>\n<section class=\"brands-most-popular \/\/ recirculation-modules trending-in-article lrv-u-margin-tb-2 lrv-u-border-a-2 u-box-shadow-5-5 lrv-u-padding-lr-1 a-span1 u-padding-b-1@tablet u-overflow-hidden\">\n<h2 id=\"section-heading\" class=\"c-heading larva  lrv-u-text-align-center u-border-color-black a-font-theme-primary-xxs lrv-u-color-black lrv-u-text-transform-uppercase u-letter-spacing-0063 lrv-u-padding-t-050 u-padding-b-0375@tablet lrv-u-padding-b-050@mobile-max lrv-u-border-b-2\">\n<p>\t\tTrending Stories<\/p>\n<\/h2>\n<\/section>\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube\">\n<div class=\"wp-block-embed__wrapper\">\n<p><iframe loading=\"lazy\" title=\"Bruno Mars - Risk It All [Official Music Video]\" width=\"1200\" height=\"675\" src=\"https:\/\/www.youtube.com\/embed\/lY5V4hSLWY8?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe><\/p>\n<\/div>\n<\/figure>\n<h3 id=\"cha-cha-cha\" class=\"heading larva \/\/      \">\n\t\t\u201cCha Cha Cha\u201d\t<\/h3>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\tFor the second track off <em>The Romantic<\/em>, Mars brings mellowed-out salsa rhythms with Rodriguez\u2019s conga drums as he urges listeners to dance along with him. \u201cCha Cha Cha\u201d is more expansive across Latin genres, making a literal nod to the Cuban dance rhythm of the same name and incorporating those distinctive cowbell chimes. Just like on \u201cRisk It All,\u201d there\u2019s plenty of trumpet and string moments that bring a sensual feel to the song. Mars also interpolates lyrics from rapper Juvenile\u2019s \u201cSlow Motion\u201d \u2014 proving he can still blend genres of all kinds together.<\/p>\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube\">\n<div class=\"wp-block-embed__wrapper\">\n<p><iframe loading=\"lazy\" title=\"Bruno Mars - Cha Cha Cha [Official Audio]\" width=\"1200\" height=\"900\" src=\"https:\/\/www.youtube.com\/embed\/l38Aru5jICw?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe><\/p>\n<\/div>\n<\/figure>\n<h3 id=\"something-serious\" class=\"heading larva \/\/      \">\n\t\t\u201cSomething Serious\u201d\t<\/h3>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\tThis funky track brings to mind famous Chicano-inspired songs like War\u2019s \u201cLowrider\u201d and <a data-id=\"https:\/\/www.rollingstone.com\/t\/tito-puente\/\" data-type=\"link\" href=\"https:\/\/www.rollingstone.com\/t\/tito-puente\/\">Tito Puente\u2019s<\/a> \u201cOye C\u00f3mo Va,\u201d which was famously covered by<a data-id=\"https:\/\/www.rollingstone.com\/music\/music-news\/carlos-santana-re-record-oye-como-va-1358907\/\" data-type=\"link\" href=\"https:\/\/www.rollingstone.com\/music\/music-news\/carlos-santana-re-record-oye-como-va-1358907\/\"> Santana in 1970<\/a>. Just like \u201cCha Cha Cha,\u201d this Mars song also has roots in Cuban and Puerto Rican music: Puente, a Nuyorican songwriter and <a data-id=\"https:\/\/www.rollingstone.com\/music\/music-news\/latin-legend-tito-puente-dies-205075\/\" data-type=\"link\" href=\"https:\/\/www.rollingstone.com\/music\/music-news\/latin-legend-tito-puente-dies-205075\/\">Latin music legend<\/a> penned \u201cOye C\u00f3mo Va\u201d in 1962 as a typical cha-cha-ch\u00e1. Once again, the cowbells come out, but paired against lively guitar riffs and trombone bursts (courtesy of Silk Sonic\u2019s Kameron Whalum) \u201cSomething Serious\u201d offers a high-spirited party vibe.<\/p>\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube\">\n<div class=\"wp-block-embed__wrapper\">\n<p><iframe loading=\"lazy\" title=\"Bruno Mars - Something Serious [Official Audio]\" width=\"1200\" height=\"900\" src=\"https:\/\/www.youtube.com\/embed\/Bsc_qpFplJM?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe><\/p>\n<\/div>\n<\/figure>\n<\/div>\n<p><script async src=\"\/\/www.instagram.com\/embed.js\"><\/script><br \/>\n<br \/><br \/>\n<br \/><a href=\"https:\/\/www.rollingstone.com\/music\/music-latin\/bruno-mars-the-romantic-latin-music-influences-1235522820\/\">Source link <\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Bruno Mars is tapping into his Latin roots like never before on The Romantic, his fourth album and first solo LP in a decade&#8230;.<\/p>\n","protected":false},"author":9,"featured_media":59077,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[40],"tags":[],"class_list":["post-59076","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-latin","article","has-excerpt","has-avatar","has-author","has-date","has-comment-count","has-category-meta","has-read-more","thumbnail-"],"_links":{"self":[{"href":"https:\/\/musicianvoice.com\/index.php\/wp-json\/wp\/v2\/posts\/59076","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/musicianvoice.com\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/musicianvoice.com\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/musicianvoice.com\/index.php\/wp-json\/wp\/v2\/users\/9"}],"replies":[{"embeddable":true,"href":"https:\/\/musicianvoice.com\/index.php\/wp-json\/wp\/v2\/comments?post=59076"}],"version-history":[{"count":0,"href":"https:\/\/musicianvoice.com\/index.php\/wp-json\/wp\/v2\/posts\/59076\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/musicianvoice.com\/index.php\/wp-json\/wp\/v2\/media\/59077"}],"wp:attachment":[{"href":"https:\/\/musicianvoice.com\/index.php\/wp-json\/wp\/v2\/media?parent=59076"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/musicianvoice.com\/index.php\/wp-json\/wp\/v2\/categories?post=59076"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/musicianvoice.com\/index.php\/wp-json\/wp\/v2\/tags?post=59076"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}