{"id":60946,"date":"2026-03-26T08:51:14","date_gmt":"2026-03-26T08:51:14","guid":{"rendered":"https:\/\/musicianvoice.com\/index.php\/2026\/03\/26\/dash-crofts-of-70s-soft-rockers-seals-and-crofts-dies\/"},"modified":"2026-03-26T08:51:14","modified_gmt":"2026-03-26T08:51:14","slug":"dash-crofts-of-70s-soft-rockers-seals-and-crofts-dies","status":"publish","type":"post","link":"https:\/\/musicianvoice.com\/index.php\/2026\/03\/26\/dash-crofts-of-70s-soft-rockers-seals-and-crofts-dies\/","title":{"rendered":"Dash Crofts of &#8217;70s Soft-Rockers Seals and Crofts Dies"},"content":{"rendered":"<p> <br \/>\n<\/p>\n<div>\n<p>Dash Crofts, the surviving half of <a href=\"https:\/\/ultimateclassicrock.com\/tags\/seals-and-crofts\/\">Seals and Crofts<\/a>, has reportedly died. His passing was confirmed by Louie Shelton, who produced the &#8217;70s hitmakers.<\/p>\n<p>&#8220;Sad to hear our dear brother and partner in music has passed away today,&#8221; Shelton said in a s<a href=\"https:\/\/www.facebook.com\/louie.shelton.5\/posts\/pfbid0NfsekJPMcf6uu4gBcebn3rLEsMJXKDGjjmYBx6SCRiEsVKLf9TS3Y5r9SnswJMsfl\" target=\"_blank\">ocial media post<\/a>. &#8220;Sending love and prayers to all his family and many fans.&#8221; <\/p>\n<p>Shelton arrived as producer for the third Seals and Crofts album, 1971&#8217;s <em>Year of Sunday<\/em>, and their career took flight. The title tracks from 1972&#8217;s double-platinum <em>Summer Breeze<\/em>, 1973&#8217;s <em>Diamond Girl<\/em> and 1976&#8217;s gold-selling <em>Get Closer<\/em> each <a href=\"https:\/\/variety.com\/2022\/music\/obituaries-people-news\/jim-seals-dead-seals-crofts-summer-breeze-soft-rock-1235286748\/\" target=\"_blank\">soared into the Top 10<\/a>. <\/p>\n<h3>Seals and Crofts Help Define the Soft Rock Genre<\/h3>\n<p>Born in Cisco, Texas, Darrell &#8220;Dash&#8221; Crofts was a <a href=\"https:\/\/www.billdeyoung.com\/music-journalism\/seals-crofts-we-may-never-pass-this-way-again\/\" target=\"_blank\">youthful pianist<\/a>. He played drums with an <a href=\"https:\/\/tims.blackcat.nl\/messages\/dash_crofts.htm\" target=\"_blank\">embryonic band<\/a> called Dean Beard and the Crew Cats, where he met fellow Texan (and then-saxophonist) Jim Seals. They both were also in the Champs, though after the group hit with &#8220;Tequila.&#8221;<\/p>\n<p>Seals and Crofts moved to California in the hopes of building a musical future, but then Crofts was drafted and served for a couple of years. By 1969, the duo was ready to try again. They helped develop a new sound that would be described (<a href=\"https:\/\/www.uncut.co.uk\/publications\/introducing-the-ultimate-genre-guide-soft-rock-146658\/\" target=\"_blank\">sometimes derisively<\/a>) as soft rock. <\/p>\n<p style=\"text-align:center\"><strong>Listen to Seals and Crofts\u2019 \u2018Summer Breeze\u2019<\/strong><\/p>\n<p>&#8220;About the same time as people like <a href=\"https:\/\/ultimateclassicrock.com\/tags\/crosby-stills-nash\/\" target=\"_blank\">Crosby Stills and Nash<\/a>,&#8221; Crofts told the <em><a href=\"https:\/\/americansongwriter.com\/the-ungodly-music-this-soft-rock-duo-made-alongside-glen-campbell-before-making-this-mellow-1972-classic\/\" target=\"_blank\">Record Mirror<\/a><\/em>, &#8220;we realized that we had to get out of the money-making aspect of loud rock &#8216;n&#8217; roll into some music which we really believed in.&#8221; Critic Robert Christgau described the results as &#8220;<a href=\"https:\/\/www.robertchristgau.com\/get_album.php?id=3112\" target=\"_blank\">classic folk-schlock<\/a>.&#8221;<\/p>\n<p>They converted to a <a href=\"https:\/\/bahaiteachings.org\/bahai-faith\/\" target=\"_blank\">new religion<\/a> along the way, and incorporated some of those themes into their music. &#8220;The Baha&#8217;i Faith teaches the unity of people of all races, creeds, religions, politics and truths,&#8221; Crofts told <em><a href=\"http:\/\/thompsonian.info\/sc-landau-SR-1-71.html\" target=\"_blank\">Stereo Review<\/a><\/em>. &#8220;We&#8217;re not selling religion through our music, but the concepts of Baha&#8217;i do come out in it \u2013 like the concept of the oneness of mankind.&#8221;<\/p>\n<div class=\"single-post-image \">\n<figure class=\"img-tag has-sizer aligncenter\" style=\"max-width:1600px\">\n<p><span class=\"visually-hidden\">Seals and Crofts perform on the BBC&#8217;s &#8216;Old Grey Whistle Test.&#8217; (YouTube)<\/span><\/p><figcaption>Seals and Crofts perform on the BBC&#8217;s &#8216;Old Grey Whistle Test.&#8217; (YouTube)<\/figcaption><\/figure>\n<\/div>\n<h3>Why Did Seals and Crofts Break Up?<\/h3>\n<p>They typically shared songwriting credits and vocals. Crofts played guitar and, later, mandolin. He memorably sang the second verse of &#8220;Diamond Girl,&#8221; while taking over lead vocals for &#8220;King of Nothing&#8221; and &#8220;Goodbye Old Buddies,&#8221; among others. <\/p>\n<p>&#8220;Hummingbird,&#8221; &#8220;I&#8217;ll Play for You&#8221; and &#8220;You&#8217;re the Love&#8221; reached the Top 20, while &#8220;We May Never Pass This Way (Again)&#8221; just missed at No. 21. Seals and Crofts hit No. 14 on the album charts with 1974&#8217;s gold-selling <em>Unborn Child<\/em> and cracked the Top 40 again with 1975&#8217;s <em>I&#8217;ll Play for You<\/em>. Their mid-&#8217;70s <em>Greatest Hits<\/em> album was a twice-platinum smash, too. <\/p>\n<p><strong>READ MORE:<\/strong> <a href=\"https:\/\/ultimateclassicrock.com\/seals-and-crofts-songs\/\">Top 10 Seals and Crofts Songs<\/a><\/p>\n<p>Seals and Crofts split in the early &#8217;80s, before briefly reuniting in the &#8217;90s and &#8217;00s. &#8220;Around 1980, we were still drawing 10,000 to 12,000 people at concerts&#8221; Seals later told the <em><a href=\"https:\/\/rockandrollglobe.com\/rock\/he-will-never-pass-this-way-again-remembering-jim-seals\/\" target=\"_blank\">Los Angeles Times<\/a><\/em>, &#8220;but we could see, with this change coming where everybody wanted dance music, that those days were numbered.&#8221;<\/p>\n<p>Dash Crofts eventually returned to his native Texas, where he <a href=\"https:\/\/www.classicbands.com\/sealsandcrofts.html\" target=\"_blank\">raised horses<\/a> late in life. His lone solo album, 1998&#8217;s <em>Today<\/em>, <a href=\"https:\/\/www.classicbands.com\/sealsandcrofts.html\" target=\"_blank\">included some updated<\/a> Seals and Crofts material. Jim Seals, the older brother of Danny &#8220;England Dan&#8221; Seals, <a href=\"https:\/\/ultimateclassicrock.com\/jim-seals-seals-and-crofts-dies\/\" target=\"_blank\">died in 2022<\/a>. <\/p>\n<p style=\"text-align:center\"><strong>Listen to Seals and Crofts\u2019 \u2018We May Never Pass This Way (Again)\u2019<\/strong><\/p>\n<div class=\"photogallery-wrapper blog-photogallery \">\n<h2 class=\"photogallery-title\">In Memoriam: 2026 Deaths<\/h2>\n<div class=\"photogallery-description\">\n<p>A look at those we&#8217;ve lost in 2026.<\/p>\n<\/div>\n<\/div>\n<\/div>\n<p><script src=\"https:\/\/ultimateclassicrock.com\/rest\/carbon\/api\/scripts.js?mver=164&#038;gver=10&#038;bid=295&#038;urls[]=https%3A%2F%2Fbtloader.com%2Ftag%3Fo%3D5642230212591616%26upapi%3Dtrue&#038;urls[]=https%3A%2F%2Fcdn.p-n.io%2Fpushly-sdk.min.js%3Fdomain_key%3DmxuuNIMSzp6MHphJEoAGlLFQ3qmwQguzkGZl&#038;urls[]=https%3A%2F%2Ftownsquare.media%2Fpublic%2Fresources%2Fjs%2Fpubcid.min.js&#038;urls[]=https%3A%2F%2Fplatform.twitter.com%2Fwidgets.js&#038;urls[]=https%3A%2F%2Fapis.google.com%2Fjs%2Fplatform.js&#038;urls[]=https%3A%2F%2Fconnect.facebook.net%2Fen_US%2Fsdk.js&#038;urls[]=https%3A%2F%2Fassets.pinterest.com%2Fjs%2Fpinit.js\" type=\"text\/javascript\" async defer data-osano=\"ESSENTIAL\"><\/script><br \/>\n<br \/><br \/>\n<br \/><a href=\"https:\/\/ultimateclassicrock.com\/dash-crofts-seals-and-crofts-dies\/\">Source link <\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Dash Crofts, the surviving half of Seals and Crofts, has reportedly died. His passing was confirmed by Louie Shelton, who produced the &#8217;70s hitmakers&#8230;.<\/p>\n","protected":false},"author":3,"featured_media":60947,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[35],"tags":[],"class_list":["post-60946","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-rock","article","has-excerpt","has-avatar","has-author","has-date","has-comment-count","has-category-meta","has-read-more","thumbnail-"],"_links":{"self":[{"href":"https:\/\/musicianvoice.com\/index.php\/wp-json\/wp\/v2\/posts\/60946","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/musicianvoice.com\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/musicianvoice.com\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/musicianvoice.com\/index.php\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/musicianvoice.com\/index.php\/wp-json\/wp\/v2\/comments?post=60946"}],"version-history":[{"count":0,"href":"https:\/\/musicianvoice.com\/index.php\/wp-json\/wp\/v2\/posts\/60946\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/musicianvoice.com\/index.php\/wp-json\/wp\/v2\/media\/60947"}],"wp:attachment":[{"href":"https:\/\/musicianvoice.com\/index.php\/wp-json\/wp\/v2\/media?parent=60946"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/musicianvoice.com\/index.php\/wp-json\/wp\/v2\/categories?post=60946"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/musicianvoice.com\/index.php\/wp-json\/wp\/v2\/tags?post=60946"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}