{"id":60980,"date":"2026-03-26T15:19:38","date_gmt":"2026-03-26T15:19:38","guid":{"rendered":"https:\/\/musicianvoice.com\/index.php\/2026\/03\/26\/robert-earl-keens-unlikely-renaissance-turnpike-troubadours-ragweed\/"},"modified":"2026-03-26T15:19:38","modified_gmt":"2026-03-26T15:19:38","slug":"robert-earl-keens-unlikely-renaissance-turnpike-troubadours-ragweed","status":"publish","type":"post","link":"https:\/\/musicianvoice.com\/index.php\/2026\/03\/26\/robert-earl-keens-unlikely-renaissance-turnpike-troubadours-ragweed\/","title":{"rendered":"Robert Earl Keen&#8217;s Unlikely Renaissance: Turnpike Troubadours, Ragweed"},"content":{"rendered":"<p> <br \/>\n<\/p>\n<div>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\tAt 70 years old, <a href=\"https:\/\/www.rollingstone.com\/t\/robert-earl-keen\/\" id=\"auto-tag_robert-earl-keen\" data-tag=\"robert-earl-keen\">Robert Earl Keen<\/a> is as surprised as anyone to find his foot still on the gas. The beloved Texas songwriter and composer of the timeless singalong \u201cThe Road Goes on Forever\u201d is still touring, even after his ballyhooed <a href=\"https:\/\/www.rollingstone.com\/music\/music-country\/robert-earl-keen-retirement-final-concert-1341072\/\">retirement<\/a> in 2022. There\u2019s a major difference, though, between the current version of Keen and the one from four years ago. Today, he is being thrust into the spotlight by a handful of friends who cut their teeth on Keen\u2019s music. Thanks to the support of A-listers like Tyler Childers, <a href=\"https:\/\/www.rollingstone.com\/t\/turnpike-troubadours\/\" id=\"auto-tag_turnpike-troubadours\" data-tag=\"turnpike-troubadours\">Turnpike Troubadours<\/a>, and Cross Canadian Ragweed, Keen and his music are being discovered by new fans, and in new arenas.<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\t\u201cThey give me a chance to just be myself,\u201d Keen tells <em>Rolling Stone<\/em> of his post-retirement encore. Artists who once aspired to be in Keen\u2019s shoes now find themselves introducing Keen to the massive crowds they draw, paying tribute in song, or even welcoming Keen to the Grand Ole Opry to make his debut, as <a href=\"https:\/\/www.rollingstone.com\/music\/music-country\/tyler-childers-introduces-robert-earl-keen-grand-ole-opry-1235297907\/\">Childers did<\/a> last summer.<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\tWhile Turnpike enlisted Keen to open a run of sold-out theaters in February and Ragweed had him out last summer for a stadium gig in Texas, Childers, in particular, has gone the extra mile to elevate Keen. In addition to the Opry introduction,\u00a0the \u201cBitin\u2019 List\u201d Grammy winner tapped Keen to open for him in Dallas at the 20,000-capacity Dos Equis Pavilion next month, and last year co-headlined Keen\u2019s <a href=\"https:\/\/www.rollingstone.com\/music\/music-features\/robert-earl-keen-texas-floods-camp-mystic-1235381500\/\">Applause for the Cause<\/a> benefit, helping raise more than $3 million in relief after the devastating July 2025 floods in the Texas Hill Country. Midway through Keen\u2019s final set at the festival, Childers took the mic, backed by Keen\u2019s band, for 40 minutes of his own songs.<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\tThe benefit took place not far from New Braunfels\u2019 Gruene Hall, where Keen first experienced a Childers show in 2018. He had been enamored with the song \u201cPurgatory,\u201d and Childers\u2019 spin on bluegrass. They struck up a friendship.<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\t\u201cAfter that show, we just kept up with each other,\u201d Keen says. \u201cThe more I just got to sit around and talk to him, the more I thought, \u201cThis isn\u2019t some one-song accident deal with that song, \u2018Purgatory.\u2019 This guy is above and beyond <em>anything.\u2019<\/em> I started calling him the perfect mixture of Ralph Waldo Emerson and Hank Williams. Even his prose is stunning. He just has a handle on the English language like no one I\u2019ve ever known.\u201d<\/p>\n<section class=\"brands-most-popular \/\/ editors-pick-module lrv-u-margin-tb-2 lrv-u-border-a-2 u-box-shadow-5-5 lrv-u-padding-lr-1 a-span1 u-padding-b-1@tablet u-overflow-hidden\">\n<h2 id=\"section-heading\" class=\"c-heading larva  lrv-u-text-align-center u-border-color-black a-font-theme-primary-xxs lrv-u-color-black lrv-u-text-transform-uppercase u-letter-spacing-0063 lrv-u-padding-t-050 u-padding-b-0375@tablet lrv-u-padding-b-050@mobile-max lrv-u-border-b-2\">\n<p>\t\tEditor\u2019s picks<\/p>\n<\/h2>\n<\/section>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\tKeen recalls Childers asking him how he navigates fame, just as the Kentucky songwriter was about to blow up. Keen told him that his level of fame was going to far eclipse his own.<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\t\u201cI told him that you\u2019re gonna have to find somebody that really knows about protecting yourself from crowds and all that,\u201d Keen says. \u201cI was pretty naive about that, even at my peak, and got in a little bit of trouble because of it.\u201d<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\tIn the post-pandemic days, when Childers became a full-fledged headliner in arenas and stadiums, Keen says he became something of a mentor and sounding board for him. He also started opening for Childers at venues like Nashville\u2019s Ryman Auditorium, and he began covering Childers\u2019 \u201cWhitehouse Road\u201d in his own shows.<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\tAccording to Keen, he basked in the chance to live vicariously through Childers\u2019 unconventional approach to the country music industry.<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\t\u201cWhen he put out that <em>Hounds<\/em> record [2022\u2019s <em>Can I Take My Hounds to Heaven]<\/em>, all I could think was, \u2018You\u2019re gonna go to New York, and you\u2019re gonna talk to all these RCA guys, and you\u2019re gonna play <em>that<\/em> record for them?\u2019\u201d Keen says. \u201cThere\u2019s gonna be guys going, \u2018There\u2019s not a fucking hit on this record.\u2019 But I got to where I believe in Tyler so wholeheartedly that, when he decides to make something like that happen, he\u2019s gonna make it happen.\u201d<\/p>\n<section class=\"brands-most-popular \/\/ recirculation-modules lrv-u-margin-tb-2 lrv-u-border-a-2 u-box-shadow-5-5 lrv-u-padding-lr-1 a-span1 u-padding-b-1@tablet u-overflow-hidden\">\n<h2 id=\"section-heading\" class=\"c-heading larva  lrv-u-text-align-center u-border-color-black a-font-theme-primary-xxs lrv-u-color-black lrv-u-text-transform-uppercase u-letter-spacing-0063 lrv-u-padding-t-050 u-padding-b-0375@tablet lrv-u-padding-b-050@mobile-max lrv-u-border-b-2\">\n<p>\t\tRelated Content<\/p>\n<\/h2>\n<\/section>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\tWhen Keen turned 70, a group of his musical friends surprised him with a series of Robert Earl Keen covers. The brainchild of Cameron Gott, who often works with Keen as a tour photographer and videographer, the \u201cThree 20s and a 10 Birthday Tribute\u201d features artists such as Parker McCollum, Hayes Carll, Brent Cobb, Turnpike\u2019s Evan Felker, and Wade Bowen performing their interpretations of Keen standards. The project can be found on Keen\u2019s <a rel=\"noreferrer noopener nofollow\" target=\"_blank\" href=\"https:\/\/www.youtube.com\/playlist?list=PLrtKU-8nuFNqQw71rO9wE0rPG-Dd3_pWp\">YouTube<\/a> page, and it came as a surprise to Keen: The artists and Gott worked behind his back to pull it off.<\/p>\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube\">\n<div class=\"wp-block-embed__wrapper\">\n<p><iframe loading=\"lazy\" title=\"Evan Felker &quot;Feeling Good Again&quot;\" width=\"1200\" height=\"675\" src=\"https:\/\/www.youtube.com\/embed\/mt6swlK3phk?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe><\/p>\n<\/div>\n<\/figure>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\t\u201cThat was probably the best birthday present I\u2019ve ever gotten,\u201d Keen says.<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\tOne of the standouts was Felker\u2019s cover of \u201cFeelin\u2019 Good Again,\u201d which he performed with a bluegrass group. Over the past few months, he has been reprising the cover during Turnpike shows.<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\t\u201cWe are in a golden era for this kind of music,\u201d Felker says. \u201cWhat a shame for all those guys before who did all the work, and we\u2019re the ones reaping the rewards when those guys didn\u2019t get to do it. Well, Robert Earl at least gets to see it. I\u2019m happy that he gets to see just how much his work has impacted this generation.\u201d<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\tDuring Turnpike\u2019s ascent in the mid-2010s, Keen would often play shows \u2014\u00a0as a co-headliner \u2014 with the Red Dirt outfit. Keen says he struggled to forge a connection with Turnpike in that era. He thought the band, and Felker in particular, kept to themselves and left him feeling, at times, removed from the new generation of artists taking over Texas. After the pandemic \u2014 and Turnpike\u2019s 2019-22 hiatus \u2014\u00a0that changed. Turnpike\u2019s profile grew, and Keen settled into the role of opener for the band. Plus, both he and Felker found sobriety.<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\tEventually, their proximity and common ground led the two men to a friendship, which was on full display last summer when Keen invited Felker to be a guest on his Americana Podcast. Keen says that was when he truly understood Felker.<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\t\u201cHe seems to have a nervousness in social situations,\u201d Keen says, \u201cbut when we got to sit down and just talk, the more he realized I wasn\u2019t trying to pull him into some kind of a trap with the podcast. I wanted him to do what he wanted to do and be in charge of his own effort, so that people could know him the way he wanted to be known. We talked about cows and ranches and hunting and fishing and all that stuff.<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\t\u201cHe has a much harder time handling fame than Tyler Childers does,\u201d Keen continues, \u201cbut he is just such a genuine person, and really loving.\u201d<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\tKeen\u2019s songwriting and stage presence was heavily influential on Felker. First as a fan and later as a peer, Felker admired what Keen had built for himself. \u201cI remember his <em>No Kinda Dancer<\/em> album, and \u2018Rolling By\u2019 striking me out of the blue, like a bolt,\u201d Felker says. \u201cI was really getting into Guy Clark and Townes Van Zandt at the time, delving into that stuff heavily. Robert Earl, to me, was like the next iteration of those guys, but here with us. It made me feel like this is something I wanted to do.\u201d<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\tLast August, Turnpike and Cross Canadian Ragweed played to a crowd of 35,000 at McLane Stadium in Waco, Texas, as part of their <a href=\"https:\/\/www.rollingstone.com\/music\/music-features\/cross-canadian-ragweed-boys-from-oklahoma-concert-review-1235315293\/\">Boys From Oklahoma series<\/a>. Ragweed played last and invited Keen to join during the encore. \u201cHe\u2019s our friend, and I want to get him on as many shows as I can,\u201d Ragweed frontman Cody Canada says. The two men traded verses on a cover of Charlie Robison\u2019s \u201cMy Hometown,\u201d and Canada offered Keen one of his Paul Reed Smith electric guitars to play during the song, plugged into a stack of Marshall amplifiers.<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\tIt was a first for Keen \u2014\u00a0he plays his gigs with an acoustic guitar.<\/p>\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube\">\n<div class=\"wp-block-embed__wrapper\">\n<p><iframe loading=\"lazy\" title=\"Parker McCollum &quot;Jesse with the Long Hair&quot;\" width=\"1200\" height=\"675\" src=\"https:\/\/www.youtube.com\/embed\/4I2rI_4F4wA?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe><\/p>\n<\/div>\n<\/figure>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\t\u201cI had just strummed that guitar, and I had never been on stage with, like, the true infamous Marshall stack. I heard the sound and thought, \u2018This is the coolest thing I\u2019ve ever done.\u2019 I\u2019m playing through this Marshall stack, classically turned up to 11,\u201d Keen says. \u201cAnd, as far as it reverberated out there into that stadium and in that crowd, it reverberated with me for weeks.\u201d<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\tAlong with the Childers concert, Keen has a handful of high-profile dates booked in the spring, including a headlining slot in Bryan, Texas, at the Troubadour Festival, and a billing at the massive Railbird Festival in Lexington, Kentucky, in June.<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\tAway from the stage, he was honored as the sportsman of the year by the Dallas-based Park Cities Quail Coalition; Felker attended the March ceremonies. (Previous honorees include George Strait and Kevin Costner.) In February, the Texas Legislative Conference named Keen as its Texan of the Year for his work organizing Applause for the Cause. For Keen\u2019s part, he\u2019s feeling the whole of Americana coalesce around artists and fans alike in the wake of tragedies like the Hill Country floods and the deaths of Todd Snider, Joe Ely, and Raul Malo. In a genre often caught in territorial battles over authenticity in country music, Keens says this is a refreshing change of perspective.<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\t\u201cThis whole Americana thing is not just some sort of title. It\u2019s a community,\u201d he says. \u201cI\u2019m seeing it with stuff like the loss of Todd and the loss of Joe Ely and the loss of Raul. I think it\u2019s bringing people together instead of going the other way.\u201d<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\tKeen is feeling inspired as a songwriter for the first time in years too. In a bit of irony, the prevalence of artificial intelligence in music has emboldened him. When he sees the impact AI is having \u2014\u00a0and the potential it has to damage the business of songwriting \u2014\u00a0Keen realizes two things: That he can write songs better than a computer, and that he still has something to offer the world of music.<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\t\u201cFrankly, for quite a while, I\u2019ve had a jaded outlook on songs,\u201d he says. \u201cEspecially with the crap about \u2018AI can write a song.\u2019 I\u2019ve turned around on that, because I just see it now as one of those things that <em>I\u2019ve<\/em> always been able to do. For artists to sit around and mope about their worth or about how they\u2019ll be received is just a waste of time. It would be like if I were a great chess player, and all of a sudden I decided, \u2018Fuck it, I\u2019m not gonna play chess anymore. Everybody can play chess. You can play chess with a computer.\u2019<\/p>\n<section class=\"brands-most-popular \/\/ recirculation-modules trending-in-article lrv-u-margin-tb-2 lrv-u-border-a-2 u-box-shadow-5-5 lrv-u-padding-lr-1 a-span1 u-padding-b-1@tablet u-overflow-hidden\">\n<h2 id=\"section-heading\" class=\"c-heading larva  lrv-u-text-align-center u-border-color-black a-font-theme-primary-xxs lrv-u-color-black lrv-u-text-transform-uppercase u-letter-spacing-0063 lrv-u-padding-t-050 u-padding-b-0375@tablet lrv-u-padding-b-050@mobile-max lrv-u-border-b-2\">\n<p>\t\tTrending Stories<\/p>\n<\/h2>\n<\/section>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\t\u201cI\u2019m settled with that. What I need now is some more easygoing time to dig into some thoughts and things that I would like to put into song, you know?\u201d<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\t<em>Josh Crutchmer is a journalist and author whose book <\/em><a href=\"https:\/\/backloungepublishing.com\/almostalmostfamous\/\" target=\"_blank\" rel=\"noreferrer noopener nofollow\"><em>(Almost) Almost Famous<\/em><\/a><em> will be released April 1 via Back Lounge Publishing.<\/em><\/p>\n<\/div>\n<p><br \/>\n<br \/><a href=\"https:\/\/www.rollingstone.com\/music\/music-features\/robert-earl-keen-touring-again-tyler-childers-1235537416\/\">Source link <\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>At 70 years old, Robert Earl Keen is as surprised as anyone to find his foot still on the gas. The beloved Texas songwriter&#8230;<\/p>\n","protected":false},"author":5,"featured_media":60981,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[36],"tags":[],"class_list":["post-60980","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-pop","article","has-excerpt","has-avatar","has-author","has-date","has-comment-count","has-category-meta","has-read-more","thumbnail-"],"_links":{"self":[{"href":"https:\/\/musicianvoice.com\/index.php\/wp-json\/wp\/v2\/posts\/60980","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/musicianvoice.com\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/musicianvoice.com\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/musicianvoice.com\/index.php\/wp-json\/wp\/v2\/users\/5"}],"replies":[{"embeddable":true,"href":"https:\/\/musicianvoice.com\/index.php\/wp-json\/wp\/v2\/comments?post=60980"}],"version-history":[{"count":0,"href":"https:\/\/musicianvoice.com\/index.php\/wp-json\/wp\/v2\/posts\/60980\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/musicianvoice.com\/index.php\/wp-json\/wp\/v2\/media\/60981"}],"wp:attachment":[{"href":"https:\/\/musicianvoice.com\/index.php\/wp-json\/wp\/v2\/media?parent=60980"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/musicianvoice.com\/index.php\/wp-json\/wp\/v2\/categories?post=60980"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/musicianvoice.com\/index.php\/wp-json\/wp\/v2\/tags?post=60980"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}