{"id":61921,"date":"2026-04-08T14:11:40","date_gmt":"2026-04-08T14:11:40","guid":{"rendered":"https:\/\/musicianvoice.com\/index.php\/2026\/04\/08\/ella-langley-on-choosin-texas-dandelion-album-unrequited-love\/"},"modified":"2026-04-08T14:11:40","modified_gmt":"2026-04-08T14:11:40","slug":"ella-langley-on-choosin-texas-dandelion-album-unrequited-love","status":"publish","type":"post","link":"https:\/\/musicianvoice.com\/index.php\/2026\/04\/08\/ella-langley-on-choosin-texas-dandelion-album-unrequited-love\/","title":{"rendered":"Ella Langley on &#8216;Choosin&#8217; Texas,&#8217; &#8216;Dandelion&#8217; Album, Unrequited Love"},"content":{"rendered":"<p> <br \/>\n<\/p>\n<div>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\t<span class=\"a-style-intro lrv-a-floated-left lrv-u-display-inline-block lrv-u-margin-r-050 u-margin-b-n025\"><br \/>\n\t\t\t<span class=\"a-font-theme-primary lrv-u-align-items-center lrv-u-flex lrv-u-height-100p lrv-u-justify-content-center lrv-u-width-100p u-font-size-150 u-font-size-104@mobile-max u-line-height-124 u-line-height-94@mobile-max\">W<\/span><br \/>\n\t\t<\/span>hen country-music fans hit play on <a href=\"https:\/\/www.rollingstone.com\/t\/ella-langley\/\" id=\"auto-tag_ella-langley\" data-tag=\"ella-langley\">Ella Langley<\/a>\u2019s second album, <em>Dandelion,<\/em> out on Friday, the first song they\u2019ll hear won\u2019t sound anything like Langley\u2019s pop-crossover smash<a href=\"https:\/\/www.rollingstone.com\/music\/music-country\/ella-langley-choosin-texas-video-cameos-you-missed-1235540786\/\"> \u201cChoosin\u2019 Texas.\u201d<\/a> The 26-year-old from Hope Hull, Alabama, chose to open <em>Dandelion<\/em> with a centuries-old folk song, \u201cFroggy Went a-Courtin\u2019.\u201d<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\t\u201cThe first two songs I ever learned how to sing were \u2018Amazing Grace\u2019 and \u2018Froggy Went a-Courtin\u2019,\u201d says Langley, calling during a rare moment of downtime in what has already been a transformative year for the singer and songwriter. \u201cWhenever we do family reunions, everyone would gather around the piano and sing \u2018Froggy.\u2019 This record is so personal to me in the way of trying to give you a little insight into not only me, but Alabama, growing up in the country with these old type of songs.\u201d<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\tLangley recorded a full version of \u201cFroggy\u201d with the country traditionalist Charlie Worsham, and uses snippets of that bare-bones performance to bookend <em>Dandelion<\/em>. In between are lush and smoky country ballads shot through with irresistible melodies. Songs like the swooning \u201cBe Her,\u201d the escapist \u201cLoving Life Again,\u201d and the disarming title track have more in common with the smooth <a href=\"https:\/\/www.rollingstone.com\/music\/music-country\/inside-country-musics-polarizing-urban-cowboy-movement-38886\/\">Urban Cowboy<\/a> movement of Eighties country than the bright and twangy Nineties sounds presently in vogue.<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\tThe Academy of <a href=\"https:\/\/www.rollingstone.com\/t\/country-music\/\" id=\"auto-tag_country-music\" data-tag=\"country-music\">Country Music<\/a>\u2019s reigning New Female Artist of the Year got her start playing cover sets in bars when she was just 18. In 2019, she moved to Nashville, and broke through five years later \u2014 relatively quickly by Nashville\u2019s 10-year-town standards \u2014 with \u201cYou Look Like You Love Me,\u201d a cheeky come-on of a duet with fellow country singer Riley Green that won Song of the Year at the 2025 CMA Awards. It was an unconventional radio hit that found Langley reciting her verses, not singing them, and its success announced her as an exciting new talent in Nashville unafraid to take risks.<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\t\u201cI had some arguments about \u2018You Look Like You Love Me\u2019 in the beginning,\u201d she says, recalling a standoff with her label, Columbia. \u201cThey all wanted me to sing those verses. They just didn\u2019t believe that the song would work. But I am as hardheaded as you can imagine someone ever being in their life. After that moment, it created this level of trust where they don\u2019t question me.\u201d<\/p>\n<section class=\"brands-most-popular \/\/ editors-pick-module lrv-u-margin-tb-2 lrv-u-border-a-2 u-box-shadow-5-5 lrv-u-padding-lr-1 a-span1 u-padding-b-1@tablet u-overflow-hidden\">\n<h2 id=\"section-heading\" class=\"c-heading larva  lrv-u-text-align-center u-border-color-black a-font-theme-primary-xxs lrv-u-color-black lrv-u-text-transform-uppercase u-letter-spacing-0063 lrv-u-padding-t-050 u-padding-b-0375@tablet lrv-u-padding-b-050@mobile-max lrv-u-border-b-2\">\n<p>\t\tEditor\u2019s picks<\/p>\n<\/h2>\n<\/section>\n<div class=\"post-content-image \/\/  \">\n<figure class=\"o-figure   size-large alignnone lrv-u-max-width-100p\" style=\"width:810px\">\n<div class=\"c-lazy-image  lrv-u-border-a-2\">\n<div class=\"lrv-a-crop-16x9\" style=\"padding-bottom:calc((1024\/810)*100%);\">\n<p>\t\t\t\t\t\t<\/p><\/div>\n<\/p><\/div><figcaption class=\"c-figcaption  lrv-u-flex lrv-u-flex-direction-column lrv-u-align-items-center\">\n<\/figcaption><\/figure>\n<\/div>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\tAaron Raitiere, who co-wrote the song with Langley, describes her as a \u201cmagical\u201d songwriter. \u201cShe is a vehicle for new, timeless country music,\u201d Raitiere says. \u201cIt isn\u2019t uncomfortable or forced. It\u2019s always calm, cool, and easy.\u201d<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\tIndeed, Langley exudes chill in conversation. When talking about her parents, she laughs at their polar-opposites love story \u2014 Dad\u2019s from Deep South Alabama, Mom\u2019s from Michigan \u2014 and says the dreamy imagery of <em>Dandelion<\/em> was born in part from her penchant for weed. \u201cYou want to know why this record is so colorful? My brain moves so fast that I just function well that way,\u201d she says.<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\tWhatever inspires Langley\u2019s easygoing brand of country music, it\u2019s working. Ear\u00adlier this year, she made history when \u201cChoosin\u2019 Texas\u201d hit Number One on <em>Billboard\u2019<\/em>s Hot 100, Hot Country Songs, and Country Airplay charts at the same time. Morgan Wallen, Post Malone, and Shaboozey are the only other artists to ever achieve the feat; Langley is the first woman. To date, \u201cChoosin\u2019 Texas\u201d has spent five nonconsecutive weeks atop the Hot 100. When she conceived the song, with country star <a href=\"https:\/\/www.rollingstone.com\/t\/miranda-lambert\/\" id=\"auto-tag_miranda-lambert\" data-tag=\"miranda-lambert\">Miranda Lambert<\/a> and the songwriters Luke Dick and Joybeth Taylor, Langley says she was thinking about a tall tale she had heard involving Lambert, a kangaroo, and a traffic stop.<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\t\u201cWe were at this writers retreat, and I just asked her,\u201d Langley says, laughing. \u201cShe had a dog in the back and a kangaroo in the passenger seat, and got pulled over. I said randomly, \u2018I\u2019m sure [the police officer] was like, <em>She\u2019s from Texas, I can tell.<\/em>\u2019\u201d<\/p>\n<section class=\"brands-most-popular \/\/ recirculation-modules lrv-u-margin-tb-2 lrv-u-border-a-2 u-box-shadow-5-5 lrv-u-padding-lr-1 a-span1 u-padding-b-1@tablet u-overflow-hidden\">\n<h2 id=\"section-heading\" class=\"c-heading larva  lrv-u-text-align-center u-border-color-black a-font-theme-primary-xxs lrv-u-color-black lrv-u-text-transform-uppercase u-letter-spacing-0063 lrv-u-padding-t-050 u-padding-b-0375@tablet lrv-u-padding-b-050@mobile-max lrv-u-border-b-2\">\n<p>\t\tRelated Content<\/p>\n<\/h2>\n<\/section>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\tThat line ended up becoming the hook of \u201cChoosin\u2019 Texas,\u201d the song that knocked Harry Styles\u2019 \u201cAperture\u201d out of the top spot and catapulted Langley into the mainstream. She says its theme of unrequited love \u2014 a cowboy returns to his cherished Lone Star State, leaving Langley alone at a bar sipping Jack Daniel\u2019s \u2014 is universal. \u201cEveryone can relate to wanting something that doesn\u2019t want you back, whether it be a relationship or a job,\u201d she says. \u201cI\u2019m giving my heart to people a lot. And that\u2019s scary to constantly do, because no one wants their heart broken.\u201d<\/p>\n<h2 id=\"she-lives-life-in-a-big-way\" class=\"heading larva \/\/   lrv-a-font-primary-l   \">\n\t\t\u2018She lives life in a big way\u2019\t<\/h2>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\tLangley reunited with Lambert when it came time to record <em>Dandelion.<\/em> They sing together on \u201cButterfly Season,\u201d and Lambert co-produced the album with Langley and Ben West. The women have a bond forged before they ever met at that writers camp. When Langley was only a teenager, her family suffered a serious financial crisis, and she took solace in \u201cThe House That Built Me,\u201d Lambert\u2019s hit ballad about returning to where you were raised many years later. \u201cWe lost our house to the bank the day after my 14th birthday,\u201d Langley recalls. \u201cI heard that song for the first time around then. I was like, \u2018Whoa, she\u2019s singing about my life.\u2019\u201d<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\t\u201cElla has a fiery spirit,\u201d Lambert says. \u201cShe lives life in a big way and on her own terms. With this record, I wanted to honor her vision every step of the way.\u2026 It felt important to help her make choices that stayed true to who she is as an artist.\u201d<\/p>\n<div class=\"post-content-image \/\/  \">\n<figure class=\"o-figure   size-large alignnone lrv-u-max-width-100p\" style=\"width:683px\">\n<div class=\"c-lazy-image  lrv-u-border-a-2\">\n<div class=\"lrv-a-crop-16x9\" style=\"padding-bottom:calc((1024\/683)*100%);\">\n<p>\t\t\t\t\t\t<img loading=\"lazy\" class=\"c-lazy-image__img lrv-u-background-color-grey-lightest lrv-u-width-100p lrv-u-display-block lrv-u-height-auto\" src=\"https:\/\/www.rollingstone.com\/wp-content\/uploads\/2026\/04\/EmbedEL3.jpg?w=683\" alt=\"\" srcset=\"\" data-lazy-sizes=\"\" height=\"1024\" width=\"683\" decoding=\"async\"\/><\/p><\/div>\n<\/p><\/div><figcaption class=\"c-figcaption  lrv-u-flex lrv-u-flex-direction-column lrv-u-align-items-center\">\n<\/figcaption><\/figure>\n<\/div>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\t<em>Dandelion<\/em> also includes a nod to another strong-willed woman from country music\u2019s past: a faithful cover of Kitty Wells\u2019 1952 track <a href=\"https:\/\/www.rollingstone.com\/music\/music-country\/kitty-wells-it-wasnt-god-who-made-honky-tonk-angels-diss-track-1234583432\/\">\u201cIt Wasn\u2019t God Who Made Honky Tonk Angels,\u201d<\/a> the first song by a solo woman to ever top the country charts. Langley loves the song and its message of empowerment so much that she uses it as the alarm on her smart speaker at home. \u201cShe had some balls on her, you know?\u201d Langley says.<\/p>\n<section class=\"brands-most-popular \/\/ recirculation-modules trending-in-article lrv-u-margin-tb-2 lrv-u-border-a-2 u-box-shadow-5-5 lrv-u-padding-lr-1 a-span1 u-padding-b-1@tablet u-overflow-hidden\">\n<h2 id=\"section-heading\" class=\"c-heading larva  lrv-u-text-align-center u-border-color-black a-font-theme-primary-xxs lrv-u-color-black lrv-u-text-transform-uppercase u-letter-spacing-0063 lrv-u-padding-t-050 u-padding-b-0375@tablet lrv-u-padding-b-050@mobile-max lrv-u-border-b-2\">\n<p>\t\tTrending Stories<\/p>\n<\/h2>\n<\/section>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\tThis spring and summer, Langley will play stadiums with Wallen and perform at festivals in California and Kentucky; in May, she\u2019ll kick off her headlining <em>Dandelion<\/em> tour. \u201cPutting on the live show has been the number-one dream for me,\u201d she says.<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\tThanks to \u201cChoosin\u2019 Texas,\u201d she\u2019s also become a Number One pop songwriter, which makes perfect sense when you consider the full range of her listening tastes. \u201cMy biggest influence was Stevie Nicks, and the symbolism in songs,\u201d Langley says. \u201cSometimes I\u2019ll put in words like \u2018Drinking Jack all by myself.\u2019 That can mean a lot of things. Yes, literally, I\u2019m sitting here drinking Jack, but what it\u2019s also saying is \u2018He\u2019s gone!\u2019\u201d<\/p>\n<\/div>\n<p><br \/>\n<br \/><a href=\"https:\/\/www.rollingstone.com\/music\/music-features\/ella-langley-choosin-texas-interview-1235536275\/\">Source link <\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>W hen country-music fans hit play on Ella Langley\u2019s second album, Dandelion, out on Friday, the first song they\u2019ll hear won\u2019t sound anything like&#8230;<\/p>\n","protected":false},"author":5,"featured_media":61922,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[36],"tags":[],"class_list":["post-61921","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-pop","article","has-excerpt","has-avatar","has-author","has-date","has-comment-count","has-category-meta","has-read-more","thumbnail-"],"_links":{"self":[{"href":"https:\/\/musicianvoice.com\/index.php\/wp-json\/wp\/v2\/posts\/61921","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/musicianvoice.com\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/musicianvoice.com\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/musicianvoice.com\/index.php\/wp-json\/wp\/v2\/users\/5"}],"replies":[{"embeddable":true,"href":"https:\/\/musicianvoice.com\/index.php\/wp-json\/wp\/v2\/comments?post=61921"}],"version-history":[{"count":0,"href":"https:\/\/musicianvoice.com\/index.php\/wp-json\/wp\/v2\/posts\/61921\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/musicianvoice.com\/index.php\/wp-json\/wp\/v2\/media\/61922"}],"wp:attachment":[{"href":"https:\/\/musicianvoice.com\/index.php\/wp-json\/wp\/v2\/media?parent=61921"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/musicianvoice.com\/index.php\/wp-json\/wp\/v2\/categories?post=61921"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/musicianvoice.com\/index.php\/wp-json\/wp\/v2\/tags?post=61921"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}