{"id":61982,"date":"2026-04-09T07:31:28","date_gmt":"2026-04-09T07:31:28","guid":{"rendered":"https:\/\/musicianvoice.com\/index.php\/2026\/04\/09\/sabrina-carpenter-teases-ambitious-coachella-performance\/"},"modified":"2026-04-09T07:31:28","modified_gmt":"2026-04-09T07:31:28","slug":"sabrina-carpenter-teases-ambitious-coachella-performance","status":"publish","type":"post","link":"https:\/\/musicianvoice.com\/index.php\/2026\/04\/09\/sabrina-carpenter-teases-ambitious-coachella-performance\/","title":{"rendered":"Sabrina Carpenter Teases &#8216;Ambitious&#8217; Coachella Performance"},"content":{"rendered":"<p> <br \/>\n<\/p>\n<div>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\t<a href=\"https:\/\/www.rollingstone.com\/t\/sabrina-carpenter\/\" id=\"auto-tag_sabrina-carpenter\" data-tag=\"sabrina-carpenter\">Sabrina Carpenter<\/a> is preparing to unleash the \u201cmost ambitious show\u201d she\u2019s ever performed at <a href=\"https:\/\/www.rollingstone.com\/t\/coachella\/\" id=\"auto-tag_coachella\" data-tag=\"coachella\">Coachella<\/a>. In a <a rel=\"nofollow\" href=\"https:\/\/www.theperfectmagazine.com\/features\/sabrina-carpenter-interviewed-by-marc-jacobs\" target=\"_blank\">new interview<\/a> with Marc Jacobs for <em>Perfect<\/em>, Carpenter previewed her <a href=\"https:\/\/www.rollingstone.com\/music\/music-lists\/coachella-most-anticipated-acts-1235542311\/\">headlining sets<\/a>, scheduled for Friday, April 10 and Friday, April 17.<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\t\u201cIt\u2019s the most ambitious show I\u2019ve ever done,\u201d Carpenter said. \u201cIt\u2019s probably the most time I\u2019ve ever had to actually just sit down and talk about a show as I\u2019m building it. Most of the time, you\u2019re really quickly thrust into physical rehearsals, but this time around we started this process around seven months ago. So it\u2019s been a long journey. It will be very special.\u201d<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\tCarpenter reflected on playing Coachella\u2019s main stage previously in 2024, but said this would on another level. <\/p>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\t\u201cI\u2019ve played, but not as a headliner,\u201d she told Jacobs. \u201cI was playing sunset, around 5.30 pm on the main stage two years ago. That was a really special day for me, the day my song \u2018Espresso\u2019 came out. I got to play that for the first time at Coachella. And now, two years later, we\u2019re back. And I think that\u2019s what makes this show feel really, really surreal: getting to celebrate all the songs that have come after it, and just how many lives they\u2019ve lived since they\u2019ve come out.\u201d<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\tThe singer told Jacobs that she switches into pop star mode when she hits the stage, describing performing like \u201cthere\u2019s a button.\u201d  <\/p>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\t\u201cI started touring when I was 16 years old, and I\u2019ve always felt that there\u2019s a button that turns on when you\u2019re performing,\u201d she explained. \u201cAnd when you\u2019re singing these songs, whether these songs be your personal stories or songs you wrote about other people, in that moment it really becomes a show. I\u2019ve always been able to differentiate when I get off stage. I am a human being. I\u2019m a 26-year-old girl. I\u2019m hormonal. I\u2019m emotional. I\u2019m dealing with a lot of stuff. For me, it really just has been compartmentalising the moments where I feel like the show must go on and then moments where I can really allow myself to be a little all over the place and allow that to be OK. But the way I see it, I think, versus the way other people see it is different, so I have to remind myself that.\u201d<\/p>\n<section class=\"brands-most-popular \/\/ editors-pick-module lrv-u-margin-tb-2 lrv-u-border-a-2 u-box-shadow-5-5 lrv-u-padding-lr-1 a-span1 u-padding-b-1@tablet u-overflow-hidden\">\n<h2 id=\"section-heading\" class=\"c-heading larva  lrv-u-text-align-center u-border-color-black a-font-theme-primary-xxs lrv-u-color-black lrv-u-text-transform-uppercase u-letter-spacing-0063 lrv-u-padding-t-050 u-padding-b-0375@tablet lrv-u-padding-b-050@mobile-max lrv-u-border-b-2\">\n<p>\t\tEditor\u2019s picks<\/p>\n<\/h2>\n<\/section>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\tShe added, \u201cPart of me needs to channel a version of myself that maybe doesn\u2019t take it all so seriously. But then when I\u2019m off stage, I\u2019m a little more locked in. I\u2019m more of the businesswoman. \u2026 I\u2019m definitely figuring out how to keep those pieces of myself separate so that when they collide, it feels a little bit healthier, if that makes sense.\u201d<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\tElsewhere in the interview, Carpenter described how her <a href=\"https:\/\/www.rollingstone.com\/music\/music-news\/sabrina-carpenter-bids-farewell-short-n-sweet-tour-1235474496\/\">Short \u2018n\u2019 Sweet Tour<\/a> changed her career because it involved an interaction with her fans. She noted that \u201cconcerts are still one of the most inspiring things that I get to be a part of in my work.\u201d<\/p>\n<section class=\"brands-most-popular \/\/ recirculation-modules trending-in-article lrv-u-margin-tb-2 lrv-u-border-a-2 u-box-shadow-5-5 lrv-u-padding-lr-1 a-span1 u-padding-b-1@tablet u-overflow-hidden\">\n<h2 id=\"section-heading\" class=\"c-heading larva  lrv-u-text-align-center u-border-color-black a-font-theme-primary-xxs lrv-u-color-black lrv-u-text-transform-uppercase u-letter-spacing-0063 lrv-u-padding-t-050 u-padding-b-0375@tablet lrv-u-padding-b-050@mobile-max lrv-u-border-b-2\">\n<p>\t\tTrending Stories<\/p>\n<\/h2>\n<\/section>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\t\u201cWhen I\u2019m writing, I\u2019m pretty isolated in the studio,\u201d the singer said. \u201cEven when you\u2019re on the set of something, you\u2019re in a little bit more of an intimate crew of people. Whereas I feel like these shows are just where you can feel so much energy in a crowd, in a sea of that many people. There are so many stories, and there\u2019s so many different kinds of people that it just feels like you\u2019re really living. I\u2019m really excited about those shows coming up and everything to follow.\u201d <\/p>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\tEarlier this week, Carpenter dropped a music video for her song <a href=\"https:\/\/www.rollingstone.com\/music\/music-news\/sabrina-carpenter-house-tour-music-video-margaret-qualley-1235542151\/\">\u201cHouse Tour.\u201d<\/a> The raucous clip was co-directed by Carpenter and Margaret Qualley, and also co-stars Madelyn Cline.  \u201cHouse Tour\u201d appears on Carpenter\u2019s most recent album,\u00a0<em><a href=\"https:\/\/www.rollingstone.com\/music\/music-album-reviews\/sabrina-carpenter-mans-best-friend-review-1235419429\/\">Man\u2019s Best Friend<\/a><\/em>, which was released last August. It\u2019s the third song from the album to receive a proper music video following the visuals for\u00a0<a href=\"https:\/\/www.rollingstone.com\/music\/music-news\/sabrina-carpenter-tears-video-colman-domingo-drag-1235418232\/\">\u201cTears\u201d<\/a>\u00a0and\u00a0<a href=\"https:\/\/www.rollingstone.com\/music\/music-news\/sabrina-carpenter-manchild-single-1235351546\/\">\u201cManchild.\u201d\u00a0<\/a><\/p>\n<\/div>\n<p><br \/>\n<br \/><a href=\"https:\/\/www.rollingstone.com\/music\/music-news\/sabrina-carpenter-coachella-set-ambitious-tease-1235544107\/\">Source link <\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Sabrina Carpenter is preparing to unleash the \u201cmost ambitious show\u201d she\u2019s ever performed at Coachella. In a new interview with Marc Jacobs for Perfect,&#8230;<\/p>\n","protected":false},"author":5,"featured_media":61983,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[36],"tags":[],"class_list":["post-61982","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-pop","article","has-excerpt","has-avatar","has-author","has-date","has-comment-count","has-category-meta","has-read-more","thumbnail-"],"_links":{"self":[{"href":"https:\/\/musicianvoice.com\/index.php\/wp-json\/wp\/v2\/posts\/61982","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/musicianvoice.com\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/musicianvoice.com\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/musicianvoice.com\/index.php\/wp-json\/wp\/v2\/users\/5"}],"replies":[{"embeddable":true,"href":"https:\/\/musicianvoice.com\/index.php\/wp-json\/wp\/v2\/comments?post=61982"}],"version-history":[{"count":0,"href":"https:\/\/musicianvoice.com\/index.php\/wp-json\/wp\/v2\/posts\/61982\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/musicianvoice.com\/index.php\/wp-json\/wp\/v2\/media\/61983"}],"wp:attachment":[{"href":"https:\/\/musicianvoice.com\/index.php\/wp-json\/wp\/v2\/media?parent=61982"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/musicianvoice.com\/index.php\/wp-json\/wp\/v2\/categories?post=61982"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/musicianvoice.com\/index.php\/wp-json\/wp\/v2\/tags?post=61982"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}