{"id":62061,"date":"2026-04-09T22:13:30","date_gmt":"2026-04-09T22:13:30","guid":{"rendered":"https:\/\/musicianvoice.com\/index.php\/2026\/04\/09\/hip-hop-pioneer-afrika-bambaataa-dead-at-67\/"},"modified":"2026-04-09T22:13:30","modified_gmt":"2026-04-09T22:13:30","slug":"hip-hop-pioneer-afrika-bambaataa-dead-at-67","status":"publish","type":"post","link":"https:\/\/musicianvoice.com\/index.php\/2026\/04\/09\/hip-hop-pioneer-afrika-bambaataa-dead-at-67\/","title":{"rendered":"Hip-Hop Pioneer Afrika Bambaataa Dead at 67"},"content":{"rendered":"<p> <br \/>\n<\/p>\n<div>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\t<a href=\"https:\/\/www.rollingstone.com\/t\/afrika-bambaataa\/\" id=\"auto-tag_afrika-bambaataa\" data-tag=\"afrika-bambaataa\">Afrika Bambaataa<\/a>, the visionary DJ, rapper, producer, and activist who became one of the first global hip-hop stars and later faced multiple, widespread accusations of sexual abuse, has died at age 67. A cause of death was not immediately available.<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\t\u201cToday, we acknowledge the transition of a foundational architect of Hip Hop culture, Afrika Bambaataa,\u201d <a href=\"https:\/\/www.instagram.com\/reels\/DW65ey-DcCT\/\" rel=\"nofollow\" target=\"_blank\">Kurtis Blow wrote in a statement<\/a> as executive director of the Hip Hop Alliance, a labor force founded by himself alongside Chuck D, KRS-One, and others. \u201c[He] helped shape the early identity of Hip Hop as a global movement rooted in peace, unity, love, and having fun. His vision transformed the Bronx into the birthplace of a culture that now reaches every corner of the world \u2026 At the same time, we recognize that his legacy is complex and has been the subject of serious conversations within our community.\u201d<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\tAs a recording artist, Bambaataa\u2019s legacy rests on \u201cPlanet Rock,\u201d the seminal 1982 12-inch he recorded with the Soulsonic Force and backing vocalists Planet Patrol. Produced by Arthur Baker, the gold-certified single launched Bambaataa into public consciousness around the globe. Its electronic sound \u2014 largely influenced by the German outfit Kraftwerk \u2014 inspired a years-long trend of electro-rap and dance-pop records in the mid-Eighties. Generations of musicians, from Missy Elliott to City Girls, drew inspiration from the song. Rap artists shouted out Bambaataa in their verses. Others, like the Chemical Brothers (\u201cIt Began in Afrika\u201d), dedicated entire songs to him.<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\tOnce called a \u201cphilosopher king\u201d by <em>Rock &amp; Roll Confidential<\/em>, Bambaataa made recordings steeped in an Afrofuturist sensibility, with references to Egyptology and Black cosmology. As a DJ, he boasted a reputation as \u201cMaster of Records,\u201d one whose tastes and selections encompassed a wide gamut of soulful funk, boogie rock, electro breaks, and all sorts of novelty kitsch. The Universal Zulu Nation, an organization he co-founded in the late Seventies, sprouted chapters across the world and organized annual \u201canniversary\u201d parties that featured top acts from the music industry.<\/p>\n<section class=\"brands-most-popular \/\/ editors-pick-module lrv-u-margin-tb-2 lrv-u-border-a-2 u-box-shadow-5-5 lrv-u-padding-lr-1 a-span1 u-padding-b-1@tablet u-overflow-hidden\">\n<h2 id=\"section-heading\" class=\"c-heading larva  lrv-u-text-align-center u-border-color-black a-font-theme-primary-xxs lrv-u-color-black lrv-u-text-transform-uppercase u-letter-spacing-0063 lrv-u-padding-t-050 u-padding-b-0375@tablet lrv-u-padding-b-050@mobile-max lrv-u-border-b-2\">\n<p>\t\tEditor\u2019s picks<\/p>\n<\/h2>\n<\/section>\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube\">\n<div class=\"wp-block-embed__wrapper\">\n<p><iframe loading=\"lazy\" title=\"Afrika Bambaataa &amp; Soulsonic Force - Planet Rock\" width=\"1200\" height=\"675\" src=\"https:\/\/www.youtube.com\/embed\/_rlUQsC8ECk?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe><\/p>\n<\/div>\n<\/figure>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\tWhen the term \u201chip-hop,\u201d a term credited to the late Keith \u201cCowboy\u201d Wiggins from Grandmaster Flash &amp; the Furious Five, was popularized in the early Eighties \u2014 the genre\u2019s Bronx pioneers also utilized names like \u201cb-beat\u201d and \u201chip-hip\u201d \u2014 it was Bambaataa who helped define it as four elements: DJ\u2019ing, graffiti, breakdancing, and rapping.<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\tProlific to a fault, Bambaataa issued dozens of albums throughout his career. While he never equaled the success of \u201cPlanet Rock\u201d in the U.S., he continued to enjoy chart success overseas, notably with \u201cReckless,\u201d a 1988 UK top 20 hit with British reggae-pop band UB40 as Afrika Bambaataa &amp; Family; and \u201cAfrika Shox,\u201d a 1999 UK top 10 hit by electronic duo Leftfield that featured him as a guest. Meanwhile, journalists often referred to him, Kool Herc, and Grandmaster Flash as an unofficial holy trinity key to hip-hop\u2019s growth into the most important American cultural movement of the end of the 20<sup>th<\/sup> century.<\/p>\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube\">\n<div class=\"wp-block-embed__wrapper\">\n<p><iframe loading=\"lazy\" title=\"Afrika Bambaataa Feat  UB40   Reckless\" width=\"1200\" height=\"900\" src=\"https:\/\/www.youtube.com\/embed\/cx6_HVSZaJg?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe><\/p>\n<\/div>\n<\/figure>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\tIn March 2016, Ronald Savage, a former \u201ccrate boy\u201d who carried the DJ\u2019s records to gigs, told New York radio jock Troi Tarain that Bambaataa sexually abused him in 1981. Savage\u2019s allegations prompted widespread press coverage. In a statement given to <em>Rolling Stone<\/em>, Bambaataa said, \u201cThese allegations are baseless and are a cowardly attempt to tarnish my reputation and legacy.\u201d Several men subsequently accused Bambaataa and other Zulu Nation leaders of sexually abusing them as teenagers, and at least one John Doe lawsuit was filed in 2021. Meanwhile, The Zulu Nation leadership publicly distanced itself from him. (Savage would later <a rel=\"nofollow\" href=\"https:\/\/allhiphop.com\/news\/exclusive-hip-hop-pioneer-afrika-bambaataa-reunites-with-accuser-ronald-savage-in-healing-moment\/\" target=\"_blank\">retract his allegations<\/a>.)<\/p>\n<section class=\"brands-most-popular \/\/ recirculation-modules lrv-u-margin-tb-2 lrv-u-border-a-2 u-box-shadow-5-5 lrv-u-padding-lr-1 a-span1 u-padding-b-1@tablet u-overflow-hidden\">\n<h2 id=\"section-heading\" class=\"c-heading larva  lrv-u-text-align-center u-border-color-black a-font-theme-primary-xxs lrv-u-color-black lrv-u-text-transform-uppercase u-letter-spacing-0063 lrv-u-padding-t-050 u-padding-b-0375@tablet lrv-u-padding-b-050@mobile-max lrv-u-border-b-2\">\n<p>\t\tRelated Content<\/p>\n<\/h2>\n<\/section>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\tReaction in the hip-hop community to Bambaataa\u2019s stunning fall was divided. Melle Mel claimed that people within the scene had known about it for years. A Zulu Nation spokesperson, TC Izlam, resigned from the organization in protest; a year later, he was<a href=\"https:\/\/www.vice.com\/en\/article\/8x8xva\/before-he-was-shot-dead-rapper-allegedly-received-threats-from-zulu-nation-affiliates\" rel=\"nofollow\" target=\"_blank\"> murdered in Atlanta under mysterious circumstances<\/a>. Dozens of onetime Zulu Nation chapters, some which have existed since the Eighties, defected to form a new organization,<a href=\"https:\/\/www.thezuluunion.com\/\" rel=\"nofollow\" target=\"_blank\"> Zulu Union<\/a>.<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\tHowever, KRS-One, whose Boogie Down Productions\u2019 classic \u201cSouth Bronx\u201d recounts hip-hop\u2019s early development, defended Bambaataa\u2019s legacy. \u201cFor me, if you keep it hip-hop, nothing can be taken away from Afrika Bambaataa,\u201d<a href=\"https:\/\/www.theroot.com\/krs-one-defends-afrika-bambaataa-against-molestation-al-1790888340\" rel=\"nofollow\" target=\"_blank\"> he told the podcast <em>Drink Champs<\/em><\/a>. \u201cHistory is history.\u201d<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\tLance Taylor was born in 1957 in Bronx River Projects, a public housing community in the South Bronx, New York. His mother was Jamaican, and his father was from Barbados. In 2014,<a href=\"https:\/\/www.vice.com\/da\/article\/5gkegn\/afrika-bambaataa-interview-js-rafaeli-222\" rel=\"nofollow\" target=\"_blank\"> he told <em>Vice<\/em><\/a><em> <\/em>that his mother\u2019s record collection inspired his famously eclectic DJ sets. \u201cOne minute you could hear soul, like James Brown and Motown and the STAX-Volt sound, and the next minute it could be African sounds like \u2018Mama Africa\u2019 by Miriam Makeba, and calypso and salsa or Salsoul [Records]\u2026 and then more pop sounds like Edith Piaf and Barbara Streisand, to, like, Three Dog Night and Creedence Clearwater Revival.\u201d<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\tMuch of Taylor\u2019s life is shrouded in mystery and myth. For decades, he told journalists he was \u201cKevin Donovan,\u201d an anonymous member of the Harlem Underground Band who arranged Bambaataa\u2019s debut 12-inch with Cosmic Force, 1980\u2019s \u201cZulu Nation Throwdown.\u201d Scholars didn\u2019t confirm Bambaataa\u2019s actual birth name until 2016, when oral testimonies circulated about his abuse allegations. He also gave inconsistent dates about life events prior to becoming a public figure with \u201cPlanet Rock.\u201d<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\tAs a youth, Taylor joined the Black Spades, one of several street gangs active in the South Bronx in the late Sixties. While attending Adlai Stevenson High School, he founded The Organization with a few former Spades members that evolved into the Zulu Nation. Taylor took inspiration from a 1975 trip he made to Africa, the result of winning a UNICEF essay contest; and <em>Zulu<\/em>, a 1964 war movie film where a band of British soldiers battled African warriors during the Anglo-Zulu war.<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\tTaylor has said that he first began playing records for his family at house parties and gave his first professional DJ performance in 1976. \u201cIt was limited to mixing records, no effects,\u201d he told the <em>East Village Eye <\/em>in 1982.<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\tBambaataa established a reputation for dazzling partiers with \u201cwild and unconventional records,\u201d as he said to <em>East Village Eye<\/em>. Meanwhile, the fledging Zulu Nation served as his crew and security team. The latter were necessary in an environment where locals policed themselves and tried to keep unruly teenage energy from boiling over into violence. \u201cBeing an ex-Black Spade, Bam always had a gang of hardheads around him to make sure his parties didn\u2019t go AWOL,\u201d wrote Grandmaster Flash in his autobiography with David Ritz, <em>The Adventures of Grandmaster Flash<\/em>. \u201cThey made it hard to get to the DJ table, but when I did, Bam was always nice. Bam was the kind of cat who would loan me any record he had.\u201d<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\tLike most of the top rap acts, Bambaataa was initially dismissive when the Fatback Band\u2019s \u201cKing Tim III\u201d and the Sugarhill Gang\u2019s \u201cRapper\u2019s Delight\u201d dropped in 1979, heralding the arrival of rap music in the mainstream. He released two 12-inches in 1980 to little impact. But after he scored with \u201cPlanet Rock,\u201d <em>Death Mix \u2014 Live!!!, <\/em>taken from a mixtape recording of a Bambaataa gig at a high school, offered precious official evidence of the DJ\u2019s early performances.<\/p>\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube\">\n<div class=\"wp-block-embed__wrapper\">\n<p><iframe loading=\"lazy\" title=\"Death Mix Part 1\" width=\"1200\" height=\"900\" src=\"https:\/\/www.youtube.com\/embed\/9EPZYtLWR4U?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe><\/p>\n<\/div>\n<\/figure>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\tIn 1981, Bambaataa connected with Tommy Boy Records founder Tom Silverman and helped mixed its first release, Cotton Candy\u2019s \u201cHavin\u2019 Fun.\u201d He also assembled \u201cJazzy Sensation,\u201d a modest club hit with the Kryptic Krew and Zulu Nation associates like DJ Jazzy Jay and Bronx rap crew the Jazzy 5.<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\tThe following year came \u201cPlanet Rock,\u201d a recording partly inspired by Bambaataa\u2019s experiences playing to mixed audiences at the Mudd Club in East Village and encountering New York\u2019s famed early Eighties \u201cdowntown\u201d scene that brought together punks, hip-hoppers, New Wavers, and fashionistas. \u201cAfter the Mudd Club, he knew just what to do. The rest is history,\u201d said Fab 5 Freddy in the 1982 <em>Village Voice <\/em>article. The 12-inch peaked at Number Four on <em>Billboard\u2019s <\/em>Black Singles chart, barely missed the pop top 40 at Number 48, and sold over 650,000 copies. Meanwhile, Bambaataa helped launch \u201cZulu Beats,\u201d a radio mixshow featuring Zulu Nation prot\u00e9g\u00e9s like Afrika Islam and DJ Red Alert on New York station WHBI-FM.<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\tIn 1983, Bambaataa, the Soulsonic Force, Baker, and Robie reunited for two more 12-inches, \u201cLooking for the Perfect Beat\u201d and \u201cRenegades of Funk!\u201d While not as groundbreaking as \u201cPlanet Rock,\u201d both certified Bambaataa as a top electro artist.<\/p>\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube\">\n<div class=\"wp-block-embed__wrapper\">\n<p><iframe loading=\"lazy\" title=\"Afrika Bambaataa &amp; Soulsonic Force - Looking for the Perfect Beat\" width=\"1200\" height=\"675\" src=\"https:\/\/www.youtube.com\/embed\/rHQ11l4uiM4?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe><\/p>\n<\/div>\n<\/figure>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\tAs captured in the video for \u201cPlanet Rock,\u201d Bambaataa &amp; Soulsonic Force\u2019s performances found them wearing elaborate Asiatic costumes that evoked Sun Ra and Earth, Wind &amp; Fire. Much like George Clinton\u2019s P-Funk, Bambaataa oversaw a loose collective of Zulu Nation rappers, DJs, and musicians for his recordings. He called them his \u201cfunk family.\u201d<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\tBambaataa\u2019s funk ethos inspired a dizzying number of projects. He formed Shango with Bill Laswell\u2019s Material and released the 1984 album <em>Shango Funk Theology<\/em>, a collection of chants and vocal hooks over synthesized beats.<em> <\/em>Bambaataa and Material also collaborated in 1984\u2019s \u201cWorld Destruction,\u201d an anti-nukes 12-inch with former Sex Pistol turned Public Image Limited frontman John Lydon.<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\tFor American hip-hop audiences, Bambaataa\u2019s last major hit was \u201cUnity,\u201d an acclaimed 1984 collaboration with James Brown that <em>Rolling Stone <\/em>called \u201cthe classic funk record of the year.\u201d During his life, Bambaataa scored 16 entries on the British charts, a sign of how his music found greater acceptance in Europe than the States.<\/p>\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube\">\n<div class=\"wp-block-embed__wrapper\">\n<p><iframe loading=\"lazy\" title=\"Unity, Pt. 1 (The Third Coming)\" width=\"1200\" height=\"900\" src=\"https:\/\/www.youtube.com\/embed\/lGWF2kyq-jQ?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe><\/p>\n<\/div>\n<\/figure>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\tAs b-boys turned their attention to new-school acts like Run-D.M.C., Whodini, and LL Cool J, Bambaataa remained an important father figure. He dispensed wisdom on BET\u2019s <em>Rap City<\/em> and appeared on the cover of <em>The Source<\/em>. Public Enemy memorably shouted him out on their 1988 single \u201cNight of the Living Bassheads\u201d: \u201cHere it is, Bam!\u201d On the 1991 song \u201cVibes &amp; Stuff\u201d by A Tribe Called Quest, Q-Tip paid tribute, \u201cGive enough respect to Afrika Bambaataa.\u201d<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\tThe Universal Zulu Nation continued to sprout chapters around the world. Much of the rap world was \u201cdown\u201d with the organization, whether due to membership, its many events, or out of admiration with its peaceful ethos and pro-Black philosophy. The organization drew inspiration from \u201cdifferent ideologies, whether it was the Nation of Islam, the Black Panther Party, the Young Lords,\u201d Bambaataa told <em>Vice<\/em>. \u201cWe dealt with Five Percenters, Christians, Hindus, Buddhists. In Zulu Nation, our lessons can come from anyone who did their research.\u201d However, the Zulus\u2019 original Bronx River chapter was targeted by New York Mayor Rudy Giuliani. Claiming that the Zulus were a \u201cgang\u201d despite no evidence of criminal activity, the city banned the group from the housing project in 1995. \u201cI know that\u2019s a bunch of jive,\u201d Bambaataa responded in the <em>New York Times<\/em>.<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\tMusically, Bambaataa continued to be active, particularly with charity projects. In 1985, he joined Artists United Against Apartheid, a collective formed by Steven Van Zandt to protest South Africa\u2019s apartheid regime. Their 1985 anthem, \u201cSun City,\u201d charted at number 38 on the <em>Billboard <\/em>Hot 100; <em>Rolling Stone <\/em>named it Single of the Year.<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\tBut Bambaataa\u2019s work was increasingly defined by his forays into electro breaks and house music, scenes greatly inspired by his Soulsonic Force hits. He DJ\u2019ed at raves and festivals and collaborated with techno producers like Germany\u2019s WestBam and Britain\u2019s Paul Oakenfold, the latter resulting in a remake of \u201cPlanet Rock\u201d for the 2001 movie <em>Swordfish. <\/em>He released a 1999 mix compilation, <em>United DJs of America \u2014 Volume 13: Electro Funk Breakdown<\/em>. That same year, he presented <em>Planet Rock: The Dance Album<\/em>.<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\tBambaataa earned numerous honors during his lifetime. In 2007, he was nominated for the Rock &amp; Roll Hall of Fame. In 2012, he held a three-year position as visiting professor at Cornell University, which also acquired his papers. In 2014, DJ Shadow and Cut Chemist paid homage to the Bronx pioneer by mounting an international tour utilizing his famed collection, \u201cRenegades of Rhythm.\u201d In 2011, Bambaataa and a group led by former DJ and record executive Rocky Bucano initiated efforts to create a hip-hop museum in the Bronx. Their efforts led to the Universal Hip-Hop Museum, a multi-million-dollar mixed-use property scheduled to open in 2024.<\/p>\n<section class=\"brands-most-popular \/\/ recirculation-modules trending-in-article lrv-u-margin-tb-2 lrv-u-border-a-2 u-box-shadow-5-5 lrv-u-padding-lr-1 a-span1 u-padding-b-1@tablet u-overflow-hidden\">\n<h2 id=\"section-heading\" class=\"c-heading larva  lrv-u-text-align-center u-border-color-black a-font-theme-primary-xxs lrv-u-color-black lrv-u-text-transform-uppercase u-letter-spacing-0063 lrv-u-padding-t-050 u-padding-b-0375@tablet lrv-u-padding-b-050@mobile-max lrv-u-border-b-2\">\n<p>\t\tTrending Stories<\/p>\n<\/h2>\n<\/section>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\tWhen the sexual-abuse allegations broke, the fledgling group issued a statement that claimed, \u201cAfrika Bambaataa has not had a role at the Universal Hip-Hop Museum since 2016.\u201d But he continued to appear in its marketing materials. Rumors abounded that he also continued to play a role in Zulu Nation up to his death.<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\tUntil the end of his life, Bambaataa recorded and toured overseas, mining his interests in cosmic electronic funk as \u201cthe Amen Ra of Hip-Hop Culture.\u201d His collaborators remained unaware \u2014 or kept willfully oblivious \u2014 about the allegations. For much of the public, he remained the man who made \u201cPlanet Rock\u201d and helped popularize a worldwide movement. \u201cIt\u2019s the Universal Zulu Nation Hip Hop Culture Anniversaries that every year each artists came to perform or to be at,\u201d he wrote in a<a href=\"https:\/\/www.instagram.com\/p\/CvC_-nhok5m\/?utm_source=ig_web_copy_link&amp;igshid=MzRlODBiNWFlZA==\" rel=\"nofollow\" target=\"_blank\"> typically enigmatic Instagram message<\/a>. \u201cOr did all of you forget too quickly to be manipulated?\u201d<\/p>\n<\/div>\n<p><script async src=\"\/\/www.instagram.com\/embed.js\"><\/script><br \/>\n<br \/><br \/>\n<br \/><a href=\"https:\/\/www.rollingstone.com\/music\/music-news\/afrika-bambaataa-dead-obituary-1234868031\/\">Source link <\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Afrika Bambaataa, the visionary DJ, rapper, producer, and activist who became one of the first global hip-hop stars and later faced multiple, widespread accusations&#8230;<\/p>\n","protected":false},"author":5,"featured_media":62062,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[36],"tags":[],"class_list":["post-62061","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-pop","article","has-excerpt","has-avatar","has-author","has-date","has-comment-count","has-category-meta","has-read-more","thumbnail-"],"_links":{"self":[{"href":"https:\/\/musicianvoice.com\/index.php\/wp-json\/wp\/v2\/posts\/62061","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/musicianvoice.com\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/musicianvoice.com\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/musicianvoice.com\/index.php\/wp-json\/wp\/v2\/users\/5"}],"replies":[{"embeddable":true,"href":"https:\/\/musicianvoice.com\/index.php\/wp-json\/wp\/v2\/comments?post=62061"}],"version-history":[{"count":0,"href":"https:\/\/musicianvoice.com\/index.php\/wp-json\/wp\/v2\/posts\/62061\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/musicianvoice.com\/index.php\/wp-json\/wp\/v2\/media\/62062"}],"wp:attachment":[{"href":"https:\/\/musicianvoice.com\/index.php\/wp-json\/wp\/v2\/media?parent=62061"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/musicianvoice.com\/index.php\/wp-json\/wp\/v2\/categories?post=62061"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/musicianvoice.com\/index.php\/wp-json\/wp\/v2\/tags?post=62061"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}