{"id":62271,"date":"2026-04-13T04:06:33","date_gmt":"2026-04-13T04:06:33","guid":{"rendered":"https:\/\/musicianvoice.com\/index.php\/2026\/04\/13\/clipse-perform-with-drummer-travis-barker\/"},"modified":"2026-04-13T04:06:33","modified_gmt":"2026-04-13T04:06:33","slug":"clipse-perform-with-drummer-travis-barker","status":"publish","type":"post","link":"https:\/\/musicianvoice.com\/index.php\/2026\/04\/13\/clipse-perform-with-drummer-travis-barker\/","title":{"rendered":"Clipse Perform With Drummer Travis Barker"},"content":{"rendered":"<p> <br \/>\n<\/p>\n<div id=\"\">\n<p>The duo continued their triumphant return to form at the festival on Sunday<\/p>\n<\/p><\/div>\n<div>\n\t\t<!-- do not apply CSS styles to this element! --><\/p>\n<div class=\"pmc-paywall\">\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\tToward the end of <a href=\"https:\/\/www.rollingstone.com\/t\/clipse\/\" id=\"auto-tag_clipse\" data-tag=\"clipse\">Clipse<\/a>\u2019s hour-long set on the Outdoor Theatre stage at <a href=\"https:\/\/www.rollingstone.com\/t\/coachella\/\" id=\"auto-tag_coachella\" data-tag=\"coachella\">Coachella<\/a>, the duo broke into \u201cThe Birds Don\u2019t Sing,\u201d a standout track from their Grammy-nominated album <a href=\"https:\/\/www.rollingstone.com\/music\/music-album-reviews\/clipse-let-god-sort-em-out-pusha-malice-1235371027\/\"><em>Let God Sort Em Out.<\/em><\/a><em> <\/em>The song is about the deaths of rapper <a href=\"https:\/\/www.rollingstone.com\/t\/malice\/\" id=\"auto-tag_malice\" data-tag=\"malice\">Malice<\/a>\u2019s parents; it\u2019s heartfelt, warm, and loving, with lyrics like \u201cYou told me that you loved me\/It was all in your tone\/\u201cI love my two sons\u201d was the code to your phone\/Now you\u2019re gone.\u201d There\u2019s no apologies or cynicism or irony: this is earnest, heartfelt hip-hop, here abetted and made even more emotional via family portraits. At the end of the song, Malice and his partner-in-rhyme <a href=\"https:\/\/www.rollingstone.com\/t\/pusha-t\/\" id=\"auto-tag_pusha-t\" data-tag=\"pusha-t\">Pusha T<\/a> looked back in silence at the final photo, paying homage to the family love and support that allowed them to pursue their dreams.<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\tIt\u2019s a far cry from \u201cGrindin\u2019,\u201d the Neptunes-produced cocaine-slanging smash that put them on the map in the 2000s, and it\u2019s proof positive of their longevity: They\u2019ve matured expertly without losing their edge along the way. The story of Clipse is also the story of one of hip-hop\u2019s most unlikely reunions: <a href=\"https:\/\/www.rollingstone.com\/music\/music-album-reviews\/clipse-let-god-sort-em-out-pusha-malice-1235371027\/\"><em>Let God\u2026 <\/em>is their first album in 15 years,<\/a> and many fans never thought they\u2019d see the duo perform together again.<\/p>\n<section class=\"brands-most-popular \/\/ recirculation-modules trending-in-article lrv-u-margin-tb-2 lrv-u-border-a-2 u-box-shadow-5-5 lrv-u-padding-lr-1 a-span1 u-padding-b-1@tablet u-overflow-hidden\">\n<h2 id=\"section-heading\" class=\"c-heading larva  lrv-u-text-align-center u-border-color-black a-font-theme-primary-xxs lrv-u-color-black lrv-u-text-transform-uppercase u-letter-spacing-0063 lrv-u-padding-t-050 u-padding-b-0375@tablet lrv-u-padding-b-050@mobile-max lrv-u-border-b-2\">\n<p>\t\tTrending Stories<\/p>\n<\/h2>\n<\/section>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\tSo it\u2019s a neat miracle that, despite some mic problems that found Pusha T constantly just a bit too low in the speakers, Clipse kept their easy confidence throughout. They came out strong, opening with a shortened version of the <a href=\"https:\/\/www.rollingstone.com\/music\/music-news\/clipse-pharrell-williams-2026-grammys-performance-1235508163\/\">Grammy-winning \u201cChains &amp; Whips,<\/a>\u201d expertly assisted by Blink-182\u2019s drummer Travis Barker, who remained onstage for the first four songs of the set (it\u2019s a shame he wasn\u2019t there for the whole thing, his snare snaps were the perfect accent to Clipse\u2019s sometimes-minimalist beats, and his energy was clearly contagious to the two rappers.)<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\tHigh-drama scenes from boxing matches, ballet recitals, stripper-po;e dances, and revival services appeared onscreen throughout the show, enunciating the words and messages of songs like \u201cKeys Open Doors\u201d and \u201cF.I.C.O,\u201d the latter inspiring mass sing-alongs to the duo\u2019s flow-centric verses. Their charisma was infectious and real, and their set served as another chapter in what will hopefully be a lengthy return to form.<\/p>\n<\/div><\/div>\n<p><br \/>\n<br \/><a href=\"https:\/\/www.rollingstone.com\/music\/music-news\/clipse-performance-coachella-2026-1235543511\/\">Source link <\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>The duo continued their triumphant return to form at the festival on Sunday Toward the end of Clipse\u2019s hour-long set on the Outdoor Theatre&#8230;<\/p>\n","protected":false},"author":5,"featured_media":62272,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[36],"tags":[],"class_list":["post-62271","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-pop","article","has-excerpt","has-avatar","has-author","has-date","has-comment-count","has-category-meta","has-read-more","thumbnail-"],"_links":{"self":[{"href":"https:\/\/musicianvoice.com\/index.php\/wp-json\/wp\/v2\/posts\/62271","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/musicianvoice.com\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/musicianvoice.com\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/musicianvoice.com\/index.php\/wp-json\/wp\/v2\/users\/5"}],"replies":[{"embeddable":true,"href":"https:\/\/musicianvoice.com\/index.php\/wp-json\/wp\/v2\/comments?post=62271"}],"version-history":[{"count":0,"href":"https:\/\/musicianvoice.com\/index.php\/wp-json\/wp\/v2\/posts\/62271\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/musicianvoice.com\/index.php\/wp-json\/wp\/v2\/media\/62272"}],"wp:attachment":[{"href":"https:\/\/musicianvoice.com\/index.php\/wp-json\/wp\/v2\/media?parent=62271"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/musicianvoice.com\/index.php\/wp-json\/wp\/v2\/categories?post=62271"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/musicianvoice.com\/index.php\/wp-json\/wp\/v2\/tags?post=62271"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}