{"id":62327,"date":"2026-04-13T16:06:42","date_gmt":"2026-04-13T16:06:42","guid":{"rendered":"https:\/\/musicianvoice.com\/index.php\/2026\/04\/13\/parts-and-labor-plan-set-of-all-sets-album-reunion-tour\/"},"modified":"2026-04-13T16:06:42","modified_gmt":"2026-04-13T16:06:42","slug":"parts-and-labor-plan-set-of-all-sets-album-reunion-tour","status":"publish","type":"post","link":"https:\/\/musicianvoice.com\/index.php\/2026\/04\/13\/parts-and-labor-plan-set-of-all-sets-album-reunion-tour\/","title":{"rendered":"Parts and Labor Plan &#8216;Set of All Sets&#8217; Album, Reunion Tour"},"content":{"rendered":"<p> <br \/>\n<\/p>\n<div>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\tFollowing in the footsteps of Kiss and the Eagles, noise-rock group Parts and Labor have reunited after playing a supposed farewell show, in their case, in 2012. The newly supersized band (the onetime trio now features two drummers from past lineups playing side by side) will release a new album, <em><a rel=\"noreferrer noopener nofollow\" target=\"_blank\" href=\"https:\/\/orcd.co\/setofallsets\">Set of All Sets<\/a><\/em>, on July 10 via Ernest Jenning Record Co.<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\tThe quartet \u2014 founding members Dan Friel and B.J. Warshaw alongside drummers Christopher Weingarten and Joe Wong \u2014 previewed their sixth long-player with a four-part single, \u201cEndless Cycle,\u201d which, at 20 minutes, spans everything from Queen-via-H\u00fcsker D\u00fc urgent melodies on part two (\u201cEdges of Forgetting\u201d) to a massive drum cacophony on the final part (\u201cWorking in Storm\u201d). Covering the full spectrum of styles Parts and Labor are known for, it\u2019s a fitting preview for an album, which is now <a rel=\"noreferrer noopener nofollow\" target=\"_blank\" href=\"https:\/\/ernestjenning.limitedrun.com\/products\/873551\">available for preorder<\/a>, that runs 79 minutes. On the album\u2019s track list, parts one and two kick off the first half, while three and four begin the second.<\/p>\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube\">\n<div class=\"wp-block-embed__wrapper\">\n<p><iframe loading=\"lazy\" title=\"Parts &amp; Labor - Endless Cycle Pts. 1-4\" width=\"1200\" height=\"675\" src=\"https:\/\/www.youtube.com\/embed\/jSCWahmv7WQ?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe><\/p>\n<\/div>\n<\/figure>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\t\u201cThese songs are mirrors in all manner of ways,\u201d the band said in a statement. \u201cReflective and fragmented, this is our attempt at epitomizing the band we always strove to be. The \u2018Endless Cycle\u2019 is us.\u201d<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\tThe band, which originally formed in 2002, will mark their return with four concerts this summer in California and New York. The support bands, which variously include Oneida, PG14, and Kinski, among others, differ for each concert. \u201cIt felt like all the things we were worried about back in the day \u2014 \u00a0techno-fascism, authoritarianism, rapacious capitalism, societal division \u2014 were coming true if not getting worse,\u201d Warshaw said in a statement. \u201cReuniting has been a lifeline. The\u00a0<em>doing<\/em>\u00a0is the\u00a0antidote.\u201d<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\t<strong><em>Set of All Sets <\/em>Track List<\/strong><\/p>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\t1. \u201cEndless Cycle Pt. 1: Repetition Nil\u201d<br \/>2. \u201cEndless Cycle Pt. 2: Edges of Forgetting\u201d<br \/>3. \u201cMany Worlds\u201d<br \/>4. \u201cDescending\u201d<br \/>5. \u201cHaunted Limbs\u201d<br \/>6. \u201cSeamripper\u201d<br \/>7. \u201cArterial Material\u201d<br \/>8. \u201cAnti-Lions and Lemonade\u201d<br \/>9. \u201cDescending\u201d<br \/>10. \u201cEndless Cycle Pt. 3: Better Run\u201d<br \/>11. \u201cEndless Cycle Pt. 4: Working in Storm\u201d<br \/>12. \u201cIndecision Tree\u201d<br \/>13. \u201cDescending\u201d<br \/>14. \u201cParallel Tracks\u201d<br \/>15. \u201cOff by One\u201d<br \/>16. \u201cLike They\u2019re Here to Stay\u201d<br \/>17. \u201cSet of All Sets\u201d<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\t<strong>Parts and Labor Tour Dates<\/strong><\/p>\n<section class=\"brands-most-popular \/\/ recirculation-modules trending-in-article lrv-u-margin-tb-2 lrv-u-border-a-2 u-box-shadow-5-5 lrv-u-padding-lr-1 a-span1 u-padding-b-1@tablet u-overflow-hidden\">\n<h2 id=\"section-heading\" class=\"c-heading larva  lrv-u-text-align-center u-border-color-black a-font-theme-primary-xxs lrv-u-color-black lrv-u-text-transform-uppercase u-letter-spacing-0063 lrv-u-padding-t-050 u-padding-b-0375@tablet lrv-u-padding-b-050@mobile-max lrv-u-border-b-2\">\n<p>\t\tTrending Stories<\/p>\n<\/h2>\n<\/section>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\tJuly 24 \u2013 Los Angeles, CA @ Zebulon *<br \/>July 26 \u2013 San Francisco, CA @ Bottom of the Hill **<br \/>Aug. 7 \u2013 Ridgewood, NY @ TV Eye ***<br \/>Aug. 8 \u2013 Ridgewood, NY @ TV Eye \u00a0****<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\t* with PG14 &amp; HLLLYH<br \/>** with Evicshen &amp; HLLLYH<br \/>*** with Oneida &amp; Kinski<br \/>**** with 75 Dollar Bill and Parlor Walls<\/p>\n<\/div>\n<p><br \/>\n<br \/><a href=\"https:\/\/www.rollingstone.com\/music\/music-news\/parts-and-labor-set-of-all-sets-reunion-1235543314\/\">Source link <\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Following in the footsteps of Kiss and the Eagles, noise-rock group Parts and Labor have reunited after playing a supposed farewell show, in their&#8230;<\/p>\n","protected":false},"author":5,"featured_media":62328,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[36],"tags":[],"class_list":["post-62327","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-pop","article","has-excerpt","has-avatar","has-author","has-date","has-comment-count","has-category-meta","has-read-more","thumbnail-"],"_links":{"self":[{"href":"https:\/\/musicianvoice.com\/index.php\/wp-json\/wp\/v2\/posts\/62327","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/musicianvoice.com\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/musicianvoice.com\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/musicianvoice.com\/index.php\/wp-json\/wp\/v2\/users\/5"}],"replies":[{"embeddable":true,"href":"https:\/\/musicianvoice.com\/index.php\/wp-json\/wp\/v2\/comments?post=62327"}],"version-history":[{"count":0,"href":"https:\/\/musicianvoice.com\/index.php\/wp-json\/wp\/v2\/posts\/62327\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/musicianvoice.com\/index.php\/wp-json\/wp\/v2\/media\/62328"}],"wp:attachment":[{"href":"https:\/\/musicianvoice.com\/index.php\/wp-json\/wp\/v2\/media?parent=62327"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/musicianvoice.com\/index.php\/wp-json\/wp\/v2\/categories?post=62327"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/musicianvoice.com\/index.php\/wp-json\/wp\/v2\/tags?post=62327"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}