{"id":62461,"date":"2026-04-14T19:53:34","date_gmt":"2026-04-14T19:53:34","guid":{"rendered":"https:\/\/musicianvoice.com\/index.php\/2026\/04\/14\/justin-biebers-streams-surge-after-coachella-headline-set\/"},"modified":"2026-04-14T19:53:34","modified_gmt":"2026-04-14T19:53:34","slug":"justin-biebers-streams-surge-after-coachella-headline-set","status":"publish","type":"post","link":"https:\/\/musicianvoice.com\/index.php\/2026\/04\/14\/justin-biebers-streams-surge-after-coachella-headline-set\/","title":{"rendered":"Justin Bieber&#8217;s Streams Surge After Coachella Headline Set"},"content":{"rendered":"<p> <br \/>\n<\/p>\n<div>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\t<a href=\"https:\/\/www.rollingstone.com\/t\/justin-bieber\/\" id=\"auto-tag_justin-bieber\" data-tag=\"justin-bieber\">Justin Bieber<\/a>\u2018s highly-anticipated <a href=\"https:\/\/www.rollingstone.com\/music\/music-live-reviews\/justin-bieber-performance-coachella-2026-1235543481\/\">return to the stage<\/a> has unsurprisingly led to a spike in streams for the pop star.<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\tAccording to preliminary data from Luminate, Bieber\u2019s music was streamed 24.6 million times in the U.S. on April 12, the day after he <a href=\"https:\/\/www.rollingstone.com\/music\/music-news\/justin-bieber-kid-laroi-guest-coachella-2026-1235543487\/\">headlined Coachella<\/a>. That was a 54 percent jump from his total streams on April 11 (15.9 million), and a 74 percent leap from April 10 (14.1 million). The 24.6 million streams Bieber enjoyed on April 12 also made it his biggest streaming day of the year so far, and largest since July 18, 2025, one week after he released <em><a href=\"https:\/\/www.rollingstone.com\/music\/music-album-reviews\/justin-bieber-swag-review-1235384154\/\">Swag<\/a><\/em>.\u00a0<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\tSpotify, meanwhile, shared data with <em>Rolling Stone<\/em> showing that Bieber\u2019s music enjoyed a 250 percent increase in streams globally on that platform since <a href=\"https:\/\/www.rollingstone.com\/t\/coachella\/\" id=\"auto-tag_coachella\" data-tag=\"coachella\">Coachella<\/a>. While that\u2019s boosted songs across Bieber\u2019s discography, his Coachella set \u2014 which featured his two <em>Swag <\/em>records alongside old favorites \u2014 appears to have really benefited his back catalog.\u00a0<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\tFor instance, Bieber\u2019s 2010 hit \u201cU Smile\u201d jumped a whopping 600 percent versus its average totals; 2012\u2019s \u201cOne Love\u201d rose by 550 percent; and \u201cFavorite Girl\u201d \u2014 which Bieber hasn\u2019t performed live in over a decade \u2014 surged by 310 percent. Other 2010s classics enjoying a boost were \u201cNever Say Never\u201d (320 percent), \u201cAs Long As You Love Me\u201d (340 percent), and \u201cBaby\u201d (170 percent, though maybe <a href=\"https:\/\/www.rollingstone.com\/music\/music-news\/geese-cover-justin-bieber-baby-coachella-1235545540\/\">Geese can take some partial credit<\/a> for that).<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\tBut fans aren\u2019t ignoring Bieber\u2019s newer material either. Streams of \u201cI Do\u201d off <em><a href=\"https:\/\/www.rollingstone.com\/music\/music-album-reviews\/justin-bieber-swag-2-review-1235422572\/\">Swag II<\/a><\/em> rose by 435 percent, while \u201cAll I Can Take\u201d and \u201cWalking Away,\u201d both off <em>Swag<\/em>, saw boosts of 320 and 310 percent, respectively. Additionally, \u201cI Think You\u2019re Special\u201d featuring Tems, and \u201cDevotion\u201d featuring Dijon, rose by 280 percent and 240 percent, respectively; both Tems and Dijon joined Bieber for performances of those songs at Coachella.\u00a0<\/p>\n<section class=\"brands-most-popular \/\/ recirculation-modules trending-in-article lrv-u-margin-tb-2 lrv-u-border-a-2 u-box-shadow-5-5 lrv-u-padding-lr-1 a-span1 u-padding-b-1@tablet u-overflow-hidden\">\n<h2 id=\"section-heading\" class=\"c-heading larva  lrv-u-text-align-center u-border-color-black a-font-theme-primary-xxs lrv-u-color-black lrv-u-text-transform-uppercase u-letter-spacing-0063 lrv-u-padding-t-050 u-padding-b-0375@tablet lrv-u-padding-b-050@mobile-max lrv-u-border-b-2\">\n<p>\t\tTrending Stories<\/p>\n<\/h2>\n<\/section>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\tBieber isn\u2019t the only artist to see a streaming boost from Coachella weekend one, with his fellow headliner <a href=\"https:\/\/www.rollingstone.com\/music\/music-latin\/karol-g-spotify-streams-spike-post-coachella-1235545821\/\">Karol G also enjoying Spotify surges<\/a>. Karol\u2019s global streams jumped 14.3 percent, while in the U.S., her streams spiked more than double that with 35 percent.\u00a0<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\tFor Bieber, his Coachella set marked his first major public performance since his <em>Justice<\/em> tour ended in 2022. (Bieber postponed, then canceled the run while dealing with a series of health issues.) Since then, he\u2019s been largely absent from the stage, outside a handful of private gigs and TV performances.\u00a0Ahead of Coachella, he took the stage at the Roxy in Los Angeles for an\u00a0<a href=\"https:\/\/www.rollingstone.com\/music\/music-news\/justin-bieber-first-us-concert-four-years-watch-videos-1235538722\/\">invite-only event for fans<\/a>.<\/p>\n<\/div>\n<p><br \/>\n<br \/><a href=\"https:\/\/www.rollingstone.com\/music\/music-news\/justin-bieber-streams-surge-coachella-1235547006\/\">Source link <\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Justin Bieber\u2018s highly-anticipated return to the stage has unsurprisingly led to a spike in streams for the pop star. According to preliminary data from&#8230;<\/p>\n","protected":false},"author":5,"featured_media":62462,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[36],"tags":[],"class_list":["post-62461","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-pop","article","has-excerpt","has-avatar","has-author","has-date","has-comment-count","has-category-meta","has-read-more","thumbnail-"],"_links":{"self":[{"href":"https:\/\/musicianvoice.com\/index.php\/wp-json\/wp\/v2\/posts\/62461","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/musicianvoice.com\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/musicianvoice.com\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/musicianvoice.com\/index.php\/wp-json\/wp\/v2\/users\/5"}],"replies":[{"embeddable":true,"href":"https:\/\/musicianvoice.com\/index.php\/wp-json\/wp\/v2\/comments?post=62461"}],"version-history":[{"count":0,"href":"https:\/\/musicianvoice.com\/index.php\/wp-json\/wp\/v2\/posts\/62461\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/musicianvoice.com\/index.php\/wp-json\/wp\/v2\/media\/62462"}],"wp:attachment":[{"href":"https:\/\/musicianvoice.com\/index.php\/wp-json\/wp\/v2\/media?parent=62461"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/musicianvoice.com\/index.php\/wp-json\/wp\/v2\/categories?post=62461"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/musicianvoice.com\/index.php\/wp-json\/wp\/v2\/tags?post=62461"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}