{"id":62547,"date":"2026-04-15T17:28:31","date_gmt":"2026-04-15T17:28:31","guid":{"rendered":"https:\/\/musicianvoice.com\/index.php\/2026\/04\/15\/slipknots-shawn-crahan-a-k-a-clown-talks-look-outside-your-window\/"},"modified":"2026-04-15T17:28:31","modified_gmt":"2026-04-15T17:28:31","slug":"slipknots-shawn-crahan-a-k-a-clown-talks-look-outside-your-window","status":"publish","type":"post","link":"https:\/\/musicianvoice.com\/index.php\/2026\/04\/15\/slipknots-shawn-crahan-a-k-a-clown-talks-look-outside-your-window\/","title":{"rendered":"Slipknot&#8217;s Shawn Crahan a.k.a Clown Talks Look Outside Your Window"},"content":{"rendered":"<p> <br \/>\n<\/p>\n<div>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\t<em>Look Outside Your Window <\/em>is not a <a href=\"https:\/\/www.rollingstone.com\/t\/slipknot\/\" id=\"auto-tag_slipknot\" data-tag=\"slipknot\">Slipknot<\/a> album. But it is the side-effect of one.<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\t\u201cIf Slipknot hadn\u2019t been in there, we would\u2019ve never done this,\u201d says M. <a href=\"https:\/\/www.rollingstone.com\/t\/shawn-crahan\/\" id=\"auto-tag_shawn-crahan\" data-tag=\"shawn-crahan\">Shawn Crahan<\/a>, who\u2019s best known as the long-running Midwestern metal band\u2019s percussionist \u201cClown.\u201d \u201cA little bit of what\u2019s going on down there is the reason this could go on up here.\u201d He\u2019s talking about the recording of Slipknot\u2019s fourth album, 2008\u2019s <em>All Hope Is Gone<\/em>. That\u2019s when he and several of his bandmates unmasked and picked up unfamiliar instruments in their studio for what turned out to be a different project entirely. Nearly 20 years later, their <a href=\"https:\/\/recordstoreday.com\/SpecialRelease\/20159\" rel=\"nofollow\" target=\"_blank\">self-titled debut<\/a> as Look Outside Your Window will finally hit shelves as a vinyl-only release on April 18, Record Store Day.<\/p>\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube\">\n<div class=\"wp-block-embed__wrapper\">\n<p><iframe loading=\"lazy\" title=\"Look Outside Your Window (April 18, 2026)\" width=\"1200\" height=\"675\" src=\"https:\/\/www.youtube.com\/embed\/SGMuzZskUCM?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe><\/p>\n<\/div>\n<\/figure>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\tThe mood of the album\u2019s 10 tracks is unlike anything Crahan or the other musicians he worked with have recorded before. Although the group includes vocalist Corey Taylor, guitarist Jim Root, and DJ Sid Wilson \u2014 who are all also Slipknot members \u2014 the album often sounds melancholic and brooding, with none of Slipknot\u2019s harshness. The musicians have referenced Radiohead as their touchstone over the years, and while echoes of that band\u2019s calculated restraint and sense of space reverberate throughout <em>Look Outside Your Window<\/em>, the band\u2019s experimentalism is what most resembles <em>Kid A.<\/em><\/p>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\tFree from the expectations of Slipknot, the musicians recorded toads and crickets, coaxed Taylor to sing from the bottom of a well, and asked Cristina Scabbia, frontwoman of the Italian goth-metal group Lacuna Coil, to recite an original poem in Italian and sing guest vocals. For years, the only taste of the album that people could hear has been \u201c\u2018Til We Die,\u201d a moody, jazzy bonus track on the deluxe edition of <em>All Hope Is Gone<\/em>. But that one song fails to capture the introspection and unique textures on <em>Look Outside Your Window<\/em>.<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\t\u201cCorey Taylor\u2019s my favorite singer in the world, and he is so different on this, and it\u2019s the same with Jim and Sid,\u201d Crahan, 56, tells <em>Rolling Stone<\/em> over Zoom on a break from a writing session for Slipknot\u2019s next album. He\u2019s in a bright mood and dressed down today, with a backwards ball cap, his long hair hanging over his shoulders, and his beard in full view. \u201cIt\u2019s just us four dudes got together and wrote some music and ended up being 11 songs and pretty serious lyrics about the time period.\u201d<\/p>\n<section class=\"brands-most-popular \/\/ editors-pick-module lrv-u-margin-tb-2 lrv-u-border-a-2 u-box-shadow-5-5 lrv-u-padding-lr-1 a-span1 u-padding-b-1@tablet u-overflow-hidden\">\n<h2 id=\"section-heading\" class=\"c-heading larva  lrv-u-text-align-center u-border-color-black a-font-theme-primary-xxs lrv-u-color-black lrv-u-text-transform-uppercase u-letter-spacing-0063 lrv-u-padding-t-050 u-padding-b-0375@tablet lrv-u-padding-b-050@mobile-max lrv-u-border-b-2\">\n<p>\t\tEditor\u2019s picks<\/p>\n<\/h2>\n<\/section>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\tOn opener \u201c11th March,\u201d Taylor sounds like he\u2019s on the verge of tears, singing about how everyone should come together to become one, as strange sounds clang and whirr around his voice. Root\u2019s guitar rings out like a harp on \u201cMoth,\u201d Crahan\u2019s percussion rattles on \u201cDirge\u201d (which sounds more like Q Lazzarus than Radiohead), and \u201cIs Real,\u201d one of the few hard rock\u2013leaning songs, has a looseness to it that feels miles apart from metal. The album\u2019s jewel, \u201cJuliette,\u201d finds Taylor sounding pensive as he sings, \u201cHey there, Mr. Blue Eyes, have you found your way back yet? Have you found your Juliette?\u201d over crisp guitar.<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\tThe album\u2019s roots stretch back to Slipknot\u2019s third LP, 2004\u2019s <em>Vol. 3: (The Subliminal Verses)<\/em>, when producer Rick Rubin introduced them to his \u201copen lab\u201d theory of creating a separate safe place for experimentation. So when the band began tracking their next album, <em>All Hope Is Gone<\/em>, at Sound Farm Studio in Jamaica, Iowa, Crahan put together a little studio in the room he was renting where he and Root could write music. \u201cWhile you\u2019re making an album, there\u2019s so much downtime,\u201d Crahan says. \u201cAnd I just had so much creativity coming through me that I would feel guilty if I was away from my family in a studio not doing anything creative.\u201d They felt good about the music they were making, so they rented out a farmhouse on the property to experiment more. Eventually, Taylor and Wilson wanted in, and the quartet came together.<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\tAlthough Slipknot was experiencing turbulence (Wilson, notably, was sick around the time they made the album; others struggled with addictions), Look Outside Your Window\u2019s sonic dabbling proved inspiring. Despite not feeling well, Wilson pushed himself outside of the box, playing piano, while Taylor played some drums, kegs Crahan that uses for percussion in Slipknot, and other instruments.<\/p>\n<section class=\"brands-most-popular \/\/ recirculation-modules lrv-u-margin-tb-2 lrv-u-border-a-2 u-box-shadow-5-5 lrv-u-padding-lr-1 a-span1 u-padding-b-1@tablet u-overflow-hidden\">\n<h2 id=\"section-heading\" class=\"c-heading larva  lrv-u-text-align-center u-border-color-black a-font-theme-primary-xxs lrv-u-color-black lrv-u-text-transform-uppercase u-letter-spacing-0063 lrv-u-padding-t-050 u-padding-b-0375@tablet lrv-u-padding-b-050@mobile-max lrv-u-border-b-2\">\n<p>\t\tRelated Content<\/p>\n<\/h2>\n<\/section>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\t\u201cI feel [doing Look Outside Your Window] drove me to be insanely creative,\u201d Crahan says, smiling. \u201cWe were just vomiting wonderful feelings. It was very enjoyable to be able to get it all out.\u201d<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\t<strong>Why did you name the group Look Outside Your Window?<\/strong><br \/>One night, we were sitting in the studio, and we looked out and saw some eyeshine on the tree in front of the window. It was pretty high up in the air, probably most definitely a raccoon looking in at us. But we started imagining cryptic mothmen, and Jim called the second song \u201cMoth.\u201d By the end of it, Jim was walking away, and he said, \u201cAlways look outside your window.\u201d It just meant so much, and I just kept saying it over and over again. It just really solidifies who we were, what we were doing, the conversations we were having between writing and having to go down and contemplate [Slipknot], which is huge.<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\t<strong>What informed the vibe of the music?<\/strong><br \/>Well, Jim and I love particular music that\u2019s not heavy. The alternative movement started when I was 19 or 20 years old, around college. So I was growing up with the greatest albums, like [Soundgarden\u2019s] <em>Louder Than Love<\/em> or [the Smashing Pumpkins\u2019] <em>Gish<\/em> or Pearl Jam\u2019s first album, anything from Sub Pop. But then I\u2019m an old punk rocker, too. I like Big Black\/Steve Albini stuff. I like real aggressive stuff like Scratch Acid and Killdozer. And with Jim, we both love Radiohead. All this different stuff fed my moods.<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\tSo the mood you hear is Jim and I constantly wanting to make this music we love that makes us happy to hear. That music is a lot artier.<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\t<strong>What do you think fans of your other band would make of those influences?<\/strong><br \/>What is the problem with the intellectual thinking that metal fans also like the Beatles? Do metal fans not like Radiohead? Well, I wouldn\u2019t say I\u2019m the biggest metalhead, but I like metal and I like Radiohead. I like Pink Floyd, Porcupine Tree, Helmet, Tom Waits, and Mike Patton. Who cares?<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\t<strong>What informed the mood of the music?<\/strong><br \/>I don\u2019t want to speak for Corey, but he definitely had something going on. He definitely is harnessing something. I won\u2019t say we were all getting along because we weren\u2019t, but it\u2019s just regular band stuff. It\u2019s not end-of-the-world stuff, but as you know, <a href=\"https:\/\/www.rollingstone.com\/music\/music-news\/slipknot-bassist-paul-gray-found-dead-in-iowa-hotel-at-38-69636\/\">we lost Paul Gray<\/a> after that album cycle, so we had a lot of things going on. The mood was what was happening in our brotherhood: very, very serious things. They were very trying times.<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\t<strong>There\u2019s a lot of melancholy in Look Outside Your Window.<\/strong><br \/>Yeah. The album doesn\u2019t make me cry, but it hurts. There are a lot of things that make me stop and look at myself and my life. Some of our brothers are gone. So that album ended up being a real good timestamp on other emotions \u2026 because [in Slipknot] we\u2019re just nine human beings deciding to share our time together.<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\t<strong>You made the most of your time during those sessions, though. Is it true Corey sang some of the songs from the bottom of a well?<\/strong><br \/>There was a water well outside the old farmhouse. We opened it up and it\u2019s got all this reverb. And we\u2019re like, \u201cHey, this is going to sound amazing on Corey.\u201d So we made Corey get down in the well, but it didn\u2019t work out like we wanted it to at the time.<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\tI\u2019m an experimentalist. I do anything I can to make the experience different and fruitful. \u201cLet\u2019s make them part of the art.\u201d I\u2019m just one of those guys that will use the creaking door, anything, because they are truthful in the moment. We heard toads and crickets outside, and they sounded beautiful. It\u2019s like, \u201cThese damn toads won\u2019t shut up. So guess what: This song\u2019s called \u2018Toad,\u2019 and here\u2019s these toads.\u201d We forgot they were even there. But the engineer didn\u2019t. Every day, he\u2019s like, \u201cThose damn toads are in the drum tank.\u201d And I\u2019m just like, \u201cLeave those bastards.\u201d<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\t<strong>How else did the four of you experiment?<\/strong><br \/>Jim would be playing guitar and throwing his guitar pedals over he couch. I was grabbing them and Sid comes in and grabs a pedal, and everybody\u2019s doing emotions. There\u2019s no reason for it. We were just trying things. Corey\u2019s like, \u201cI want to play the keg.\u201d The kegs aren\u2019t mine; I didn\u2019t invent them. So yeah, \u201cPlease, you play the keg. Let\u2019s see what you come up with.\u201d<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\t<strong>Do you have a lot of leftover music?<\/strong><br \/>I could probably get another five songs [out of the sessions] but they wouldn\u2019t be so complete as these. And Corey would have to sing all of them. There is one song that didn\u2019t make it, but it was heavier, more like <a href=\"https:\/\/www.rollingstone.com\/music\/music-album-reviews\/neurosis-an-undying-love-for-a-burning-world-review-1235536020\/\">a Neurosis thing<\/a>. I don\u2019t know why it didn\u2019t mix in; it felt a little out of place and intentional. Eventually, it\u2019ll come out.<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\t<strong>How did Cristina Scabbia get involved with Look Outside Your Window?<\/strong><br \/>Jim and she were dating. She\u2019s a talented artist, and she was up in the house. I had to go to Jim, like, \u201cHey, what do you think about getting Cristina on?\u201d And he said, \u201cAbsolutely.\u201d<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\tThe first thing I did was make her write a poem, a letter of intent in Italian. I told her to make it about batteries that are dying that cannot be recharged. And she\u2019s like, \u201cOK.\u201d I have the piece of paper in Italian, and she did her best to read it to me, but I\u2019ve never read it since then or memorized it. I just like to hear it the way it is. Jim and I were producing her, really making her get conviction. By the end, you could just feel it.<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\t<strong>She also sang on \u201cIs Real.\u201d<\/strong><br \/>One of my favorite moments was when she was done, and Corey Taylor came in the next day, and we\u2019re like, \u201cHey, we got something to play you.\u201d He had already sung on the song. So he thinks she\u2019s just doing the poem, but then she\u2019s busts into that vocal, singing, going for it. I just remember Corey going back a little bit and he goes, \u201cOK.\u201d He loved it, but it really surprised him in a good way.<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\tI want to say she got in the well, too for something. Maybe she read that thing there, I don\u2019t know. But the well had a dead rat in it and a bunch of dead bugs and it was filled with water. It had a vibe and it definitely made you work towards your art.<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\t<strong>My favorite song on the album is \u201cJuliette.\u201d How did that one come about?<\/strong><br \/>I don\u2019t know if I have a favorite, but that one really speaks to me. And of course the lyrics are like, \u201cHey, blue eyes,\u201d and I got blue eyes, Corey\u2019s got blue eyes. We had a conversation and we went down the Shakespeare road for a moment, like, \u201cWhat\u2019s your Juliette? What are you going to die for?\u201d That song got deep in some things, as well as some philosophy.<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\tI also like \u201cIn Reverse,\u201d and Corey Taylor on \u201cDirge\u201d is just \u2026 I don\u2019t know. The music will stop and get real micro, and then he\u2019s got that voice that gets you feeling a certain way. So I love them all for all different reasons, but I\u2019d say \u201cJuliette\u201d is really something that drove me to get it all done. They\u2019re all real to me.<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\t<strong>How did making Look Outside Your Window affect what you do with your other band?<\/strong><br \/>After <em>All Hope Is Gone<\/em>, the open lab became a staple. We recorded <em>.5: The Gray Chapter<\/em> over at Sunset Sound. Studio One is, like, the Doors\u2019 studio. Studio Two is the big room where Van Halen\u2019s done some stuff. And Prince made an identical copy of Studio Three at Paisley Park. So we made the open lab in there and let Prince drive the creativity in. If you want to play harmonica, walk down the hall, come in here, play harmonica. But that time, it was expected that anything written there can be on the [Slipknot] album. We can even fly parts from here over there for songs.<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\tThen we did <em>We Are Not Your Kind<\/em> and had another open lab. We wrote \u201cWhat\u2019s Next\u201d in there. That album\u2019s fascinating because we had 21 songs and 27 interludes, and all the interludes were made in the open lab. In the end, we only used three of them on the album. So there\u2019s 24 other interludes. Then when <em>The End, So Far<\/em> started, [engineer] Gregory Gordon led the open lab. At that point, everyone knew that it was expected to create whatever you want, however you want it, whenever you want it, for whatever reason, and just be creative.<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\t<strong>\u201cAdderall,\u201d a song on <em>The End, So Far<\/em>, reminds me of Radiohead and Look Outside Your Window.<br \/><\/strong>We didn\u2019t open an open lab that time, but I knew I could say, \u201cMichael [Pfaff, percussion] and I wrote the song from modular synths and a key called \u2018Adderall.\u2019 I\u2019m going to go play drums right now.\u201d And we did that song in one take. That song was born from the ability to have established the open lab.<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\t<strong>Do you see releasing <em>Look Outside Your Window <\/em>as the end of a chapter for you?<\/strong><br \/>Yes, it is definitely closing a chapter in that maybe it should have come out a long time ago, but Slipknot always stopped the forward motion of it because we\u2019d be in an album cycle and releasing it would have disrupted both things. So I finally put my foot down, and everybody\u2019s like, \u201cIt\u2019s about time.\u201d<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\tI love this album so much. I know people are going to love it and I\u2019ve accepted that it\u2019s going to get confused [with Slipknot]. But it\u2019ll also open up the next generation of Look Outside Your Window.<\/p>\n<section class=\"brands-most-popular \/\/ recirculation-modules trending-in-article lrv-u-margin-tb-2 lrv-u-border-a-2 u-box-shadow-5-5 lrv-u-padding-lr-1 a-span1 u-padding-b-1@tablet u-overflow-hidden\">\n<h2 id=\"section-heading\" class=\"c-heading larva  lrv-u-text-align-center u-border-color-black a-font-theme-primary-xxs lrv-u-color-black lrv-u-text-transform-uppercase u-letter-spacing-0063 lrv-u-padding-t-050 u-padding-b-0375@tablet lrv-u-padding-b-050@mobile-max lrv-u-border-b-2\">\n<p>\t\tTrending Stories<\/p>\n<\/h2>\n<\/section>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\t<strong>Do you think you\u2019ll perform the songs live?<br \/><\/strong>We as a unit of four people, at least some of us, had always said that there would be no reason we couldn\u2019t play this live. Someone would have to play bass if we were playing live; Jim\u2019s not going to play bass and guitar at the same time. So what will be fun for me is getting a real intricate band together to give it to people if they ever actually request it. It could very well be one, two, three special shows. I\u2019m going to wait until someone calls me and goes, \u201cToday\u2019s the day, we have a demand.\u201d<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\t<strong>It seems like making this album changed your life.<br \/><\/strong>This album was the first time we were just like, \u201cLet\u2019s blow our brains out.\u201d It was just like, \u201cHey, what do you want to do?\u201d \u201cLet\u2019s jam.\u201d Isn\u2019t that what we\u2019re supposed to do, to jam?<\/p>\n<\/div>\n<p><br \/>\n<br \/><a href=\"https:\/\/www.rollingstone.com\/music\/music-features\/slipknot-look-outside-your-window-shawn-crahan-1235534383\/\">Source link <\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Look Outside Your Window is not a Slipknot album. But it is the side-effect of one. \u201cIf Slipknot hadn\u2019t been in there, we would\u2019ve&#8230;<\/p>\n","protected":false},"author":5,"featured_media":62548,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[36],"tags":[],"class_list":["post-62547","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-pop","article","has-excerpt","has-avatar","has-author","has-date","has-comment-count","has-category-meta","has-read-more","thumbnail-"],"_links":{"self":[{"href":"https:\/\/musicianvoice.com\/index.php\/wp-json\/wp\/v2\/posts\/62547","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/musicianvoice.com\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/musicianvoice.com\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/musicianvoice.com\/index.php\/wp-json\/wp\/v2\/users\/5"}],"replies":[{"embeddable":true,"href":"https:\/\/musicianvoice.com\/index.php\/wp-json\/wp\/v2\/comments?post=62547"}],"version-history":[{"count":0,"href":"https:\/\/musicianvoice.com\/index.php\/wp-json\/wp\/v2\/posts\/62547\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/musicianvoice.com\/index.php\/wp-json\/wp\/v2\/media\/62548"}],"wp:attachment":[{"href":"https:\/\/musicianvoice.com\/index.php\/wp-json\/wp\/v2\/media?parent=62547"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/musicianvoice.com\/index.php\/wp-json\/wp\/v2\/categories?post=62547"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/musicianvoice.com\/index.php\/wp-json\/wp\/v2\/tags?post=62547"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}