{"id":62728,"date":"2026-04-17T17:29:33","date_gmt":"2026-04-17T17:29:33","guid":{"rendered":"https:\/\/musicianvoice.com\/index.php\/2026\/04\/17\/don-schlitz-the-gambler-songwriter-dead-at-73\/"},"modified":"2026-04-17T17:29:33","modified_gmt":"2026-04-17T17:29:33","slug":"don-schlitz-the-gambler-songwriter-dead-at-73","status":"publish","type":"post","link":"https:\/\/musicianvoice.com\/index.php\/2026\/04\/17\/don-schlitz-the-gambler-songwriter-dead-at-73\/","title":{"rendered":"Don Schlitz, &#8216;The Gambler&#8217; Songwriter, Dead at 73"},"content":{"rendered":"<p> <br \/>\n<\/p>\n<div>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\t<a href=\"https:\/\/www.rollingstone.com\/t\/don-schlitz\/\" id=\"auto-tag_don-schlitz\" data-tag=\"don-schlitz\">Don Schlitz<\/a>, a hit songwriter whose solo composition \u201cThe Gambler\u201d became a crossover smash for Kenny Rogers in 1978, died Thursday. He was 73. No cause was given, but a statement announcing his death said that he died at a hospital in Nashville following a sudden illness.<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\t\u201cThe Gambler,\u201d the first song Schlitz ever had recorded by an artist, told the story of an encounter with an old cardsharp on a \u201ctrain bound for nowhere.\u201d While the lyrics were rich in card-playing imagery, the song was a parable on navigating life. \u201cYou got to know when to hold \u2019em, know when to fold \u2019em,\u201d Schlitz wrote in the chorus. \u201cKnow when to walk away, know when to run.\u201d<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\tSchlitz wrote \u201cThe Gambler\u201d in 1976 when he was just 23, after three years of dead ends in Nashville. Following a meeting with his mentor, the songwriter Bob McDill, who showed him how to play an open tuning on guitar, Schlitz was newly inspired and walked back to his apartment writing the lyrics to what would become \u201cThe Gambler\u201d in his head before getting to his typewriter at home.<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\t\u201cI typed it out. Everything but the last verse,\u201d <a rel=\"noreferrer noopener nofollow\" data-id=\"https:\/\/www.youtube.com\/watch?v=-hwyf_7esJM\" target=\"_blank\" data-type=\"link\" href=\"https:\/\/www.youtube.com\/watch?v=-hwyf_7esJM\">Schlitz told<\/a> the performing-rights organization ASCAP. \u201cI spent six weeks writing scenarios for the end of the song. Finally, I decided to respect the listener, and I wrote the last eight lines and let the listener decide what happened.\u201d<\/p>\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube\">\n<div class=\"wp-block-embed__wrapper\">\n<p><iframe loading=\"lazy\" title=\"Kenny Rogers - The Gambler\" width=\"1200\" height=\"675\" src=\"https:\/\/www.youtube.com\/embed\/7hx4gdlfamo?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe><\/p>\n<\/div>\n<\/figure>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\t<br \/>\u201cThe Gambler\u201d made its way to producer Larry Butler, who oversaw recordings of the song by a slew of artists, including Johnny Cash and Rogers. Rogers\u2019 version stuck and the crooner released it as the title track to his 1978 album. It became a Number One country hit, a pop crossover, and earned Rogers a Grammy for Best Male Country Vocal Performance. It also won Schlitz a Grammy for Best Country Song and Song of the Year honors from the Country Music Association in 1979. \u201cAll the versions were wonderful,\u201d Schlitz said, \u201cbut the right one was the one that made it out, because of Kenny\u2019s performance and Larry\u2019s production.\u201d<\/p>\n<section class=\"brands-most-popular \/\/ editors-pick-module lrv-u-margin-tb-2 lrv-u-border-a-2 u-box-shadow-5-5 lrv-u-padding-lr-1 a-span1 u-padding-b-1@tablet u-overflow-hidden\">\n<h2 id=\"section-heading\" class=\"c-heading larva  lrv-u-text-align-center u-border-color-black a-font-theme-primary-xxs lrv-u-color-black lrv-u-text-transform-uppercase u-letter-spacing-0063 lrv-u-padding-t-050 u-padding-b-0375@tablet lrv-u-padding-b-050@mobile-max lrv-u-border-b-2\">\n<p>\t\tEditor\u2019s picks<\/p>\n<\/h2>\n<\/section>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\tBorn in 1952 in Durham, North Carolina, Schlitz made his way to Nashville at age 20 and pursued a career as a songwriter. He was a regular performer at the Bluebird Cafe, Nashville\u2019s revered songwriter proving ground. Throughout his life, Schlitz would return to the Bluebird alongside venues around the city, including a 2015 residency at East Nashville\u2019s the 5 Spot.<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\tBut Schlitz was always more of a songwriter than live performer. The impact his catalog had on country music was so immense, he became the only non-artist songwriter ever inducted into the Grand Ole Opry in 2022.<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\tIn addition to \u201cThe Gambler,\u201d he co-wrote Randy Travis hits like \u201cForever and Ever, Amen,\u201d \u201cOn the Other Hand,\u201d and \u201cDeeper Than the Holler.\u201d For Keith Whitley, it was \u201cWhen You Say Nothing at All.\u201d For Alabama, \u201c40 Hour Week (For a Livin\u2019).\u201d For the Judds, \u201cTurn It Loose.\u201d And for Mary Chapin Carpenter, \u201cHe Thinks He\u2019ll Keep Her.\u201d Schlitz scored 25 chart-topping singles as a writer. He also had his songs recorded by the Nitty Gritty Dirt Band, Tanya Tucker, and Garth Brooks, among others.<\/p>\n<section class=\"brands-most-popular \/\/ recirculation-modules trending-in-article lrv-u-margin-tb-2 lrv-u-border-a-2 u-box-shadow-5-5 lrv-u-padding-lr-1 a-span1 u-padding-b-1@tablet u-overflow-hidden\">\n<h2 id=\"section-heading\" class=\"c-heading larva  lrv-u-text-align-center u-border-color-black a-font-theme-primary-xxs lrv-u-color-black lrv-u-text-transform-uppercase u-letter-spacing-0063 lrv-u-padding-t-050 u-padding-b-0375@tablet lrv-u-padding-b-050@mobile-max lrv-u-border-b-2\">\n<p>\t\tTrending Stories<\/p>\n<\/h2>\n<\/section>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\tIn 2017, the Country Music Hall of Fame inducted Schlitz as a member, one of just a handful of songwriters to join the Hall. (This year, Schlitz\u2019s frequent writing partner, Paul Overstreet, will be <a href=\"https:\/\/www.rollingstone.com\/music\/music-country\/2026-country-music-hall-of-fame-inductees-tim-mcgraw-1235534682\/\">inducted<\/a>.) Schlitz was also a member of the Songwriters Hall of Fame, joining in 2012, and a decade earlier was inducted the Nashville Songwriters Association Hall of Fame.\u00a0<\/p>\n<p>Schlitz often marveled at the legacy of his most famous song. In addition to its radio ubiquity, \u201cThe Gambler\u201d inspired a series of films, and its lyrics embedded themselves in the cultural lexicon. Schlitz laughed about times he would hear an anchor cite the lyrics on a newscast, unaware of their origin.<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\t\u201c\u2019Oh, it\u2019s like the old saying: \u2018You gotta know when to hold \u2018em, know when to fold \u2018em,\u2019\u201d Schlitz said. \u201cI\u2019m going, that wasn\u2019t an old saying \u2014 I actually wrote that.\u201d<\/p>\n<\/div>\n<p><br \/>\n<br \/><a href=\"https:\/\/www.rollingstone.com\/music\/music-country\/don-schlitz-the-gambler-songwriter-dead-obituary-1235548975\/\">Source link <\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Don Schlitz, a hit songwriter whose solo composition \u201cThe Gambler\u201d became a crossover smash for Kenny Rogers in 1978, died Thursday. He was 73&#8230;.<\/p>\n","protected":false},"author":5,"featured_media":62729,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[36],"tags":[],"class_list":["post-62728","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-pop","article","has-excerpt","has-avatar","has-author","has-date","has-comment-count","has-category-meta","has-read-more","thumbnail-"],"_links":{"self":[{"href":"https:\/\/musicianvoice.com\/index.php\/wp-json\/wp\/v2\/posts\/62728","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/musicianvoice.com\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/musicianvoice.com\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/musicianvoice.com\/index.php\/wp-json\/wp\/v2\/users\/5"}],"replies":[{"embeddable":true,"href":"https:\/\/musicianvoice.com\/index.php\/wp-json\/wp\/v2\/comments?post=62728"}],"version-history":[{"count":0,"href":"https:\/\/musicianvoice.com\/index.php\/wp-json\/wp\/v2\/posts\/62728\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/musicianvoice.com\/index.php\/wp-json\/wp\/v2\/media\/62729"}],"wp:attachment":[{"href":"https:\/\/musicianvoice.com\/index.php\/wp-json\/wp\/v2\/media?parent=62728"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/musicianvoice.com\/index.php\/wp-json\/wp\/v2\/categories?post=62728"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/musicianvoice.com\/index.php\/wp-json\/wp\/v2\/tags?post=62728"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}