{"id":62807,"date":"2026-04-19T17:13:34","date_gmt":"2026-04-19T17:13:34","guid":{"rendered":"https:\/\/musicianvoice.com\/index.php\/2026\/04\/19\/bruce-springsteen-jammed-with-patti-smith-public-enemy-and-dr-dre\/"},"modified":"2026-04-19T17:13:34","modified_gmt":"2026-04-19T17:13:34","slug":"bruce-springsteen-jammed-with-patti-smith-public-enemy-and-dr-dre","status":"publish","type":"post","link":"https:\/\/musicianvoice.com\/index.php\/2026\/04\/19\/bruce-springsteen-jammed-with-patti-smith-public-enemy-and-dr-dre\/","title":{"rendered":"Bruce Springsteen Jammed With Patti Smith, Public Enemy, and Dr. Dre"},"content":{"rendered":"<p> <br \/>\n<\/p>\n<div>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\tFor a wonderful few minutes, the stage of Monmouth University\u2019s Pollack Theater felt like a scene out of a delirious rock and roll fever dream. It was the grand finale of the fourth annual American Music Honors, and <a href=\"https:\/\/www.rollingstone.com\/t\/patti-smith\/\" id=\"auto-tag_patti-smith\" data-tag=\"patti-smith\">Patti Smith<\/a> was singing \u201cPeople Have the Power\u201d alongside <a href=\"https:\/\/www.rollingstone.com\/t\/bruce-springsteen\/\" id=\"auto-tag_bruce-springsteen\" data-tag=\"bruce-springsteen\">Bruce Springsteen<\/a>, <a href=\"https:\/\/www.rollingstone.com\/t\/the-doors\/\" id=\"auto-tag_the-doors\" data-tag=\"the-doors\">the Doors<\/a> drummer John Densmore, Steve Earle, Nils Lofgren, Jake Clemons, Amy Helm, <a href=\"https:\/\/www.rollingstone.com\/t\/dr-dre\/\" id=\"auto-tag_dr-dre\" data-tag=\"dr-dre\">Dr. Dre<\/a>, Public Enemy, and Little Steven\u2019s Disciples of Soul.<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\tDr. Dre initially resisted Steve Van Zandt\u2019s initial efforts to literally pull him onto the stage, and he only submitted once Patti Smith joined the effort (\u201cWhat is it, man? Come on up!\u201d). But it didn\u2019t take long for Dre to grab a tambourine, and start singing the chorus into the same mic as Steve Earle and Van Zandt. The scene grew even more surreal once Flavor Flav burst onto the stage, hugged every single person, even Smith as she was singing, and began hyping up the crowd. \u201cYeah boy!\u201d he repeatedly yelled. \u201cWe got the power!\u201d<\/p>\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube\">\n<div class=\"wp-block-embed__wrapper\">\n<p><iframe loading=\"lazy\" title=\"Bruce Springsteen Patti Smith Public Enemy.-People Have The Power \" width=\"1200\" height=\"675\" src=\"https:\/\/www.youtube.com\/embed\/-xnueGYYxqA?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe><\/p>\n<\/div>\n<\/figure>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\tIt\u2019s the sort of scene that would be difficult to imagine taking place anywhere but the American Music Honors, which is organized every year by the Bruce Springsteen Center for American Music to honor groundbreaking artists. This year\u2019s class included the Doors, Patti Smith, Dionne Warwick, the E Street Band, and Dr. Dre. There was also a special musical tribute to the Band. Springsteen sat in the front row, but spent a large portion of the night delivering speeches and jamming with the inductees.\u00a0<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\tA show with this much star wattage could have easily filled Radio City Music Hall or even Madison Square Garden, but the Pollack Theater seats just about 700 people. The honorees and guest performers all sat in the audience and mingled with the guests, creating a vibe similar to the early Rock and Roll Hall of Fame induction ceremonies, before it moved to basketball arenas, became a TV broadcast, and lost any sense of intimacy or spontaneity.<\/p>\n<section class=\"brands-most-popular \/\/ editors-pick-module lrv-u-margin-tb-2 lrv-u-border-a-2 u-box-shadow-5-5 lrv-u-padding-lr-1 a-span1 u-padding-b-1@tablet u-overflow-hidden\">\n<h2 id=\"section-heading\" class=\"c-heading larva  lrv-u-text-align-center u-border-color-black a-font-theme-primary-xxs lrv-u-color-black lrv-u-text-transform-uppercase u-letter-spacing-0063 lrv-u-padding-t-050 u-padding-b-0375@tablet lrv-u-padding-b-050@mobile-max lrv-u-border-b-2\">\n<p>\t\tEditor\u2019s picks<\/p>\n<\/h2>\n<\/section>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\tEarly in the evening, after introductory remarks by host Brian Williams and Bruce Springsteen Center Executive Director Bob Santelli, Springsteen \u2013 who made all of this possible by donating all his vast archive to the university \u2013 addressed the crowd. \u201cThis whole thing really got much more out of hand than I ever imagined,\u201d he said. \u201cIt started with my stuff in a little shack over in the corner of the university. Now it\u2019s in its own building. The building is nicer than my house, and I have a really nice house.\u201d<\/p>\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube\">\n<div class=\"wp-block-embed__wrapper\">\n<p><iframe loading=\"lazy\" title=\"Bruce Springsteen American Music Awards- Dionne Warwick Induction + 2 songs w\/Bruce &amp; Darlene Love \" width=\"1200\" height=\"675\" src=\"https:\/\/www.youtube.com\/embed\/xAXW5H4ElYE?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe><\/p>\n<\/div>\n<\/figure>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\tHe was at the podium to induct Dionne Warwick. \u201cShe simply has the most elegant voice in the history of popular music,\u201d Springsteen said before calling out many of her songs, including \u201cI Just Don\u2019t Know What to Do With Myself,\u201d \u201cYou\u2019ll Never Get to Heaven (If You Break My Heart),\u201d \u201cMessage to Michael,\u201d and \u201cTrains and Boats and Planes,\u201d which he labelled \u201cone of my all-time favorites.\u201d \u201cDionne, your voice has been a constant companion for me and millions of others throughout the years,\u201d he said. \u201cI am incredibly honored to have you in our presence tonight.\u201d<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\tWarwick was genuinely moved by Springsteen\u2019s words (\u201cyou really know my stuff, huh?\u201d), and she sang her 1964 classic \u201cWalk On By\u201d with the Disciples of Soul before calling out Darlene Love and Willie Nelson harmonica player Mickey Raphael for \u201cThat\u2019s What Friends Are For.\u201d (Public Enemy had arrived by this point, and Flavor Flav clapped and sang along from his seat.)<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\tSteve Van Zandt came out next to induct the Doors. \u201cI didn\u2019t get the Doors at first,\u201d he said. \u201cGrowing up, we had a pretty serious prejudice against everything from the West Coast. I thought it was because we were such devout anglophiles at that point. If you didn\u2019t come from the Eric Clapton school of guitar playing, you were irrelevant to us, which eliminated most of the West Coast. But the real truth was that their music was just too sophisticated for me to understand.\u201d<\/p>\n<section class=\"brands-most-popular \/\/ recirculation-modules lrv-u-margin-tb-2 lrv-u-border-a-2 u-box-shadow-5-5 lrv-u-padding-lr-1 a-span1 u-padding-b-1@tablet u-overflow-hidden\">\n<h2 id=\"section-heading\" class=\"c-heading larva  lrv-u-text-align-center u-border-color-black a-font-theme-primary-xxs lrv-u-color-black lrv-u-text-transform-uppercase u-letter-spacing-0063 lrv-u-padding-t-050 u-padding-b-0375@tablet lrv-u-padding-b-050@mobile-max lrv-u-border-b-2\">\n<p>\t\tRelated Content<\/p>\n<\/h2>\n<\/section>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\tDoors guitarist Robby Krieger was unable to attend the show because his wife is ill, so John Densmore accepted the award on behalf of the band. He reflected back on the earliest days of the Doors, and their time as the house band at the Whisky a Go Go, where they opened up for groups like the Byrds, Jefferson Airplane, and Buffalo Springfield. \u201cThis is a really healing night,\u201d he said. \u201cThis is a love fest in a time of hate and division and divisiveness.\u201d\u00a0<\/p>\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube\">\n<div class=\"wp-block-embed__wrapper\">\n<p><iframe loading=\"lazy\" title=\"Bruce Springsteen American Music Awards-The Doors with Bruce &amp; John Densmore Light My Fire \" width=\"1200\" height=\"675\" src=\"https:\/\/www.youtube.com\/embed\/r7y14JdkhFw?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe><\/p>\n<\/div>\n<\/figure>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\tDensmore moved to the drum kit after his speech, and Springsteen stepped onto the stage and strapped on an electric guitar to join him and the Disciples of Soul for \u201cLight My Fire.\u201d \u201cI would hold your applause,\u201d Springsteen said. \u201cI haven\u2019t sung this since the CYO dance in 1967. There is nobody in the room in danger of filling Jim Morrison\u2019s leather pants.\u201d But he shook off 59 years of dust and nailed it, before calling out surprise guest Steve Earle to take the lead on \u201cRoadhouse Blues.\u201d The segment ended with Patti Smith coming out for a tender, stripped-back rendition of \u201cThe Crystal Ship,\u201d which she\u2019s been playing in her live show since the 1990s.\u00a0<\/p>\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube\">\n<div class=\"wp-block-embed__wrapper\">\n<p><iframe loading=\"lazy\" title=\"Bruce Springsteen and Steve Earle - Roadhouse Blues \" width=\"1200\" height=\"675\" src=\"https:\/\/www.youtube.com\/embed\/6meSvoVSmuY?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe><\/p>\n<\/div>\n<\/figure>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\tSadly, the death of Garth Hudson last year meant there are no longer any living members of the Band. But Levon Helm\u2019s daughter, Amy Helm, was in the building to speak on their behalf. In the longest speech of the evening by a considerable magnitude, Max Weinberg went through much of the group\u2019s early history as a backing group for Ronnie Hawkins and Bob Dylan, even name-checking obscure figures like Harvey Brooks, the bassist who briefly played live with Dylan and members of the Band in the summer of 1965.<\/p>\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube\">\n<div class=\"wp-block-embed__wrapper\">\n<p><iframe loading=\"lazy\" title=\"Bruce Springsteen, Steve Earle, Darlene Love , Amy Helm - The Weight \" width=\"1200\" height=\"675\" src=\"https:\/\/www.youtube.com\/embed\/_QY3JxKLRsk?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe><\/p>\n<\/div>\n<\/figure>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\tWhen Weinberg wrapped up, Springsteen, Steve Earle, Darlene Love, and Amy Helm locked their voices together for a moving rendition of \u201cThe Weight\u201d with the Disciples of Soul. (Unlike \u201cLight My Fire,\u201d it was considerably fresher in Springsteen\u2019s mind since he played it with the E Street Band after Levon Helm\u2019s death in 2012.) Amy Helm followed it up with a joyful take on \u201cUp On Cripple Creek\u201d that would have made her father very proud.<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\tJimmy Iovine was stationed near the front of the theater all night, and he came onto the stage to induct Dr. Dre, his longtime friend and business partner. \u201cHe impacted the course of music and moved that elusive rascal, the needle of popular culture four times,\u201d he said, referring to N.W.A, his solo work, Aftermath Entertainment, and Beats by Dre. \u201cWhen I first heard <em>The Chronic<\/em>, I didn\u2019t know a lot about hip-hop. But what struck me was the sound. Dre and Snoop hit me with their attitude like when I first saw Mick and Keith on Ed Sullivan. And when I listened closer to the album, about their life in the neighborhoods, I felt comfortable. It reminded me of the power of an album I worked on as a kid, Born to Run. They were both street operas. And like <em>Born to Run<\/em>, it froze time.\u201d<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\tIn his speech, Dr. Dre. proudly noted that he was the first hip-hop artist to receive the American Music Honors award. \u201cHip-hop was born in the Bronx, out of necessity, when schools cut arts funding, neighborhoods were neglected, and there were no guitars, pianos, or other instruments to experiment with,\u201d he said. \u201cYoung people of color didn\u2019t have the tools to express their creativity. And so they changed their tools and created the biggest genre of music today by just using two turntables and a microphone.\u201d<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\tDre didn\u2019t have plans to play, unaware of what would transpire at the finale, so the Disciples of Soul, and their incredibly gifted background singers, performed \u201cCalifornia Love.\u201d They then backed Chuck D. and Flavor Flav for a bombastic \u201cFight The Power\u201d that brought the entire theater to their feet.\u00a0<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\tThe energy stayed high when Jon Landau came out to induct the E Street Band. \u201cHaving worked with the band for the past 52 years, I can tell you a few key things,\u201d he said. \u201cNo modern computer or algorithm would have ever chosen this group of people to work together. They have different backgrounds, styles, tastes, and approaches to music. And yet, as we all know, when they all plug in and play, they create a sound like no other, a sound you never heard before, and sound more monumental than any rock band has ever created.\u201d<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\tLandau called out early members Vini \u201cMad Dog\u201d Lopez, David Sancious, and Ernest \u201cBoom\u201d Carter in addition to latter-day recruits Soozie Tyrell and Jake Clemons. But this honor was strictly for core members Steve Van Zandt, Roy Bittan, Garry Tallent, Nils Lofgren, Max Weinberg, and Patti Scialfa in addition to the late Danny Federici and Clarence Clemons. Unlike the Rock and Roll Hall of Fame induction ceremony back in 2014, where the ceremony paused for nearly 40 minutes as each member spoke at length, they each delivered very brief remarks this time. (Danny Federici\u2019s son Jason appeared on his behalf, Jake Clemons accepted for his uncle Clarence, and Springsteen spoke in place of Patti Scialfia, who has been battling multiple myeloma. \u201cShe wants to give you all her love,\u201d he said, \u201cand wants you to know that she\u2019s doing well.\u201d)<\/p>\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube\">\n<div class=\"wp-block-embed__wrapper\">\n<p><iframe loading=\"lazy\" title=\"E Street Band induction into The Bruce Springsteen Center for American Music and Thunder Road\" width=\"1200\" height=\"675\" src=\"https:\/\/www.youtube.com\/embed\/94EN3pEpxUg?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe><\/p>\n<\/div>\n<\/figure>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\tAt the conclusion of the remarks, the E Streeters took over from the Disciples of Soul to play \u201cThunder Road\u201d with Springsteen. Without the horn section or background singers from the past few tours, Lofgren and Van Zandt were high in the vocal mix. It made for a unique, emotional take on the standard, which Springsteen isn\u2019t playing on the ongoing Land of Hope and Dreams tour.\u00a0<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\tSpringsteen remained on the stage when it wrapped to induct Patti Smith, who sat just a few rows behind him all evening. \u201cI\u2019m a lucky man to have two Pattis in my life,\u201d he said. \u201cTonight, we gather to honor a singular force in American culture, and my great friend and love\u2026She arrived in New York with nothing but imagination, talent, soul, spirit, love, anger, fearlessness, attitude, resolve. In the crucible of downtown Manhattan and the grit of CBGB, she didn\u2019t just find her voice. She redefined what a rock and roll voice could be. When <em>Horses<\/em> was released in 1975, I listened to it and went, \u2018What the fuck am I going to do now? I can\u2019t do that.\u2019 It was so powerful. It didn\u2019t politely enter the culture. It kicked the door in.\u201d<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\tThese words were read off a teleprompter, but it was blank when Smith walked up to the podium. \u201cI don\u2019t have a speech, really,\u201d she said. \u201cI didn\u2019t know I was supposed to have one. I don\u2019t think I read the e-mail.\u201d But she spoke from the heart and thanked her many her friends and collaborators, including Bobby Neuwirth, Sam Shepard, and Lenny Kaye. \u201cBruce, I never even know you liked my stuff so much,\u201d she said. \u201cI\u2019ll cherish every word that you said for the rest of my life. It will give me the courage and some more strength to keep on going.\u201d<\/p>\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube\">\n<div class=\"wp-block-embed__wrapper\">\n<p><iframe loading=\"lazy\" title=\"Bruce Springsteen and Patti Smith -Because The Night\" width=\"1200\" height=\"675\" src=\"https:\/\/www.youtube.com\/embed\/HkPj2yuSr_Q?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe><\/p>\n<\/div>\n<\/figure>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\tUnsurprisingly, they played \u201cBecause the Night\u201d together. But unlike all the previous times they\u2019ve united onstage for this song, Springsteen stuck to the guitar, and allowed her to handle all the vocals, joining in only on the chorus. It was magnificent.\u00a0<\/p>\n<section class=\"brands-most-popular \/\/ recirculation-modules trending-in-article lrv-u-margin-tb-2 lrv-u-border-a-2 u-box-shadow-5-5 lrv-u-padding-lr-1 a-span1 u-padding-b-1@tablet u-overflow-hidden\">\n<h2 id=\"section-heading\" class=\"c-heading larva  lrv-u-text-align-center u-border-color-black a-font-theme-primary-xxs lrv-u-color-black lrv-u-text-transform-uppercase u-letter-spacing-0063 lrv-u-padding-t-050 u-padding-b-0375@tablet lrv-u-padding-b-050@mobile-max lrv-u-border-b-2\">\n<p>\t\tTrending Stories<\/p>\n<\/h2>\n<\/section>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\tEveryone came back out for a wonderfully chaotic \u201cPeople Have The Power,\u201d and Flavor Flav kept up his antics even after the house lights came on.\u00a0<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\tIt\u2019s hard to know exactly how the American Music Honors will grow in the years to come, but let\u2019s hope it remains intimate and un-televised. There was a magic in the air that will vanish if TV producers, tight scripts, and extensive rehearsals enter into the equation. Let\u2019s also hope that Public Enemy becomes the second hip-hop act to get inducted. Flavor Flav is more than ready to show up, command that stage, and spend more time with his new buddy Bruce.<\/p>\n<\/div>\n<p><br \/>\n<br \/><a href=\"https:\/\/www.rollingstone.com\/music\/music-live-reviews\/bruce-springsteen-patti-smith-dr-dre-american-music-honors-1235550117\/\">Source link <\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>For a wonderful few minutes, the stage of Monmouth University\u2019s Pollack Theater felt like a scene out of a delirious rock and roll fever&#8230;<\/p>\n","protected":false},"author":5,"featured_media":62808,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[36],"tags":[],"class_list":["post-62807","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-pop","article","has-excerpt","has-avatar","has-author","has-date","has-comment-count","has-category-meta","has-read-more","thumbnail-"],"_links":{"self":[{"href":"https:\/\/musicianvoice.com\/index.php\/wp-json\/wp\/v2\/posts\/62807","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/musicianvoice.com\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/musicianvoice.com\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/musicianvoice.com\/index.php\/wp-json\/wp\/v2\/users\/5"}],"replies":[{"embeddable":true,"href":"https:\/\/musicianvoice.com\/index.php\/wp-json\/wp\/v2\/comments?post=62807"}],"version-history":[{"count":0,"href":"https:\/\/musicianvoice.com\/index.php\/wp-json\/wp\/v2\/posts\/62807\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/musicianvoice.com\/index.php\/wp-json\/wp\/v2\/media\/62808"}],"wp:attachment":[{"href":"https:\/\/musicianvoice.com\/index.php\/wp-json\/wp\/v2\/media?parent=62807"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/musicianvoice.com\/index.php\/wp-json\/wp\/v2\/categories?post=62807"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/musicianvoice.com\/index.php\/wp-json\/wp\/v2\/tags?post=62807"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}