{"id":62884,"date":"2026-04-20T19:53:47","date_gmt":"2026-04-20T19:53:47","guid":{"rendered":"https:\/\/musicianvoice.com\/index.php\/2026\/04\/20\/snubs-hot-takes-burning-questions\/"},"modified":"2026-04-20T19:53:47","modified_gmt":"2026-04-20T19:53:47","slug":"snubs-hot-takes-burning-questions","status":"publish","type":"post","link":"https:\/\/musicianvoice.com\/index.php\/2026\/04\/20\/snubs-hot-takes-burning-questions\/","title":{"rendered":"Snubs, Hot Takes, Burning Questions"},"content":{"rendered":"<p> <br \/>\n<\/p>\n<div>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\tWhen nominations for the 2026 ACM Awards were <a href=\"https:\/\/www.rollingstone.com\/music\/music-country\/2026-acm-awards-nominations-1235544058\/\">announced<\/a> earlier this month, the commanding storyline was the dominance by women as nominees. <a href=\"https:\/\/www.rollingstone.com\/t\/megan-moroney\/\" id=\"auto-tag_megan-moroney\" data-tag=\"megan-moroney\">Megan Moroney<\/a>, <a href=\"https:\/\/www.rollingstone.com\/t\/miranda-lambert\/\" id=\"auto-tag_miranda-lambert\" data-tag=\"miranda-lambert\">Miranda Lambert<\/a>, <a href=\"https:\/\/www.rollingstone.com\/t\/ella-langley\/\" id=\"auto-tag_ella-langley\" data-tag=\"ella-langley\">Ella Langley<\/a>, and <a href=\"https:\/\/www.rollingstone.com\/t\/lainey-wilson\/\" id=\"auto-tag_lainey-wilson\" data-tag=\"lainey-wilson\">Lainey Wilson<\/a> were the leaders, each of them besting the closest male nominee, <a href=\"https:\/\/www.rollingstone.com\/t\/chris-stapleton\/\" id=\"auto-tag_chris-stapleton\" data-tag=\"chris-stapleton\">Chris Stapleton<\/a> with six.<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\tBut while the recognition of women by ACM voters was a positive sign this year, it doesn\u2019t necessarily mean women artists are being given the same opportunities as their male counterparts. In a special episode of <em>Rolling Stone<\/em>\u2019s <em><a href=\"https:\/\/www.rollingstone.com\/t\/nashville-now\/\" id=\"auto-tag_nashville-now\" data-tag=\"nashville-now\">Nashville Now<\/a><\/em> podcast, we raise five questions \u2014 call them \u201chot takes,\u201d if you choose \u2014 about the nominations, categories, and races at the 61st ACM Awards. The ACMs stream Sunday, May 17, from the MGM Grand Garden Arena in Las Vegas, on Prime Video.<\/p>\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube\">\n<div class=\"wp-block-embed__wrapper\">\n<p><iframe loading=\"lazy\" title=\"2026 ACM Awards Nominations: When Will Voters Get It Right? | Rolling Stone Nashville Now\" width=\"1200\" height=\"675\" src=\"https:\/\/www.youtube.com\/embed\/7k-4D3dullU?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe><\/p>\n<\/div>\n<\/figure>\n<h2 id=\"the-duo-of-the-year-category-continues-to-be-a-hot-mess\" class=\"heading larva \/\/   lrv-a-font-primary-l   \">\n\t\tThe Duo of the Year Category Continues to Be a Hot Mess\t<\/h2>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\tAt last year\u2019s ceremonies, Brooks &amp; Dunn, a duo whose last recorded music was a collection of re-recorded duets in 2024, <a href=\"https:\/\/www.rollingstone.com\/music\/music-country\/2025-acm-awards-winners-list-1235324809\/\">walked away with<\/a> the ACM for Duo of the Year. This year, 18 months since they dropped <em>Reboot II<\/em>, the Country Music Hall of Famers are nominated again. The War &amp; Treaty, however, who <a href=\"https:\/\/www.rollingstone.com\/music\/music-features\/war-and-treaty-new-album-interview-1235192599\/\">released a new album in 2025<\/a> and have been perennial performers at country awards shows, are nowhere to be found. It all helps to underscore why this category is, without fail, a head-scratcher. Another example? The inclusion of new duo Thelma &amp; James, a group so up-and-coming they should have been nominated in the New Duo or Group of the Year race. If only that category existed this year\u2026. which brings us to our fourth take.<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\tThe New Male Artist of the Year and New Female Artist of the Year categories will give names like Avery Anna, Vincent Mason, and Emily Ann Roberts the chance to walk away with an ACM trophy. But unlike last year, there\u2019s no New Duo or Group of the Year race. Meanwhile, artists who\u2019ve had breakout years, like Kaitlin Butts and <a href=\"https:\/\/www.rollingstone.com\/t\/carter-faith\/\" id=\"auto-tag_carter-faith\" data-tag=\"carter-faith\">Carter Faith<\/a>, and even Brittney Spencer, who is about to <a href=\"https:\/\/www.rollingstone.com\/music\/music-news\/bob-dylan-tour-brittney-spencer-1235547172\/\">open for Bob Dylan<\/a>, are absent from the new categories. Chalk that up mainly to the requirement that a nominee must have had a song in the Top 50 on Billboard\u2019s Hot Country Songs chart or on Mediabase\u2019s Country chart.<\/p>\n<section class=\"brands-most-popular \/\/ editors-pick-module lrv-u-margin-tb-2 lrv-u-border-a-2 u-box-shadow-5-5 lrv-u-padding-lr-1 a-span1 u-padding-b-1@tablet u-overflow-hidden\">\n<h2 id=\"section-heading\" class=\"c-heading larva  lrv-u-text-align-center u-border-color-black a-font-theme-primary-xxs lrv-u-color-black lrv-u-text-transform-uppercase u-letter-spacing-0063 lrv-u-padding-t-050 u-padding-b-0375@tablet lrv-u-padding-b-050@mobile-max lrv-u-border-b-2\">\n<p>\t\tEditor\u2019s picks<\/p>\n<\/h2>\n<\/section>\n<h2 id=\"the-2026-album-of-the-year-race-is-pretty-weird\" class=\"heading larva \/\/   lrv-a-font-primary-l   \">\n\t\tThe 2026 Album of the Year Race Is Pretty Weird\t<\/h2>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\tWhile it\u2019s encouraging to see new names like Riley Green, Parker McCollum, and Carter Faith nominated for their respective bodies of work here, the snubs are egregious. Two of the most groundbreaking albums released last year, Eric Church\u2019s <em><a href=\"https:\/\/www.rollingstone.com\/music\/music-album-reviews\/eric-church-evangeline-vs-the-machine-1235329549\/\">Evangeline vs. The Machine<\/a><\/em> and Tyler Childers\u2019 <a href=\"https:\/\/www.rollingstone.com\/music\/music-album-reviews\/tyler-childers-snipe-hunter-review-1235393373\/\">Snipe Hunter<\/a>, failed to score nominations. Meanwhile, a deluxe edition of his <em>Don\u2019t Mind If I Do<\/em> album is what secured Green a nod. We\u2019re beyond thrilled to see Faith\u2019s <em>Cherry Valley<\/em>, which RS ranked No. 2 on its <a href=\"https:\/\/www.rollingstone.com\/music\/music-country-lists\/best-country-music-albums-2025-1235474700\/\">Best Country and Americana Albums<\/a> of 2025 list, but it shines a light on Faith\u2019s absence from the New Female field.<\/p>\n<div class=\"wp-block-group pattern-block-tracking\">\n<div class=\"wp-block-group__inner-container\">\n<div class=\"wp-block-cover is-light has-custom-content-position is-position-top-center pmc-hide-mobile\" style=\"margin-top:0;margin-bottom:0;padding-top:0;padding-right:var(--wp--preset--spacing--20);padding-bottom:var(--wp--preset--spacing--20);padding-left:0px;min-height:89px;aspect-ratio:unset;\"><span aria-hidden=\"true\" class=\"wp-block-cover__background has-black-background-color has-background-dim-0 has-background-dim\"\/><\/p>\n<div class=\"wp-block-cover__inner-container\">\n<figure class=\"wp-block-image size-large pattern-block-tracking\"><a href=\"https:\/\/www.youtube.com\/playlist?list=PLL0ooGQ0asg7cMkQPaIa7ZIHdYruXgD4l\" rel=\"nofollow\" target=\"_blank\"><\/a><\/figure>\n<\/div>\n<\/div>\n<div class=\"wp-block-cover is-light has-custom-content-position is-position-top-center pmc-hide-desktop\" style=\"margin-top:0;margin-bottom:0;padding-top:0;padding-right:var(--wp--preset--spacing--20);padding-bottom:var(--wp--preset--spacing--20);padding-left:0px;min-height:100px;aspect-ratio:unset;\"><span aria-hidden=\"true\" class=\"wp-block-cover__background has-black-background-color has-background-dim-0 has-background-dim\"\/><\/p>\n<div class=\"wp-block-cover__inner-container\">\n<div class=\"wp-block-image pattern-block-tracking\">\n<figure class=\"aligncenter size-large\"><a href=\"https:\/\/www.youtube.com\/playlist?list=PLL0ooGQ0asg7cMkQPaIa7ZIHdYruXgD4l\" rel=\"nofollow\" target=\"_blank\"><img decoding=\"async\" src=\"https:\/\/www.rollingstone.com\/wp-content\/uploads\/2026\/02\/nashville-now-mobile.jpg\" alt=\"Nashville Now: Click for more of Rolling Stone\u2019s weekly country music podcast: interviews, news, and must-hear songs.\" style=\"box-shadow:var(--wp--preset--shadow--crisp)\"\/><\/a><\/figure>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<h2 id=\"has-entertainer-of-the-year-lost-its-luster\" class=\"heading larva \/\/   lrv-a-font-primary-l   \">\n\t\tHas Entertainer of the Year Lost Its Luster?\t<\/h2>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\tThe top prize at the ACMs (and the rival CMA Awards), Entertainer of the Year is typically regarded as recognizing the year\u2019s best ambassador for country music. The vague criteria is hard to quantify, which can lead to some subjective wins. But if the category does in fact stand for spreading the mission of country music, then there\u2019s one egregious omission: Ella Langley. No one has done more for country music this year than Langley and her crossover smash <a href=\"https:\/\/www.rollingstone.com\/music\/music-country\/ella-langley-choosin-texas-video-luke-grimes-miranda-lambert-1235540523\/\">\u201cChoosin\u2019 Texas.\u201d<\/a><\/p>\n<section class=\"brands-most-popular \/\/ recirculation-modules trending-in-article lrv-u-margin-tb-2 lrv-u-border-a-2 u-box-shadow-5-5 lrv-u-padding-lr-1 a-span1 u-padding-b-1@tablet u-overflow-hidden\">\n<h2 id=\"section-heading\" class=\"c-heading larva  lrv-u-text-align-center u-border-color-black a-font-theme-primary-xxs lrv-u-color-black lrv-u-text-transform-uppercase u-letter-spacing-0063 lrv-u-padding-t-050 u-padding-b-0375@tablet lrv-u-padding-b-050@mobile-max lrv-u-border-b-2\">\n<p>\t\tTrending Stories<\/p>\n<\/h2>\n<\/section>\n<h2 id=\"women-dominated-the-nominations-but-is-radio-playing-them\" class=\"heading larva \/\/   lrv-a-font-primary-l   \">\n\t\tWomen Dominated the Nominations, But Is Radio Playing Them?\t<\/h2>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\tMoroney has nine, Miranda has eight, and Langley and Wilson each have seven nominations, making them the clear leaders at the 61st ACMs. But that doesn\u2019t necessarily translate to them all getting radio play. Right now on Mediabase, there\u2019s only two women in the Top 20: Langley and Moroney. To be clear, as author and <em>RS <\/em>contributor Marissa R. Moss says, this isn\u2019t on the women themselves, but on the industry.<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\t<em>The ACM Awards are<\/em> produced by <em>Dick Clark Productions, which is owned by Penske Media Corp., the parent company of\u00a0<\/em>Rolling Stone.<\/p>\n<\/div>\n<p><br \/>\n<br \/><a href=\"https:\/\/www.rollingstone.com\/music\/music-features\/2026-acm-awards-nominations-snubs-hot-takes-questions-1235546167\/\">Source link <\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>When nominations for the 2026 ACM Awards were announced earlier this month, the commanding storyline was the dominance by women as nominees. Megan Moroney,&#8230;<\/p>\n","protected":false},"author":5,"featured_media":62885,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[36],"tags":[],"class_list":["post-62884","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-pop","article","has-excerpt","has-avatar","has-author","has-date","has-comment-count","has-category-meta","has-read-more","thumbnail-"],"_links":{"self":[{"href":"https:\/\/musicianvoice.com\/index.php\/wp-json\/wp\/v2\/posts\/62884","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/musicianvoice.com\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/musicianvoice.com\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/musicianvoice.com\/index.php\/wp-json\/wp\/v2\/users\/5"}],"replies":[{"embeddable":true,"href":"https:\/\/musicianvoice.com\/index.php\/wp-json\/wp\/v2\/comments?post=62884"}],"version-history":[{"count":0,"href":"https:\/\/musicianvoice.com\/index.php\/wp-json\/wp\/v2\/posts\/62884\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/musicianvoice.com\/index.php\/wp-json\/wp\/v2\/media\/62885"}],"wp:attachment":[{"href":"https:\/\/musicianvoice.com\/index.php\/wp-json\/wp\/v2\/media?parent=62884"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/musicianvoice.com\/index.php\/wp-json\/wp\/v2\/categories?post=62884"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/musicianvoice.com\/index.php\/wp-json\/wp\/v2\/tags?post=62884"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}