{"id":63062,"date":"2026-04-22T14:50:43","date_gmt":"2026-04-22T14:50:43","guid":{"rendered":"https:\/\/musicianvoice.com\/index.php\/2026\/04\/22\/ed-obrien-ziggy-marley-james-blake-on-the-magic-frequency\/"},"modified":"2026-04-22T14:50:43","modified_gmt":"2026-04-22T14:50:43","slug":"ed-obrien-ziggy-marley-james-blake-on-the-magic-frequency","status":"publish","type":"post","link":"https:\/\/musicianvoice.com\/index.php\/2026\/04\/22\/ed-obrien-ziggy-marley-james-blake-on-the-magic-frequency\/","title":{"rendered":"Ed O&#8217;Brien, Ziggy Marley, James Blake on the Magic Frequency"},"content":{"rendered":"<p> <br \/>\n<\/p>\n<div>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\tFrom classical to rock, musicians tune their instruments to a common pitch so they can play together harmoniously. For at least 80 years, that standard pitch frequency has been A440 Hz \u2014 which defines the A note above middle C, and by extension, all the other notes around it. But this longstanding tuning standard is now being challenged across genres, as more and more artists, including a pair of Grammy-winning acts, release albums tuned to A432 Hz instead. It\u2019s a slightly lower tuning, and for these musicians, it makes all the difference.<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\tRadiohead guitarist Ed O\u2019Brien\u2019s interest in this subject started about 12 years ago, at the Glastonbury Festival. \u201cI had an inspiring conversation about the Solfeggio scale, an ancient scale, and this led me to discovering 432 Hz,\u201d says O\u2019Brien, whose second solo album, <a rel=\"noreferrer noopener\" target=\"_blank\" href=\"https:\/\/www.rollingstone.com\/music\/music-features\/ed-obrien-interview-solo-album-radiohead-tour-1235525730\/\"><em>Blue Morpho<\/em><\/a>, will be released May 22. \u201cI loved the idea that music could be more than just pleasant on the ear or move you \u2014 that the actual frequency it was played at could actually have a healing component or vibrate in harmony with the cells in your body and the world around you.\u201d<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\tFor O\u2019Brien, the effects of 432 Hz tuning are profound. \u201cFor me it just feels right,\u201d he says. \u201cIt has greater depth and power; it feels whole. In comparison, music at 440 Hz feels slightly shrill. The instruments sound and resonate better at this frequency, especially acoustic instruments like guitars. It feels deeper.\u201d<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\tNew Age artists have released 432 Hz records for decades. Advocates believe that music sounds better tuned to this frequency, and that 432 Hz and its related pitches and overtones are more harmonious with the natural frequencies of the human body and the Earth.<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\tThe difference between 432 Hz and 440 Hz is remarkably tiny: less than a third of a semitone, or half step. But recent studies\u00a0show some fascinating effects of 432 Hz on listeners, such as <a rel=\"noreferrer noopener nofollow\" target=\"_blank\" href=\"https:\/\/unisciencepub.com\/wp-content\/uploads\/2022\/07\/EEG-Research-of-Music-Impact-Tuned-on-432-Hz-Pitch-Vs-440-Hz-Effect.pdf\">enhanced appreciation of music<\/a> compared to 440 Hz, <a rel=\"noreferrer noopener nofollow\" target=\"_blank\" href=\"https:\/\/www.sciencedirect.com\/science\/article\/abs\/pii\/S1550830718302763?via%3Dihub\">lower heart and respiratory rates<\/a>, and <a rel=\"noreferrer noopener nofollow\" target=\"_blank\" href=\"https:\/\/pmc.ncbi.nlm.nih.gov\/articles\/PMC9534204\/\">reduced anxiety<\/a>. The apparently outsized effects of this slightly flatter tuning are driving the growing 432 Hz movement.<\/p>\n<section class=\"brands-most-popular \/\/ editors-pick-module lrv-u-margin-tb-2 lrv-u-border-a-2 u-box-shadow-5-5 lrv-u-padding-lr-1 a-span1 u-padding-b-1@tablet u-overflow-hidden\">\n<h2 id=\"section-heading\" class=\"c-heading larva  lrv-u-text-align-center u-border-color-black a-font-theme-primary-xxs lrv-u-color-black lrv-u-text-transform-uppercase u-letter-spacing-0063 lrv-u-padding-t-050 u-padding-b-0375@tablet lrv-u-padding-b-050@mobile-max lrv-u-border-b-2\">\n<p>\t\tEditor\u2019s picks<\/p>\n<\/h2>\n<\/section>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\t\u201cIt\u2019s just a different feeling,\u201d says <a href=\"https:\/\/www.rollingstone.com\/t\/james-blake\/\" id=\"auto-tag_james-blake\" data-tag=\"james-blake\">James Blake<\/a>, who began exploring this tuning while working on his most recent album, <a href=\"https:\/\/www.rollingstone.com\/music\/music-features\/james-blake-trying-times-new-music-interview-1235528504\/\" target=\"_blank\" rel=\"noreferrer noopener\"><em>Trying Times<\/em><\/a>. \u201cI\u2019m not somebody who tunes everything down to it, but I do notice when I make music at that frequency, I find it very relaxing.\u201d<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\tNaturally, YouTube hosts a myriad of 432 Hz music videos that claim to reduce stress while you listen to meditational drone tones, slightly-slowed-down Mozart, or thousands of retuned hit songs and ambient tracks. Legacy artists recording at 432 Hz include Grammy-nominated composer Steven Halpern, whose albums purport to be \u201clike a tuning fork for the brain.\u201d And Spotify and Apple Music offer extensive 432 Hz playlists, featuring a preponderance of Italian artists.<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\tNevertheless, few popular artists have dared to record at anything other than A440 Hz until recently. Claims that legends such as Jimi Hendrix, Prince, John Lennon, and the Grateful Dead performed and recorded at 432 Hz tuning can likely be attributed to experiments \u2014 or perhaps out-of-tune guitars.<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\t<a href=\"https:\/\/www.rollingstone.com\/t\/ziggy-marley\/\" id=\"auto-tag_ziggy-marley\" data-tag=\"ziggy-marley\">Ziggy Marley<\/a> is another prominent fan of 432 Hz tuning. On a call from his brand-new Rebel Lion Studio in Los Angeles, he explains why he recorded his new album, <em>Brightside<\/em>, that way. \u201cFor all of my life in music, I\u2019ve been searching, reading, trying to make music according to what I imagine music could be \u2014 spiritual, all of the fanciful things that I think music should be,\u201d Marley says. \u201cSo 432 Hz, it\u2019s been on my radar for a while. I heard that that frequency is more relative to the human frequency that we vibrate [at] \u2014 and everything has a frequency. We\u2019re all vibrating on frequencies. And so, when I decided to go 432, I started doing my demos. I\u2019m much more comfortable at that Hertz.\u201d<\/p>\n<section class=\"brands-most-popular \/\/ recirculation-modules lrv-u-margin-tb-2 lrv-u-border-a-2 u-box-shadow-5-5 lrv-u-padding-lr-1 a-span1 u-padding-b-1@tablet u-overflow-hidden\">\n<h2 id=\"section-heading\" class=\"c-heading larva  lrv-u-text-align-center u-border-color-black a-font-theme-primary-xxs lrv-u-color-black lrv-u-text-transform-uppercase u-letter-spacing-0063 lrv-u-padding-t-050 u-padding-b-0375@tablet lrv-u-padding-b-050@mobile-max lrv-u-border-b-2\">\n<p>\t\tRelated Content<\/p>\n<\/h2>\n<\/section>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\tMarley, who has won nine Grammys, including 2026\u2019s Best Reggae Album for <em>One Love\u2013Music Inspired by the Film (Deluxe)<\/em>, has also been performing with instruments tuned to 432 Hz.<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\t\u201cI told the band: \u2018We\u2019re doing 432, everything has to be tuned in 432.\u2019 They\u2019re like: \u2018What?\u2019 So, all of a sudden, every instrument on the show has to be 432, and the experience has been gratifying to do the first shows in 432. In what I see, it does have an impact and an effect on the audience, and myself, and the band. The connection is stronger. It\u2019s a different reaction at that frequency.\u201d<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\tThroughout the history of music, tuning standards have evolved greatly over time. In the 17th century, orchestral instruments were usually tuned to lower pitches, and since then, tunings steadily crept upward and became increasingly standardized. Today, A440 tuning rules most Western music.<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\tAdvocates argue that 432 Hz corresponds to the natural resonant electromagnetic frequency of the Earth-ionosphere cavity \u2014 7.83 Hz \u2014 and its harmonics, known as \u201cSchumann resonances.\u201d Despite this and other dubious mathematical claims \u2014 often accompanied by pseudoscientific language and AI-generated \u201charmonious\u201d artwork \u2014 hard evidence for the benefits of 432 Hz is rather lacking.<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\tBut does it matter? Artists like Ed O\u2019Brien and Ziggy Marley can feel the difference. As the title of Ziggy\u2019s mother Rita Marley\u2019s 1980 album affirms, <em>Who Feels It Knows It<\/em>.<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\t\u201cIt gives new inspiration to the music,\u201d says Ziggy. \u201cWhen you do it at a different frequency, your mind is hearing things differently, and it just creates that kind of energy, like the first time you did it.\u201d<\/p>\n<section class=\"brands-most-popular \/\/ recirculation-modules trending-in-article lrv-u-margin-tb-2 lrv-u-border-a-2 u-box-shadow-5-5 lrv-u-padding-lr-1 a-span1 u-padding-b-1@tablet u-overflow-hidden\">\n<h2 id=\"section-heading\" class=\"c-heading larva  lrv-u-text-align-center u-border-color-black a-font-theme-primary-xxs lrv-u-color-black lrv-u-text-transform-uppercase u-letter-spacing-0063 lrv-u-padding-t-050 u-padding-b-0375@tablet lrv-u-padding-b-050@mobile-max lrv-u-border-b-2\">\n<p>\t\tTrending Stories<\/p>\n<\/h2>\n<\/section>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\tWhatever the studies may show about the effect on heart and respiration rates, Marley is clear about the power of frequencies \u2014 and he believes that the musical aspects of 432 Hz are about to enjoy a new renaissance.<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\t\u201cListen, it\u2019s gonna be incredible,\u201d he says.<\/p>\n<\/div>\n<p><br \/>\n<br \/><a href=\"https:\/\/www.rollingstone.com\/music\/music-features\/432hz-frequency-music-ed-obrien-ziggy-marley-1235549010\/\">Source link <\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>From classical to rock, musicians tune their instruments to a common pitch so they can play together harmoniously. For at least 80 years, that&#8230;<\/p>\n","protected":false},"author":5,"featured_media":63063,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[36],"tags":[],"class_list":["post-63062","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-pop","article","has-excerpt","has-avatar","has-author","has-date","has-comment-count","has-category-meta","has-read-more","thumbnail-"],"_links":{"self":[{"href":"https:\/\/musicianvoice.com\/index.php\/wp-json\/wp\/v2\/posts\/63062","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/musicianvoice.com\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/musicianvoice.com\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/musicianvoice.com\/index.php\/wp-json\/wp\/v2\/users\/5"}],"replies":[{"embeddable":true,"href":"https:\/\/musicianvoice.com\/index.php\/wp-json\/wp\/v2\/comments?post=63062"}],"version-history":[{"count":0,"href":"https:\/\/musicianvoice.com\/index.php\/wp-json\/wp\/v2\/posts\/63062\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/musicianvoice.com\/index.php\/wp-json\/wp\/v2\/media\/63063"}],"wp:attachment":[{"href":"https:\/\/musicianvoice.com\/index.php\/wp-json\/wp\/v2\/media?parent=63062"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/musicianvoice.com\/index.php\/wp-json\/wp\/v2\/categories?post=63062"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/musicianvoice.com\/index.php\/wp-json\/wp\/v2\/tags?post=63062"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}