\t\t\t\t\t\t<\/p><\/div>\n<\/p><\/div> \t\t\t\t\t\t\t\t\tSteve Thrasher\/Sick New World<\/cite><\/p>\n<\/figcaption><\/figure>\n<\/div>\n \n\tIn any case, it\u2019s safe to say that visceral music favored by those who identify as outsiders is still thriving and inspiring fans, from Gen X to Gen Z. Saturday\u2019s Sick New World crowd was an even mix of young and old, most donning black \u2014 with some fits as skimpy as those seen at Coachella, though decidedly less boho \u2014 with guys and gals in bondage belts, studded collars, and fishnets bouncing below the stages, in the pits, and posing for pics along the festival\u2019s purple-carpeted entry way.\u00a0<\/p>\n \t\tEditor\u2019s picks<\/p>\n<\/h2>\n<\/section>\n \n\tEvanescence, Knocked Loose, Danny Elfman, and She Wants Revenge all announced and debuted new music during their dynamic sets, while headliners Korn played their just-released track, \u201cReward the Scars,\u201d in conjunction with the popular video game, Diablo IV: Lord of Hatred<\/em>. It\u2019s a fierce number, though classics like \u201cShoots and Ladders\u201d and \u201cComing Undone\u201d (which had a fun little mashup moment with Sly Fox\u2019s \u201cLet\u2019s Go All the Way\u201d) got the giddiest singalongs and circle pit action.<\/p>\n \n\tOne of our favorite sets came from Cypress Hill<\/a>, who didn\u2019t quite fit the metal mold, but still got attendees moving at the fittingly named Green Stage, performing a smokin\u2019 rap set with amped-up DJ-driven riffs on a killer cover of Rage Against the Machine\u2019s \u201cBombtrack,\u201d and a crowd-pleasing version of \u201cJump Around\u201d by House of Pain.\u00a0<\/p>\n \n\tOn the adjacent Purple Stage, Marilyn Manson, sounding ghoulish and severe as ever, didn\u2019t engage much with the crowd, spurring a noticeable procession which migrated to other acts throughout his set \u2014 and certainly after his glam-rock take on \u201cThe Dope Show\u201d (sung while sporting a peacock blue faux fur jacket), and \u201cSweet Dreams,\u201d the Eurhythmics cover which served as his breakout hit.\u00a0<\/p>\n \n\tLesser known but notably noisier acts were relegated to another section of the grounds, where the Diablo Stage stood, attracting non-stop aggressive movement. Moshing, \u201ccrowd-killing,\u201d skanking, slamming \u2014 the pit below was full of frenetic activity all day, and at times it was pretty intense, though never dangerously so. For the most part, the vibes were positive. Highlights there included The Bear <\/em>actor Matty Matheson\u2019s hardcore outfit Pigpen<\/a>, which saw the Canadian chef\/singer eschew his comical persona for a restless and roaring performance; and L.A.\u2019s Health, whose industrial-tinged metal was both ethereal and clamorous.<\/p>\n \t\tRelated Content<\/p>\n<\/h2>\n<\/section>\n \t\t\t\t\t\t \t\t\t\t\tCypress Hill and Tony Hawk<\/span><\/p>\n \t\t\t\t\t\t\t\t\tMANDO HUNDREDS\/Sick New World<\/cite><\/p>\n<\/figcaption><\/figure>\n<\/div>\n \n\tThe Spiral Stage was probably the most diverse, with a wide-ranging lineup that offered Alien Ant Farm (who just made headlines for bringing out Corey Feldman during their cover of Michael Jackson\u2019s \u201cSmooth Criminal\u201d at the Rainbow in Hollywood last week); Elfman (who played material from his scoring work for Tim Burton, as well as Oingo Boingo classics); She Wants Revenge (celebrating the 20th anniversary of their self-titled debut and announcing new studio work); nu-metal faves Coal Chamber and Kittie; plus Clutch, and The Melvins.\u00a0<\/p>\n\n
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