{"id":63520,"date":"2026-04-29T14:58:30","date_gmt":"2026-04-29T14:58:30","guid":{"rendered":"https:\/\/musicianvoice.com\/index.php\/2026\/04\/29\/j-balvin-and-ryan-castro-talk-album-omerta-career-lessons-and-more-2\/"},"modified":"2026-04-29T14:58:30","modified_gmt":"2026-04-29T14:58:30","slug":"j-balvin-and-ryan-castro-talk-album-omerta-career-lessons-and-more-2","status":"publish","type":"post","link":"https:\/\/musicianvoice.com\/index.php\/2026\/04\/29\/j-balvin-and-ryan-castro-talk-album-omerta-career-lessons-and-more-2\/","title":{"rendered":"J Balvin and Ryan Castro Talk Album &#8216;Omerta,&#8217; Career Lessons, and More"},"content":{"rendered":"<p> <br \/>\n<\/p>\n<div>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\t<a href=\"https:\/\/www.rollingstone.com\/t\/j-balvin\/\" id=\"auto-tag_j-balvin\" data-tag=\"j-balvin\"><span class=\"a-style-intro lrv-a-floated-left lrv-u-display-inline-block lrv-u-margin-r-050 u-margin-b-n025\"><br \/>\n\t\t\t<span class=\"a-font-theme-primary lrv-u-align-items-center lrv-u-flex lrv-u-height-100p lrv-u-justify-content-center lrv-u-width-100p u-font-size-150 u-font-size-104@mobile-max u-line-height-124 u-line-height-94@mobile-max\">J<\/span><br \/>\n\t\t<\/span> Balvin<\/a> and <a href=\"https:\/\/www.rollingstone.com\/t\/ryan-castro\/\" id=\"auto-tag_ryan-castro\" data-tag=\"ryan-castro\">Ryan Castro<\/a> have been awake since 5 a.m., but if they\u2019re tired, there\u2019s no way you would be able to tell. By mid-morning, the two Colombian stars are dressed in impeccably tailored suits on an unusually scorching April day in New York, dancing to reggaeton music blasting through a pair of speakers. As they gear up to talk about their joint album, <em>Omerta<\/em>, for the first time, they\u2019ve made the occasion a full-blown, impromptu family gathering.\u00a0<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\tTheir large crews have joined them, milling around the set, all while the guys dive into what this project means to them and how it\u2019s brought them together as two forces in the industry. \u201cI never had the chance to find a partner from Colombia to make an album together,\u201d says Balvin. \u201cWe have a really beautiful relationship that became family.\u201d<\/p>\n<div class=\"post-content-image \/\/  \">\n<figure class=\"o-figure   size-large alignnone lrv-u-max-width-100p\" style=\"width:819px\">\n<div class=\"c-lazy-image  lrv-u-border-a-2\">\n<div class=\"lrv-a-crop-16x9\" style=\"padding-bottom:calc((1024\/819)*100%);\">\n<p>\t\t\t\t\t\t<\/p><\/div>\n<\/p><\/div><figcaption class=\"c-figcaption  lrv-u-flex lrv-u-flex-direction-column lrv-u-align-items-center\">\n<\/figcaption><\/figure>\n<\/div>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\tIt\u2019s been nearly five years since the pair first connected, but their friendship seemed inevitable. For the past decade, Balvin has been one of the most prominent voices in Latin music, helping to elevate heavyweights like Bad Bunny and Karol G. He\u2019s often credited with turning Colombia into another hub for m\u00fasica urbana, effectively showing the world Medell\u00edn\u2019s more romantic, melodic take on the genre.\u00a0<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\tHis global reach has gotten the attention of major stars like Beyonc\u00e9, who jumped on Balvin\u2019s <a href=\"https:\/\/www.rollingstone.com\/music\/music-news\/j-balvin-on-beyonce-collaboration-a-beautiful-cultural-move-628088\/\">\u201cMi Gente\u201d remix<\/a> in 2017 and invited him to perform the smash hit during her <a href=\"https:\/\/www.rollingstone.com\/music\/music-live-reviews\/from-coachella-to-beychella-beyonce-schools-festivalgoers-in-her-triumphant-return-627815\/\">historic Coachella set<\/a> the year after. Then, he captured the attention of mainstream U.S. audiences when he hopped on Cardi B\u2019s\u00a0 <a href=\"https:\/\/www.rollingstone.com\/music\/music-news\/cardi-bs-i-like-it-is-the-song-of-the-summer-628782\/\">\u201cI Like It,\u201d<\/a> alongside Bad Bunny, earning his first Number One hit on the <em>Billboard<\/em> Hot 100. Since then, he has paved a path for new acts from Colombia, guiding them as they make a name for themselves.<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\tOne of those rising artists is Ryan Castro, the 32-year-old whose bold timbre has taken over m\u00fasica urbana since he first came onto the scene in 2020. After spending time with his mom in Cura\u00e7ao, Castro infused his reggaeton with the Caribbean flavors of dancehall for a unique sound that\u2019s won fans over in Colombia. In 2024, Castro was tapped to make the official Copa Am\u00e9rica anthem, and he rose to the challenge with the energetic \u201cEl Ritmo Que Nos Une,\u201d which instantly blew up online. The song racked up tens of millions of streams on Spotify and more than 100 million views for the nostalgic <a href=\"https:\/\/www.youtube.com\/watch?v=6Y1dtxb-2lE\" rel=\"nofollow\" target=\"_blank\">music video<\/a>. This year, he sold out Medell\u00edn\u2019s 45,000-seat Atanasio Girardot stadium for a blowout homecoming bash celebrating his 2025 albums <em>Send\u00e9<\/em> and <em>Hopi Send\u00e9<\/em>. Throughout all of it, Castro\u2019s road map to success has always been Balvin. \u201cJos\u00e9\u2019s career inspired so many of my own stories,\u201d he says. \u201cI\u2019ve always looked up to him as a benchmark, a true role model here in Colombia and for Latinos everywhere.\u201d<\/p>\n<section class=\"brands-most-popular \/\/ editors-pick-module lrv-u-margin-tb-2 lrv-u-border-a-2 u-box-shadow-5-5 lrv-u-padding-lr-1 a-span1 u-padding-b-1@tablet u-overflow-hidden\">\n<h2 id=\"section-heading\" class=\"c-heading larva  lrv-u-text-align-center u-border-color-black a-font-theme-primary-xxs lrv-u-color-black lrv-u-text-transform-uppercase u-letter-spacing-0063 lrv-u-padding-t-050 u-padding-b-0375@tablet lrv-u-padding-b-050@mobile-max lrv-u-border-b-2\">\n<p>\t\tEditor\u2019s picks<\/p>\n<\/h2>\n<\/section>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\tTen years his senior, Balvin has taken on the role of Castro\u2019s big brother, helping him navigate the industry and bringing him out on major stages. A week after we talk, the pair will join Karol G at Coachella for one of the biggest displays of Colombian pride on a global stage.\u00a0<\/p>\n<hr class=\"separator larva \/\/ lrv-u-border-t-2  \"\/>\n<h2 id=\"watch-the-video-interview-below\" class=\"heading larva \/\/   lrv-a-font-primary-l   lrv-u-text-align-center\">\n\t\tWatch the video interview below\t<\/h2>\n<figure class=\"wp-block-embed aligncenter is-type-video is-provider-youtube wp-block-embed-youtube\">\n<div class=\"wp-block-embed__wrapper\">\n<p><iframe loading=\"lazy\" title=\"J Balvin &amp; Ryan Castro Talk New Album, Brotherhood, Colombian Pride | The Rolling Stone Studio\" width=\"1200\" height=\"675\" src=\"https:\/\/www.youtube.com\/embed\/HruUsNHtWqY?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe><\/p>\n<\/div>\n<\/figure>\n<hr class=\"separator larva \/\/ lrv-u-border-t-2  \"\/>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\t<a href=\"https:\/\/www.rollingstone.com\/music\/music-latin\/j-balvin-ryan-castro-omerta-album-announcement-1235543848\/\"><em>Omerta<\/em><\/a>, out on Balvin\u2019s birthday May 7, feels like a natural progression of their close friendship. Over a collection of 10 tracks that move through rock, dancehall, and, of course, reggaeton, the album traces the trust that Balvin and Castro found in each other. The LP takes its title from the Italian phrase for a code of silence, and while the Colombian musicians have leaned into the Mafia aesthetic for their project, the main tenet is not about glorifying mob life. \u201cWe call this album <em>Omerta<\/em> because it\u2019s about family and taking care of ourselves and our people,\u201d Balvin says.<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\tIn the conversation below, the two go deep on their friendship, how their connection shaped the album, how they\u2019re disrupting the current state of Latin music, and what they\u2019ve learned along the way.<\/p>\n<section class=\"brands-most-popular \/\/ recirculation-modules lrv-u-margin-tb-2 lrv-u-border-a-2 u-box-shadow-5-5 lrv-u-padding-lr-1 a-span1 u-padding-b-1@tablet u-overflow-hidden\">\n<h2 id=\"section-heading\" class=\"c-heading larva  lrv-u-text-align-center u-border-color-black a-font-theme-primary-xxs lrv-u-color-black lrv-u-text-transform-uppercase u-letter-spacing-0063 lrv-u-padding-t-050 u-padding-b-0375@tablet lrv-u-padding-b-050@mobile-max lrv-u-border-b-2\">\n<p>\t\tRelated Content<\/p>\n<\/h2>\n<\/section>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\t<strong>You guys are getting ready to release your collaborative album <em>Omerta<\/em>. What inspired you to work together on a full project?<\/strong><br \/><strong>Balvin: <\/strong>In this game, it\u2019s hard to find real friendship. You have a lot of peers, you have a lot of colleagues, but it\u2019s a business where you deal with a lot of ego. Some artists are afraid to see other ones grow up, and that\u2019s not the way I see life. I like to embrace my people. If I can use my platform to elevate them and make a little shortcut. That\u2019s always my mission. We have a really beautiful relationship. We became family, and that\u2019s why we call this album <em>Omerta<\/em>, because it\u2019s about family and taking care of ourselves and our people.<\/p>\n<div class=\"post-content-image \/\/  \">\n<figure class=\"o-figure   size-large alignnone lrv-u-max-width-100p\" style=\"width:819px\">\n<div class=\"c-lazy-image  lrv-u-border-a-2\">\n<div class=\"lrv-a-crop-16x9\" style=\"padding-bottom:calc((1024\/819)*100%);\">\n<p>\t\t\t\t\t\t<img loading=\"lazy\" class=\"c-lazy-image__img lrv-u-background-color-grey-lightest lrv-u-width-100p lrv-u-display-block lrv-u-height-auto\" src=\"https:\/\/www.rollingstone.com\/wp-content\/uploads\/2026\/04\/101556_JSA_RollingStone-JBalvin_RyanCastro_009_09.jpg?w=819\" alt=\"\" srcset=\"\" data-lazy-sizes=\"\" height=\"1024\" width=\"819\" decoding=\"async\"\/><\/p><\/div>\n<\/p><\/div><figcaption class=\"c-figcaption  lrv-u-flex lrv-u-flex-direction-column lrv-u-align-items-center\">\n<\/figcaption><\/figure>\n<\/div>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\t<strong>You guys describe each other as family, and your son even calls Ryan \u201cUncle Ryan.\u201d I\u2019m interested to hear how you guys first connected.<br \/>Balvin: <\/strong>It took time because in my career, I have seen a lot of things, good and bad. It\u2019s not easy to find pure souls. When I met Ryan, I told him, \u201cIf you really want to be part of our family, loyalty is our number one rule.\u201d It wasn\u2019t like, \u201cOh yeah, I just met you, and we\u2019re family.\u201d Family is really important, if not the most important thing in life, [and so are] the people that you choose.\u00a0<br \/>When I met Ryan, I was like, \u201cThis guy, he reminds me of where I started.\u201d He did what he had to do. He started rapping on buses and then going to [perform at] schools and universities. He has what it takes to be a hustler in this game because nowadays people want to just go viral. [But] he has the foundation, the credibility of the streets in Colombia. He still has a lot of things to do, which is really exciting.<br \/><strong>Castro:<\/strong> Jos\u00e9 and I talked over Instagram, and we linked up after that. I remember we went to [the label] offices after it turned out that the guys on Jos\u00e9\u2019s team were actually listening to my music. We hung out for a while there.<br \/><strong>Balvin:<\/strong> They were superfans.<br \/><strong>Castro: <\/strong>The foundation we had was one of mutual respect. I have so much respect for Balvin and his journey, and his respect for my music and everything I was doing, and from that a friendship grew between us. We didn\u2019t go into it thinking, \u201clet\u2019s make music,\u201d or anything like that. Instead, our mindset was simply, \u201cLet\u2019s get to know each other, hang out, have a good time\u201d and from there we became family \u2026 Getting to know him, that alone felt like a dream come true. But now that he\u2019s my <em>parcero<\/em> (bro), that\u2019s a whole other level of special for me. It has always been a pleasure to spend time with him, to make music together, and to be family.<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\t<strong>What was that first session in the studio like where you guys started working on <em>Omerta<\/em>?<br \/>Balvin: <\/strong>Oh, the best. I started drinking four years ago.<br \/><strong>Castro: <\/strong>I had him drinking. [<em>Laughs<\/em>]<br \/><strong>Balvin: <\/strong>We started making the album here in New York. We were just having fun and drinking. We never thought about an album. We were just like, \u201cLet\u2019s have fun.\u201d And that\u2019s how <em>Omerta<\/em> started. No pressure. That\u2019s why it became so amazing.<br \/><strong>Castro: <\/strong>We were basically just having fun in the studio with the whole crew, the guys, the producers, having a few drinks. We\u2019d head out, catch a vibe and hit the club, or go to the beach \u2026 whatever felt right. We really just went with the flow and truly enjoyed ourselves. We enjoyed the entire album experience. It felt like a really special chapter. Beyond just the music or the visuals we created, it was really about the camaraderie, sharing that time with all the different teams, the whole family. We had a blast making it.<\/p>\n<blockquote class=\"pullquote larva \/\/ lrv-a-font-theme-primary lrv-u-border-b-2 lrv-u-border-t-2 lrv-u-margin-a-00 lrv-u-text-align-center u-font-size-60 u-line-height-56 u-padding-b-175 u-padding-t-175 u-padding-lr-2@tablet lrv-a-font-secondary-xxl   \"><p>\n\t<!-- disable-pmc_link_tags_to_related_posts-starts --><\/p>\n<p>\u201cWe call this album <em>Omerta<\/em> because it\u2019s about family and taking care of ourselves and our people.\u201d<\/p>\n<p><cite>J Balvin<\/cite><!-- disable-pmc_link_tags_to_related_posts-ends --><\/p><\/blockquote>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\t<strong>What did that creative process look like? Did one person start writing the lyrics and then somebody else started with a beat?<br \/>Castro: <\/strong>We had a couple of people helping us out with the songwriting, with all the different producers and such. But Jos\u00e9 and I were vibing, writing alongside the guys, coming up with a few verses ourselves. \u201cThat sounds cool, let\u2019s throw that in, <em>chimba<\/em>.\u201d<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\t<strong>Balvin:<\/strong> It was really fast. But that doesn\u2019t mean that we didn\u2019t care about it. The vibe was so right that everything was flowing. Ryan is having an amazing moment [with] a different mindset than when I met him. We\u2019re grown-ups now. We\u2019re not kids anymore, and we have to embrace that and act like it.<br \/><strong>Balvin: <\/strong>When we really got focused on the album, it took us maybe seven, eight days. We did three days in New York, and then we went to Turks and Caicos. He wanted [to add] his Caribbean side. He was raised there, so he\u2019s like, \u201cBro, we got to go to the sea.\u201d<br \/><strong>Castro: <\/strong>Of course, so I could do some dancehall.<br \/><strong>Balvin: <\/strong>He was absolutely right that we needed that time. We needed that flavor, that energy.<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\t<strong>How did you get Sof\u00eda Vergara to star in the album teaser?<\/strong><br \/><strong>Balvin: <\/strong>Sof\u00eda Vergara is a really close friend of mine. She\u2019s a person that I love and admire. It was just perfect to [cast her] as Ryan\u2019s wife in the <a href=\"https:\/\/www.instagram.com\/p\/DW48ID3RdQp\/\" rel=\"nofollow\" target=\"_blank\">mini movie<\/a> that we made. The energy between both of them is really fun. She\u2019s super loud, and he\u2019s more serious and laid-back. She has got to be the most Latina actress that has made this huge statement around the world, being so true to herself. You don\u2019t see the difference between <em>Modern Family<\/em> and when you are with her. With her, it was basically like, \u201cOpen that mic and put the camera and just be you.\u201d She\u2019s one of the biggest icons in entertainment, period.<br \/><strong>Castro: <\/strong>Super <em>chimba<\/em>. It was a really cool moment for me, and I know it was for Jos\u00e9 as well. As he says, Sof\u00eda is a very prominent Colombian actress, and for us, acting alongside her was an experience that went far beyond just the musical aspect. It was just being there with her and being able to experience her energy.\u00a0<br \/>We really enjoyed the process of making the video with Sof\u00eda, just like we did making the <a href=\"https:\/\/www.youtube.com\/watch?v=Bv7WU_s8Mjs&amp;pp=ygURaiBiYWx2aW4gcGFsIGFndWE%3D\" rel=\"nofollow\" target=\"_blank\">\u201cPal Agua\u201d<\/a> and <a href=\"https:\/\/www.youtube.com\/watch?v=7hJ00483eN4\" rel=\"nofollow\" target=\"_blank\">\u201cTonto\u201d<\/a> videos. It was something we dedicated a tremendous amount of time to, just to ensure people would really understand it. Nowadays, with the music industry moving so fast, people are shooting music videos in just two or three hours. We shot each video over the course of 15 hours. We poured a lot of love into it with the acting and the characters who came on board to keep adding layers to this <em>Omerta<\/em> film. Each video tells a very distinct story. As we\u2019ve been saying amongst ourselves, we\u2019re making cinema, which is something you don\u2019t see very often in the music world these days. So, we really wanted to devote a great deal of love to it, and we genuinely enjoyed the process so much.<\/p>\n<div class=\"post-content-image \/\/  \">\n<figure class=\"o-figure   size-full alignnone lrv-u-max-width-100p\" style=\"width:1024px\">\n<div class=\"c-lazy-image  lrv-u-border-a-2\">\n<div class=\"lrv-a-crop-16x9\" style=\"padding-bottom:calc((768\/1024)*100%);\">\n<p>\t\t\t\t\t\t<img loading=\"lazy\" class=\"c-lazy-image__img lrv-u-background-color-grey-lightest lrv-u-width-100p lrv-u-display-block lrv-u-height-auto\" src=\"https:\/\/www.rollingstone.com\/wp-content\/uploads\/2026\/04\/SHOT_07_0708.jpg\" alt=\"\" srcset=\"\" data-lazy-sizes=\"\" height=\"768\" width=\"1024\" decoding=\"async\"\/><\/p><\/div>\n<\/p><\/div><figcaption class=\"c-figcaption  lrv-u-flex lrv-u-flex-direction-column lrv-u-align-items-center\">\n<\/figcaption><\/figure>\n<\/div>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\t<strong>Balvin:<\/strong> Now with the AI world, which I love by the way as a tool that we can use, but we cannot lose the human touch. To have a camera in front of you where you express yourself is the way it should be, valuing the lighting and the DPs and every detail. I think people are going to start valuing real videos even more again. You can see when it\u2019s AI and it\u2019s cool. I\u2019m not hating it, but the whole experience of making a video, it\u2019s an art. I\u2019ve been watching a lot of videos lately from the Nineties and the 2000s, too, and how beautiful the videos were at that time. Not even AI can make something that is as cool as that because you know it was human made. I want to keep doing videos like this because I think kids are going to understand and see the difference between AI and art.<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\t<strong>How did the world of <\/strong><strong><em>Omerta<\/em><\/strong><strong> come together?<\/strong><strong><br \/><\/strong><strong>Castro: <\/strong>The foundation of the album lies in exactly what we\u2019re discussing with the emphasis on family. It has a bit of a \u201cgangster\u201d vibe, but we wanted to bring the concept back to family. A true gangster is someone who works for his family, for his crew, for his people and maintains a tight-knit, familial circle. The deepest meaning behind <em>Omerta<\/em> is about upholding the codes of conduct among ourselves, of being a good brother, a good son, a loyal friend, a good father. That is essentially what we wanted to express in this album, presenting it with the elegance and style that we love to bring to our work. We essentially took the \u201comert\u00e0\u201d Italian code of honor, but we adapted it to fit us and reflect our own way of life as Colombians. We absolutely love it because it also feels like a way of showing respect to the people, through the way we carry ourselves and who we are. It really is a very serious album, and we are people who project that same seriousness. That\u2019s how we want people to see it.<\/p>\n<blockquote class=\"pullquote larva \/\/ lrv-a-font-theme-primary lrv-u-border-b-2 lrv-u-border-t-2 lrv-u-margin-a-00 lrv-u-text-align-center u-font-size-60 u-line-height-56 u-padding-b-175 u-padding-t-175 u-padding-lr-2@tablet lrv-a-font-secondary-xxl   \"><p>\n\t<!-- disable-pmc_link_tags_to_related_posts-starts --><\/p>\n<p>\u201cWhen bro doesn\u2019t feel like singing anymore, I\u2019ll take the throne.\u201d<\/p>\n<p><cite>Ryan Castro<\/cite><!-- disable-pmc_link_tags_to_related_posts-ends --><\/p><\/blockquote>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\t<strong>I also want to talk about all the different genres. \u201cG WA,\u201d is trap, whereas \u201cMelo\u201d is more rock. There\u2019s reggaeton and dancehall, too. Was it important to explore a collection of different genres?<br \/>Balvin: <\/strong>I understand when artists make an album and it\u2019s the same essence from the beginning to the end, but that\u2019s too predictable. I like when you can be like, \u201cOh, this is different. Why did he take it to this side? And then now it\u2019s a rock song like \u2018Melo.\u2019\u201d<br \/><strong>Castro: <\/strong>I like having fun with my music. I\u2019m not very narrow-minded. I also feel the need to challenge myself and demonstrate my skills, and I feel like that shows my versatility as an artist. I think that shows on the album, that I like to do everything in the studio, just like Balvin.<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\t<strong>On \u201cG WA,\u201d there is a line that goes \u201cthe Cadillac is full black\/As if I were Donald Trump.\u201d What does that line mean to you?<\/strong><br \/><strong>Balvin:<\/strong> You handle this one.<br \/><strong>Castro: <\/strong>[<em>Laughs<\/em>] No, it was just a reference to the car, and that\u2019s all. There wasn\u2019t anything deeper to it. It has no substance whatsoever beyond the car.<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\t<strong>On \u201cMelo,\u201d you guys reference Metallica. Jos\u00e9, can you tell me a little bit about how they\u2019ve influenced you?<\/strong><br \/><strong>Balvin: <\/strong>Metallica has been my favorite band since I was a kid. I love Metallica with my life, so I wanted to do a little shout-out. I think \u201cMelo\u201d is so original and different. I think people are going to be really surprised with the song.<\/p>\n<div class=\"wp-block-columns alignwide pmc-block-columns lrv-u-text-align-wide\">\n<div class=\"wp-block-column wp-block-column lrv-a-grid-item\">\n<div class=\"post-content-image \/\/  \">\n<figure class=\"o-figure   size-large alignnone lrv-u-max-width-100p\" style=\"width:819px\">\n<div class=\"c-lazy-image  lrv-u-border-a-2\">\n<div class=\"lrv-a-crop-16x9\" style=\"padding-bottom:calc((1024\/819)*100%);\">\n<p>\t\t\t\t\t\t<img loading=\"lazy\" class=\"c-lazy-image__img lrv-u-background-color-grey-lightest lrv-u-width-100p lrv-u-display-block lrv-u-height-auto\" src=\"https:\/\/www.rollingstone.com\/wp-content\/uploads\/2026\/04\/101556_JSA_RollingStone-JBalvin_RyanCastro_007_03.jpg?w=819\" alt=\"\" srcset=\"\" data-lazy-sizes=\"\" height=\"1024\" width=\"819\" decoding=\"async\"\/><\/p><\/div>\n<\/p><\/div><figcaption class=\"c-figcaption  lrv-u-flex lrv-u-flex-direction-column lrv-u-align-items-center\">\n<\/figcaption><\/figure>\n<\/div>\n<\/div>\n<div class=\"wp-block-column wp-block-column lrv-a-grid-item\">\n<div class=\"post-content-image \/\/  \">\n<figure class=\"o-figure   size-large alignnone lrv-u-max-width-100p\" style=\"width:819px\">\n<div class=\"c-lazy-image  lrv-u-border-a-2\">\n<div class=\"lrv-a-crop-16x9\" style=\"padding-bottom:calc((1024\/819)*100%);\">\n<p>\t\t\t\t\t\t<img loading=\"lazy\" class=\"c-lazy-image__img lrv-u-background-color-grey-lightest lrv-u-width-100p lrv-u-display-block lrv-u-height-auto\" src=\"https:\/\/www.rollingstone.com\/wp-content\/uploads\/2026\/04\/101556_JSA_RollingStone-JBalvin_RyanCastro_007_04.jpg?w=819\" alt=\"\" srcset=\"\" data-lazy-sizes=\"\" height=\"1024\" width=\"819\" decoding=\"async\"\/><\/p><\/div>\n<\/p><\/div><figcaption class=\"c-figcaption  lrv-u-flex lrv-u-flex-direction-column lrv-u-align-items-center\">\n<\/figcaption><\/figure>\n<\/div>\n<\/div>\n<\/div>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\t<strong><em>Omerta<\/em> is so full of Colombian pride. Was that important to emphasize when making the album?<\/strong><br \/><strong>Balvin: <\/strong>Yeah, we are both from Medell\u00edn, Colombia, and we feel really proud of our heritage and how we grew up, especially in Medell\u00edn. Of course, we love Colombia, but we are so proud of our city. We feel that we definitely make a difference in our country, and I feel proud of us.<br \/><strong>Castro: <\/strong>Being from Medell\u00edn, we share a great deal when it comes to music. Beyond music, we\u2019re alike in our general demeanor. As folks from Medell\u00edn, Balvin and I possess a certain special charisma and share important core values. We work really hard. We follow our dreams intensely. We are the type of people who say, \u201cI want this, so I\u2019m going after it \u2014 no matter what.\u201d<\/p>\n<blockquote class=\"pullquote larva \/\/ lrv-a-font-theme-primary lrv-u-border-b-2 lrv-u-border-t-2 lrv-u-margin-a-00 lrv-u-text-align-center u-font-size-60 u-line-height-56 u-padding-b-175 u-padding-t-175 u-padding-lr-2@tablet lrv-a-font-secondary-xxl   \"><p>\n\t<!-- disable-pmc_link_tags_to_related_posts-starts --><\/p>\n<p>\u201cWhen I met Ryan, I was like, \u2018This guy, he reminds me of where I started.\u2019\u201d<\/p>\n<p><cite>J Balvin<\/cite><!-- disable-pmc_link_tags_to_related_posts-ends --><\/p><\/blockquote>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\t<strong>Karol G, another Colombian star, was just on a huge stage, <\/strong><a href=\"https:\/\/www.rollingstone.com\/music\/music-live-reviews\/karol-g-performance-coachella-2026-review-1235543504\/\"><strong>headlining Coachella<\/strong><\/a><strong>. What did you think about her Weekend One set?<\/strong><br \/><strong>Balvin: <\/strong>I stayed up really late because I was here in New York, and I watched the whole show. I\u2019m really proud of her. She\u2019s also from Medell\u00edn, and the fact she is the <a href=\"https:\/\/www.rollingstone.com\/music\/music-news\/karol-g-first-latina-artist-coachella-headliner-1235428277\/\">first Latina woman<\/a> to [play] the main stage and headline Coachella, it\u2019s really beautiful. I saw her very beginnings. I saw every step that she did to where she is now. So I have a lot of respect for [her] discipline and courage.<br \/><strong>Castro: <\/strong>It was awesome. Karol is a great representation for girls, for us, too, and for the city and the country. You can see the love and effort she puts into her work. She did an incredible job, and I know that everyone is going to enjoy Weekend Two as well. <em>That<\/em> is going to be awesome. [<em>Editor\u2019s Note:<\/em> Days after this interview, Balvin and Castro were <a href=\"https:\/\/www.rollingstone.com\/music\/music-latin\/karol-g-coachella-tour-announcement-j-balvin-ryan-castro-1235550165\/\">special guests<\/a> during Karol\u2019s Weekend Two headlining set to close out Coachella 2026.]<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\t<strong>Ryan, you got your start busking on the streets. How did that shape your trajectory and connection with Balvin, who also grinded really hard for his music career?<\/strong><br \/><strong>Castro: <\/strong>I started from zero, nothing. If you can imagine, when I was singing on buses and streets, I would see Balvin singing all over the world. The fact that I can say that I\u2019m here right now just feels like I made it. My story is really beautiful, and I always strive to use it as a positive message to motivate my fans and the people who follow and listen to me to keep chasing after whatever they want to be, whether it\u2019s an artist, a dentist, a soccer player, whatever. Work hard and have the discipline to achieve it. It\u2019s like, \u201cLook, I was able to do it.\u201d I was unfocused and did my things along the way, but I still pulled it off.<\/p>\n<div class=\"post-content-image \/\/  \">\n<figure class=\"o-figure   size-large alignnone lrv-u-max-width-100p\" style=\"width:819px\">\n<div class=\"c-lazy-image  lrv-u-border-a-2\">\n<div class=\"lrv-a-crop-16x9\" style=\"padding-bottom:calc((1024\/819)*100%);\">\n<p>\t\t\t\t\t\t<img loading=\"lazy\" class=\"c-lazy-image__img lrv-u-background-color-grey-lightest lrv-u-width-100p lrv-u-display-block lrv-u-height-auto\" src=\"https:\/\/www.rollingstone.com\/wp-content\/uploads\/2026\/04\/101556_JSA_RollingStone-JBalvin_RyanCastro_011_08.jpg?w=819\" alt=\"\" srcset=\"\" data-lazy-sizes=\"\" height=\"1024\" width=\"819\" decoding=\"async\"\/><\/p><\/div>\n<\/p><\/div><figcaption class=\"c-figcaption  lrv-u-flex lrv-u-flex-direction-column lrv-u-align-items-center\">\n<\/figcaption><\/figure>\n<\/div>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\t<strong>Jos\u00e9, you said earlier that Ryan\u2019s story resonates with your own.\u00a0<\/strong><br \/><strong>Balvin: <\/strong>Yeah, of course. It reminds me of myself. We all had different types of hustle when we started, and that\u2019s why I have so much respect for him, because he did the homework. He did every test that he had to do to be where he\u2019s at right now. I think he\u2019s ready for the next ones, because this never stops, you know? I thought that at the level that I am [at] right now, things were going to be easier, and I was going to work less, and it\u2019s not like that. I\u2019m working even more than when I started.<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\t<strong>Jos\u00e9, you\u2019ve helped pave the way for some of the biggest acts in the world, like Karol G and Bad Bunny. How does it feel to continue to shape Latin music, especially now with Ryan?<\/strong><br \/><strong>Balvin: <\/strong>I consider myself a great A&amp;R. I can always see the vision. I just have that, and that\u2019s pretty much the reason why I\u2019m with Ryan, too. He\u2019s going to be the next one and at the level that he deserves to be. I feel really proud to see all my peers and colleagues being at the level that I always thought they deserved to be. [You know an artist has potential] once you listen to them and you see that there\u2019s no one else that sounds like them, and they just have this color. This business is not about who sings more, it\u2019s about who connects with the people.\u00a0<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\t<strong>What is it that you saw in Ryan that helped you identify him as something special?<\/strong><br \/><strong>Balvin: <\/strong>His style and the way he raps. We were missing that voice and blend of reggaeton and dancehall. I saw him and I thought, \u201cHe\u2019s special. He\u2019s got it.\u201d He also earned the love of the people, especially in our country. That\u2019s something that you cannot work for: You have it or you don\u2019t. You come with this aura that makes people connect with you not just musically, it\u2019s respecting the person and what they do and the way they treat people. At my concert, when we were playing the stadium in Colombia, you felt that when he came to the show, people didn\u2019t just see the artist, they saw the person.<\/p>\n<blockquote class=\"pullquote larva \/\/ lrv-a-font-theme-primary lrv-u-border-b-2 lrv-u-border-t-2 lrv-u-margin-a-00 lrv-u-text-align-center u-font-size-60 u-line-height-56 u-padding-b-175 u-padding-t-175 u-padding-lr-2@tablet lrv-a-font-secondary-xxl   \"><p>\n\t<!-- disable-pmc_link_tags_to_related_posts-starts --><\/p>\n<p>\u201cI\u2019m so inspired by Balvin\u2019s career and what he\u2019s done for Colombia and for Latinos.\u201d<\/p>\n<p><cite>Ryan Castro<\/cite><!-- disable-pmc_link_tags_to_related_posts-ends --><\/p><\/blockquote>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\t<strong>Ryan, when we talked for <em>Rolling Stone\u2019s<\/em> <\/strong><a href=\"https:\/\/www.rollingstone.com\/music\/music-features\/ryan-castro-colombia-peso-pluma-1234990235\/\"><strong>Future of Music<\/strong><\/a><strong> back in 2024, you said, \u201cNew Colombian artists can say we\u2019re from the same land as Balvin and the whole world knows.\u201d How does it feel to be releasing an album with someone who has paved the way for so many artists?<\/strong><br \/><strong>Castro: <\/strong>I\u2019m so inspired by Balvin\u2019s career and what he\u2019s done for Colombia and for Latinos. Whenever I do something, I always tell him, \u201cI\u2019m following in your footsteps.\u201d When he scolds me I also tell him, \u201cWell, I learned from you.\u201d [<em>Laughs<\/em>]. Nah, that\u2019s just lies. He inspires me to make my mark on the world so that they not only recognize Jos\u00e9 but Ryan, too, so that the new artists who come along can say, \u201cI come from the land where he comes from.\u201d When bro doesn\u2019t feel like singing anymore, I\u2019ll take the throne. So it\u2019s a pleasure to make an album with Balvin, to be his friend, and to learn from him not just about music but about life. In the music world, you have to have a lot of patience and know how to go with the flow. I\u2019ve learned so many important things from him.\u00a0<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\t<strong>Both of you were at the 2026 Grammys for Bad Bunny\u2019s <\/strong><a href=\"https:\/\/www.rollingstone.com\/music\/music-news\/talbum-of-the-year-grammy-2026-1235508725\/\"><strong>historic win<\/strong><\/a><strong>. What was it like to be there for that?\u00a0<\/strong><br \/><strong>Balvin:<\/strong> It was beautiful because he deserves it. He has this talent that is undeniable; he\u2019s like a unicorn. But he works for it; it\u2019s not that it was one day to another. I saw him from the beginning, and it was beautiful to collaborate and do an album together like <a href=\"https:\/\/www.rollingstone.com\/music\/music-album-reviews\/bad-bunny-and-j-balvin-oasis-853403\/\"><em>Oasis<\/em><\/a>, so then to go to the Grammys and see him win Album of the Year and be with Ryan, [it was] full circle.<br \/><strong>Castro: <\/strong>It\u2019s a source of pride just to see him, but to be <em>there<\/em>, that was something else. It was such a pleasure to be there with Jos\u00e9 for such a special moment in Latin culture, in m\u00fasica urbana culture. To be able to say \u201chi\u201d to [Bad Bunny] and show him my respect, it\u2019s a moment I know I will never forget.<\/p>\n<div class=\"post-content-image \/\/  \">\n<figure class=\"o-figure   size-large alignnone lrv-u-max-width-100p\" style=\"width:828px\">\n<div class=\"c-lazy-image  lrv-u-border-a-2\">\n<div class=\"lrv-a-crop-16x9\" style=\"padding-bottom:calc((1024\/828)*100%);\">\n<p>\t\t\t\t\t\t<img loading=\"lazy\" class=\"c-lazy-image__img lrv-u-background-color-grey-lightest lrv-u-width-100p lrv-u-display-block lrv-u-height-auto\" src=\"https:\/\/www.rollingstone.com\/wp-content\/uploads\/2026\/04\/101556_JSA_RollingStone-JBalvin_RyanCastro_006_06-2.jpg?w=828\" alt=\"\" srcset=\"\" data-lazy-sizes=\"\" height=\"1024\" width=\"828\" decoding=\"async\"\/><\/p><\/div>\n<\/p><\/div><figcaption class=\"c-figcaption  lrv-u-flex lrv-u-flex-direction-column lrv-u-align-items-center\">\n<\/figcaption><\/figure>\n<\/div>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\t<strong>Did you guys talk to him after he won Album of the Year?\u00a0<\/strong><br \/><strong>Balvin: <\/strong>Yeah, I talked to him after he won. I was really proud of what he did [at the Grammys] and also at the <a href=\"https:\/\/www.rollingstone.com\/music\/music-news\/bad-bunny-super-bowl-performance-1235513007\/\">Super Bow<\/a>l, too. I show love and I <a href=\"https:\/\/www.rollingstone.com\/music\/music-news\/j-balvin-bad-bunny-superbowl-performance-1235499589\/\">support him<\/a> in a real way, with no ego on the side. We\u2019re in the best moment of our relationship. We\u2019re more mature and we talk about things that we didn\u2019t before.<br \/><strong>Castro: <\/strong>I had already met him at another opportunity. He had invited me to his concert in Puerto Rico. I enjoyed the show \u2014 he\u2019s honestly a <em>chimba<\/em> representation of Puerto Rican culture. Whenever I have talked to him, he has treated me very well, and with great respect.<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\t<strong>Jos\u00e9, you guys recently publicly squashed your <\/strong><a href=\"https:\/\/www.rollingstone.com\/music\/music-latin\/j-balvin-responds-to-bad-bunny-thunder-y-lightning-lyric-1234854255\/\"><strong>beef<\/strong><\/a><strong> in <\/strong><a href=\"https:\/\/www.rollingstone.com\/music\/music-news\/bad-bunny-j-balvin-end-feud-reunite-lacancion-performance-1235488599\/\"><strong>Mexico City<\/strong><\/a><strong>. What was that experience like?<\/strong><strong><br \/><\/strong><strong>Balvin:<\/strong> Actually, there was no beef. I think it was just the energy was flowing differently, but we never had beef. It was never that [if] we were to see each other, something would happen \u2014 we both are not like that. I was vibing with another energy, and he might\u2019ve just been in his own vibe too. But now it feels great because you don\u2019t feel any pressure on your shoulders. It just feels like now we can really cheer for what he\u2019s doing and what our people are doing.<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\t<strong>You\u2019ve made your peace with Benito and even <\/strong><a href=\"https:\/\/www.rollingstone.com\/music\/music-latin\/j-balvin-residente-end-reggaeton-feud-1235493035\/\"><strong>Residente<\/strong><\/a><strong>; it seems like you\u2019re entering a new era. What is the biggest lesson you learned from your past controversies?\u00a0<\/strong><br \/><strong>Balvin: <\/strong>Well, the only thing you can control is yourself. You cannot control other people\u2019s decisions and how they move and how they act. Time is the beautiful lesson to understand why [something] happened. It wasn\u2019t a bad moment, it was a lesson. You got your ups and downs, and I feel great because we overcame all those moments, and now we\u2019re in this beautiful era where everything\u2019s flowing. We\u2019re playing all of these stadiums in Colombia now and making all of these beautiful statements. Time is always the answer.<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\t<strong>How do those lessons help you mentor Ryan?<\/strong><br \/><strong>Balvin: <\/strong>I always tell Ryan, \u201cDon\u2019t listen to any of the noise.\u201d People always want to see fights, which I don\u2019t think is really entertaining. I always tell him to be focused and that he\u2019s a man now, he\u2019s not a kid, so he\u2019s got to behave like it.<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\t<strong>What\u2019s the biggest lesson you\u2019ve learned from Balvin?<\/strong><br \/><strong>Castro: <\/strong>So many. But I think the lesson I\u2019ve learned the most, and the one that has always stayed top of mind, is not to rush things. If it\u2019s now, it\u2019s now, and if it\u2019s for tomorrow, then so be it. Trust the process. Jos\u00e9 has already lived through the process and experienced all of his eras, so when he tells me that, it sticks with me.\u00a0<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\tIf you keep working, at the end of the day, things will come. I enjoy every bit of my career. I enjoy what is happening today, because I know that tomorrow, with God\u2019s help, will be something different.<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\t<strong>Are there any plans to do a joint headlining tour of <em>Omerta<\/em>?<\/strong><br \/><strong>Balvin: <\/strong>We got to let people talk, let the people decide, and then promoters will come. An <em>Omerta<\/em> tour would be amazing and so much fun. That\u2019s definitely on the mission.<\/p>\n<div class=\"production-credits \/\/  lrv-u-border-t-2 lrv-u-margin-b-2 lrv-u-padding-t-075 u-line-height-1.067\">\n<p class=\"production-credits-title-text \/\/  production-credits-title-text \/\/ lrv-u-display-inline lrv-u-font-family-basic u-font-size-15 lrv-u-text-transform-uppercase u-font-weight-800 u-letter-spacing-0 u-line-height-16\"> Production and Clothing Credits<\/p>\n<p class=\"production-credits-markup \/\/ production-credits-markup \/\/ lrv-u-display-inline lrv-u-font-family-body lrv-u-font-size-13 lrv-u-line-height-16 u-letter-spacing-0\"> Styling by <strong>NICKY CAMPBELL<\/strong>. Grooming by <strong>LYNDA ESPARZA<\/strong> for <strong>EXCLUSIVE ARTISTS<\/strong> using <strong>MAKE UP FOR EVER<\/strong>. Set Design by <strong>PILI WEEBER<\/strong>. Lighting Director: <strong>BRADLEY ENNIS<\/strong>. Digital Technician I<strong>SAN MONFOR<\/strong>t. Photographic Assistance:<strong> JUAN CUARTAS RUEDA<\/strong>. Styling assistance <strong>MIA FONTE<\/strong> and <strong>DYLAN GUE<\/strong>. Set design<strong> <\/strong>assistance <strong>JORGE LEGUIZAMON<\/strong> and <strong>JAMER GOMEZ<\/strong>.<\/p>\n<p><strong>Cover<\/strong>\u2013<strong>BALVIN<\/strong> Outfit by <strong>TOM FORD<\/strong>. Shoes by <strong>DOLCE AND GABBANA<\/strong>. Bracelet by <strong>UNIFORM OBJECT<\/strong>.<br \/><strong>CASTRO<\/strong> Suit and Shirt by <strong>DOLCE AND GABBANA<\/strong>. Necklace by <strong>UNIFORM OBJECT<\/strong>. Shoes: <strong>LOUBOUTIN<\/strong>.<\/p>\n<p><strong>Blue Sky<\/strong>\u2013<strong>BALVIN<\/strong> Jacket by \u00a0<strong>BURBERRY<\/strong>. Shirt by<strong> ZENGA<\/strong>. Pants by <strong>SAINT LAURENT<\/strong>. Shoes by <strong>LOUBOUTIN<\/strong>. Necklace by <strong>UNIFORM OBJECT<\/strong>. Watch <strong>AUDEMARS PIQUET<\/strong>.<br \/><strong>CASTRO<\/strong> Outfit by<strong> LOUIS VUITTON<\/strong>. Shoes by <strong>FERRAGAMO<\/strong>. Watch by <strong>JACOB AND CO<\/strong>. Necklace, Bracelet and Ring by <strong>UNIFORM OBJECT<\/strong>.<\/p>\n<\/div>\n<\/div>\n<p><script async src=\"\/\/www.instagram.com\/embed.js\"><\/script><br \/>\n<br \/><br \/>\n<br \/><a href=\"https:\/\/www.rollingstone.com\/music\/music-news\/j-balvin-ryan-castro-digital-cover-shell-1235555403\/\">Source link <\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>J Balvin and Ryan Castro have been awake since 5 a.m., but if they\u2019re tired, there\u2019s no way you would be able to tell&#8230;.<\/p>\n","protected":false},"author":5,"featured_media":63521,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[36],"tags":[],"class_list":["post-63520","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-pop","article","has-excerpt","has-avatar","has-author","has-date","has-comment-count","has-category-meta","has-read-more","thumbnail-"],"_links":{"self":[{"href":"https:\/\/musicianvoice.com\/index.php\/wp-json\/wp\/v2\/posts\/63520","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/musicianvoice.com\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/musicianvoice.com\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/musicianvoice.com\/index.php\/wp-json\/wp\/v2\/users\/5"}],"replies":[{"embeddable":true,"href":"https:\/\/musicianvoice.com\/index.php\/wp-json\/wp\/v2\/comments?post=63520"}],"version-history":[{"count":0,"href":"https:\/\/musicianvoice.com\/index.php\/wp-json\/wp\/v2\/posts\/63520\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/musicianvoice.com\/index.php\/wp-json\/wp\/v2\/media\/63521"}],"wp:attachment":[{"href":"https:\/\/musicianvoice.com\/index.php\/wp-json\/wp\/v2\/media?parent=63520"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/musicianvoice.com\/index.php\/wp-json\/wp\/v2\/categories?post=63520"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/musicianvoice.com\/index.php\/wp-json\/wp\/v2\/tags?post=63520"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}