{"id":63603,"date":"2026-04-30T16:33:35","date_gmt":"2026-04-30T16:33:35","guid":{"rendered":"https:\/\/musicianvoice.com\/index.php\/2026\/04\/30\/tori-amos-in-times-of-dragons\/"},"modified":"2026-04-30T16:33:35","modified_gmt":"2026-04-30T16:33:35","slug":"tori-amos-in-times-of-dragons","status":"publish","type":"post","link":"https:\/\/musicianvoice.com\/index.php\/2026\/04\/30\/tori-amos-in-times-of-dragons\/","title":{"rendered":"Tori Amos, &#8216;In Times of Dragons&#8217;"},"content":{"rendered":"<p> <br \/>\n<\/p>\n<div>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\tEarly on her 18th album, <a href=\"https:\/\/www.rollingstone.com\/t\/tori-amos\/\" id=\"auto-tag_tori-amos\" data-tag=\"tori-amos\">Tori Amos<\/a> sings of being silenced. \u201cShush yourself, down now,\u201d her narrator\u2019s cigar-smoking captor-slash-husband orders, as drums keep a steady pace and Amos attacks her B\u00f6sendorfer piano with a growing fury. Finally, she calls upon someone familiar for inspiration: \u201cI know a girl who wrote \u2018Silent All These Years,\u2019\u201d Amos sings, drawing out her vowels to their limits as she calls back to <a href=\"https:\/\/www.youtube.com\/watch?v=HSYr0etDzRM\" data-type=\"link\" data-id=\"https:\/\/www.youtube.com\/watch?v=HSYr0etDzRM\" target=\"_blank\" rel=\"noreferrer noopener nofollow\">her debut solo single<\/a>. \u201cWhere is she?\u201d<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\tSince finding her voice as a solo artist with that gently blooming 1991 cut, Amos has walked a singular path through pop music. Her piano-led songs tackled the constraints and contradictions of womanhood head-on, leavened with acerbic humor, Southern wisdom, and fantastical elements. The dense, poetic <em>In Times of Dragons<\/em>, which Amos recorded at her home base in Cornwall, England, continues that legacy, chronicling its protagonist\u2019s escape from her Lizard Demon husband with help from characters like the Gay Witch From Brooklyn and the High Priestess. <\/p>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\tAmos\u2019 world-weary mezzo-soprano and precisely calibrated piano parts unfurl in a heady tale of salvation whose timeliness is underscored by the Bob Dylan-nodding \u201cOde To Minnesota.\u201d \u201cGasoline Girls\u201d is sprightly despite lyrics that long for safety and liberation; the gently funky \u201cPyrite\u201d gets down with healing crystals as Amos\u2019 heroine looks for revenge. \u201cSt. Teresa\u201d has a spectral languor appropriate to its titular saint\u2019s mix of mysticism and devotion; the churning \u201cTempest\u201d calls on the martyred Saint Cecilia, the patron saint of musicians and singers, to assist in the resurrection of a long-stilled voice.<\/p>\n<section class=\"brands-most-popular \/\/ recirculation-modules trending-in-article lrv-u-margin-tb-2 lrv-u-border-a-2 u-box-shadow-5-5 lrv-u-padding-lr-1 a-span1 u-padding-b-1@tablet u-overflow-hidden\">\n<h2 id=\"section-heading\" class=\"c-heading larva  lrv-u-text-align-center u-border-color-black a-font-theme-primary-xxs lrv-u-color-black lrv-u-text-transform-uppercase u-letter-spacing-0063 lrv-u-padding-t-050 u-padding-b-0375@tablet lrv-u-padding-b-050@mobile-max lrv-u-border-b-2\">\n<p>\t\tTrending Stories<\/p>\n<\/h2>\n<\/section>\n<div class=\"post-content-image \/\/  \">\n<figure class=\"o-figure   size-large alignnone lrv-u-max-width-100p\" style=\"width:1024px\">\n<div class=\"c-lazy-image  lrv-u-border-a-2\">\n<div class=\"lrv-a-crop-16x9\" style=\"padding-bottom:calc((1024\/1024)*100%);\">\n<p>\t\t\t\t\t\t<\/p><\/div>\n<\/p><\/div><figcaption class=\"c-figcaption  lrv-u-flex lrv-u-flex-direction-column lrv-u-align-items-center\">\n<\/figcaption><\/figure>\n<\/div>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\tThroughout, Amos grapples with her legacy through the relationship her heroine has with her long-lost daughter, who\u2019s portrayed on cuts like the conflicted \u201cVeins,\u201d the mournful \u201cStrawberry Moon,\u201d and the gently buoyant \u201cStronger Together\u201d by Amos\u2019 actual daughter, Natashya Hawley. (Hawley, 25, also co-wrote these tracks.) The two voices braid together tentatively at first, with Amos offering apologia on \u201cVeins\u201d while Hawley replies with love and compassion; on \u201cStronger Together,\u201d which is near the album\u2019s close, they realize their collective strength.<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\tAt the album\u2019s outset, Amos\u2019 heroine is anxious about her circumstances turning her into \u201cthis half-dragon, half-woman thing,\u201d as she puts it on the hymnlike closer \u201c23 Peaks.\u201d By the end, she\u2019s learned to live with her scars, using them as a power source even though it might cause pain. It\u2019s an apt metaphor for Amos\u2019 career, and the ways she\u2019s blended the confessional and the mystical to often stunning effect.<\/p>\n<\/div>\n<p><br \/>\n<br \/><a href=\"https:\/\/www.rollingstone.com\/music\/music-album-reviews\/tori-amos-in-times-of-dragons-review-1235525926\/\">Source link <\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Early on her 18th album, Tori Amos sings of being silenced. \u201cShush yourself, down now,\u201d her narrator\u2019s cigar-smoking captor-slash-husband orders, as drums keep a&#8230;<\/p>\n","protected":false},"author":5,"featured_media":63604,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[36],"tags":[],"class_list":["post-63603","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-pop","article","has-excerpt","has-avatar","has-author","has-date","has-comment-count","has-category-meta","has-read-more","thumbnail-"],"_links":{"self":[{"href":"https:\/\/musicianvoice.com\/index.php\/wp-json\/wp\/v2\/posts\/63603","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/musicianvoice.com\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/musicianvoice.com\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/musicianvoice.com\/index.php\/wp-json\/wp\/v2\/users\/5"}],"replies":[{"embeddable":true,"href":"https:\/\/musicianvoice.com\/index.php\/wp-json\/wp\/v2\/comments?post=63603"}],"version-history":[{"count":0,"href":"https:\/\/musicianvoice.com\/index.php\/wp-json\/wp\/v2\/posts\/63603\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/musicianvoice.com\/index.php\/wp-json\/wp\/v2\/media\/63604"}],"wp:attachment":[{"href":"https:\/\/musicianvoice.com\/index.php\/wp-json\/wp\/v2\/media?parent=63603"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/musicianvoice.com\/index.php\/wp-json\/wp\/v2\/categories?post=63603"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/musicianvoice.com\/index.php\/wp-json\/wp\/v2\/tags?post=63603"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}