{"id":63690,"date":"2026-05-01T15:30:37","date_gmt":"2026-05-01T15:30:37","guid":{"rendered":"https:\/\/musicianvoice.com\/index.php\/2026\/05\/01\/marcus-king-on-online-trolls-allmans-inspired-new-album\/"},"modified":"2026-05-01T15:30:37","modified_gmt":"2026-05-01T15:30:37","slug":"marcus-king-on-online-trolls-allmans-inspired-new-album","status":"publish","type":"post","link":"https:\/\/musicianvoice.com\/index.php\/2026\/05\/01\/marcus-king-on-online-trolls-allmans-inspired-new-album\/","title":{"rendered":"Marcus King on Online Trolls, Allmans Inspired New Album"},"content":{"rendered":"<p> <br \/>\n<\/p>\n<div>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\tWhen <a href=\"https:\/\/www.rollingstone.com\/t\/marcus-king\/\" id=\"auto-tag_marcus-king\" data-tag=\"marcus-king\">Marcus King<\/a> dropped <em>Darling Blue<\/em> last September, he viewed the album as a personal retrospective. It was a record about growth, sobriety, and keeping demons at bay. King told Rolling Stone about <a href=\"https:\/\/www.rollingstone.com\/music\/music-features\/marcus-king-got-sober-ozzy-osbourne-1235481446\/\">choosing an even-keeled lifestyle<\/a>, and the South Carolina native had a handful of tunes that reflected the impact of that decision.<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\tAt first, those songs landed on the cutting room floor, but King couldn\u2019t let them go. Now, he\u2019s released them on <em>No Room for Blue<\/em>, a companion album that drops on Friday.<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\tKing and his band began recording <em>Darling Blue<\/em> in Macon, Georgia, at the venerable Capricorn Studios \u2014 often cited as the birthplace of Southern rock \u2014\u00a0before finishing the project at Blackbird Studios in Nashville. Working with producer Eddie Spear (Zach Bryan, Brandi Carlile), King ended up with enough tracks to span two albums. He views them as complementary sides to the same story.<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\t\u201cWe\u2019ve got alternate versions of songs,\u201d King tells <em>N<\/em>, \u201cones that didn\u2019t quite make the cut, or that I thought should have made the cut but that got cut because we had so many to choose from. The name was our cute little way of saying that. The initial release was most of the Nashville stuff. This one makes me feel more like it\u2019s Macon. All the shit on here, we recorded in Macon.\u201d<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\tBlue Drew Smithers, who plays guitar for King, says the studio time in Macon gave <em>No Room for Blue<\/em> a heavier slant toward Southern rock than <em>Darling Blue<\/em>.<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\t\u201cYou were just trying to soak up as much as you can that would have played between the walls,\u201d Smithers says. \u201cCapricorn Studios was home of early Allman Brothers, Marshall Tucker, all that stuff. That label was a thriving label in the South in the Seventies, and I think a lot of the music that we listen to came out of there. We tried to take what they did and spin it our way.\u201d<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\tThe LP will land on streaming services as <em>Darling Blue\/No Room for Blue<\/em>, but savvy fans of King will note that it dropped in a physical format last November \u2014 as a Record Store Day vinyl release. The 12 tracks (including three of those alternate versions of <em>Darling Blue<\/em> songs) are all written or co-written by King.<\/p>\n<section class=\"brands-most-popular \/\/ editors-pick-module lrv-u-margin-tb-2 lrv-u-border-a-2 u-box-shadow-5-5 lrv-u-padding-lr-1 a-span1 u-padding-b-1@tablet u-overflow-hidden\">\n<h2 id=\"section-heading\" class=\"c-heading larva  lrv-u-text-align-center u-border-color-black a-font-theme-primary-xxs lrv-u-color-black lrv-u-text-transform-uppercase u-letter-spacing-0063 lrv-u-padding-t-050 u-padding-b-0375@tablet lrv-u-padding-b-050@mobile-max lrv-u-border-b-2\">\n<p>\t\tEditor\u2019s picks<\/p>\n<\/h2>\n<\/section>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\tBoth projects were backed by the Marcus King Band, the first records for the group since 2018\u2019s <em>Carolina Confessions<\/em>. Playing with his group, King says, was a driving factor in the decision to record in Macon.<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\t\u201cIt was an immersion of all the things that inspired us,\u201d King says. \u201cBeing in the space that had such a major role to play in the birth of Southern rock, it was important to us. It was our first band effort in several years.\u201d<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\tKing and his band showcased their range and influences last weekend at <a href=\"https:\/\/www.rollingstone.com\/music\/music-country\/stagecoach-2026-best-of-post-malone-ella-langley-1235554437\/\">Stagecoach<\/a>, playing a set heavy on <em>Darling Blue\/No Room for Blue<\/em> but highlighted by King inviting his wife Briley onstage to cover Little Feat\u2019s \u201cWillin\u2019\u201d as a duet.<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\tThe showstopping moment brought to light a part of King\u2019s life that is as impactful as sobriety has been: Whether they want it or not, he and Briley are something of a modern power couple in country music. Briley, in particular, draws frequent attention from fans on social media both as an artist and a creator. Combined, they have more than a million Instagram followers. The consequence is a life, and a still-budding marriage, that often plays out in the public eye, with their moves monitored in social media replies or Reddit forums daily.<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\t\u201cHonestly, earnestly, it\u2019s one of the toughest things,\u201d King says. \u201cBeing in that public eye and trying to ignore the things that people say about you or say about your partner \u2014\u00a0especially the things that are just untrue \u2014\u00a0but not wanting to validate somebody\u2019s nastiness by trying to dispute their allegations. The court of public opinion is so fucked, because there\u2019s no check and balance. Your sentence for whatever they have perceived you to have done is the sentence in their mind. There\u2019s no judge or jury.\u201d<\/p>\n<section class=\"brands-most-popular \/\/ recirculation-modules lrv-u-margin-tb-2 lrv-u-border-a-2 u-box-shadow-5-5 lrv-u-padding-lr-1 a-span1 u-padding-b-1@tablet u-overflow-hidden\">\n<h2 id=\"section-heading\" class=\"c-heading larva  lrv-u-text-align-center u-border-color-black a-font-theme-primary-xxs lrv-u-color-black lrv-u-text-transform-uppercase u-letter-spacing-0063 lrv-u-padding-t-050 u-padding-b-0375@tablet lrv-u-padding-b-050@mobile-max lrv-u-border-b-2\">\n<p>\t\tRelated Content<\/p>\n<\/h2>\n<\/section>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\tIf there is a benefit to a marriage under a microscope, King says it is that it forces both him and Briley to find ways to simply be a couple, and it keeps their relationship fresh. \u201cDate night is really important. You gotta keep a date night,\u201d he says, \u201cand you gotta keep romance alive.\u201d<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\tMarcus King Band is following the release of No Room for Blue with a short run in Texas, playing dance halls like Gruene Hall and Billy Bob\u2019s, in early May. They\u2019ll pick up their coast-to-cast headlining tour \u2014 Darling Blue Tour, Pt. 2 \u2014\u00a0in mid-May. The tour comes on the heels of an abandoned international run for King, spurred by the last-minute cancellation of the Byron Bay Bluesfest in Australia that was slated for early April. Part of that even-keeled outlook King is aiming to hold in his life and music is being able to roll with such changes. The goals he sets for his shows, he says, remain unchanged regardless of what happens at a business level.<\/p>\n<section class=\"brands-most-popular \/\/ recirculation-modules trending-in-article lrv-u-margin-tb-2 lrv-u-border-a-2 u-box-shadow-5-5 lrv-u-padding-lr-1 a-span1 u-padding-b-1@tablet u-overflow-hidden\">\n<h2 id=\"section-heading\" class=\"c-heading larva  lrv-u-text-align-center u-border-color-black a-font-theme-primary-xxs lrv-u-color-black lrv-u-text-transform-uppercase u-letter-spacing-0063 lrv-u-padding-t-050 u-padding-b-0375@tablet lrv-u-padding-b-050@mobile-max lrv-u-border-b-2\">\n<p>\t\tTrending Stories<\/p>\n<\/h2>\n<\/section>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\t\u201cI want to walk off stage knowing that I was honest,\u201d King says. \u201cI\u2019m being as honest as I can, every night that I perform. Some nights, maybe the truth just wasn\u2019t all that worth listening to, but I still said all that I wanted to say.\u201d<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\t<em>Josh Crutchmer is a journalist and author whose book <\/em><a href=\"https:\/\/backloungepublishing.com\/almostalmostfamous\/\" rel=\"nofollow\" target=\"_blank\"><em>(Almost) Almost Famous<\/em><\/a><em> is available now via Back Lounge Publishing.<\/em><\/p>\n<\/div>\n<p><br \/>\n<br \/><a href=\"https:\/\/www.rollingstone.com\/music\/music-features\/marcus-king-online-trolls-new-album-no-room-for-blue-1235556514\/\">Source link <\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>When Marcus King dropped Darling Blue last September, he viewed the album as a personal retrospective. It was a record about growth, sobriety, and&#8230;<\/p>\n","protected":false},"author":5,"featured_media":63691,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[36],"tags":[],"class_list":["post-63690","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-pop","article","has-excerpt","has-avatar","has-author","has-date","has-comment-count","has-category-meta","has-read-more","thumbnail-"],"_links":{"self":[{"href":"https:\/\/musicianvoice.com\/index.php\/wp-json\/wp\/v2\/posts\/63690","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/musicianvoice.com\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/musicianvoice.com\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/musicianvoice.com\/index.php\/wp-json\/wp\/v2\/users\/5"}],"replies":[{"embeddable":true,"href":"https:\/\/musicianvoice.com\/index.php\/wp-json\/wp\/v2\/comments?post=63690"}],"version-history":[{"count":0,"href":"https:\/\/musicianvoice.com\/index.php\/wp-json\/wp\/v2\/posts\/63690\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/musicianvoice.com\/index.php\/wp-json\/wp\/v2\/media\/63691"}],"wp:attachment":[{"href":"https:\/\/musicianvoice.com\/index.php\/wp-json\/wp\/v2\/media?parent=63690"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/musicianvoice.com\/index.php\/wp-json\/wp\/v2\/categories?post=63690"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/musicianvoice.com\/index.php\/wp-json\/wp\/v2\/tags?post=63690"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}