Motomami<\/a><\/em> chapter. The choreography is a huge change: The ballet she does across this section has gotten some flack on social media from real ballerinas who say they\u2019re mortified by her form and terrified for her ankles, yet the larger point is the world-building Rosal\u00eda is doing onstage in real time. She\u2019s creating an opulent, old-world experience, saluting highly disciplined art forms and showcasing the commitment and rigor that has brought her this far.\u00a0<\/p>\n\n\tBut maybe the most surprising element is just how much joy and playfulness Rosal\u00eda puts onstage. Through a certain lens, Lux<\/em> can land as a pedantic and even pretentious project, with its dozen languages and nods to spiritual saints and divine texts. Yet the live experience softens the edges, adding splashes of pop and sexiness and mischief to a profoundly transformative set \u2014 and it\u2019s a balance no artist strikes quite as well as Rosal\u00eda, who seemed ecstatic to be in New York. \u201cI remember the first show that I did here, there was like, no te exagero<\/em>, 20 people,\u201d she said, recalling her first time playing in the city. \u201cAnd tonight, I\u2019m playing Madison Square fucking Garden!\u201d For fans of the more upbeat parts of her discography, there were also reworked versions of hits like \u201cSaoko\u201d and \u201cDespecha.\u201d A lot of the thrill was seeing how quickly she delivered tear-inducing moments of beauty one second, and a Betty Boop wink the next.<\/p>\n\n\n
\t\tRelated Content<\/p>\n<\/h2>\n<\/section>\n
\n\tA touch of camp came in her tradition of bringing a celebrity friend onstage for a revealing confessional. Rosal\u00eda has welcomed everyone from Lola Young to Bad Gyal and had them tell eyebrow-raising stories of misadventures in sex and romance. On Tuesday, she shocked everyone by bringing out Maggie Rogers. The singer-songwriter had a truly wild story about a date with a New York Times<\/em> journalist who, she said, took her to his office conference room for a make-out session at 1 a.m. \u2014 only for her to learn later that he had a girlfriend. We could have done without the artists\u2019 assertions that journalists \u201cmake stuff up\u201d and that you can\u2019t trust them (freedom of the press is more under threat than ever, girls, come on), but Rogers\u2019 confession is far and away the juiciest one from the tour yet. It also set up \u201cLa Perla,\u201d a stinging rebuke of a male chauvinist done in waltz time, which comes with cheeky, Crazy Horse Paris cabaret choreo to complement the song\u2019s sassiness.\u00a0<\/p>\n\n\tBut the best example of Rosal\u00eda\u2019s ability to pull off ambition, skill, and levity may have been \u201cFoc\u2019Rainni,\u201d the closing song before her encore. On the extended cut of the album, this is one of her most gut-wrenching tracks, evoking heartbreak, a failed engagement, and a love story that never was. And yet for all its sadness, there\u2019s so much carefree abandon in the live performance: Rosal\u00eda races around with her ballerinas, belting out lines about her own independence: \u201cI will be mine\/And of my freedom.\u201d You\u2019re with Rosal\u00eda as she ends the show by free-falling off the stage, ready for where life takes her next. She came back out for \u201cMagnolias,\u201d a delicate elegy that recasts death as a peaceful farewell, and sang about departing this world to transcend back into the stars. By then, she\u2019d already left us with so much, and the audience was more than a little transformed, too.<\/p>\n
\n\tRosal\u00eda <\/strong>Lux <\/em><\/strong>Tour Set List<\/strong><\/p>\n\n\tOVERTURE<\/em><\/p>\n\n\t\u201cOverture\u201d<\/p>\n
\n\tACTO 1<\/em><\/p>\n\n\t\u201cSexo, Violencia y Llantas\u201d
\u201cPorcelana\u201d
\u201cDivinize\u201d
\u201cMio Cristo Piange Diamante\u201d<\/p>\n
\n\tACTO 2<\/em><\/p>\n\n\t\u201cBerghain\u201d
\u201cSAOKO\u201d
\u201cLA FAMA\u201d
\u201cLA COMBI VERSACE\u201d
\u201cDe Madrug\u00e1\u201d<\/p>\n
ACTO 3<\/em><\/p>\n\n\t\u201cEl Redentor\u201d
\u201cCan\u2019t Take My Eyes Off You\u201d \/ \u201cConfessional Engagement\u201d
\u201cLa Perla\u201d
\u201cSauvignon Blanc\u201d
\u201cLa Yugular\u201d<\/p>\n
\n\tINTERMEZZO<\/em><\/p>\n\n\t\u201cDios Es Un Stalker\u201d
\u201cRumba del Perd\u00f3n\u201d
\u201cCUUUUuuuuuute\u201d<\/p>\n
\n\tACTO 4<\/em><\/p>\n\n\t\u201cBIZCOCHITO\u201d
\u201cDESPECH\u00c1\u201d
\u201cFocu? Ranni\u201d<\/p>\n\n\n
\t\tTrending Stories<\/p>\n<\/h2>\n<\/section>\n
\n\tENCORE<\/em><\/p>\n\n\t\u201cMagnolias\u201d<\/p>\n<\/div>\n
\n
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