{"id":66876,"date":"2026-06-18T16:00:29","date_gmt":"2026-06-18T16:00:29","guid":{"rendered":"https:\/\/musicianvoice.com\/index.php\/2026\/06\/18\/midland-stages-album-shows-trios-influence-on-urban-cowboy-revival\/"},"modified":"2026-06-18T16:00:29","modified_gmt":"2026-06-18T16:00:29","slug":"midland-stages-album-shows-trios-influence-on-urban-cowboy-revival","status":"publish","type":"post","link":"https:\/\/musicianvoice.com\/index.php\/2026\/06\/18\/midland-stages-album-shows-trios-influence-on-urban-cowboy-revival\/","title":{"rendered":"Midland &#8216;Stages&#8217; Album Shows Trio&#8217;s Influence on Urban Cowboy Revival"},"content":{"rendered":"<p> <br \/>\n<\/p>\n<div>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\tMark Wystrach of <a href=\"https:\/\/www.rollingstone.com\/t\/midland\/\" id=\"auto-tag_midland\" data-tag=\"midland\">Midland<\/a> refuses to accept the fact that he once owned overalls. \u201cNope, not me,\u201d he says, seated on a velvet couch in a mysterious secret wing of Garth Brooks\u2019 Nashville bar, Friends in Low Places, his feet kicked up on the coffee table. Today, he\u2019s wearing jeans, a striped pearl snap, and a hat, but I remind him that, <a href=\"https:\/\/www.rollingstone.com\/music\/music-country\/midland-let-it-roll-pink-limo-875589\/\">last time we met up<\/a> around the release of their second album <em>Let It Roll<\/em>, there was a mustache, a mullet, and most definitely a pair of overalls.<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\tHe still denies it. Am I sure?<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\t\u201cYou had overalls on when you played fucking <em>Kimmel<\/em>, dude,\u201d his bandmate\/bassist Cameron Duddy says. He\u2019s tucked next to Wystrach on the couch with more than a few of his shirt buttons undone. Wystrach eventually concedes: Turns out, there is photographic proof. \u201c<em>Regrets, I\u2019ve had a few<\/em>,\u201d he sings, before he, Duddy, and guitarist Jess Carson devolve into a conversation about the merits and comfort levels of various styles of overalls. Wystrach turns my way and says, with a dead straight face, \u201cYou getting all this?\u201d<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\tOver the past 12 years as a band, Midland have made only a couple of questionable fashion choices. They\u2019ve made plenty of generally questionable life choices, as bands thrust into the limelight tend to do. Many of them involved alcohol. Out the window facing Lower Broadway, Duddy looks down at the famous honky-tonk they once got kicked out of (<a href=\"https:\/\/www.rollingstone.com\/music\/music-features\/nashville-roberts-western-world-honky-tonk-1234579609\/\">Robert\u2019s Western World<\/a>) for circumstances (intoxication, unnamed bandmember falling backwards off a stool, and something Duddy said to a bartender) that they refuse to repeat \u201cuntil the statute of limitations is up.\u201d<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\tThese days, they\u2019re in a reflective, slightly more demure mode. Besides, Duddy says, \u201cWe can\u2019t afford rehab.\u201d They\u2019re fathers, husbands, business owners, and bandmates who Wystrach insists have been through the wringer and almost broken up a couple of times (Duddy disagrees: \u201cMark is just a sensitive soul and feels everything\u201d). And now, with neotrad sounds and <a href=\"https:\/\/www.rollingstone.com\/t\/urban-cowboy\/\" id=\"auto-tag_urban-cowboy\" data-tag=\"urban-cowboy\">Urban Cowboy<\/a> revivalists dominating <a href=\"https:\/\/www.rollingstone.com\/t\/country-music\/\" id=\"auto-tag_country-music\" data-tag=\"country-music\">country music<\/a>, they\u2019re also true trendsetters.<\/p>\n<section class=\"brands-most-popular \/\/ editors-pick-module lrv-u-margin-tb-2 lrv-u-border-a-2 u-box-shadow-5-5 lrv-u-padding-lr-1 a-span1 u-padding-b-1@tablet u-overflow-hidden\">\n<h2 id=\"section-heading\" class=\"c-heading larva  lrv-u-text-align-center u-border-color-black a-font-theme-primary-xxs lrv-u-color-black lrv-u-text-transform-uppercase u-letter-spacing-0063 lrv-u-padding-t-050 u-padding-b-0375@tablet lrv-u-padding-b-050@mobile-max lrv-u-border-b-2\">\n<p>\t\tEditor\u2019s picks<\/p>\n<\/h2>\n<\/section>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\tMidland\u2019s newest album, <em>Stages<\/em>, takes stock of the legacy they\u2019ve built, but also the legacies that built them \u2014 key influence and tourmate Clint Black is featured on \u201cUp in Texas,\u201d and the lead single \u201cMarlboro Man\u201d was co-written by Country Music Hall of Fame member Dean Dillon. The album spins dancehall, fiddle-propelled shuffles and classic Midland drinkin\u2019 (and thinkin\u2019) tunes into a fully realized version of the trio, without losing the band\u2019s signature country chaos.<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\tMidland are in Nashville from Texas (Duddy and Carson) and Colorado (Wystrach) for CMA Fest, where they just played a tiny stage on the rooftop of Brooks\u2019 venue, inexplicably introduced by a cast member of <em>Love Island<\/em>. There were various other <em>Love Island<\/em> and <em>Summer House<\/em> stars present, for reasons not explained, all mostly wearing yellow, also for reasons not explained. This is just how Midland seem to roll. Friends of Wystrach\u2019s mother-in-law, in from Vancouver, took video from the VIP area, while George Foreman Jr. tapped along. One of the sons of the boxing legend has become friends with the band, and even lent them a horse for the cover of <em>Stages<\/em>.\u00a0<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\tWhen they finish the set with 2017\u2019s hit \u201cDrinkin\u2019 Problem,\u201d their first country single, everyone hollers along. The song feels like both a classic and completely on trend next to the smooth twang of Ella Langley\u2019s \u201cChoosin\u2019 Texas.\u201d If the song were released today, it isn\u2019t crazy to think that it, too, could have crossed over to the Hot 100. In fact, a strong argument can be made that Midland had to walk (in overalls, debatably) so that songs like \u201cChoosin\u2019 Texas\u201d could run.<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\tBut when Midland first rolled into Nashville, a neotrad revival on Music Row seemed unlikely. Clad in Nudie suits, Stetson hats, and plenty of tongue-in-cheek cowboy glamor, the trio was repeatedly warned that the tones and aesthetic of Eighties Texas country wasn\u2019t on pace with where the genre was going in the mainstream. \u201cWe knew it was going to be an uphill battle,\u201d Duddy says. \u201cWe recognized that when we first came out with \u2018Drinkin\u2019 Problem,\u2019 that a band out of Texas was going to have a hard time having a hit.\u201d<\/p>\n<section class=\"brands-most-popular \/\/ recirculation-modules lrv-u-margin-tb-2 lrv-u-border-a-2 u-box-shadow-5-5 lrv-u-padding-lr-1 a-span1 u-padding-b-1@tablet u-overflow-hidden\">\n<h2 id=\"section-heading\" class=\"c-heading larva  lrv-u-text-align-center u-border-color-black a-font-theme-primary-xxs lrv-u-color-black lrv-u-text-transform-uppercase u-letter-spacing-0063 lrv-u-padding-t-050 u-padding-b-0375@tablet lrv-u-padding-b-050@mobile-max lrv-u-border-b-2\">\n<p>\t\tRelated Content<\/p>\n<\/h2>\n<\/section>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\tIt was at a CMA Awards party in 2015 when they realized there might be a place for them in the evolving country scene, thanks to <a href=\"https:\/\/www.rollingstone.com\/music\/music-country\/see-chris-stapleton-and-justin-timberlakes-stunning-cma-awards-duet-47439\/\">a certain famous duet<\/a> between Justin Timberlake and Chris Stapleton. \u201cI\u2019ll never forget, just as they were playing, someone turned to us and goes, \u2018That just changed you guys\u2019 life,\u2019\u201d Duddy says. \u201cBecause Chris was doing something that was traditional-adjacent.\u201d<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\tTheir first album, <em>On the Rocks<\/em>, debuted at Number Two on the <em>Billboard<\/em> Country Albums chart, and though they never managed to make a big radio dent after \u201cDrinkin\u2019 Problem,\u201d Midland built a reputation as a live band that is as musically solid as they are fun to watch. The group\u2019s schtick, showmanship, and penchant for casual bedlam is part of the package. \u201cThat element of fun has got to be there,\u201d Carson says. \u201cPeople want to be entertained. They work hard to buy that ticket.\u201d<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\t\u201cWe\u2019re very serious about what we do, but the way that we\u2019re able to handle the pressure, and the workload, is by not taking ourselves seriously,\u201d adds Wystrach.<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\t<em>Stages<\/em> is meant to have a double meaning, nodding to both the stages they\u2019ve played, and the stages in life they\u2019ve tumbled through. Produced by Trent Willmon (Cody Johnson), it\u2019s both a distillation of the Midland Texas country sound and an expansion, thanks in part to fiddle playing from five-time CMA Musician of the Year, Jenee Fleenor. And, for the first time, almost half of the songs are outside cuts. All the members of Midland are writers, but there\u2019s a reason for recording songs they didn\u2019t write: Finally, what\u2019s coming out of Music Row is a natural fit for the band.<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\t\u201cFor years, we weren\u2019t hearing any songs that sounded like us,\u201d Duddy says. \u201cAnd now that\u2019s shifted. We\u2019re hearing material for consideration and going, \u2018Holy shit, that sounds like Midland!\u2019\u201d<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\tThe secret to that Midland sound is that the band was never trying to engage in Western cosplay \u2014 there\u2019s always an element of kitsch, humor, and modernism to what they do. \u201cWe\u2019re not interested in pretending it\u2019s 1989 and we don\u2019t have cell phones or whatever,\u201d Carson says. \u201cIt can be vintage inspired, but it\u2019s also got to be something new.\u201d<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\t\u201cYou have to iterate,\u201d adds Duddy. \u201cOtherwise, you\u2019re a fucking fake. If Dire Straits didn\u2019t come with that cool shit, he would have just been a Bob Dylan impersonator, you know what I mean?\u201d<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\tIt seems almost quaint that Midland themselves were once part of their own \u201c<a href=\"https:\/\/www.rollingstone.com\/music\/music-country\/how-midland-epitomize-the-authenticity-debate-in-country-music-206194\/\">authenticity<\/a>\u201d debate. In the eyes of some self-proclaimed purists, they hadn\u2019t put in enough miles to be considered a true Texas road band, or were maybe too glamorous to be \u201creal\u201d country. Now, careers are launched on TikTok by singers who have spent nary a night on a stage, and AI can create entire artists at the push of one button, all while the sound that has always defined Midland fills country radio airwaves.\u00a0<\/p>\n<section class=\"brands-most-popular \/\/ recirculation-modules trending-in-article lrv-u-margin-tb-2 lrv-u-border-a-2 u-box-shadow-5-5 lrv-u-padding-lr-1 a-span1 u-padding-b-1@tablet u-overflow-hidden\">\n<h2 id=\"section-heading\" class=\"c-heading larva  lrv-u-text-align-center u-border-color-black a-font-theme-primary-xxs lrv-u-color-black lrv-u-text-transform-uppercase u-letter-spacing-0063 lrv-u-padding-t-050 u-padding-b-0375@tablet lrv-u-padding-b-050@mobile-max lrv-u-border-b-2\">\n<p>\t\tTrending Stories<\/p>\n<\/h2>\n<\/section>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\t\u201cWe recognize that there were generations before us doing the things that we looked to, and were inspired by,\u201d Duddy says, shaking his beer can to confirm that is it, indeed, running empty. \u201cBut we are really excited to see people who are trad-influenced, like Parker McCollum, Carter Faith, Flatland Cavalry, we could go on. If they had seen this all through our eyes, when we first showed up in cowboy hats 12 years ago \u2014 well, \u00a0it was a much more intimidating prospect.\u201d<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\tAnd now, Duddy has started to get a little bit squirrelly. Their friends are waiting, somewhere down the hall of Brooks\u2019 mysterious VIP wing. \u201cLook, we love everything we do. We have fun. We joke around. We take outside songs. We have a reverence for Nashville. We\u2019re authentic Texas. We love our families,\u201d he says. \u201cLiterally, we are impenetrable.\u201d<\/p>\n<\/div>\n<p><br \/>\n<br \/><a href=\"https:\/\/www.rollingstone.com\/music\/music-features\/midland-texas-urban-cowboy-country-music-influence-1235580392\/\">Source link <\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Mark Wystrach of Midland refuses to accept the fact that he once owned overalls. \u201cNope, not me,\u201d he says, seated on a velvet couch&#8230;<\/p>\n","protected":false},"author":5,"featured_media":66877,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[36],"tags":[],"class_list":["post-66876","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-pop","article","has-excerpt","has-avatar","has-author","has-date","has-comment-count","has-category-meta","has-read-more","thumbnail-"],"_links":{"self":[{"href":"https:\/\/musicianvoice.com\/index.php\/wp-json\/wp\/v2\/posts\/66876","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/musicianvoice.com\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/musicianvoice.com\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/musicianvoice.com\/index.php\/wp-json\/wp\/v2\/users\/5"}],"replies":[{"embeddable":true,"href":"https:\/\/musicianvoice.com\/index.php\/wp-json\/wp\/v2\/comments?post=66876"}],"version-history":[{"count":0,"href":"https:\/\/musicianvoice.com\/index.php\/wp-json\/wp\/v2\/posts\/66876\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/musicianvoice.com\/index.php\/wp-json\/wp\/v2\/media\/66877"}],"wp:attachment":[{"href":"https:\/\/musicianvoice.com\/index.php\/wp-json\/wp\/v2\/media?parent=66876"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/musicianvoice.com\/index.php\/wp-json\/wp\/v2\/categories?post=66876"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/musicianvoice.com\/index.php\/wp-json\/wp\/v2\/tags?post=66876"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}