{"id":67063,"date":"2026-06-22T15:13:37","date_gmt":"2026-06-22T15:13:37","guid":{"rendered":"https:\/\/musicianvoice.com\/index.php\/2026\/06\/22\/10-essential-songs-by-the-late-producer\/"},"modified":"2026-06-22T15:13:37","modified_gmt":"2026-06-22T15:13:37","slug":"10-essential-songs-by-the-late-producer","status":"publish","type":"post","link":"https:\/\/musicianvoice.com\/index.php\/2026\/06\/22\/10-essential-songs-by-the-late-producer\/","title":{"rendered":"10 Essential Songs By the Late Producer"},"content":{"rendered":"<p> <br \/>\n<\/p>\n<div>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\t<em>This article was originally published <\/em><a href=\"https:\/\/www.vibe.com\/features\/lists\/tay-keith-essential-songs-1235177060\/\" target=\"_blank\"><em>on <\/em>Vibe.com<\/a><\/p>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\t\u201c<a href=\"https:\/\/www.vibe.com\/t\/tay-keith\/\" target=\"_blank\"><strong><a href=\"https:\/\/www.rollingstone.com\/t\/tay-keith\/\" id=\"auto-tag_tay-keith\" data-tag=\"tay-keith\">Tay Keith<\/a><\/strong><\/a>, fuck these ni**as up\u201d is not just a catchy producer tag; it\u2019s a forewarning of the musicianship to follow. His signature line launched a slew of chart-topping singles, grimy deep cuts, and addictive bass lines on songs for the likes of <a href=\"https:\/\/www.rollingstone.com\/t\/travis-scott\/\" id=\"auto-tag_travis-scott\" data-tag=\"travis-scott\">Travis Scott<\/a>, Miley Cyrus, Beyonc\u00e9, <a href=\"https:\/\/www.vibe.com\/t\/key-glock\/\" target=\"_blank\"><strong>Key Glock<\/strong><\/a>, and <a href=\"https:\/\/www.vibe.com\/t\/sexyy-red\/\" target=\"_blank\"><strong>Sexyy Red<\/strong><\/a>. Tay Keith was behind the hits and stands as one of the most lauded producers of the streaming era, shaping modern-day hip-hop.<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\tUnfortunately, 29-year-old\u2019s promising career suffered a tragic end. On Thursday (June 18), he was <a href=\"https:\/\/www.vibe.com\/news\/national\/tay-keith-dead-at-29-1235176723\/\" target=\"_blank\"><strong>found dead <\/strong><\/a>in his Nashville apartment after a welfare check by local law enforcement, who confirmed \u201chis death is unclassified pending autopsy results\u201d with no foul play suspected.\u00a0<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\tExpanding on sounds pioneered by his Memphis predecessors, such as Three 6 Mafia and 8Ball &amp; MJG, Tay Keith carved his own lane. Born Brytavious Lakeith Chambers, the Grammy-nominated producer began experimenting with his artistry as a teenager. His breakthrough arrived when his 2017 <a href=\"https:\/\/www.vibe.com\/t\/blocboy-jb\/\" target=\"_blank\"><strong>BlocBoy JB<\/strong><\/a> collab \u201cShoot\u201d traveled beyond \u201cBluff City\u201d and Tennessee\u2019s borders. In 2018, the duo then linked up with <a href=\"https:\/\/www.vibe.com\/t\/drake\/\" target=\"_blank\"><strong><a href=\"https:\/\/www.rollingstone.com\/t\/drake\/\" id=\"auto-tag_drake\" data-tag=\"drake\">Drake<\/a><\/strong><\/a>, who at the time reigned as commercial rap\u2019s effective King Midas, giving the producer his first mainstream hit while officially ushering in the age of Tay Keith.\u00a0<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\tSince then, the late beatmaker has <a href=\"https:\/\/www.vibe.com\/news\/national\/tay-keith-death-reactions-sexyy-red-key-glock-1235176889\/\" target=\"_blank\"><strong>been instrumental<\/strong><\/a> in some of hip-hop\u2019s biggest moments. Garnering the respect of singers, rappers, and producers alike, he rightfully earned his place as one of the industry\u2019s most in-demand creatives. Tay Keith founded his own record label, DRUMATIZED, to serve artists in the hip-hop and country music spaces. He also advocated for music education through initiatives at his alma mater, Middle Tennessee State University.\u00a0<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\tWhile it\u2019s impossible to distill his legacy into a compact list, we\u2019ve compiled the 10 essential Tay Keith-produced songs that showcase his excellence. Showcasing a range of hit records, deep cuts, and everything in between, this collection highlights his musical instinct, versatility, and lasting impact.\u00a0<\/p>\n<section class=\"brands-most-popular \/\/ editors-pick-module lrv-u-margin-tb-2 lrv-u-border-a-2 u-box-shadow-5-5 lrv-u-padding-lr-1 a-span1 u-padding-b-1@tablet u-overflow-hidden\">\n<h2 id=\"section-heading\" class=\"c-heading larva  lrv-u-text-align-center u-border-color-black a-font-theme-primary-xxs lrv-u-color-black lrv-u-text-transform-uppercase u-letter-spacing-0063 lrv-u-padding-t-050 u-padding-b-0375@tablet lrv-u-padding-b-050@mobile-max lrv-u-border-b-2\">\n<p>\t\tEditor\u2019s picks<\/p>\n<\/h2>\n<\/section>\n<h2 id=\"look-alive-blocboy-jb-drake-2018\" class=\"heading larva \/\/   lrv-a-font-primary-l   \">\n\t\t<strong>\u201cLook Alive,\u201d BlocBoy JB, Drake (2018)<\/strong>\t<\/h2>\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube\">\n<div class=\"wp-block-embed__wrapper\">\n<p><iframe loading=\"lazy\" title=\"BlocBoy JB &amp; Drake &quot;Look Alive&quot; Prod By: Tay Keith (Official Music Video) Shot By: @YooAli\" width=\"1200\" height=\"675\" src=\"https:\/\/www.youtube.com\/embed\/NV-3s2wwC8c?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe><\/p>\n<\/div>\n<\/figure>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\tTay Keith and BlocBoy JB, one of his earliest collaborators, came up together as eager teenagers looking to find their footing in Memphis. In 2018, BlocBoy JB teamed up with Drake for \u201cLook Alive\u201d with Tay Keith on the beat and Memphis on the forefront. With menacing keys and a knocking bass, the rappers flow effortlessly on the intentionally simple instrumental.\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\t\u201cIt was crazy, I made the beat in like 30 minutes,\u201d the producer<a href=\"https:\/\/hypebeast.com\/2018\/2\/tay-keith-blocboy-jb-drake-look-alive-memphis-beef\" rel=\"nofollow\" target=\"_blank\"><strong> told Hype Beast<\/strong><\/a>. \u201cI made it on FL, Fruity Loops 11 to be exact. I didn\u2019t think nothing of it. It had the kind of similar sound of the Memphis bounce to it, like old Three 6 Mafia but with that new 808 sound. I added the creepy piano sound, a kind of melodic new wave that I\u2019m making. That sound is going to be a new wave for sure. I didn\u2019t think nothing of [the beat] but it opened up the doors for me to branch out with different sounds that I\u2019ve been doing already.\u201d<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\tOther essential tracks from the rapper\/producer duo include \u201cRover,\u201d \u201cDay Day n Craig,\u201d \u201cShoot,\u201d and \u201cRich Off Pain.\u201d<\/p>\n<h2 id=\"sicko-mode-travis-cott-feat-drake-2018\" class=\"heading larva \/\/   lrv-a-font-primary-l   \">\n\t\t<strong>\u201cSicko Mode,\u201d\u00a0Travis $cott feat. Drake (2018)<\/strong>\t<\/h2>\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube\">\n<div class=\"wp-block-embed__wrapper\">\n<p><iframe loading=\"lazy\" title=\"Travis Scott - SICKO MODE (Official Video) ft. Drake\" width=\"1200\" height=\"675\" src=\"https:\/\/www.youtube.com\/embed\/6ONRf7h3Mdk?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe><\/p>\n<\/div>\n<\/figure>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\t2018 was a busy year for Tay Keith, and one of his biggest moments came from Travis $cott and Drake\u2019s \u201cSICKO MODE\u201d from Scott\u2019s Grammy-nominated <em>ASTROWORLD<\/em>. Familiarizing a new generation of rap fans with the beat switch, the anthem features a production team that includes Hit-Boy, OZ, CuBeatz, Allen Ritter, and Travis Scott. However, the familiar \u201cTay Keith f**k these ni**as up\u201d sounds off in the track\u2019s third section and is the most memorable part of the song.\u00a0<\/p>\n<section class=\"brands-most-popular \/\/ recirculation-modules lrv-u-margin-tb-2 lrv-u-border-a-2 u-box-shadow-5-5 lrv-u-padding-lr-1 a-span1 u-padding-b-1@tablet u-overflow-hidden\">\n<h2 id=\"section-heading\" class=\"c-heading larva  lrv-u-text-align-center u-border-color-black a-font-theme-primary-xxs lrv-u-color-black lrv-u-text-transform-uppercase u-letter-spacing-0063 lrv-u-padding-t-050 u-padding-b-0375@tablet lrv-u-padding-b-050@mobile-max lrv-u-border-b-2\">\n<p>\t\tRelated Content<\/p>\n<\/h2>\n<\/section>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\tThe party essentially moves from the flashy club interior to the moody parking lot post-up after the bouncers clear each section. Drake gets greasy over Tay Keith\u2019s crisp, hard-hitting drum patterns. Climaxing the anticipation built by the first two segments\u2019 energy, the track slowly fades out, setting up the perfect opportunity to run it back.\u00a0<\/p>\n<h2 id=\"russian-cream-key-glock-2018\" class=\"heading larva \/\/   lrv-a-font-primary-l   \">\n\t\t<strong>\u201cRussian Cream,\u201d Key Glock (2018)<\/strong>\t<\/h2>\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube\">\n<div class=\"wp-block-embed__wrapper\">\n<p><iframe loading=\"lazy\" title=\"Key Glock - Russian Cream (Official Audio)\" width=\"1200\" height=\"675\" src=\"https:\/\/www.youtube.com\/embed\/kFJITWouJ8o?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe><\/p>\n<\/div>\n<\/figure>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\tKey Glock and Tay Keith essentially serve as mutual muses, often creating their best work together. With tracks like \u201cSince 6ix\u201d and \u201cAmbition For Cash\u201d in their joint discography, 2018\u2019s \u201cRussian Cream\u201d is their first official collaboration. A gloomy piano melody loops in the background of the track, amplified by a rolling bass, creating a haunting, hypnotic trap classic. Key Glock\u2019s self-assured raps fit perfectly in every pocket stitched by his <a href=\"https:\/\/x.com\/KeyGLOCK\/status\/2067850507683873141\" rel=\"nofollow\" target=\"_blank\"><strong>self-described<\/strong><\/a> \u201cfavorite producer.\u201d<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\tNot only did \u201cRussian Cream\u201d propel Key Glock\u2019s career, but it also provided a generation with a trunk-knocking banger that inspired more than one take. Megan Thee Stallion added a Houston spin to the Memphis rapper\u2019s breakout track, riding the beat to superstar status.\u00a0<\/p>\n<h2 id=\"pound-town-sexyy-red-2023\" class=\"heading larva \/\/   lrv-a-font-primary-l   \">\n\t\t<strong>\u201cPound Town,\u201d Sexyy Red (2023)<\/strong>\t<\/h2>\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube\">\n<div class=\"wp-block-embed__wrapper\">\n<p><iframe loading=\"lazy\" title=\"Sexyy Red - Pound Town (Official Video)\" width=\"1200\" height=\"675\" src=\"https:\/\/www.youtube.com\/embed\/8GyvXrxOYK4?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe><\/p>\n<\/div>\n<\/figure>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\tTay Keith often locked in with rappers beyond their first collab, developing a distinct sound for each act, and this took Sexyy Red from internet gimmick to chart success. As their first official collaboration, \u201cPound Town\u201d claims both musicians\u2019 first entry on the Billboard Hot 100 chart as leading artists after Nicki Minaj added a verse for a part two. The relaxed BPM, anchored by deep 808s paired with fast hi-hats, builds a playground for the St. Louis rapper to swing between shock-and-awe bars.<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\tThe pair have several tracks together, with their creative partnership a key element in her biggest moments. Fans of the crass, yet catchy performer have the work on \u201cPound Town\u201d to thank for songs such as \u201cSkeeYee,\u201d \u201cGet It Sexy,\u201d \u201cI Don\u2019t Wanna Be Saved,\u201d and \u201cHang Wit a Bad Bitch\u201d (feat. Key Glock), just to name a few.\u00a0<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\t\u201cPeople were trolling the s\u2013t out of me,\u201d he explained <a href=\"https:\/\/www.billboard.com\/music\/rb-hip-hop\/tay-keith-interview-sexyy-red-drake-1235658649\/\" target=\"_blank\"><strong>to <\/strong><strong><em>Billboard<\/em><\/strong><\/a>. \u201cThey were real-deal trolling me. It wasn\u2019t much good feedback. It was coming from even people around me, \u2018What you doing?\u2019 I saw the potential. That\u2019s as simple as it was, me believing in her.\u201d\u00a0<\/p>\n<h2 id=\"before-i-let-go-beyonce-2019\" class=\"heading larva \/\/   lrv-a-font-primary-l   \">\n\t\t<strong>\u201cBefore I Let Go,\u201d Beyonc\u00e9 (2019)<\/strong>\t<\/h2>\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube\">\n<div class=\"wp-block-embed__wrapper\">\n<p><iframe loading=\"lazy\" title=\"Before I Let Go (Homecoming Live Bonus Track)\" width=\"1200\" height=\"900\" src=\"https:\/\/www.youtube.com\/embed\/4ajhkGty9h4?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe><\/p>\n<\/div>\n<\/figure>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\tTay Keith built his brand as a pioneer of modern trap production, but his multifaceted talent was not confined. With an ambitious remake of Frankie Beverly and Maze\u2019s \u201cBefore I Let Go,\u201d Beyonc\u00e9 called on Tay Keith to reimagine the classic. Co-produced with Queen Bey and Derek Dixie, the dance-ready track deviated from the eerie, evocative Memphis horrorcore-grounded beats he stamped. Still, the R&amp;B track undeniably oozes Tay Keith\u2019s touch. He merged southern Black musical styles with multiple samples and contemporary drums, uniting generations of line dancers in one groove.\u00a0<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\t\u201cBasically, I had made the sample beat, and I decided to put another sample in the background of it,\u201d he <a href=\"https:\/\/www.revolt.tv\/article\/2019-07-02\/93909\/studio-sessions-i-tay-keith-talks-making-before-i-let-go-for-beyonce-and-explains-how-travis-scott-engineered-his-own-vocals\" rel=\"nofollow\" target=\"_blank\"><strong>shared with Revolt<\/strong><\/a>. \u201cIt was a day process. It didn\u2019t take 24 hours, but it took a whole day to get everything how I wanted it.\u201d<\/p>\n<h2 id=\"in-the-air-rico-nasty-blocboy-jb-2018\" class=\"heading larva \/\/   lrv-a-font-primary-l   \">\n\t\t<strong>\u201cIn The Air,\u201d Rico Nasty, BlocBoy JB (2018<\/strong>)\t<\/h2>\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube\">\n<div class=\"wp-block-embed__wrapper\">\n<p><iframe loading=\"lazy\" title=\"In the Air (feat. BlocBoy JB)\" width=\"1200\" height=\"900\" src=\"https:\/\/www.youtube.com\/embed\/msYwLOQo8Ho?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe><\/p>\n<\/div>\n<\/figure>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\t\u201cIn The Air\u201d by Rico Nasty and BlocBoy JB stands out in Tay Keith\u2019s catalog for incorporating the Maryland-bred rapper\u2019s alternative punk style with his trademark trap technique. The high-energy track is aggressive yet playful and makes expert use of an electric guitar sample, an instrument not heard frequently in the Memphis producer\u2019s collection. It is not just another example of Tay Keith and BlocBoy JB\u2019s homegrown synastry; it also demonstrates his limitless ear.\u00a0<\/p>\n<h2 id=\"sw4-starlito-feat-don-trip-2017\" class=\"heading larva \/\/   lrv-a-font-primary-l   \">\n\t\t<strong>\u201cSW4,\u201d Starlito feat. Don Trip (2017)\u00a0<\/strong>\t<\/h2>\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube\">\n<div class=\"wp-block-embed__wrapper\">\n<p><iframe loading=\"lazy\" title=\"Starlito - SW4 feat. Don Trip [Insomnia Addict 2]\" width=\"1200\" height=\"675\" src=\"https:\/\/www.youtube.com\/embed\/MV2gF-SVlLI?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe><\/p>\n<\/div>\n<\/figure>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\tWhile most of the world became aware of Tay Keith\u2019s genius in 2018, he garnered a strong audience of listeners and rappers across Tennessee by 2017, including frequent collaborators Starlito and Don Trip. On \u201cSW4,\u201d Tay Keith operates as a composer, setting the scene for the two rappers\u2019 cinematic narration.\u00a0 The repetitive melody leaves room for every diss, boast, or threat from the rap duo to be heard loud and clear. The production is intense and focused with a grittiness native to Memphis-style hip-hop.\u00a0<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\t\u201cSW4\u201d was not the first time the trio merged, and it was also not the last. Another standout from their collaborative efforts arrived in 2025 on \u201c<a href=\"https:\/\/www.youtube.com\/watch?v=dUEdx_twkhI\" rel=\"nofollow\" target=\"_blank\"><strong>The Tay Keith Song<\/strong><\/a>.\u201d The melody remains consistent for the entire track, and at just over two minutes, it is a full display of what all three do best.<\/p>\n<h2 id=\"don-t-come-out-the-house-metro-boomin-21-savage-2018\" class=\"heading larva \/\/   lrv-a-font-primary-l   \">\n\t\t<strong>\u201cDon\u2019t Come Out The House\u201d \u2013 Metro Boomin, 21 Savage (2018)<\/strong>\t<\/h2>\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube\">\n<div class=\"wp-block-embed__wrapper\">\n<p><iframe loading=\"lazy\" title=\"Don&amp;apos;t Come Out The House\" width=\"1200\" height=\"900\" src=\"https:\/\/www.youtube.com\/embed\/oSlzifmG27Y?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe><\/p>\n<\/div>\n<\/figure>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\tTay Keith and Metro Boomin established themselves as a premier production duo when they came together for \u201cDon\u2019t Come Out The House.\u201d\u00a0 Oftentimes, co-produced tracks leave room to the imagination for who did what; however, in this standout, both millennial icons have a clear point of view echoed through every drum.<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\tThe yin and yang found in 21 Savage\u2019s menacing whispers over the bass and drums, derivative of Tay Keith\u2019s style, and his stark threats over Metro Boomin\u2019s familiar keys create atmospheric success. While the entire song is under three minutes long, it sets up a full story, taking listeners down an ominous path from beginning to end, not only in the lyrics but also in the stripped-down beat. The ardent instrumental and violent rhymes beg to be put on repeat.\u00a0<\/p>\n<h2 id=\"nonstop-drake-2018\" class=\"heading larva \/\/   lrv-a-font-primary-l   \">\n\t\t<strong>\u201cNonstop\u201d \u2013 Drake (2018)<\/strong>\t<\/h2>\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube\">\n<div class=\"wp-block-embed__wrapper\">\n<p><iframe loading=\"lazy\" title=\"Drake - Nonstop\" width=\"1200\" height=\"675\" src=\"https:\/\/www.youtube.com\/embed\/lJTRVX9R5EA?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe><\/p>\n<\/div>\n<\/figure>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\tMuch like his longstanding working relationships with BlocBoy JB and Sexyy Red, Tay Keith also had a similar footing with Drake, providing the soundscape for some of the 6 God\u2019s slickest sneak disses. While the two have many standout tracks, such as \u201cRich Flex,\u201d \u201cFamily Matters,\u201d and \u201cFirst Person Shooter,\u201d \u201cNonstop\u201d is foundational to Tay Keith\u2019s nearly decade-long domination.\u00a0<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\tCo-produced with No ID, Drake weaves through the Memphis-grounded beat with ease. With no bells or whistles, the minimalistic production does not rely on a big moment to earn its on-repeat status. A piano loop and heavy 808 generated a stripped-down club banger synonymous with Tay Keith\u2019s name.<\/p>\n<section class=\"brands-most-popular \/\/ recirculation-modules trending-in-article lrv-u-margin-tb-2 lrv-u-border-a-2 u-box-shadow-5-5 lrv-u-padding-lr-1 a-span1 u-padding-b-1@tablet u-overflow-hidden\">\n<h2 id=\"section-heading\" class=\"c-heading larva  lrv-u-text-align-center u-border-color-black a-font-theme-primary-xxs lrv-u-color-black lrv-u-text-transform-uppercase u-letter-spacing-0063 lrv-u-padding-t-050 u-padding-b-0375@tablet lrv-u-padding-b-050@mobile-max lrv-u-border-b-2\">\n<p>\t\tTrending Stories<\/p>\n<\/h2>\n<\/section>\n<h2 id=\"feigning-gunna-2020\" class=\"heading larva \/\/   lrv-a-font-primary-l   \">\n\t\t<strong>\u201cFeigning,\u201d <\/strong><a href=\"https:\/\/www.vibe.com\/t\/gunna\/\" target=\"_blank\"><strong>Gunna<\/strong><\/a><strong> (2020)\u00a0<\/strong>\t<\/h2>\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube\">\n<div class=\"wp-block-embed__wrapper\">\n<p><iframe loading=\"lazy\" title=\"Gunna - FEIGNING [Official Audio]\" width=\"1200\" height=\"675\" src=\"https:\/\/www.youtube.com\/embed\/4Kkg-VA7ygs?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe><\/p>\n<\/div>\n<\/figure>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\t\u201cFEIGNING\u201d offers a softer take on Tay Keith\u2019s signature trap audio aesthetic. Coproduced with Grayson Beatz, the track is laid back compared to his other bass-thumping, suspenseful works. While it does not have the same mainstream success as some of Gunna\u2019s other songs, the production transports listeners to a trippy yet relaxed environment, not too calm to sleep on.<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\t<strong>Honorable Mentions<\/strong>: \u201c<a href=\"https:\/\/youtu.be\/lkoXyTn56Uw?is=jQ3XxhNH4sUSWpd_\" rel=\"nofollow\" target=\"_blank\"><strong>Shine Together<\/strong><\/a>\u201d by EST Gee and \u201c<a href=\"https:\/\/youtu.be\/j9CfG9gph0Y?is=rOJrm7MPotK9PsSG\" rel=\"nofollow\" target=\"_blank\"><strong>Moncler<\/strong><\/a>\u201d by Bankroll Freddie.<\/p>\n<\/div>\n<p><br \/>\n<br \/><a href=\"https:\/\/www.rollingstone.com\/music\/music-features\/tay-keith-best-productions-1235581094\/\">Source link <\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>This article was originally published on Vibe.com \u201cTay Keith, fuck these ni**as up\u201d is not just a catchy producer tag; it\u2019s a forewarning of&#8230;<\/p>\n","protected":false},"author":5,"featured_media":67064,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[36],"tags":[],"class_list":["post-67063","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-pop","article","has-excerpt","has-avatar","has-author","has-date","has-comment-count","has-category-meta","has-read-more","thumbnail-"],"_links":{"self":[{"href":"https:\/\/musicianvoice.com\/index.php\/wp-json\/wp\/v2\/posts\/67063","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/musicianvoice.com\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/musicianvoice.com\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/musicianvoice.com\/index.php\/wp-json\/wp\/v2\/users\/5"}],"replies":[{"embeddable":true,"href":"https:\/\/musicianvoice.com\/index.php\/wp-json\/wp\/v2\/comments?post=67063"}],"version-history":[{"count":0,"href":"https:\/\/musicianvoice.com\/index.php\/wp-json\/wp\/v2\/posts\/67063\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/musicianvoice.com\/index.php\/wp-json\/wp\/v2\/media\/67064"}],"wp:attachment":[{"href":"https:\/\/musicianvoice.com\/index.php\/wp-json\/wp\/v2\/media?parent=67063"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/musicianvoice.com\/index.php\/wp-json\/wp\/v2\/categories?post=67063"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/musicianvoice.com\/index.php\/wp-json\/wp\/v2\/tags?post=67063"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}