{"id":67095,"date":"2026-06-22T17:12:28","date_gmt":"2026-06-22T17:12:28","guid":{"rendered":"https:\/\/musicianvoice.com\/index.php\/2026\/06\/22\/pitchfork-launches-new-olivia-rodrigo-zine\/"},"modified":"2026-06-22T17:12:28","modified_gmt":"2026-06-22T17:12:28","slug":"pitchfork-launches-new-olivia-rodrigo-zine","status":"publish","type":"post","link":"https:\/\/musicianvoice.com\/index.php\/2026\/06\/22\/pitchfork-launches-new-olivia-rodrigo-zine\/","title":{"rendered":"Pitchfork Launches New Olivia Rodrigo Zine"},"content":{"rendered":"


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Today we\u2019re launching Pitchfork\u2019s first zine of 2026 with pop supernova Olivia Rodrigo<\/a>. Since the arrival of her infectious 2021 debut Guts<\/em><\/a>, the former Disney star has turned into one of music\u2019s most astute songwriters with endearing, nuanced, occasionally vengeful tales of romance and heartbreak (showcased most recently on her third album, you seem pretty sad for a girl so in love<\/em><\/a>).<\/p>\n

In our cover story<\/a>, accompanied by photos from Collier Schorr, contributor Shaad D\u2019Souza speaks to Rodrigo over dinner about writing her new LP, why she\u2019s launching her own music festival (called Daisy Chain Fields, more on that here<\/a>), and her interest in subverting the expectations of today\u2019s pop stars. As D\u2019Souza writes, \u201cRodrigo is establishing that the arc of her career might not look how fans think it should\u2014glitter, No. 1s, pure pop\u2014but that they should stick with her anyway.\u201d<\/p>\n

Read our cover story here<\/a>. You can purchase one of only 3,000 limited-edition hard copies of the zine<\/a> at Rough Trade Records.<\/p>\n

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Olivia Rodrigo Zine (Limited Edition)<\/p>\n<\/div>\n<\/div>\n<\/div>\n

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Today we\u2019re launching Pitchfork\u2019s first zine of 2026 with pop supernova Olivia Rodrigo. Since the arrival of her infectious 2021 debut Guts, the former…<\/p>\n","protected":false},"author":2,"featured_media":67096,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[40],"tags":[43,44],"class_list":["post-67095","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-latin","tag-alt","tag-pop","article","has-excerpt","has-avatar","has-author","has-date","has-comment-count","has-category-meta","has-read-more","thumbnail-"],"_links":{"self":[{"href":"https:\/\/musicianvoice.com\/index.php\/wp-json\/wp\/v2\/posts\/67095","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/musicianvoice.com\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/musicianvoice.com\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/musicianvoice.com\/index.php\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/musicianvoice.com\/index.php\/wp-json\/wp\/v2\/comments?post=67095"}],"version-history":[{"count":0,"href":"https:\/\/musicianvoice.com\/index.php\/wp-json\/wp\/v2\/posts\/67095\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/musicianvoice.com\/index.php\/wp-json\/wp\/v2\/media\/67096"}],"wp:attachment":[{"href":"https:\/\/musicianvoice.com\/index.php\/wp-json\/wp\/v2\/media?parent=67095"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/musicianvoice.com\/index.php\/wp-json\/wp\/v2\/categories?post=67095"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/musicianvoice.com\/index.php\/wp-json\/wp\/v2\/tags?post=67095"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}