{"id":67359,"date":"2026-06-25T14:59:47","date_gmt":"2026-06-25T14:59:47","guid":{"rendered":"https:\/\/musicianvoice.com\/index.php\/2026\/06\/25\/gut-genug-and-the-new-kind-of-hit-songs-on-your-fyp-page\/"},"modified":"2026-06-25T14:59:47","modified_gmt":"2026-06-25T14:59:47","slug":"gut-genug-and-the-new-kind-of-hit-songs-on-your-fyp-page","status":"publish","type":"post","link":"https:\/\/musicianvoice.com\/index.php\/2026\/06\/25\/gut-genug-and-the-new-kind-of-hit-songs-on-your-fyp-page\/","title":{"rendered":"&#8216;Gut Genug&#8217; and the New Kind of Hit Songs on Your FYP Page"},"content":{"rendered":"<p> <br \/>\n<\/p>\n<div>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\tScroll long enough, and eventually a sound will penetrate the amorphous fog of noise coming from your phone and nestle itself deep into your psyche. Sometimes it arrives attached to AI-generated dramas involving cartoon fruits engaged in soap-opera-esque scandals, which you could charitably describe as Cocomelon for adults. Other sounds, like the German pop song <a href=\"https:\/\/www.youtube.com\/watch?v=GuYJTfhEbOA\" rel=\"nofollow\" target=\"_blank\">\u201cGut Genug,\u201d<\/a> are cut to edits of everything from <em>The Cleveland Show<\/em> to videos of <a href=\"https:\/\/www.rollingstone.com\/t\/steve-lacy\/\">Steve Lacy<\/a> <a href=\"https:\/\/www.tiktok.com\/@steve.lacy\/video\/7649958831040040222\" rel=\"nofollow\" target=\"_blank\">singing along<\/a>. The track had already topped charts in Germany and racked up more than 17 million Spotify streams in under a month, but on American feeds, most users encountering it have no idea who made it, what the lyrics mean, or even what language it\u2019s in. They simply recognize the feeling.<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\tAcross <a href=\"https:\/\/www.rollingstone.com\/t\/tiktok\/\" id=\"auto-tag_tiktok\" data-tag=\"tiktok\">TikTok<\/a>, <a href=\"https:\/\/www.rollingstone.com\/t\/instagram\/\" id=\"auto-tag_instagram\" data-tag=\"instagram\">Instagram<\/a> Reels, and <a href=\"https:\/\/www.rollingstone.com\/t\/youtube\/\" id=\"auto-tag_youtube\" data-tag=\"youtube\">YouTube<\/a> Shorts, a growing number of songs from wildly different genres and countries have escaped their original context entirely. A Philadelphia drill anthem became attached to a <a href=\"https:\/\/www.rollingstone.com\/t\/meme\/\" id=\"auto-tag_meme\" data-tag=\"meme\">meme<\/a> so popular that <a href=\"https:\/\/www.nytimes.com\/2026\/06\/23\/magazine\/pope-memes.html\" target=\"_blank\" rel=\"noreferrer noopener nofollow\">not even His Holiness<\/a> could escape it. A Brazilian funk beat became inseparable from <a href=\"https:\/\/youtube.com\/shorts\/kr0MGEqIh8E?si=7wmTmLce78uHXcI9\" target=\"_blank\" rel=\"noreferrer noopener nofollow\">anthropomorphic fruit.<\/a> A German pop song is currently the soundtrack to <a href=\"https:\/\/www.youtube.com\/shorts\/2USoVphowHk\" target=\"_blank\" rel=\"noreferrer noopener nofollow\">feel-good videos<\/a> in every language. An Azerbaijani duet sung in Russian has racked up millions of plays from listeners who may never learn the artists\u2019 names.<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\tThe result are global hits whose most famous form may be a fragment, or snippet, rather than the song itself. Inside the feed, that fragment becomes a reusable emotional cue, recognizable to millions who may never hear the full track or learn who made it.<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\tFor Skrilla, the Philadelphia rapper behind <a rel=\"noreferrer noopener\" target=\"_blank\" href=\"https:\/\/www.rollingstone.com\/culture\/culture-features\/six-seven-meme-explained-skrilla-rap-1235463481\/\">\u201c6-7,\u201d<\/a> the meme\u2019s reach has become so vast that it can feel detached from the song that started it. Asked about seeing Pope Leo XIV perform the signature hand gesture, Skrilla doesn\u2019t sound particularly surprised. \u201cYeah, I seen him do it a couple times,\u201d he says. \u201c6-7 is kind of bigger than me now.\u201d<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\tWhat began as a regionally popular rap record has since become one of the defining sounds of the algorithm era. That hand gesture can now be spotted everywhere from sports clips to classrooms to videos filmed thousands of miles from the city that produced it.<\/p>\n<section class=\"brands-most-popular \/\/ editors-pick-module lrv-u-margin-tb-2 lrv-u-border-a-2 u-box-shadow-5-5 lrv-u-padding-lr-1 a-span1 u-padding-b-1@tablet u-overflow-hidden\">\n<h2 id=\"section-heading\" class=\"c-heading larva  lrv-u-text-align-center u-border-color-black a-font-theme-primary-xxs lrv-u-color-black lrv-u-text-transform-uppercase u-letter-spacing-0063 lrv-u-padding-t-050 u-padding-b-0375@tablet lrv-u-padding-b-050@mobile-max lrv-u-border-b-2\">\n<p>\t\tEditor\u2019s picks<\/p>\n<\/h2>\n<\/section>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\tSome of that attention, Skrilla says, has carried listeners into the rest of his catalog. \u201cPeople listening to my other music kind of make them grasp onto me more,\u201d he says. \u201cAll my music doesn\u2019t sound the same. It\u2019s not all \u20186-7.\u2019\u201d<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\tSkrilla believes the song\u2019s success also helped introduce a broader audience to Philadelphia\u2019s distinctive production style. \u201cEverybody does Philly type beats,\u201d he says. \u201cIt\u2019s a good thing, though. But it\u2019s kind of global now.\u201d<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\tThe reach is something he\u2019s experienced firsthand while traveling. On a recent trip to Brazil, Skrilla says he encountered children who recognized him despite language barriers and geographic distance.<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\t\u201cA lot of the kids know who I am now,\u201d he says. \u201cThey don\u2019t even speak English.\u201d<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\tFor an artist who grew up in the Kensington neighborhood of Philadelphia, that kind of recognition remains difficult to process. \u201cIt\u2019s a blessing from where I come from,\u201d he says.<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\tThe Azerbaijani singer EMIN\u2019s song has crossed linguistic borders, too. \u201cKamin,\u201d a duet with fellow artist JONY, was already a major hit across parts of Eastern Europe and Central Asia when it was released in 2020. Years later, the Russian-language ballad found an entirely new audience through an unlikely vehicle: AI-generated fruit videos.<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\t\u201cI personally never thought that it\u2019s going to be a big hit for us,\u201d EMIN says. \u201cBut every year it just became more and more popular. Instagram has picked it up, TikTok has picked it up.\u201d<\/p>\n<section class=\"brands-most-popular \/\/ recirculation-modules lrv-u-margin-tb-2 lrv-u-border-a-2 u-box-shadow-5-5 lrv-u-padding-lr-1 a-span1 u-padding-b-1@tablet u-overflow-hidden\">\n<h2 id=\"section-heading\" class=\"c-heading larva  lrv-u-text-align-center u-border-color-black a-font-theme-primary-xxs lrv-u-color-black lrv-u-text-transform-uppercase u-letter-spacing-0063 lrv-u-padding-t-050 u-padding-b-0375@tablet lrv-u-padding-b-050@mobile-max lrv-u-border-b-2\">\n<p>\t\tRelated Content<\/p>\n<\/h2>\n<\/section>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\tAt first, he didn\u2019t even realize what was happening. \u201cPeople started basically sending me these videos,\u201d he says. \u201cI didn\u2019t even know what they mean. To me, it was a completely new world.\u201d<\/p>\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube\">\n<div class=\"wp-block-embed__wrapper\">\n<p><iframe loading=\"lazy\" title=\"EMIN, JONY - \u041a\u0430\u043c\u0438\u043d\/ Fireplace (Official Video) \" width=\"1200\" height=\"675\" src=\"https:\/\/www.youtube.com\/embed\/6SEr1XcZG4M?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe><\/p>\n<\/div>\n<\/figure>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\tThe pairing sounds silly on paper. \u201cKamin\u201d is a melancholy song about heartbreak and longing. The videos feature anthropomorphic fruits navigating absurdist romantic betrayals. Yet somehow the combination clicked. \u201cThe song has some sadness to it and those fruits, there\u2019s drama in it,\u201d EMIN says. \u201cI think the song makes it a perfect fit.\u201d<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\tPart of the appeal, he believes, is that the melody works independently of language: \u201cThat melody was so captivating for people that it became one of the most used tracks for reels and videos.\u201d At the peak of the trend, EMIN says his and JONY\u2019s YouTube channels collectively generated roughly 850 million monthly listens. More importantly, he says, audiences weren\u2019t just listening to one viral song: \u201cThey\u2019re actually going through your entire catalog.\u201d<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\tUnlike artists attempting to engineer their next viral moment, EMIN views the success as something that happened organically. \u201cIf we sit down together with JONY today and say, \u2018Let\u2019s do another one that could be just as good,\u2019 I think it\u2019s going to be very difficult,\u201d he says. \u201cWe were more lucky than by design.\u201d<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\tDJ Guh Mix, the Brazilian producer behind <a href=\"https:\/\/www.youtube.com\/watch?v=ymg3a2Q4r7c\" data-type=\"link\" data-id=\"https:\/\/www.youtube.com\/watch?v=ymg3a2Q4r7c\" target=\"_blank\" rel=\"noreferrer noopener nofollow\">\u201cMedley de Igarat\u00e1 3,\u201d<\/a> tapped into a similarly charmed sound. The song\u2019s spacious production lets its piercing saxophone riffs dissipate into silence, only for borderline obnoxious horns to swirl them back into rhythm. The groove passes between them without ever quite resolving, each jolt followed by a pocket of silence that feels almost taunting. It is the quintessential earworm: Listening to it feels like scratching some auditory itch buried deep in the space between one\u2019s subconscious and whatever firmament these apples and trifling strawberries occupy.<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\tLong before many users knew the song\u2019s name, its beat had become inseparable from the fruit-video universe. \u201cIt started with people from different places, including people in the music industry, following me and sending me DMs,\u201d Guh Mix says. \u201cSome were praising the song and others were proposing collaborations.\u201d<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\tHe was surprised not just by the scale of the song\u2019s spread, but by the variety of contexts in which it appeared. \u201cI was surprised seeing this track being used in so many different situations,\u201d he adds. \u201cIt showed the power the internet has, strengthening funk culture.\u201d<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\tLike EMIN, he believes language mattered less than feeling. \u201cI believe the instrumental played a fundamental role,\u201d he says. \u201cEven people who don\u2019t understand the lyrics can feel the energy and intensity of the track.\u201d<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\tThe producer points directly to the fruit-video ecosystem that helped propel the song. \u201cThere was a meme with the fruits, Abacatudo and Moranguete,\u201d he says. \u201cIt was everywhere on <a href=\"https:\/\/www.rollingstone.com\/t\/social-media\/\" id=\"auto-tag_social-media\" data-tag=\"social-media\">social media<\/a> and the music was always there.\u201d Yet he also sees a tension at the heart of the phenomenon. The same AI videos introducing listeners to new music can also obscure the people who made it. \u201cI believe AI videos help a lot in discovering new songs,\u201d he says. \u201cAt the same time, it\u2019s important that people know who\u2019s behind the work.\u201d<\/p>\n<figure class=\"wp-block-embed is-type-video is-provider-tiktok wp-block-embed-tiktok\"\/>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\tThe feed\u2019s latest hit, \u201cGut Genug,\u201d was absorbed into the internet\u2019s emotional vocabulary almost immediately. The song itself was anything but immediate. Blumengarten singer Rayan and producer Sammy recorded an early demo roughly two years ago for their first album, then left it on a hard drive when they couldn\u2019t figure out how to finish it. When the group KITSCHKRIEG asked the duo to send over material for a new project, the forgotten song was tucked into the batch.<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\t\u201cWe immediately knew this was super special,\u201d KITSCHKRIEG\u2019s Fiji Kris says. He and Fizzle built a new track around Rayan\u2019s vocal, then invited Shirin David, one of Germany\u2019s biggest rap stars, to add a verse. The collaborators realized the song was moving beyond Germany only after misreading a flood of notifications. KITSCHKRIEG had held a cinema screening for their album in Cologne, and the next morning Fizzle assumed the tags filling the group\u2019s account were reactions from the audience.<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\t\u201cThen we checked, and it was all Americans in the comments,\u201d he says. \u201cThat\u2019s when we realized, \u2018Oh shit, something is happening on \u2018Gut Genug,\u2019 and it\u2019s happening overseas.\u2019\u201d<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\tFor Blumengarten, whose audience had largely been concentrated in Germany, Austria, and Switzerland, the attention was entirely new. Rayan says the song made the duo bigger at home while making him recognizable abroad. During a recent trip to New York, he was stopped on the street nearly every day. Back home, a routine supermarket run turned into something closer to a meet-and-greet.<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\t\u201cAt one point there were probably 30 or 40 kids and every employee from the supermarket who wanted to take a picture with me while I was just trying to get cold cuts of meat for my sandwich,\u201d he says.<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\tThe meme\u2019s most obvious engine is Rayan\u2019s voice. Fizzle, who has worked with artists in the United States for years, describes his tone as singular even on an international level. The chorus rises into a falsetto that can carry urgency, comfort, and humor before a listener understands a single word.<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\t\u201cIt\u2019s really nice to see that this connects over language barriers,\u201d Fizzle says.<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\tThe words themselves translate to \u201cYou are good enough,\u201d which is almost like icing on the cake. The track is meant to be as uplifting as it sounds. Rayan says that the message grew out of Blumengarten\u2019s own experiences with mental health and the reason he and his bandmate began making music in the first place.<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\t\u201cIt\u2019s just baked into everything that we do to spread hope,\u201d he says. \u201cWriting something like \u2018You are good enough\u2019 is just super natural.\u201d<\/p>\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube\">\n<div class=\"wp-block-embed__wrapper\">\n<p><iframe loading=\"lazy\" title=\"KITSCHKRIEG feat. BLUMENGARTEN &amp; SHIRIN DAVID - GUT GENUG\" width=\"1200\" height=\"675\" src=\"https:\/\/www.youtube.com\/embed\/0GnA8VYOfko?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe><\/p>\n<\/div>\n<\/figure>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\tOnline, sincerity is only one of the chorus\u2019s available meanings. English-speaking listeners have treated the German words as a phonetic toy, while Rayan\u2019s voice and appearance have invited comparisons to the animated character Cleveland Brown Jr. He is not particularly bothered. \u201cI pretty much am eight hours a day on my phone,\u201d he says. \u201cI laugh at every single one. It\u2019s just part of internet culture, I guess.\u201d<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\tBut the clips also flatten the song. Most of them end before David\u2019s verse, which Rayan describes as an unusually introspective account of her life as a superstar. International listeners often do not know who she is or understand the personal context behind what she is saying.<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\t\u201cA lot of the context of the song gets lost in translation,\u201d he says. \u201cOn one side we are very happy about the praise it gets, but on the other side, it\u2019s kind of sad to see that people don\u2019t really understand the verse.\u201d<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\tFiji Kris sees the loss and the discovery happening at once. He has watched listeners translate David\u2019s verse after first encountering the chorus as a meme. The part most easily detached from the song can still become an entry point to the rest of it.<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\tThe numbers suggest that some listeners are making that jump. Rayan says streams have risen across nearly every song in Blumengarten\u2019s catalog, helped by the fortunate timing of a new project released the same week \u201cGut Genug\u201d exploded. Musicians that the group once considered unreachable have sent messages of support, and Steve Lacy posted himself singing along to the chorus.<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\tThe attention has also traveled back in the direction it came from. Fiji Kris says German kids closely follow American creators, so seeing the song embraced in the United States gave it \u201ca different cultural meaning in Germany as well.\u201d The international meme did not simply export a German record; it helped reintroduce the record to Germany as something newly important.<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\tThe death of the monoculture has felt like a foregone conclusion. Everyone now has feeds personalized to their individual desires. But a different kind of universal culture might be developing in the brain-rot era, where memes become so malleable that they travel effortlessly between algorithmic niches and subcultures. So much so that, eventually, no matter what side of the internet you\u2019re on, everyone will know the same buzzing German pop hit.\u00a0<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\tFizzle reaches back to the German band Nena\u2019s global 1983 hit <a rel=\"noreferrer noopener nofollow\" data-id=\"https:\/\/www.youtube.com\/watch?v=Fpu5a0Bl8eY\" target=\"_blank\" data-type=\"link\" href=\"https:\/\/www.youtube.com\/watch?v=Fpu5a0Bl8eY\">\u201c99 Luftballons\u201d<\/a> as precedent for \u201cGut Genug.\u201d \u201cIf you go back to the foundation of what music is, emotions and feelings, it really makes sense,\u201d he says. \u201cIf you do something right and it has a good and positive emotion, it connects with people all over the world.\u201d<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\tIn the Eighties, a hit could be broadcast into millions of homes through a handful of radio stations and television channels. Now the glowing screen sits in each person\u2019s hand, and every feed insists that its user is seeing something different. Yet after years of fragmentation, culture may be bending back toward a common language, one rooted in a shared instinct.<\/p>\n<section class=\"brands-most-popular \/\/ recirculation-modules trending-in-article lrv-u-margin-tb-2 lrv-u-border-a-2 u-box-shadow-5-5 lrv-u-padding-lr-1 a-span1 u-padding-b-1@tablet u-overflow-hidden\">\n<h2 id=\"section-heading\" class=\"c-heading larva  lrv-u-text-align-center u-border-color-black a-font-theme-primary-xxs lrv-u-color-black lrv-u-text-transform-uppercase u-letter-spacing-0063 lrv-u-padding-t-050 u-padding-b-0375@tablet lrv-u-padding-b-050@mobile-max lrv-u-border-b-2\">\n<p>\t\tTrending Stories<\/p>\n<\/h2>\n<\/section>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\tFor all that momentum, Blumengarten is not rushing to erase the language barrier. Rayan says he would never re-record the chorus in English, because it would feel wrong. The collaborators are working on a remix that could add an English verse from an American artist, but the part that the internet already recognizes will remain in German.<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\t\u201cWe are not trying to force an international career now,\u201d Rayan says. \u201cWe just see what comes and go with the flow.\u201d<\/p>\n<\/div>\n<p><script async src=\"\/\/www.tiktok.com\/embed.js\"><\/script><br \/>\n<br \/><br \/>\n<br \/><a href=\"https:\/\/www.rollingstone.com\/music\/music-features\/gut-genug-tiktok-instagram-youtube-meme-songs-1235583788\/\">Source link <\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Scroll long enough, and eventually a sound will penetrate the amorphous fog of noise coming from your phone and nestle itself deep into your&#8230;<\/p>\n","protected":false},"author":5,"featured_media":67360,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[36],"tags":[],"class_list":["post-67359","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-pop","article","has-excerpt","has-avatar","has-author","has-date","has-comment-count","has-category-meta","has-read-more","thumbnail-"],"_links":{"self":[{"href":"https:\/\/musicianvoice.com\/index.php\/wp-json\/wp\/v2\/posts\/67359","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/musicianvoice.com\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/musicianvoice.com\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/musicianvoice.com\/index.php\/wp-json\/wp\/v2\/users\/5"}],"replies":[{"embeddable":true,"href":"https:\/\/musicianvoice.com\/index.php\/wp-json\/wp\/v2\/comments?post=67359"}],"version-history":[{"count":0,"href":"https:\/\/musicianvoice.com\/index.php\/wp-json\/wp\/v2\/posts\/67359\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/musicianvoice.com\/index.php\/wp-json\/wp\/v2\/media\/67360"}],"wp:attachment":[{"href":"https:\/\/musicianvoice.com\/index.php\/wp-json\/wp\/v2\/media?parent=67359"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/musicianvoice.com\/index.php\/wp-json\/wp\/v2\/categories?post=67359"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/musicianvoice.com\/index.php\/wp-json\/wp\/v2\/tags?post=67359"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}