{"id":67834,"date":"2026-07-03T13:24:29","date_gmt":"2026-07-03T13:24:29","guid":{"rendered":"https:\/\/musicianvoice.com\/index.php\/2026\/07\/03\/50-songs-for-50-states\/"},"modified":"2026-07-03T13:24:29","modified_gmt":"2026-07-03T13:24:29","slug":"50-songs-for-50-states","status":"publish","type":"post","link":"https:\/\/musicianvoice.com\/index.php\/2026\/07\/03\/50-songs-for-50-states\/","title":{"rendered":"50 Songs For 50 States"},"content":{"rendered":"<p> <br \/>\n<\/p>\n<div id=\"\">\n<p>To honor America\u2019s 250th birthday, we pick a favorite song for every state in the Union<\/p>\n<\/p><\/div>\n<div>\n\t\t<!-- do not apply CSS styles to this element! --><\/p>\n<div class=\"pmc-not-a-paywall\">\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\tHappy birthday, America! To celebrate our nation\u2019s semiquincentennial, the editors of <em>Rolling Stone<\/em> got together and selected one song for every state. Some of these tunes are by homegrown heroes; other picks are just great songs that mention a state or happen to be set there or that evoke the place in some special way. Our list has rock classics, hip-hop anthems, country gems, and more, and it covers decades of great American music. Think of it as our playlist love letter to the U.S. of A.<\/p>\n<div class=\"production-credits \/\/  lrv-u-border-t-2 lrv-u-margin-b-2 lrv-u-padding-t-075 u-line-height-1.067\">\n<p class=\"production-credits-title-text \/\/  production-credits-title-text \/\/ lrv-u-display-inline lrv-u-font-family-basic u-font-size-15 lrv-u-text-transform-uppercase u-font-weight-800 u-letter-spacing-0 u-line-height-16\"> Photographs in Illustration:<\/p>\n<p class=\"production-credits-markup \/\/ production-credits-markup \/\/ lrv-u-display-inline lrv-u-font-family-body lrv-u-font-size-13 lrv-u-line-height-16 u-letter-spacing-0\"> Rick Diamond\/Getty Images; Raymond Boyd\/Getty Images, 2; CBS\/Getty Images; Blair Caldwell; George Rose\/Getty Images; Fotos International\/Getty Images; Griffin Lotz<\/p>\n<\/div>\n<div id=\"pmc-gallery-vertical\">\n<div class=\"c-gallery-vertical-loader u-gallery-app-shell-loader\">\n<ul class=\"pmc-fallback-list-items lrv-a-unstyle-list lrv-u-margin-t-2\">\n<li class=\"pmc-fallback-list-item-wrap lrv-u-margin-b-2\">\n<article class=\"pmc-fallback-list-item\">\n<h2>Alabama:\u00a0Drive-By Truckers, \u2018Let There Be Rock\u2019\u00a0 (2001)<\/h2>\n<figure>\n\t\t\t<img loading=\"lazy\" decoding=\"async\" width=\"300\" height=\"200\" src=\"https:\/\/www.rollingstone.com\/wp-content\/uploads\/2026\/06\/alabama-drive-by-truckers.jpg?w=300\" class=\"attachment-medium size-medium\" alt=\"Mike Cooley (L) and Patterson Hood of Booker T and the Drive By Truckers perform during Bonnaroo 2009 on June 13, 2009 in Manchester, Tennessee. (Photo by Tim Mosenfelder\/Getty Images)\" srcset=\"https:\/\/www.rollingstone.com\/wp-content\/uploads\/2026\/06\/alabama-drive-by-truckers.jpg 1800w, https:\/\/www.rollingstone.com\/wp-content\/uploads\/2026\/06\/alabama-drive-by-truckers.jpg?resize=300,200 300w\" sizes=\"auto, (max-width: 300px) 85vw, 300px\"\/><figcaption>\n\t\t\t\t\tImage Credit: Tim Mosenfelder\/Getty Images\t\t\t\t<\/figcaption><\/figure>\n<p>\t<!-- do not apply CSS styles to this element! --><\/p>\n<div class=\"pmc-not-a-paywall\">\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\tOn this three-guitar haymaker of an anthem, Muscle Shoals native Patterson Hood sings about growing up doing \u201ccrazy stupid shit\u201d in high school, and seeing just about every big Seventies rock band that comes through the state \u2014 except Lynyrd Skynyrd, whose plane goes down right before he gets the chance. It\u2019s the centerpiece of the Truckers\u2019 excellent 2001 album, <em>Southern Rock Opera.<\/em> If you\u2019ve ever been pulled over in Rogersville, Alabama, with a half ounce of weed and a case of Sterling big mouths, this one\u2019s for you. <\/p>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\t<strong>Honorable mention:<\/strong> Lynyrd Skynyrd, \u201cSweet Home Alabama\u201d<\/p>\n<\/div>\n<\/article>\n<\/li>\n<li class=\"pmc-fallback-list-item-wrap lrv-u-margin-b-2\">\n<article class=\"pmc-fallback-list-item\">\n<h2>Alaska<strong>:\u00a0<\/strong>Maggie Rogers, \u2018Alaska\u2019\u00a0(2016)<\/h2>\n<figure>\n\t\t\t<img loading=\"lazy\" decoding=\"async\" width=\"300\" height=\"200\" src=\"https:\/\/www.rollingstone.com\/wp-content\/themes\/vip\/pmc-rollingstone-2022\/assets\/public\/lazyload-fallback.gif\" class=\"attachment-medium size-medium\" alt=\"Alaska:\u00a0Maggie Rogers, 'Alaska'\u00a0(2016)\" data-lazy-src=\"https:\/\/www.rollingstone.com\/wp-content\/uploads\/2026\/06\/alaska-maggie-rogers.jpg?w=300\" data-lazy-srcset=\"https:\/\/www.rollingstone.com\/wp-content\/uploads\/2026\/06\/alaska-maggie-rogers.jpg 1800w, https:\/\/www.rollingstone.com\/wp-content\/uploads\/2026\/06\/alaska-maggie-rogers.jpg?resize=300,200 300w\" data-lazy-sizes=\"(max-width: 300px) 85vw, 300px\"\/><img loading=\"lazy\" decoding=\"async\" width=\"300\" height=\"200\" src=\"https:\/\/www.rollingstone.com\/wp-content\/uploads\/2026\/06\/alaska-maggie-rogers.jpg?w=300\" class=\"attachment-medium size-medium\" alt=\"Alaska:\u00a0Maggie Rogers, 'Alaska'\u00a0(2016)\" srcset=\"https:\/\/www.rollingstone.com\/wp-content\/uploads\/2026\/06\/alaska-maggie-rogers.jpg 1800w, https:\/\/www.rollingstone.com\/wp-content\/uploads\/2026\/06\/alaska-maggie-rogers.jpg?resize=300,200 300w\" sizes=\"auto, (max-width: 300px) 85vw, 300px\"\/><figcaption>\n\t\t\t\t\tImage Credit: Youtube\t\t\t\t<\/figcaption><\/figure>\n<p>\t<!-- do not apply CSS styles to this element! --><\/p>\n<div class=\"pmc-not-a-paywall\">\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\tInspired by a summer hiking trip in Alaska, singer-songwriter Maggie Rogers channeled the incredible natural beauty she witnessed \u2014 \u201cicy streams that took my breath away\u201d \u2014 into a lovely pop song about using the expanse around her to transcend the burden of a failed relationship. \u201cAlaska\u201d caught the ear of super-producer Pharrell Williams when he visited a music class Rogers was taking at NYU, and the song became a viral hit. She nailed the essence of the state so well that Alaska\u2019s most famous songwriter, Jewel, covered \u201cAlaska\u201d in 2022. <\/p>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\t<strong>Honorable mention:<\/strong> Jewel, \u201cAlaska\u201d<\/p>\n<\/div>\n<\/article>\n<\/li>\n<li class=\"pmc-fallback-list-item-wrap lrv-u-margin-b-2\">\n<article class=\"pmc-fallback-list-item\">\n<h2>California:\u00a0Tupac feat. Dr. Dre, \u2018California Love\u2019\u00a0(1995)<\/h2>\n<figure>\n\t\t\t<img loading=\"lazy\" decoding=\"async\" width=\"300\" height=\"200\" src=\"https:\/\/www.rollingstone.com\/wp-content\/themes\/vip\/pmc-rollingstone-2022\/assets\/public\/lazyload-fallback.gif\" class=\"attachment-medium size-medium\" alt=\"From left, American record executive Suge Knight (born Marion Knight Jr), Rap musician Tupac Shakur (1971 - 1996), and rapper and producer Dr Dre (born Andre Young) on the set of Shakur's 'California Love' music video, El Mirage, California, October 13, 1995. (Photo by Nitro\/Getty Images)\" data-lazy-src=\"https:\/\/www.rollingstone.com\/wp-content\/uploads\/2026\/06\/california-dre-tupac.jpg?w=300\" data-lazy-srcset=\"https:\/\/www.rollingstone.com\/wp-content\/uploads\/2026\/06\/california-dre-tupac.jpg 1800w, https:\/\/www.rollingstone.com\/wp-content\/uploads\/2026\/06\/california-dre-tupac.jpg?resize=300,200 300w\" data-lazy-sizes=\"(max-width: 300px) 85vw, 300px\"\/><img loading=\"lazy\" decoding=\"async\" width=\"300\" height=\"200\" src=\"https:\/\/www.rollingstone.com\/wp-content\/uploads\/2026\/06\/california-dre-tupac.jpg?w=300\" class=\"attachment-medium size-medium\" alt=\"From left, American record executive Suge Knight (born Marion Knight Jr), Rap musician Tupac Shakur (1971 - 1996), and rapper and producer Dr Dre (born Andre Young) on the set of Shakur's 'California Love' music video, El Mirage, California, October 13, 1995. (Photo by Nitro\/Getty Images)\" srcset=\"https:\/\/www.rollingstone.com\/wp-content\/uploads\/2026\/06\/california-dre-tupac.jpg 1800w, https:\/\/www.rollingstone.com\/wp-content\/uploads\/2026\/06\/california-dre-tupac.jpg?resize=300,200 300w\" sizes=\"auto, (max-width: 300px) 85vw, 300px\"\/><figcaption>\n\t\t\t\t\tImage Credit: Nitro\/Getty Images\t\t\t\t<\/figcaption><\/figure>\n<p>\t<!-- do not apply CSS styles to this element! --><\/p>\n<div class=\"pmc-not-a-paywall\">\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\tWith the help of a vocoder hook from veteran funkmaster Roger Troutman of Zapp, Tupac and Dre spread love from San Diego to the Bay. Having recently been released from prison, Pac wanted his debut single for Death Row to be as splashy as possible, and he came through with a Number One hit in the summer of 1996. \u201cCalifornia Love\u201d gets props for being more pan-Californian than any other California anthem \u2014 shouting out Oaktown and Compton and Inglewood (where they\u2019re up to no good). They even have something nice to say about Sacramento, the boring state capital. Now that\u2019s love. <br \/><strong>Honorable mention:<\/strong> Joni Mitchell, \u201cCalifornia\u201d<\/p>\n<\/div>\n<\/article>\n<\/li>\n<li class=\"pmc-fallback-list-item-wrap lrv-u-margin-b-2\">\n<article class=\"pmc-fallback-list-item\">\n<h2>Colorado:\u00a0Joe Walsh, \u2018Rocky Mountain Way\u2019 (1973)<\/h2>\n<figure>\n\t\t\t<img loading=\"lazy\" decoding=\"async\" width=\"300\" height=\"200\" src=\"https:\/\/www.rollingstone.com\/wp-content\/themes\/vip\/pmc-rollingstone-2022\/assets\/public\/lazyload-fallback.gif\" class=\"attachment-medium size-medium\" alt=\"IN CONCERT - Shoot Date: September 20, 1973. (Photo by ABC Photo Archives\/Disney General Entertainment Content via Getty Images)&#13;JOE WALSH\" data-lazy-src=\"https:\/\/www.rollingstone.com\/wp-content\/uploads\/2026\/06\/colorado-joe-walsh.jpg?w=300\" data-lazy-srcset=\"https:\/\/www.rollingstone.com\/wp-content\/uploads\/2026\/06\/colorado-joe-walsh.jpg 1800w, https:\/\/www.rollingstone.com\/wp-content\/uploads\/2026\/06\/colorado-joe-walsh.jpg?resize=300,200 300w\" data-lazy-sizes=\"(max-width: 300px) 85vw, 300px\"\/><img loading=\"lazy\" decoding=\"async\" width=\"300\" height=\"200\" src=\"https:\/\/www.rollingstone.com\/wp-content\/uploads\/2026\/06\/colorado-joe-walsh.jpg?w=300\" class=\"attachment-medium size-medium\" alt=\"IN CONCERT - Shoot Date: September 20, 1973. (Photo by ABC Photo Archives\/Disney General Entertainment Content via Getty Images)&#13;JOE WALSH\" srcset=\"https:\/\/www.rollingstone.com\/wp-content\/uploads\/2026\/06\/colorado-joe-walsh.jpg 1800w, https:\/\/www.rollingstone.com\/wp-content\/uploads\/2026\/06\/colorado-joe-walsh.jpg?resize=300,200 300w\" sizes=\"auto, (max-width: 300px) 85vw, 300px\"\/><figcaption>\n\t\t\t\t\tImage Credit: ABC Photo Archives\/Disney General Entertainment Content\/Getty Images\t\t\t\t<\/figcaption><\/figure>\n<p>\t<!-- do not apply CSS styles to this element! --><\/p>\n<div class=\"pmc-not-a-paywall\">\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\tOhio native Joe Walsh was living in Boulder, Colorado, during the early 1970s and apparently psyched as hell about it \u2014 at least if you go by this talk-box-heavy 1973 banger, which he laid down at the local Caribou Ranch recording studio. He was inspired by looking up from mowing his lawn one summer day and seeing the snowcapped Rockies. \u201cAnd it knocked me back because it was just beautiful,\u201d he later recalled. <br \/><strong>Honorable mention:<\/strong> Warren Zevon, \u201cThings to Do in Denver When You\u2019re Dead\u201d<\/p>\n<\/div>\n<\/article>\n<\/li>\n<li class=\"pmc-fallback-list-item-wrap lrv-u-margin-b-2\">\n<article class=\"pmc-fallback-list-item\">\n<h2>Connecticut:\u00a0Fountains of Wayne, \u2018Laser Show\u2019 (1999)<\/h2>\n<figure>\n\t\t\t<img loading=\"lazy\" decoding=\"async\" width=\"300\" height=\"200\" src=\"https:\/\/www.rollingstone.com\/wp-content\/themes\/vip\/pmc-rollingstone-2022\/assets\/public\/lazyload-fallback.gif\" class=\"attachment-medium size-medium\" alt=\"UNITED STATES - JULY 01:  Fountains of Wayne band members Adam Schlesinger, Chris Collingwood, Brian Young, and Jody Porter.  (Photo by James Keivom\/NY Daily News Archive via Getty Images)\" data-lazy-src=\"https:\/\/www.rollingstone.com\/wp-content\/uploads\/2026\/06\/connecticut-fountains-of-wayne.jpg?w=300\" data-lazy-srcset=\"https:\/\/www.rollingstone.com\/wp-content\/uploads\/2026\/06\/connecticut-fountains-of-wayne.jpg 1800w, https:\/\/www.rollingstone.com\/wp-content\/uploads\/2026\/06\/connecticut-fountains-of-wayne.jpg?resize=300,200 300w\" data-lazy-sizes=\"(max-width: 300px) 85vw, 300px\"\/><img loading=\"lazy\" decoding=\"async\" width=\"300\" height=\"200\" src=\"https:\/\/www.rollingstone.com\/wp-content\/uploads\/2026\/06\/connecticut-fountains-of-wayne.jpg?w=300\" class=\"attachment-medium size-medium\" alt=\"UNITED STATES - JULY 01:  Fountains of Wayne band members Adam Schlesinger, Chris Collingwood, Brian Young, and Jody Porter.  (Photo by James Keivom\/NY Daily News Archive via Getty Images)\" srcset=\"https:\/\/www.rollingstone.com\/wp-content\/uploads\/2026\/06\/connecticut-fountains-of-wayne.jpg 1800w, https:\/\/www.rollingstone.com\/wp-content\/uploads\/2026\/06\/connecticut-fountains-of-wayne.jpg?resize=300,200 300w\" sizes=\"auto, (max-width: 300px) 85vw, 300px\"\/><figcaption>\n\t\t\t\t\tImage Credit: James Keivom\/NY Daily News Archive\/Getty Images\t\t\t\t<\/figcaption><\/figure>\n<p>\t<!-- do not apply CSS styles to this element! --><\/p>\n<div class=\"pmc-not-a-paywall\">\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\tPower-pop heroes Fountains of Wayne are mainly associated with New Jersey, but they really rep the culture of the whole tristate area. On \u201cLaser Show,\u201d from 1999\u2019s <em>Utopia Parkway,<\/em> they sing about kids from Bridgeport, Westport, and Darien heading down to the Hayden Planetarium at the American Museum of Natural History in New York to space out to Pink Floyd and Metallica, then getting back on the Long Island Expressway to get home to the cozy safety of the Nutmeg suburbs. <br \/><strong>Honorable mention:<\/strong> Carly Simon, \u201cThe Wives Are in Connecticut\u201d<\/p>\n<\/div>\n<\/article>\n<\/li>\n<li class=\"pmc-fallback-list-item-wrap lrv-u-margin-b-2\">\n<article class=\"pmc-fallback-list-item\">\n<h2>Arizona: The Eagles, \u2018Take It Easy\u2019 (1972)<\/h2>\n<figure>\n\t\t\t<img loading=\"lazy\" decoding=\"async\" width=\"300\" height=\"200\" src=\"https:\/\/www.rollingstone.com\/wp-content\/themes\/vip\/pmc-rollingstone-2022\/assets\/public\/lazyload-fallback.gif\" class=\"attachment-medium size-medium\" alt=\"March 1972 --- The rock band The Eagles rest in a desert valley. The Eagles were the most popular band of the seventies and their reunion tour in the nineties was also very successful. L-R: Bernie Leadon, Don Henley, Glenn Frey, and Randy Meisner. (Photo by Henry Diltz\/Corbis via Getty Images)\" data-lazy-src=\"https:\/\/www.rollingstone.com\/wp-content\/uploads\/2026\/06\/arizona-the-eagles.jpg?w=300\" data-lazy-srcset=\"https:\/\/www.rollingstone.com\/wp-content\/uploads\/2026\/06\/arizona-the-eagles.jpg 1800w, https:\/\/www.rollingstone.com\/wp-content\/uploads\/2026\/06\/arizona-the-eagles.jpg?resize=300,200 300w\" data-lazy-sizes=\"(max-width: 300px) 85vw, 300px\"\/><img loading=\"lazy\" decoding=\"async\" width=\"300\" height=\"200\" src=\"https:\/\/www.rollingstone.com\/wp-content\/uploads\/2026\/06\/arizona-the-eagles.jpg?w=300\" class=\"attachment-medium size-medium\" alt=\"March 1972 --- The rock band The Eagles rest in a desert valley. The Eagles were the most popular band of the seventies and their reunion tour in the nineties was also very successful. L-R: Bernie Leadon, Don Henley, Glenn Frey, and Randy Meisner. (Photo by Henry Diltz\/Corbis via Getty Images)\" srcset=\"https:\/\/www.rollingstone.com\/wp-content\/uploads\/2026\/06\/arizona-the-eagles.jpg 1800w, https:\/\/www.rollingstone.com\/wp-content\/uploads\/2026\/06\/arizona-the-eagles.jpg?resize=300,200 300w\" sizes=\"auto, (max-width: 300px) 85vw, 300px\"\/><figcaption>\n\t\t\t\t\tImage Credit: Henry Diltz\/Corbis\/Getty Images\t\t\t\t<\/figcaption><\/figure>\n<p>\t<!-- do not apply CSS styles to this element! --><\/p>\n<div class=\"pmc-not-a-paywall\">\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\tThe idea to mention Winslow, Arizona, in the song that eventually became the Eagles\u2019 debut single occurred to the song\u2019s co-author Jackson Browne when his car broke down driving through Arizona in 1970. His buddy Glenn Frey came up with the line \u201cIt\u2019s a girl, my Lord, in a flatbed Ford, slowing down to take a look at me.\u201d Today, you can visit Standin\u2019 on the Corner Park in Winslow, featuring a flatbed red Ford and a statue of a guy holding a guitar. <\/p>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\t<strong>Honorable mention:<\/strong> Meat Puppets, \u201cUp on the Sun\u201d<\/p>\n<\/div>\n<\/article>\n<\/li>\n<li class=\"pmc-fallback-list-item-wrap lrv-u-margin-b-2\">\n<article class=\"pmc-fallback-list-item\">\n<h2>Arkansas: Johnny Cash, \u2018Daddy Sang Bass\u2019\u00a0(1968)<\/h2>\n<figure>\n\t\t\t<img loading=\"lazy\" decoding=\"async\" width=\"300\" height=\"200\" src=\"https:\/\/www.rollingstone.com\/wp-content\/themes\/vip\/pmc-rollingstone-2022\/assets\/public\/lazyload-fallback.gif\" class=\"attachment-medium size-medium\" alt=\"American country singer Johnny Cash (1932 - 2003) sings and plays his guitar on stage during The Johnny Cash Show in Tucson, Arizona, April 15, 1970. (Photo by Oscar Abolafia\/TPLP\/Getty Images)\" data-lazy-src=\"https:\/\/www.rollingstone.com\/wp-content\/uploads\/2026\/06\/arkansas-johnny-cash.jpg?w=300\" data-lazy-srcset=\"https:\/\/www.rollingstone.com\/wp-content\/uploads\/2026\/06\/arkansas-johnny-cash.jpg 1800w, https:\/\/www.rollingstone.com\/wp-content\/uploads\/2026\/06\/arkansas-johnny-cash.jpg?resize=300,200 300w\" data-lazy-sizes=\"(max-width: 300px) 85vw, 300px\"\/><img loading=\"lazy\" decoding=\"async\" width=\"300\" height=\"200\" src=\"https:\/\/www.rollingstone.com\/wp-content\/uploads\/2026\/06\/arkansas-johnny-cash.jpg?w=300\" class=\"attachment-medium size-medium\" alt=\"American country singer Johnny Cash (1932 - 2003) sings and plays his guitar on stage during The Johnny Cash Show in Tucson, Arizona, April 15, 1970. (Photo by Oscar Abolafia\/TPLP\/Getty Images)\" srcset=\"https:\/\/www.rollingstone.com\/wp-content\/uploads\/2026\/06\/arkansas-johnny-cash.jpg 1800w, https:\/\/www.rollingstone.com\/wp-content\/uploads\/2026\/06\/arkansas-johnny-cash.jpg?resize=300,200 300w\" sizes=\"auto, (max-width: 300px) 85vw, 300px\"\/><figcaption>\n\t\t\t\t\tImage Credit: Oscar Abolafia\/TPLP\/Getty Images\t\t\t\t<\/figcaption><\/figure>\n<p>\t<!-- do not apply CSS styles to this element! --><\/p>\n<div class=\"pmc-not-a-paywall\">\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\tJohnny Cash was raised in Dyess, Arkansas, a resettlement community set up as part of FDR\u2019s New Deal to aid poor farmers. Written by his Sun Records buddy Carl Perkins, this 1968 classic is one of the Man in Black\u2019s most beloved songs, an ode to growing up in Arkansas and how it\u2019s not so bad being poor because you\u2019ve got family and faith and music all around \u2014 and how we\u2019ll all be joined together again with Daddy on bass and Mama on tenor. <\/p>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\t<strong>Honorable mention:<\/strong> Big Bill Broonzy, \u201cGoing Back to Arkansas\u201d<\/p>\n<\/div>\n<\/article>\n<\/li>\n<li class=\"pmc-fallback-list-item-wrap lrv-u-margin-b-2\">\n<article class=\"pmc-fallback-list-item\">\n<h2>Delaware:\u00a0George Thorogood and the Destroyers, \u2018Delaware Slide\u2019 (1977)<\/h2>\n<figure>\n\t\t\t<img loading=\"lazy\" decoding=\"async\" width=\"300\" height=\"200\" src=\"https:\/\/www.rollingstone.com\/wp-content\/themes\/vip\/pmc-rollingstone-2022\/assets\/public\/lazyload-fallback.gif\" class=\"attachment-medium size-medium\" alt=\"SAN FRANCISCO - 1978:  George Thorogood performs live in 1978 in San Francisco, California. (Photo by Richard McCaffrey\/ Michael Ochs Archive\/ Getty Images)\" data-lazy-src=\"https:\/\/www.rollingstone.com\/wp-content\/uploads\/2026\/06\/delaware-george-thorogood-.jpg?w=300\" data-lazy-srcset=\"https:\/\/www.rollingstone.com\/wp-content\/uploads\/2026\/06\/delaware-george-thorogood-.jpg 1800w, https:\/\/www.rollingstone.com\/wp-content\/uploads\/2026\/06\/delaware-george-thorogood-.jpg?resize=300,200 300w\" data-lazy-sizes=\"(max-width: 300px) 85vw, 300px\"\/><img loading=\"lazy\" decoding=\"async\" width=\"300\" height=\"200\" src=\"https:\/\/www.rollingstone.com\/wp-content\/uploads\/2026\/06\/delaware-george-thorogood-.jpg?w=300\" class=\"attachment-medium size-medium\" alt=\"SAN FRANCISCO - 1978:  George Thorogood performs live in 1978 in San Francisco, California. (Photo by Richard McCaffrey\/ Michael Ochs Archive\/ Getty Images)\" srcset=\"https:\/\/www.rollingstone.com\/wp-content\/uploads\/2026\/06\/delaware-george-thorogood-.jpg 1800w, https:\/\/www.rollingstone.com\/wp-content\/uploads\/2026\/06\/delaware-george-thorogood-.jpg?resize=300,200 300w\" sizes=\"auto, (max-width: 300px) 85vw, 300px\"\/><figcaption>\n\t\t\t\t\tImage Credit: Richard McCaffrey\/ Michael Ochs Archive\/ Getty Images\t\t\t\t<\/figcaption><\/figure>\n<p>\t<!-- do not apply CSS styles to this element! --><\/p>\n<div class=\"pmc-not-a-paywall\">\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\tA proud son of Wilmington, George Thorogood moved out to the West Coast in the early 1970s but returned home to form the Delaware Destroyers. They made their self-titled debut on Rounder Records in 1977, and closed it out with \u201cDelaware Slide,\u201d a nearly eight-minute blues boogie showcase for Thorogood\u2019s searing slide-guitar skills. The Delaware Destroyers is also the name of a semipro baseball team \u00ad\u2014 Thorogood played second base in his younger days, with Destroyers drummer Jeff Simon in center field. <br \/><strong>Honorable mention:<\/strong> Drop Nineteens, \u201cDelaware\u201d<\/p>\n<\/div>\n<\/article>\n<\/li>\n<li class=\"pmc-fallback-list-item-wrap lrv-u-margin-b-2\">\n<article class=\"pmc-fallback-list-item\">\n<h2>Florida: Tom Petty and the Heartbreakers, \u2018American Girl\u2019 (1976)<\/h2>\n<figure>\n\t\t\t<img loading=\"lazy\" decoding=\"async\" width=\"300\" height=\"200\" src=\"https:\/\/www.rollingstone.com\/wp-content\/themes\/vip\/pmc-rollingstone-2022\/assets\/public\/lazyload-fallback.gif\" class=\"attachment-medium size-medium\" alt=\"SAN FRANCISCO - 1976:  Tom Petty performs live at The Winterland Ballroom in 1976 in San Francisco, California. (Photo by Richard McCaffrey\/ Michael Ochs Archive\/ Getty Images)\" data-lazy-src=\"https:\/\/www.rollingstone.com\/wp-content\/uploads\/2026\/06\/florida-tom-petty.jpg?w=300\" data-lazy-srcset=\"https:\/\/www.rollingstone.com\/wp-content\/uploads\/2026\/06\/florida-tom-petty.jpg 1800w, https:\/\/www.rollingstone.com\/wp-content\/uploads\/2026\/06\/florida-tom-petty.jpg?resize=300,200 300w\" data-lazy-sizes=\"(max-width: 300px) 85vw, 300px\"\/><img loading=\"lazy\" decoding=\"async\" width=\"300\" height=\"200\" src=\"https:\/\/www.rollingstone.com\/wp-content\/uploads\/2026\/06\/florida-tom-petty.jpg?w=300\" class=\"attachment-medium size-medium\" alt=\"SAN FRANCISCO - 1976:  Tom Petty performs live at The Winterland Ballroom in 1976 in San Francisco, California. (Photo by Richard McCaffrey\/ Michael Ochs Archive\/ Getty Images)\" srcset=\"https:\/\/www.rollingstone.com\/wp-content\/uploads\/2026\/06\/florida-tom-petty.jpg 1800w, https:\/\/www.rollingstone.com\/wp-content\/uploads\/2026\/06\/florida-tom-petty.jpg?resize=300,200 300w\" sizes=\"auto, (max-width: 300px) 85vw, 300px\"\/><figcaption>\n\t\t\t\t\tImage Credit: Richard McCaffrey\/ Michael Ochs Archive\/ Getty Images\t\t\t\t<\/figcaption><\/figure>\n<p>\t<!-- do not apply CSS styles to this element! --><\/p>\n<div class=\"pmc-not-a-paywall\">\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\tTom Petty is the greatest musician ever to come out of Florida, and he\u2019s referenced the Sunshine State in songs like \u201cGainesville\u201d and \u201cSouthern Accents.\u201d His greatest hit, \u201cAmerican Girl,\u201d shouts out U.S. Highway 441, which runs through Petty\u2019s hometown of Gainesville. For years it was rumored that the girl in the song was inspired by a University of Florida student who died by throwing herself out of her dorm room onto the highway, but that\u2019s totally untrue. \u201cThe girl was looking for the strength to move on,\u201d Petty said, \u201cand she found it.\u201d <br \/><strong>Honorable mention:<\/strong> Rick Ross, \u201cHustlin\u2019\u201d<\/p>\n<\/div>\n<\/article>\n<\/li>\n<li class=\"pmc-fallback-list-item-wrap lrv-u-margin-b-2\">\n<article class=\"pmc-fallback-list-item\">\n<h2>Georgia: Outkast, \u2018Atliens\u2019 (1996)<\/h2>\n<figure>\n\t\t\t<img loading=\"lazy\" decoding=\"async\" width=\"300\" height=\"200\" src=\"https:\/\/www.rollingstone.com\/wp-content\/themes\/vip\/pmc-rollingstone-2022\/assets\/public\/lazyload-fallback.gif\" class=\"attachment-medium size-medium\" alt=\"Georgia: Outkast, 'Atliens' (1996)\" data-lazy-src=\"https:\/\/www.rollingstone.com\/wp-content\/uploads\/2026\/06\/georgia-outkast.jpg?w=300\" data-lazy-srcset=\"https:\/\/www.rollingstone.com\/wp-content\/uploads\/2026\/06\/georgia-outkast.jpg 1800w, https:\/\/www.rollingstone.com\/wp-content\/uploads\/2026\/06\/georgia-outkast.jpg?resize=300,200 300w\" data-lazy-sizes=\"(max-width: 300px) 85vw, 300px\"\/><img loading=\"lazy\" decoding=\"async\" width=\"300\" height=\"200\" src=\"https:\/\/www.rollingstone.com\/wp-content\/uploads\/2026\/06\/georgia-outkast.jpg?w=300\" class=\"attachment-medium size-medium\" alt=\"Georgia: Outkast, 'Atliens' (1996)\" srcset=\"https:\/\/www.rollingstone.com\/wp-content\/uploads\/2026\/06\/georgia-outkast.jpg 1800w, https:\/\/www.rollingstone.com\/wp-content\/uploads\/2026\/06\/georgia-outkast.jpg?resize=300,200 300w\" sizes=\"auto, (max-width: 300px) 85vw, 300px\"\/><figcaption>\n\t\t\t\t\tImage Credit: Youtube\t\t\t\t<\/figcaption><\/figure>\n<p>\t<!-- do not apply CSS styles to this element! --><\/p>\n<div class=\"pmc-not-a-paywall\">\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\tOutKast shifted hip-hop\u2019s focus from the coasts to the Dirty South in the mid-Nineties with a sound steeped in their red-clay roots. \u201cThe Atlanta pride was there, because we believed it,\u201d Andr\u00e9 3000 later said of the Southernplayalistic sound they perfected on \u201cATLiens,\u201d a silky smooth and deeply funky statement of pride in their home turf that put Georgia on the mind of every rap fan in the world. <strong>Honorable mention:<\/strong> Ray Charles, \u201cGeorgia on My Mind\u201d<\/p>\n<\/div>\n<\/article>\n<\/li>\n<li class=\"pmc-fallback-list-item-wrap lrv-u-margin-b-2\">\n<article class=\"pmc-fallback-list-item\">\n<h2>Hawaii:\u00a0Kamakawiwo\u2018ole, \u2018Somewhere Over the Rainbow\/What a Wonderful World\/Israel \u2018IZ\u2019 (1988)<\/h2>\n<figure>\n\t\t\t<img loading=\"lazy\" decoding=\"async\" width=\"300\" height=\"200\" src=\"https:\/\/www.rollingstone.com\/wp-content\/themes\/vip\/pmc-rollingstone-2022\/assets\/public\/lazyload-fallback.gif\" class=\"attachment-medium size-medium\" alt=\"Hawaii:\u00a0Kamakawiwo\u2018ole, 'Somewhere Over the Rainbow\/What a Wonderful World\/Israel 'IZ' (1988)\" data-lazy-src=\"https:\/\/www.rollingstone.com\/wp-content\/uploads\/2026\/06\/hawaii-Braddah-IZ.jpg?w=300\" data-lazy-srcset=\"https:\/\/www.rollingstone.com\/wp-content\/uploads\/2026\/06\/hawaii-Braddah-IZ.jpg 1800w, https:\/\/www.rollingstone.com\/wp-content\/uploads\/2026\/06\/hawaii-Braddah-IZ.jpg?resize=300,200 300w\" data-lazy-sizes=\"(max-width: 300px) 85vw, 300px\"\/><img loading=\"lazy\" decoding=\"async\" width=\"300\" height=\"200\" src=\"https:\/\/www.rollingstone.com\/wp-content\/uploads\/2026\/06\/hawaii-Braddah-IZ.jpg?w=300\" class=\"attachment-medium size-medium\" alt=\"Hawaii:\u00a0Kamakawiwo\u2018ole, 'Somewhere Over the Rainbow\/What a Wonderful World\/Israel 'IZ' (1988)\" srcset=\"https:\/\/www.rollingstone.com\/wp-content\/uploads\/2026\/06\/hawaii-Braddah-IZ.jpg 1800w, https:\/\/www.rollingstone.com\/wp-content\/uploads\/2026\/06\/hawaii-Braddah-IZ.jpg?resize=300,200 300w\" sizes=\"auto, (max-width: 300px) 85vw, 300px\"\/><figcaption>\n\t\t\t\t\tImage Credit: Youtube\t\t\t\t<\/figcaption><\/figure>\n<p>\t<!-- do not apply CSS styles to this element! --><\/p>\n<div class=\"pmc-not-a-paywall\">\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\tA beloved figure in the history of Hawaiian music and a proud advocate for Hawaiian rights, singer and ukulele player Israel \u201cIZ\u201d Kamakawiwo\u2018ole found international success with this beautiful, smilingly sung medley of Judy Garland\u2019s \u201cSomewhere Over the Rainbow\u201d and Louis Armstrong\u2019s \u201cWhat a Wonderful World\u201d \u2014 which he knocked out fooling around at the end of a 1988 recording session. The song was a global hit at the time, and it\u2019s been a soundtrack staple for years. <br \/><strong>Honorable mention:<\/strong> Bad Bunny, \u201cLo Que Le Pas\u00f3 a Hawaii\u201d<\/p>\n<\/div>\n<\/article>\n<\/li>\n<li class=\"pmc-fallback-list-item-wrap lrv-u-margin-b-2\">\n<article class=\"pmc-fallback-list-item\">\n<h2>Idaho:\u00a0Built to Spill, \u2018Twin Falls\u2019 (1994)<\/h2>\n<figure>\n\t\t\t<img loading=\"lazy\" decoding=\"async\" width=\"300\" height=\"200\" src=\"https:\/\/www.rollingstone.com\/wp-content\/themes\/vip\/pmc-rollingstone-2022\/assets\/public\/lazyload-fallback.gif\" class=\"attachment-medium size-medium\" alt=\"American rock band, Built to Spill, performing at the Uptown Bar in Minneapolis, Minnesota, 24th July 1995. Left to right: Doug Martsch, David Schneider and James Bertram. (Photo by Jim Steinfeldt\/Michael Ochs Archives\/Getty Images)\" data-lazy-src=\"https:\/\/www.rollingstone.com\/wp-content\/uploads\/2026\/06\/idaho-built-to-spill.jpg?w=300\" data-lazy-srcset=\"https:\/\/www.rollingstone.com\/wp-content\/uploads\/2026\/06\/idaho-built-to-spill.jpg 1800w, https:\/\/www.rollingstone.com\/wp-content\/uploads\/2026\/06\/idaho-built-to-spill.jpg?resize=300,200 300w\" data-lazy-sizes=\"(max-width: 300px) 85vw, 300px\"\/><img loading=\"lazy\" decoding=\"async\" width=\"300\" height=\"200\" src=\"https:\/\/www.rollingstone.com\/wp-content\/uploads\/2026\/06\/idaho-built-to-spill.jpg?w=300\" class=\"attachment-medium size-medium\" alt=\"American rock band, Built to Spill, performing at the Uptown Bar in Minneapolis, Minnesota, 24th July 1995. Left to right: Doug Martsch, David Schneider and James Bertram. (Photo by Jim Steinfeldt\/Michael Ochs Archives\/Getty Images)\" srcset=\"https:\/\/www.rollingstone.com\/wp-content\/uploads\/2026\/06\/idaho-built-to-spill.jpg 1800w, https:\/\/www.rollingstone.com\/wp-content\/uploads\/2026\/06\/idaho-built-to-spill.jpg?resize=300,200 300w\" sizes=\"auto, (max-width: 300px) 85vw, 300px\"\/><figcaption>\n\t\t\t\t\tImage Credit: Jim Steinfeldt\/Michael Ochs Archives\/Getty Images\t\t\t\t<\/figcaption><\/figure>\n<p>\t<!-- do not apply CSS styles to this element! --><\/p>\n<div class=\"pmc-not-a-paywall\">\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\tUsually musicians from smaller states tend to decamp to the nearest hip large city \u2014 in the case of Built to Spill\u2019s Doug Martsch, that would\u2019ve been Seattle or Portland, Oregon. But the Twin Falls native has stayed in Idaho for most of his adult life, recording nine albums of indie-rock guitar epics. This bittersweet ode to his hometown is a highlight of BTS\u2019 1994 classic, <em>There\u2019s Nothing Wrong With Love.<\/em><strong> Honorable mention:<\/strong> Paul Revere and the Raiders, \u201cHim or Me \u00ad\u2014 What\u2019s It Gonna Be?\u201d<\/p>\n<\/div>\n<\/article>\n<\/li>\n<li class=\"pmc-fallback-list-item-wrap lrv-u-margin-b-2\">\n<article class=\"pmc-fallback-list-item\">\n<h2>Illinois:\u00a0Sufjan Stevens, \u2018Chicago\u2019\u00a0(2005)<\/h2>\n<figure>\n\t\t\t<img loading=\"lazy\" decoding=\"async\" width=\"300\" height=\"200\" src=\"https:\/\/www.rollingstone.com\/wp-content\/themes\/vip\/pmc-rollingstone-2022\/assets\/public\/lazyload-fallback.gif\" class=\"attachment-medium size-medium\" alt=\"UNITED KINGDOM - OCTOBER 17:  SHEPHERD'S BUSH EMPIRE  Photo of Sufjan STEVENS  (Photo by Hayley Madden\/Redferns)\" data-lazy-src=\"https:\/\/www.rollingstone.com\/wp-content\/uploads\/2026\/06\/illinois-sufjan-stevens.jpg?w=300\" data-lazy-srcset=\"https:\/\/www.rollingstone.com\/wp-content\/uploads\/2026\/06\/illinois-sufjan-stevens.jpg 1800w, https:\/\/www.rollingstone.com\/wp-content\/uploads\/2026\/06\/illinois-sufjan-stevens.jpg?resize=300,200 300w\" data-lazy-sizes=\"(max-width: 300px) 85vw, 300px\"\/><img loading=\"lazy\" decoding=\"async\" width=\"300\" height=\"200\" src=\"https:\/\/www.rollingstone.com\/wp-content\/uploads\/2026\/06\/illinois-sufjan-stevens.jpg?w=300\" class=\"attachment-medium size-medium\" alt=\"UNITED KINGDOM - OCTOBER 17:  SHEPHERD'S BUSH EMPIRE  Photo of Sufjan STEVENS  (Photo by Hayley Madden\/Redferns)\" srcset=\"https:\/\/www.rollingstone.com\/wp-content\/uploads\/2026\/06\/illinois-sufjan-stevens.jpg 1800w, https:\/\/www.rollingstone.com\/wp-content\/uploads\/2026\/06\/illinois-sufjan-stevens.jpg?resize=300,200 300w\" sizes=\"auto, (max-width: 300px) 85vw, 300px\"\/><figcaption>\n\t\t\t\t\tImage Credit: Hayley Madden\/Redferns\/Getty Images\t\t\t\t<\/figcaption><\/figure>\n<p>\t<!-- do not apply CSS styles to this element! --><\/p>\n<div class=\"pmc-not-a-paywall\">\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\tIn 2005, folk artist Sufjan Stevens released <em>Illinois,<\/em> a double album in which the Land of Lincoln becomes the backdrop for a meditation on human frailty, American history, hope, faith, devotion, and loss. It peaks with \u201cChicago,\u201d a sweeping song about found freedom and lost innocence on a coming-of-age road trip. Stevens\u2019 ability to evoke the hulking expanse of Chicago is up there with the novels of Theodore Dreiser and Saul Bellow. <br \/><strong>Honorable mention:<\/strong> Cheap Trick, \u201cSurrender\u201d<\/p>\n<\/div>\n<\/article>\n<\/li>\n<li class=\"pmc-fallback-list-item-wrap lrv-u-margin-b-2\">\n<article class=\"pmc-fallback-list-item\">\n<h2>Indiana: The Jackson 5, \u2018Goin\u2019 Back to Indiana\u2019  (1970)<\/h2>\n<figure>\n\t\t\t<img loading=\"lazy\" decoding=\"async\" width=\"300\" height=\"200\" src=\"https:\/\/www.rollingstone.com\/wp-content\/themes\/vip\/pmc-rollingstone-2022\/assets\/public\/lazyload-fallback.gif\" class=\"attachment-medium size-medium\" alt=\"GOIN' BACK TO INDIANA - The Jackson 5 TV Special - Airdate: September 16, 1971. (Photo by ABC Photo Archives\/Disney General Entertainment Content via Getty Images)&#13;TITO JACKSON;MICHAEL JACKSON;JACKIE JACKSON;MARLON JACKSON;JERMAINE JACKSON\" data-lazy-src=\"https:\/\/www.rollingstone.com\/wp-content\/uploads\/2026\/06\/indiana-jackson-5.jpg?w=300\" data-lazy-srcset=\"https:\/\/www.rollingstone.com\/wp-content\/uploads\/2026\/06\/indiana-jackson-5.jpg 1800w, https:\/\/www.rollingstone.com\/wp-content\/uploads\/2026\/06\/indiana-jackson-5.jpg?resize=300,200 300w\" data-lazy-sizes=\"(max-width: 300px) 85vw, 300px\"\/><img loading=\"lazy\" decoding=\"async\" width=\"300\" height=\"200\" src=\"https:\/\/www.rollingstone.com\/wp-content\/uploads\/2026\/06\/indiana-jackson-5.jpg?w=300\" class=\"attachment-medium size-medium\" alt=\"GOIN' BACK TO INDIANA - The Jackson 5 TV Special - Airdate: September 16, 1971. (Photo by ABC Photo Archives\/Disney General Entertainment Content via Getty Images)&#13;TITO JACKSON;MICHAEL JACKSON;JACKIE JACKSON;MARLON JACKSON;JERMAINE JACKSON\" srcset=\"https:\/\/www.rollingstone.com\/wp-content\/uploads\/2026\/06\/indiana-jackson-5.jpg 1800w, https:\/\/www.rollingstone.com\/wp-content\/uploads\/2026\/06\/indiana-jackson-5.jpg?resize=300,200 300w\" sizes=\"auto, (max-width: 300px) 85vw, 300px\"\/><figcaption>\n\t\t\t\t\tImage Credit: ABC Photo Archives\/Disney General Entertainment Content\/Getty Images\t\t\t\t<\/figcaption><\/figure>\n<p>\t<!-- do not apply CSS styles to this element! --><\/p>\n<div class=\"pmc-not-a-paywall\">\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\tThe Jackson family lived on 2300 Jackson St. in Gary, Indiana, before the Jackson 5 made the leap to Motown and took over the world. \u201cGoin\u2019 Back to Indiana\u201d kicks off Side Two of the Jackson 5\u2019s 1970 LP <em>Third Album<\/em> with a high-energy blast of nostalgia driven by Michael\u2019s ebullient lead vocal. The following year, the Jacksons would return home to play Gary\u2019s West Side High School for a TV concert special, also titled <em>Goin\u2019 Back to Indiana.<\/em> <br \/><strong>Honorable mention:<\/strong> John Cougar Mellencamp, \u201cSmall Town\u201d<\/p>\n<\/div>\n<\/article>\n<\/li>\n<li class=\"pmc-fallback-list-item-wrap lrv-u-margin-b-2\">\n<article class=\"pmc-fallback-list-item\">\n<h2>Iowa: Slipknot, \u2018Iowa\u2019 (2001)<\/h2>\n<figure>\n\t\t\t<img loading=\"lazy\" decoding=\"async\" width=\"300\" height=\"200\" src=\"https:\/\/www.rollingstone.com\/wp-content\/themes\/vip\/pmc-rollingstone-2022\/assets\/public\/lazyload-fallback.gif\" class=\"attachment-medium size-medium\" alt=\"UNITED STATES - JANUARY 01:  USA  Photo of SLIPKNOT  (Photo by Mick Hutson\/Redferns)\" data-lazy-src=\"https:\/\/www.rollingstone.com\/wp-content\/uploads\/2026\/06\/iowa-slipknot.jpg?w=300\" data-lazy-srcset=\"https:\/\/www.rollingstone.com\/wp-content\/uploads\/2026\/06\/iowa-slipknot.jpg 1800w, https:\/\/www.rollingstone.com\/wp-content\/uploads\/2026\/06\/iowa-slipknot.jpg?resize=300,200 300w\" data-lazy-sizes=\"(max-width: 300px) 85vw, 300px\"\/><img loading=\"lazy\" decoding=\"async\" width=\"300\" height=\"200\" src=\"https:\/\/www.rollingstone.com\/wp-content\/uploads\/2026\/06\/iowa-slipknot.jpg?w=300\" class=\"attachment-medium size-medium\" alt=\"UNITED STATES - JANUARY 01:  USA  Photo of SLIPKNOT  (Photo by Mick Hutson\/Redferns)\" srcset=\"https:\/\/www.rollingstone.com\/wp-content\/uploads\/2026\/06\/iowa-slipknot.jpg 1800w, https:\/\/www.rollingstone.com\/wp-content\/uploads\/2026\/06\/iowa-slipknot.jpg?resize=300,200 300w\" sizes=\"auto, (max-width: 300px) 85vw, 300px\"\/><figcaption>\n\t\t\t\t\tImage Credit: Mick Hutson\/Redferns\/Getty Images\t\t\t\t<\/figcaption><\/figure>\n<p>\t<!-- do not apply CSS styles to this element! --><\/p>\n<div class=\"pmc-not-a-paywall\">\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\tThe nine masked nu-metal evildoers in Slipknot got together in Des Moines in the mid-Nineties. The local chamber of commerce isn\u2019t likely to put the psycho-sludge title cut from the band\u2019s 2001 album, <em>Iowa,<\/em> on any local tourism ads, but visitors to the city can check out the Slaughterhouse, a haunted house inspired by the band. <br \/><strong>Honorable mention:<\/strong> Tom T. Hall, \u201cIt Sure Can Get Cold in Des Moines\u201d<\/p>\n<\/div>\n<\/article>\n<\/li>\n<li class=\"pmc-fallback-list-item-wrap lrv-u-margin-b-2\">\n<article class=\"pmc-fallback-list-item\">\n<h2>Kansas:\u00a0The Embarrassment, \u2018Two-Week Vacation\u2019 (1993)<\/h2>\n<figure>\n\t\t\t<img loading=\"lazy\" decoding=\"async\" width=\"300\" height=\"200\" src=\"https:\/\/www.rollingstone.com\/wp-content\/themes\/vip\/pmc-rollingstone-2022\/assets\/public\/lazyload-fallback.gif\" class=\"attachment-medium size-medium\" alt=\"Kansas:\u00a0The Embarrassment, 'Two-Week Vacation' (1993)\" data-lazy-src=\"https:\/\/www.rollingstone.com\/wp-content\/uploads\/2026\/06\/kansas-the-embarrassment.jpg?w=300\" data-lazy-srcset=\"https:\/\/www.rollingstone.com\/wp-content\/uploads\/2026\/06\/kansas-the-embarrassment.jpg 1800w, https:\/\/www.rollingstone.com\/wp-content\/uploads\/2026\/06\/kansas-the-embarrassment.jpg?resize=300,200 300w\" data-lazy-sizes=\"(max-width: 300px) 85vw, 300px\"\/><img loading=\"lazy\" decoding=\"async\" width=\"300\" height=\"200\" src=\"https:\/\/www.rollingstone.com\/wp-content\/uploads\/2026\/06\/kansas-the-embarrassment.jpg?w=300\" class=\"attachment-medium size-medium\" alt=\"Kansas:\u00a0The Embarrassment, 'Two-Week Vacation' (1993)\" srcset=\"https:\/\/www.rollingstone.com\/wp-content\/uploads\/2026\/06\/kansas-the-embarrassment.jpg 1800w, https:\/\/www.rollingstone.com\/wp-content\/uploads\/2026\/06\/kansas-the-embarrassment.jpg?resize=300,200 300w\" sizes=\"auto, (max-width: 300px) 85vw, 300px\"\/>\t\t\t\t\t<\/figure>\n<p>\t<!-- do not apply CSS styles to this element! --><\/p>\n<div class=\"pmc-not-a-paywall\">\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\tWichita\u2019s the Embarrassment were one of the great Midwestern punk bands, forming in 1979 with a killer psychedelic garage sound and self-deprecating nard-chic look years ahead of its time. \u201cTwo-Week Vacation\u201d is about a dude on a budget with time off from work and no idea what to do with it. They repeat \u201cWhere can I go?\/What can I do?\u201d like it\u2019s a bored Midwestern mantra over guitars that buzz like pissed-off crickets. <br \/><strong>Honorable mention:<\/strong> Kansas, \u201cDust in the Wind\u201d<\/p>\n<\/div>\n<\/article>\n<\/li>\n<li class=\"pmc-fallback-list-item-wrap lrv-u-margin-b-2\">\n<article class=\"pmc-fallback-list-item\">\n<h2>Kentucky:\u00a0Loretta Lynn, \u2018Coal Miner\u2019s Daughter\u2019 (1970)<\/h2>\n<figure>\n\t\t\t<img loading=\"lazy\" decoding=\"async\" width=\"300\" height=\"200\" src=\"https:\/\/www.rollingstone.com\/wp-content\/themes\/vip\/pmc-rollingstone-2022\/assets\/public\/lazyload-fallback.gif\" class=\"attachment-medium size-medium\" alt=\"CIRCA 1960:  Loretta Lynn holds her acoustic guitar as she poses for a portrait wearing a cowboy hat, a scarf and western shirt outside a log cabin in circa 1960. (Photo by Michael Ochs Archives\/Getty Images)\" data-lazy-src=\"https:\/\/www.rollingstone.com\/wp-content\/uploads\/2026\/06\/kentucky-loretta-lynn.jpg?w=300\" data-lazy-srcset=\"https:\/\/www.rollingstone.com\/wp-content\/uploads\/2026\/06\/kentucky-loretta-lynn.jpg 1800w, https:\/\/www.rollingstone.com\/wp-content\/uploads\/2026\/06\/kentucky-loretta-lynn.jpg?resize=300,200 300w\" data-lazy-sizes=\"(max-width: 300px) 85vw, 300px\"\/><img loading=\"lazy\" decoding=\"async\" width=\"300\" height=\"200\" src=\"https:\/\/www.rollingstone.com\/wp-content\/uploads\/2026\/06\/kentucky-loretta-lynn.jpg?w=300\" class=\"attachment-medium size-medium\" alt=\"CIRCA 1960:  Loretta Lynn holds her acoustic guitar as she poses for a portrait wearing a cowboy hat, a scarf and western shirt outside a log cabin in circa 1960. (Photo by Michael Ochs Archives\/Getty Images)\" srcset=\"https:\/\/www.rollingstone.com\/wp-content\/uploads\/2026\/06\/kentucky-loretta-lynn.jpg 1800w, https:\/\/www.rollingstone.com\/wp-content\/uploads\/2026\/06\/kentucky-loretta-lynn.jpg?resize=300,200 300w\" sizes=\"auto, (max-width: 300px) 85vw, 300px\"\/><figcaption>\n\t\t\t\t\tImage Credit: Michael Ochs Archives\/Getty Images\t\t\t\t<\/figcaption><\/figure>\n<p>\t<!-- do not apply CSS styles to this element! --><\/p>\n<div class=\"pmc-not-a-paywall\">\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\t\u201cI remember Daddy coming home in his hardshell cap, all you could see was the whites of his eyes,\u201d Loretta Lynn recalled. \u201cHe\u2019d have coal dust all over him. I learned from it.\u201d She called on her memories of growing up one of eight kids in a cabin on a hill in Butcher Hollow, Kentucky \u00ad\u2014 her daddy working in the Van Lear coal mines at night and farming corn in the day, her mommy scrubbing clothes until her fingers bled. A Number One country hit in 1970, it might be the greatest song ever about taking pride in where you\u2019re from. <br \/><strong>Honorable mention:<\/strong> Bill Monroe, \u201cBlue Moon of Kentucky\u201d<\/p>\n<\/div>\n<\/article>\n<\/li>\n<li class=\"pmc-fallback-list-item-wrap lrv-u-margin-b-2\">\n<article class=\"pmc-fallback-list-item\">\n<h2>Louisiana:\u00a0The Meters, \u2018Hey Pocky A-Way\u2019\u00a0(1974)<\/h2>\n<figure>\n\t\t\t<img loading=\"lazy\" decoding=\"async\" width=\"300\" height=\"200\" src=\"https:\/\/www.rollingstone.com\/wp-content\/themes\/vip\/pmc-rollingstone-2022\/assets\/public\/lazyload-fallback.gif\" class=\"attachment-medium size-medium\" alt=\"The Meters, studio portrait, United States, c1974. (Photo by Gilles Petard\/Redferns)\" data-lazy-src=\"https:\/\/www.rollingstone.com\/wp-content\/uploads\/2026\/06\/louisiana-the-meters.jpg?w=300\" data-lazy-srcset=\"https:\/\/www.rollingstone.com\/wp-content\/uploads\/2026\/06\/louisiana-the-meters.jpg 1800w, https:\/\/www.rollingstone.com\/wp-content\/uploads\/2026\/06\/louisiana-the-meters.jpg?resize=300,200 300w\" data-lazy-sizes=\"(max-width: 300px) 85vw, 300px\"\/><img loading=\"lazy\" decoding=\"async\" width=\"300\" height=\"200\" src=\"https:\/\/www.rollingstone.com\/wp-content\/uploads\/2026\/06\/louisiana-the-meters.jpg?w=300\" class=\"attachment-medium size-medium\" alt=\"The Meters, studio portrait, United States, c1974. (Photo by Gilles Petard\/Redferns)\" srcset=\"https:\/\/www.rollingstone.com\/wp-content\/uploads\/2026\/06\/louisiana-the-meters.jpg 1800w, https:\/\/www.rollingstone.com\/wp-content\/uploads\/2026\/06\/louisiana-the-meters.jpg?resize=300,200 300w\" sizes=\"auto, (max-width: 300px) 85vw, 300px\"\/><figcaption>\n\t\t\t\t\tImage Credit: Gilles Petard\/Redferns\/Getty Images\t\t\t\t<\/figcaption><\/figure>\n<p>\t<!-- do not apply CSS styles to this element! --><\/p>\n<div class=\"pmc-not-a-paywall\">\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\tNew Orleans musical ambassadors the Meters based this joyous 1974 song on a chant heard at Indian parades during Mardi Gras that means \u201cGet out of our way,\u201d mixed in some second-line swing, and gave it a jolt of funk. It\u2019s a highlight of their classic album <em>Rejuvenation,<\/em> co-produced by Crescent City soul architect Allen Toussaint, himself a student of Fats Domino and Professor Longhair. You can hear all of that history in the Meters\u2019 groove. <br \/><strong>Honorable mention:<\/strong> Lil Wayne, \u201cLa La La\u201d<\/p>\n<\/div>\n<\/article>\n<\/li>\n<li class=\"pmc-fallback-list-item-wrap lrv-u-margin-b-2\">\n<article class=\"pmc-fallback-list-item\">\n<h2>Maine:\u00a0Mountain Goats, \u2018Going to Maine\u2019 (1993)<\/h2>\n<figure>\n\t\t\t<img loading=\"lazy\" decoding=\"async\" width=\"300\" height=\"200\" src=\"https:\/\/www.rollingstone.com\/wp-content\/themes\/vip\/pmc-rollingstone-2022\/assets\/public\/lazyload-fallback.gif\" class=\"attachment-medium size-medium\" alt=\"UNITED STATES - JANUARY 01:  CARNATION  Photo of MOUNTAIN GOATS and Peter HUGHES and John DARNIELLE, Posed group portrait of Peter Hughes (L) and John Darnielle on a farm with cows and a car  (Photo by Steven Dewall\/Redferns)\" data-lazy-src=\"https:\/\/www.rollingstone.com\/wp-content\/uploads\/2026\/06\/maine-mountain-goats.jpg?w=300\" data-lazy-srcset=\"https:\/\/www.rollingstone.com\/wp-content\/uploads\/2026\/06\/maine-mountain-goats.jpg 1800w, https:\/\/www.rollingstone.com\/wp-content\/uploads\/2026\/06\/maine-mountain-goats.jpg?resize=300,200 300w\" data-lazy-sizes=\"(max-width: 300px) 85vw, 300px\"\/><img loading=\"lazy\" decoding=\"async\" width=\"300\" height=\"200\" src=\"https:\/\/www.rollingstone.com\/wp-content\/uploads\/2026\/06\/maine-mountain-goats.jpg?w=300\" class=\"attachment-medium size-medium\" alt=\"UNITED STATES - JANUARY 01:  CARNATION  Photo of MOUNTAIN GOATS and Peter HUGHES and John DARNIELLE, Posed group portrait of Peter Hughes (L) and John Darnielle on a farm with cows and a car  (Photo by Steven Dewall\/Redferns)\" srcset=\"https:\/\/www.rollingstone.com\/wp-content\/uploads\/2026\/06\/maine-mountain-goats.jpg 1800w, https:\/\/www.rollingstone.com\/wp-content\/uploads\/2026\/06\/maine-mountain-goats.jpg?resize=300,200 300w\" sizes=\"auto, (max-width: 300px) 85vw, 300px\"\/><figcaption>\n\t\t\t\t\tImage Credit: Steven Dewall\/Redferns\/Getty Images\t\t\t\t<\/figcaption><\/figure>\n<p>\t<!-- do not apply CSS styles to this element! --><\/p>\n<div class=\"pmc-not-a-paywall\">\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\tOver the decades, John Darnielle of the Mountain Goats has created a series of \u201cGoing to\u2009\u2026\u2009\u201d songs, desperate escapist reveries like \u201cGoing to Scotland\u201d and \u201cGoing to Lebanon 2.\u201d The people in \u201cGoing to Maine\u201d are an adulterous couple running for Maine like it\u2019s a magical place where sins are washed and dreams reborn. For Darnielle, who grew up in California, it kind of was: \u201cWhen I would think of Maine, and like the whole \u2014 just the term \u2018the East Coast,\u2019 this was like Shangri-La.\u201d <br \/><strong>Honorable Mention:<\/strong> Jackson Browne, \u201cNothing But Time\u201d<\/p>\n<\/div>\n<\/article>\n<\/li>\n<li class=\"pmc-fallback-list-item-wrap lrv-u-margin-b-2\">\n<article class=\"pmc-fallback-list-item\">\n<h2>Maryland:\u00a0Fleetwood Mac, \u2018Silver Springs\u2019\u00a0(1976)<\/h2>\n<figure>\n\t\t\t<img loading=\"lazy\" decoding=\"async\" width=\"300\" height=\"200\" src=\"https:\/\/www.rollingstone.com\/wp-content\/themes\/vip\/pmc-rollingstone-2022\/assets\/public\/lazyload-fallback.gif\" class=\"attachment-medium size-medium\" alt=\"CIRCA 1976:  (Clockwise from left) Lindsey Buckingham, Mick Fleetwood, Christine McVie, John McVie and Stevie Nicks (center) of the rock and roll group &quot;Fleetwood Mac&quot; pose for a portrait in circa 1976. (Photo by Michael Ochs Archives\/Getty Images)\" data-lazy-src=\"https:\/\/www.rollingstone.com\/wp-content\/uploads\/2026\/06\/maryland-fleetwood-mac.jpg?w=300\" data-lazy-srcset=\"https:\/\/www.rollingstone.com\/wp-content\/uploads\/2026\/06\/maryland-fleetwood-mac.jpg 1800w, https:\/\/www.rollingstone.com\/wp-content\/uploads\/2026\/06\/maryland-fleetwood-mac.jpg?resize=300,200 300w\" data-lazy-sizes=\"(max-width: 300px) 85vw, 300px\"\/><img loading=\"lazy\" decoding=\"async\" width=\"300\" height=\"200\" src=\"https:\/\/www.rollingstone.com\/wp-content\/uploads\/2026\/06\/maryland-fleetwood-mac.jpg?w=300\" class=\"attachment-medium size-medium\" alt=\"CIRCA 1976:  (Clockwise from left) Lindsey Buckingham, Mick Fleetwood, Christine McVie, John McVie and Stevie Nicks (center) of the rock and roll group &quot;Fleetwood Mac&quot; pose for a portrait in circa 1976. (Photo by Michael Ochs Archives\/Getty Images)\" srcset=\"https:\/\/www.rollingstone.com\/wp-content\/uploads\/2026\/06\/maryland-fleetwood-mac.jpg 1800w, https:\/\/www.rollingstone.com\/wp-content\/uploads\/2026\/06\/maryland-fleetwood-mac.jpg?resize=300,200 300w\" sizes=\"auto, (max-width: 300px) 85vw, 300px\"\/><figcaption>\n\t\t\t\t\tImage Credit: Michael Ochs Archives\/Getty Images\t\t\t\t<\/figcaption><\/figure>\n<p>\t<!-- do not apply CSS styles to this element! --><\/p>\n<div class=\"pmc-not-a-paywall\">\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\tThis outtake from <em>Rumours<\/em> \u2014 arguably the most intense breakup song in the entire Fleetwood Mac catalog \u2014 rocketed to the top of the Fleetwood Mac canon after Stevie Nicks and Lindsey Buckingham\u2019s devastating performance of the song on their 1997 reunion tour. The inspiration came to Nicks when the Mac passed through Silver Spring, Maryland, on tour in the 1970s. \u201cIt sounded like a pretty fabulous place to me,\u201d she recalled. \u201cIt\u2019s a whole symbolic thing of what [Lindsey] could have been to me.\u201d <strong>Honorable mention:<\/strong> Nina Simone, \u201cBaltimore\u201d<\/p>\n<\/div>\n<\/article>\n<\/li>\n<li class=\"pmc-fallback-list-item-wrap lrv-u-margin-b-2\">\n<article class=\"pmc-fallback-list-item\">\n<h2>Massachusetts: The Modern Lovers, \u2018Roadrunner'(1976)<\/h2>\n<figure>\n\t\t\t<img loading=\"lazy\" decoding=\"async\" width=\"300\" height=\"200\" src=\"https:\/\/www.rollingstone.com\/wp-content\/themes\/vip\/pmc-rollingstone-2022\/assets\/public\/lazyload-fallback.gif\" class=\"attachment-medium size-medium\" alt=\"UNSPECIFIED - JANUARY 01:  Photo of Jonathan RICHMAN  (Photo by Gems\/Redferns)\" data-lazy-src=\"https:\/\/www.rollingstone.com\/wp-content\/uploads\/2026\/06\/massachusetts-roadrunner.jpg?w=300\" data-lazy-srcset=\"https:\/\/www.rollingstone.com\/wp-content\/uploads\/2026\/06\/massachusetts-roadrunner.jpg 1800w, https:\/\/www.rollingstone.com\/wp-content\/uploads\/2026\/06\/massachusetts-roadrunner.jpg?resize=300,200 300w\" data-lazy-sizes=\"(max-width: 300px) 85vw, 300px\"\/><img loading=\"lazy\" decoding=\"async\" width=\"300\" height=\"200\" src=\"https:\/\/www.rollingstone.com\/wp-content\/uploads\/2026\/06\/massachusetts-roadrunner.jpg?w=300\" class=\"attachment-medium size-medium\" alt=\"UNSPECIFIED - JANUARY 01:  Photo of Jonathan RICHMAN  (Photo by Gems\/Redferns)\" srcset=\"https:\/\/www.rollingstone.com\/wp-content\/uploads\/2026\/06\/massachusetts-roadrunner.jpg 1800w, https:\/\/www.rollingstone.com\/wp-content\/uploads\/2026\/06\/massachusetts-roadrunner.jpg?resize=300,200 300w\" sizes=\"auto, (max-width: 300px) 85vw, 300px\"\/><figcaption>\n\t\t\t\t\tImage Credit: Gems\/Redferns\/Getty Images\t\t\t\t<\/figcaption><\/figure>\n<p>\t<!-- do not apply CSS styles to this element! --><\/p>\n<div class=\"pmc-not-a-paywall\">\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\tJonathan Richman sings about driving down Route 128 \u2014 America\u2019s Technology Highway \u2014 in love with suburban trees and suburban speed and the Fifties rock &amp; roll on his radio until he finally gives in to the magic and literally yells, \u201cI\u2019m in love with Massachusetts!\u201d A student of the Velvet Underground, who transplanted their urban guitar roar to New England, Richman showed much love for his hometown on the Modern Lovers\u2019 classic debut, from the Museum of Fine Arts to the Government Center. <br \/><strong>Honorable mention:<\/strong> The Bee Gees, \u201cMassachusetts\u201d<\/p>\n<\/div>\n<\/article>\n<\/li>\n<li class=\"pmc-fallback-list-item-wrap lrv-u-margin-b-2\">\n<article class=\"pmc-fallback-list-item\">\n<h2>Michigan:\u00a0Martha and the Vandellas, \u2018Dancing in the Street\u2019\u00a0(1964)<\/h2>\n<figure>\n\t\t\t<img loading=\"lazy\" decoding=\"async\" width=\"300\" height=\"200\" src=\"https:\/\/www.rollingstone.com\/wp-content\/themes\/vip\/pmc-rollingstone-2022\/assets\/public\/lazyload-fallback.gif\" class=\"attachment-medium size-medium\" alt=\"UNSPECIFIED - JANUARY 01:  Photo of Rosalyn ASHFORD and Martha REEVES + The Vandellas and Martha REEVES and Betty KELLY; Posed group half length portrait. In woods, leaning on trees, smiling to camera. L - R: Rosalyn Ashford, Betty Kelly, Martha Reeves  (Photo by Echoes\/Redferns)\" data-lazy-src=\"https:\/\/www.rollingstone.com\/wp-content\/uploads\/2026\/06\/michigan-dancin-in-the-street.jpg?w=300\" data-lazy-srcset=\"https:\/\/www.rollingstone.com\/wp-content\/uploads\/2026\/06\/michigan-dancin-in-the-street.jpg 1800w, https:\/\/www.rollingstone.com\/wp-content\/uploads\/2026\/06\/michigan-dancin-in-the-street.jpg?resize=300,200 300w\" data-lazy-sizes=\"(max-width: 300px) 85vw, 300px\"\/><img loading=\"lazy\" decoding=\"async\" width=\"300\" height=\"200\" src=\"https:\/\/www.rollingstone.com\/wp-content\/uploads\/2026\/06\/michigan-dancin-in-the-street.jpg?w=300\" class=\"attachment-medium size-medium\" alt=\"UNSPECIFIED - JANUARY 01:  Photo of Rosalyn ASHFORD and Martha REEVES + The Vandellas and Martha REEVES and Betty KELLY; Posed group half length portrait. In woods, leaning on trees, smiling to camera. L - R: Rosalyn Ashford, Betty Kelly, Martha Reeves  (Photo by Echoes\/Redferns)\" srcset=\"https:\/\/www.rollingstone.com\/wp-content\/uploads\/2026\/06\/michigan-dancin-in-the-street.jpg 1800w, https:\/\/www.rollingstone.com\/wp-content\/uploads\/2026\/06\/michigan-dancin-in-the-street.jpg?resize=300,200 300w\" sizes=\"auto, (max-width: 300px) 85vw, 300px\"\/><figcaption>\n\t\t\t\t\tImage Credit: Echoes\/Redferns\/Getty Images\t\t\t\t<\/figcaption><\/figure>\n<p>\t<!-- do not apply CSS styles to this element! --><\/p>\n<div class=\"pmc-not-a-paywall\">\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\tHas any structure erected by human hand ever been the source of as much great music as 2648 W. Grand Blvd. in Detroit, a.k.a. Hitsville USA? Not likely. \u201cDancing in the Street\u201d is the ultimate Motown anthem, a party record that doubles as a protest call to arms, co-written by Marvin Gaye, who also played drums on it, delivering one of the hottest snare-drum shots ever fired. \u201c\u2009\u2018Dancing in the Street\u2019 was what we did in our neighborhood,\u201d Martha Reeves recalled years later. \u201cWhat was in my spirit was our neighborhood, our next-door neighbor who would put their record players on.\u201d <br \/><strong>Honorable mention:<\/strong> Bob Seger, \u201cNight Moves\u201d<\/p>\n<\/div>\n<\/article>\n<\/li>\n<li class=\"pmc-fallback-list-item-wrap lrv-u-margin-b-2\">\n<article class=\"pmc-fallback-list-item\">\n<h2>Minnesota: Prince, \u2018Purple Rain\u2019 (1984)<\/h2>\n<figure>\n\t\t\t<img loading=\"lazy\" decoding=\"async\" width=\"300\" height=\"200\" src=\"https:\/\/www.rollingstone.com\/wp-content\/themes\/vip\/pmc-rollingstone-2022\/assets\/public\/lazyload-fallback.gif\" class=\"attachment-medium size-medium\" alt=\"DETROIT, MI - NOVEMBER 4: American singer, songwriter, musician, record producer, dancer, actor, and filmmaker Prince (1958-2016) performs onstage during the 1984 Purple Rain Tour on November 4, 1984, at the Joe Louis Arena in Detroit, Michigan. (Photo by Ross Marino\/Getty Images)\" data-lazy-src=\"https:\/\/www.rollingstone.com\/wp-content\/uploads\/2026\/06\/minnesota-prince.jpg?w=300\" data-lazy-srcset=\"https:\/\/www.rollingstone.com\/wp-content\/uploads\/2026\/06\/minnesota-prince.jpg 1800w, https:\/\/www.rollingstone.com\/wp-content\/uploads\/2026\/06\/minnesota-prince.jpg?resize=300,200 300w\" data-lazy-sizes=\"(max-width: 300px) 85vw, 300px\"\/><img loading=\"lazy\" decoding=\"async\" width=\"300\" height=\"200\" src=\"https:\/\/www.rollingstone.com\/wp-content\/uploads\/2026\/06\/minnesota-prince.jpg?w=300\" class=\"attachment-medium size-medium\" alt=\"DETROIT, MI - NOVEMBER 4: American singer, songwriter, musician, record producer, dancer, actor, and filmmaker Prince (1958-2016) performs onstage during the 1984 Purple Rain Tour on November 4, 1984, at the Joe Louis Arena in Detroit, Michigan. (Photo by Ross Marino\/Getty Images)\" srcset=\"https:\/\/www.rollingstone.com\/wp-content\/uploads\/2026\/06\/minnesota-prince.jpg 1800w, https:\/\/www.rollingstone.com\/wp-content\/uploads\/2026\/06\/minnesota-prince.jpg?resize=300,200 300w\" sizes=\"auto, (max-width: 300px) 85vw, 300px\"\/><figcaption>\n\t\t\t\t\tImage Credit: Ross Marino\/Getty Images\t\t\t\t<\/figcaption><\/figure>\n<p>\t<!-- do not apply CSS styles to this element! --><\/p>\n<div class=\"pmc-not-a-paywall\">\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\tWhen Prince died in 2016, thousands of people gathered outside First Avenue, the iconic Minneapolis club where he filmed the concert scenes in his 1984 biopic, <em>Purple Rain.<\/em> They all sang \u201cPurple Rain\u201d together in a moving act of grief and pride. In 2025, a group of bipartisan state lawmakers proposed making it the state song, alongside Bob Dylan\u2019s \u201cGirl From the North Country.\u201d It\u2019s pretty nuts that the greatest songwriter and greatest pop artist of all time both come from the same frostbitten little state. <strong>Honorable mention:<\/strong> The Replacements, \u201cSkyway\u201d<\/p>\n<\/div>\n<\/article>\n<\/li>\n<li class=\"pmc-fallback-list-item-wrap lrv-u-margin-b-2\">\n<article class=\"pmc-fallback-list-item\">\n<h2>Mississippi:\u00a0Robert Johnson, \u2018Cross Road Blues\u2019\u00a0(1937)<\/h2>\n<figure>\n\t\t\t<img loading=\"lazy\" decoding=\"async\" width=\"300\" height=\"200\" src=\"https:\/\/www.rollingstone.com\/wp-content\/themes\/vip\/pmc-rollingstone-2022\/assets\/public\/lazyload-fallback.gif\" class=\"attachment-medium size-medium\" alt=\"Mississippi:\u00a0Robert Johnson, 'Cross Road Blues'\u00a0(1937)\" data-lazy-src=\"https:\/\/www.rollingstone.com\/wp-content\/uploads\/2026\/06\/mississippi-robert-johnson.jpg?w=300\" data-lazy-srcset=\"https:\/\/www.rollingstone.com\/wp-content\/uploads\/2026\/06\/mississippi-robert-johnson.jpg 1800w, https:\/\/www.rollingstone.com\/wp-content\/uploads\/2026\/06\/mississippi-robert-johnson.jpg?resize=300,200 300w\" data-lazy-sizes=\"(max-width: 300px) 85vw, 300px\"\/><img loading=\"lazy\" decoding=\"async\" width=\"300\" height=\"200\" src=\"https:\/\/www.rollingstone.com\/wp-content\/uploads\/2026\/06\/mississippi-robert-johnson.jpg?w=300\" class=\"attachment-medium size-medium\" alt=\"Mississippi:\u00a0Robert Johnson, 'Cross Road Blues'\u00a0(1937)\" srcset=\"https:\/\/www.rollingstone.com\/wp-content\/uploads\/2026\/06\/mississippi-robert-johnson.jpg 1800w, https:\/\/www.rollingstone.com\/wp-content\/uploads\/2026\/06\/mississippi-robert-johnson.jpg?resize=300,200 300w\" sizes=\"auto, (max-width: 300px) 85vw, 300px\"\/><figcaption>\n\t\t\t\t\tImage Credit: Youtube\t\t\t\t<\/figcaption><\/figure>\n<p>\t<!-- do not apply CSS styles to this element! --><\/p>\n<div class=\"pmc-not-a-paywall\">\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\tYou could make the case that every other song on this list has roots in the Delta blues that Robert Johnson perfected on the spellbinding recordings he made in 1936 and 1937. The crossroads where Johnson was alleged to have sold his soul in exchange for his musical genius is commemorated by the state of Mississippi with a famous three-guitar roadside monument outside of Clarksdale, where U.S. Highway 61 meets Highway 49. <br \/><strong>Honorable Mention:<\/strong> Bob Dylan, \u201cMississippi\u201d<\/p>\n<\/div>\n<\/article>\n<\/li>\n<li class=\"pmc-fallback-list-item-wrap lrv-u-margin-b-2\">\n<article class=\"pmc-fallback-list-item\">\n<h2>Missouri:\u00a0Nelly, \u2018Country Grammar (Hot Shit)\u2019 (2000)<\/h2>\n<figure>\n\t\t\t<img loading=\"lazy\" decoding=\"async\" width=\"300\" height=\"200\" src=\"https:\/\/www.rollingstone.com\/wp-content\/themes\/vip\/pmc-rollingstone-2022\/assets\/public\/lazyload-fallback.gif\" class=\"attachment-medium size-medium\" alt=\"American rapper Nelly, circa 2000. (Photo by Tim Roney\/Getty Images)\" data-lazy-src=\"https:\/\/www.rollingstone.com\/wp-content\/uploads\/2026\/06\/missouri-nelly.jpg?w=300\" data-lazy-srcset=\"https:\/\/www.rollingstone.com\/wp-content\/uploads\/2026\/06\/missouri-nelly.jpg 1800w, https:\/\/www.rollingstone.com\/wp-content\/uploads\/2026\/06\/missouri-nelly.jpg?resize=300,200 300w\" data-lazy-sizes=\"(max-width: 300px) 85vw, 300px\"\/><img loading=\"lazy\" decoding=\"async\" width=\"300\" height=\"200\" src=\"https:\/\/www.rollingstone.com\/wp-content\/uploads\/2026\/06\/missouri-nelly.jpg?w=300\" class=\"attachment-medium size-medium\" alt=\"American rapper Nelly, circa 2000. (Photo by Tim Roney\/Getty Images)\" srcset=\"https:\/\/www.rollingstone.com\/wp-content\/uploads\/2026\/06\/missouri-nelly.jpg 1800w, https:\/\/www.rollingstone.com\/wp-content\/uploads\/2026\/06\/missouri-nelly.jpg?resize=300,200 300w\" sizes=\"auto, (max-width: 300px) 85vw, 300px\"\/><figcaption>\n\t\t\t\t\tImage Credit: Tim Roney\/Getty Images\t\t\t\t<\/figcaption><\/figure>\n<p>\t<!-- do not apply CSS styles to this element! --><\/p>\n<div class=\"pmc-not-a-paywall\">\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\tNelly came out of St. Louis leading a local crew of high school buddies called the St. Lunatics, and broke out with his smash hit \u201cCountry Grammar (Hot Shit).\u201d His sound was influenced by Southern rap like OutKast, but he gave it his own welcoming, laid-back Midwestern feel and playful flavor, rolling down your street in his Range Rover and going multiplatinum with his 2000 debut, <em>Country Grammar.<\/em> <strong>Honorable mention:<\/strong> Wilco, \u201cHeavy Metal Drummer\u201d<\/p>\n<\/div>\n<\/article>\n<\/li>\n<li class=\"pmc-fallback-list-item-wrap lrv-u-margin-b-2\">\n<article class=\"pmc-fallback-list-item\">\n<h2>Montana:\u00a0Merle Haggard, \u2018Big City\u2019\u00a0(1982)<\/h2>\n<figure>\n\t\t\t<img loading=\"lazy\" decoding=\"async\" width=\"300\" height=\"200\" src=\"https:\/\/www.rollingstone.com\/wp-content\/themes\/vip\/pmc-rollingstone-2022\/assets\/public\/lazyload-fallback.gif\" class=\"attachment-medium size-medium\" alt=\"Singer and musician Merle Haggard performs, Champaign, Illinois, September 22, 1985. (Photo by Paul Natkin\/Getty Images)\" data-lazy-src=\"https:\/\/www.rollingstone.com\/wp-content\/uploads\/2026\/06\/montana-merle-haggard.jpg?w=300\" data-lazy-srcset=\"https:\/\/www.rollingstone.com\/wp-content\/uploads\/2026\/06\/montana-merle-haggard.jpg 1800w, https:\/\/www.rollingstone.com\/wp-content\/uploads\/2026\/06\/montana-merle-haggard.jpg?resize=300,200 300w\" data-lazy-sizes=\"(max-width: 300px) 85vw, 300px\"\/><img loading=\"lazy\" decoding=\"async\" width=\"300\" height=\"200\" src=\"https:\/\/www.rollingstone.com\/wp-content\/uploads\/2026\/06\/montana-merle-haggard.jpg?w=300\" class=\"attachment-medium size-medium\" alt=\"Singer and musician Merle Haggard performs, Champaign, Illinois, September 22, 1985. (Photo by Paul Natkin\/Getty Images)\" srcset=\"https:\/\/www.rollingstone.com\/wp-content\/uploads\/2026\/06\/montana-merle-haggard.jpg 1800w, https:\/\/www.rollingstone.com\/wp-content\/uploads\/2026\/06\/montana-merle-haggard.jpg?resize=300,200 300w\" sizes=\"auto, (max-width: 300px) 85vw, 300px\"\/><figcaption>\n\t\t\t\t\tImage Credit: Paul Natkin\/Getty Images\t\t\t\t<\/figcaption><\/figure>\n<p>\t<!-- do not apply CSS styles to this element! --><\/p>\n<div class=\"pmc-not-a-paywall\">\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\tA country classic about getting out of dirty, old smog-clogged L.A. and relocating to Montana. Hag was searching for the right place to move to in the song, and asked his old buddy and longtime tour-bus driver Dean Holloway, who suggested \u201csomewhere in the middle of damn Montana.\u201d Haggard loved the line and used it nearly verbatim, and it became the title track of his 1982 album, <em>Big City,<\/em> and a Number One country hit. <strong>Honorable mention:<\/strong> Frank Zappa and the Mothers, \u201cMontana\u201d<\/p>\n<\/div>\n<\/article>\n<\/li>\n<li class=\"pmc-fallback-list-item-wrap lrv-u-margin-b-2\">\n<article class=\"pmc-fallback-list-item\">\n<h2>Nebraska:\u00a0Bright Eyes, \u2018Land locked Blues\u2019\u00a0(2005)<\/h2>\n<figure>\n\t\t\t<img loading=\"lazy\" decoding=\"async\" width=\"300\" height=\"200\" src=\"https:\/\/www.rollingstone.com\/wp-content\/themes\/vip\/pmc-rollingstone-2022\/assets\/public\/lazyload-fallback.gif\" class=\"attachment-medium size-medium\" alt=\"(NETHERLANDS OUT) NETHERLANDS - JANUARY 01:  Photo of Conor OBERST and BRIGHT EYES; Conor Oberst  (Photo by Lex van Rossen\/MAI\/Redferns)\" data-lazy-src=\"https:\/\/www.rollingstone.com\/wp-content\/uploads\/2026\/06\/nebraska-bright-eyes.jpg?w=300\" data-lazy-srcset=\"https:\/\/www.rollingstone.com\/wp-content\/uploads\/2026\/06\/nebraska-bright-eyes.jpg 1800w, https:\/\/www.rollingstone.com\/wp-content\/uploads\/2026\/06\/nebraska-bright-eyes.jpg?resize=300,200 300w\" data-lazy-sizes=\"(max-width: 300px) 85vw, 300px\"\/><img loading=\"lazy\" decoding=\"async\" width=\"300\" height=\"200\" src=\"https:\/\/www.rollingstone.com\/wp-content\/uploads\/2026\/06\/nebraska-bright-eyes.jpg?w=300\" class=\"attachment-medium size-medium\" alt=\"(NETHERLANDS OUT) NETHERLANDS - JANUARY 01:  Photo of Conor OBERST and BRIGHT EYES; Conor Oberst  (Photo by Lex van Rossen\/MAI\/Redferns)\" srcset=\"https:\/\/www.rollingstone.com\/wp-content\/uploads\/2026\/06\/nebraska-bright-eyes.jpg 1800w, https:\/\/www.rollingstone.com\/wp-content\/uploads\/2026\/06\/nebraska-bright-eyes.jpg?resize=300,200 300w\" sizes=\"auto, (max-width: 300px) 85vw, 300px\"\/><figcaption>\n\t\t\t\t\tImage Credit: Lex van Rossen\/MAI\/Redferns\/Getty Images\t\t\t\t<\/figcaption><\/figure>\n<p>\t<!-- do not apply CSS styles to this element! --><\/p>\n<div class=\"pmc-not-a-paywall\">\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\tIn the early 2000s, Omaha spawned one of America\u2019s coolest new rock scenes, producing bands like Cursive, the Faint, and Bright Eyes, fronted by resident genius songwriter Conor Oberst. This intimate highlight from Bright Eyes\u2019 2005 album <em>I\u2019m Wide Awake, It\u2019s Morning<\/em> is just Oberst and his acoustic guitar, perfectly capturing the restless feeling of wintry Plains states isolation. <strong>Honorable mention:<\/strong> 311, \u201cDown\u201d<\/p>\n<\/div>\n<\/article>\n<\/li>\n<li class=\"pmc-fallback-list-item-wrap lrv-u-margin-b-2\">\n<article class=\"pmc-fallback-list-item\">\n<h2>Nevada,\u00a0Elvis Presley, \u2018Viva Las Vegas\u2019 (1964)<\/h2>\n<figure>\n\t\t\t<img loading=\"lazy\" decoding=\"async\" width=\"300\" height=\"200\" src=\"https:\/\/www.rollingstone.com\/wp-content\/themes\/vip\/pmc-rollingstone-2022\/assets\/public\/lazyload-fallback.gif\" class=\"attachment-medium size-medium\" alt=\"LAS VEGAS, NV - DECEMBER 02:  Photo of Elvis Presley in Las Vegas during a concert in December of 1975  (Photo by Michael Ochs Archives\/Getty Images)\" data-lazy-src=\"https:\/\/www.rollingstone.com\/wp-content\/uploads\/2026\/06\/nevada-elvis-presley.jpg?w=300\" data-lazy-srcset=\"https:\/\/www.rollingstone.com\/wp-content\/uploads\/2026\/06\/nevada-elvis-presley.jpg 1800w, https:\/\/www.rollingstone.com\/wp-content\/uploads\/2026\/06\/nevada-elvis-presley.jpg?resize=300,200 300w\" data-lazy-sizes=\"(max-width: 300px) 85vw, 300px\"\/><img loading=\"lazy\" decoding=\"async\" width=\"300\" height=\"200\" src=\"https:\/\/www.rollingstone.com\/wp-content\/uploads\/2026\/06\/nevada-elvis-presley.jpg?w=300\" class=\"attachment-medium size-medium\" alt=\"LAS VEGAS, NV - DECEMBER 02:  Photo of Elvis Presley in Las Vegas during a concert in December of 1975  (Photo by Michael Ochs Archives\/Getty Images)\" srcset=\"https:\/\/www.rollingstone.com\/wp-content\/uploads\/2026\/06\/nevada-elvis-presley.jpg 1800w, https:\/\/www.rollingstone.com\/wp-content\/uploads\/2026\/06\/nevada-elvis-presley.jpg?resize=300,200 300w\" sizes=\"auto, (max-width: 300px) 85vw, 300px\"\/><figcaption>\n\t\t\t\t\tImage Credit: Michael Ochs Archives\/Getty Images\t\t\t\t<\/figcaption><\/figure>\n<p>\t<!-- do not apply CSS styles to this element! --><\/p>\n<div class=\"pmc-not-a-paywall\">\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\tBright lights, big city, baby! Never has losing at gambling sounded so awesome. Vegas was still in its Moe Green\/Rat Pack era when the King cut \u201cViva Las Vegas\u201d in 1964. The song and the Elvis\/Ann-Margret movie it was tied to helped rebrand the city as a glamorous vacation spot for everyday Americans, where night and day were flipped and the normal rules of life didn\u2019t apply. Sixty-two years later, the Las Vegas Golden Knights play it every time they score.\u00a0 <br \/><strong>Honorable mention:<\/strong> The Killers, \u201cSam\u2019s Town\u201d<\/p>\n<\/div>\n<\/article>\n<\/li>\n<li class=\"pmc-fallback-list-item-wrap lrv-u-margin-b-2\">\n<article class=\"pmc-fallback-list-item\">\n<h2>New Hampshire:\u00a0Okkervil River, \u2018Down Down the Deep River\u2019 (2013)<\/h2>\n<figure>\n\t\t\t<img loading=\"lazy\" decoding=\"async\" width=\"300\" height=\"200\" src=\"https:\/\/www.rollingstone.com\/wp-content\/themes\/vip\/pmc-rollingstone-2022\/assets\/public\/lazyload-fallback.gif\" class=\"attachment-medium size-medium\" alt=\"AUSTIN, TX - OCTOBER 04:  Will Sheff of Okkervil River performs on Day 1 of Austin City Limits Music Festival at Zilker Park on October 4, 2013 in Austin, Texas.  (Photo by Gary Miller\/FilmMagic)\" data-lazy-src=\"https:\/\/www.rollingstone.com\/wp-content\/uploads\/2026\/06\/new-hampshire-Okkervil-River.jpg?w=300\" data-lazy-srcset=\"https:\/\/www.rollingstone.com\/wp-content\/uploads\/2026\/06\/new-hampshire-Okkervil-River.jpg 1800w, https:\/\/www.rollingstone.com\/wp-content\/uploads\/2026\/06\/new-hampshire-Okkervil-River.jpg?resize=300,200 300w\" data-lazy-sizes=\"(max-width: 300px) 85vw, 300px\"\/><img loading=\"lazy\" decoding=\"async\" width=\"300\" height=\"200\" src=\"https:\/\/www.rollingstone.com\/wp-content\/uploads\/2026\/06\/new-hampshire-Okkervil-River.jpg?w=300\" class=\"attachment-medium size-medium\" alt=\"AUSTIN, TX - OCTOBER 04:  Will Sheff of Okkervil River performs on Day 1 of Austin City Limits Music Festival at Zilker Park on October 4, 2013 in Austin, Texas.  (Photo by Gary Miller\/FilmMagic)\" srcset=\"https:\/\/www.rollingstone.com\/wp-content\/uploads\/2026\/06\/new-hampshire-Okkervil-River.jpg 1800w, https:\/\/www.rollingstone.com\/wp-content\/uploads\/2026\/06\/new-hampshire-Okkervil-River.jpg?resize=300,200 300w\" sizes=\"auto, (max-width: 300px) 85vw, 300px\"\/><figcaption>\n\t\t\t\t\tImage Credit: Gary Miller\/FilmMagic\t\t\t\t<\/figcaption><\/figure>\n<p>\t<!-- do not apply CSS styles to this element! --><\/p>\n<div class=\"pmc-not-a-paywall\">\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\tIndie-rock singer-songwriter Will Sheff grew up in Meriden, New Hampshire, and formed Okkervil River in the 1990s. He returned to his roots for his seventh album, <em>The Silver Gymnasium,<\/em> a concept record about growing up in the Granite State that takes its title from Meriden\u2019s Kimball Union Academy, the boarding school he attended. The roaring highlight \u201cDown Down the Deep River\u201d is a Springsteen-size coming-of-age reflection that movingly lives in the space between childhood trauma and fond memory. <strong>Honorable mention:<\/strong> Sonic Youth, \u201cNew Hampshire\u201d<\/p>\n<\/div>\n<\/article>\n<\/li>\n<li class=\"pmc-fallback-list-item-wrap lrv-u-margin-b-2\">\n<article class=\"pmc-fallback-list-item\">\n<h2>New Jersey:\u00a0Bruce Springsteen, \u20184th of July, Asbury Park (Sandy)\u2019 (1973)<\/h2>\n<figure>\n\t\t\t<img loading=\"lazy\" decoding=\"async\" width=\"300\" height=\"200\" src=\"https:\/\/www.rollingstone.com\/wp-content\/themes\/vip\/pmc-rollingstone-2022\/assets\/public\/lazyload-fallback.gif\" class=\"attachment-medium size-medium\" alt=\"ATLANTA - AUGUST 21: Bruce Springsteen performs with The E-Street Band at Alex Cooley's Electric Ballroom on August 21, 1975 in Atlanta, Georgia. (Photo by Tom Hill\/WireImage)\" data-lazy-src=\"https:\/\/www.rollingstone.com\/wp-content\/uploads\/2026\/06\/new-jersey-bruce-springsteen.jpg?w=300\" data-lazy-srcset=\"https:\/\/www.rollingstone.com\/wp-content\/uploads\/2026\/06\/new-jersey-bruce-springsteen.jpg 1800w, https:\/\/www.rollingstone.com\/wp-content\/uploads\/2026\/06\/new-jersey-bruce-springsteen.jpg?resize=300,200 300w\" data-lazy-sizes=\"(max-width: 300px) 85vw, 300px\"\/><img loading=\"lazy\" decoding=\"async\" width=\"300\" height=\"200\" src=\"https:\/\/www.rollingstone.com\/wp-content\/uploads\/2026\/06\/new-jersey-bruce-springsteen.jpg?w=300\" class=\"attachment-medium size-medium\" alt=\"ATLANTA - AUGUST 21: Bruce Springsteen performs with The E-Street Band at Alex Cooley's Electric Ballroom on August 21, 1975 in Atlanta, Georgia. (Photo by Tom Hill\/WireImage)\" srcset=\"https:\/\/www.rollingstone.com\/wp-content\/uploads\/2026\/06\/new-jersey-bruce-springsteen.jpg 1800w, https:\/\/www.rollingstone.com\/wp-content\/uploads\/2026\/06\/new-jersey-bruce-springsteen.jpg?resize=300,200 300w\" sizes=\"auto, (max-width: 300px) 85vw, 300px\"\/><figcaption>\n\t\t\t\t\tImage Credit:  Tom Hill\/WireImage\t\t\t\t<\/figcaption><\/figure>\n<p>\t<!-- do not apply CSS styles to this element! --><\/p>\n<div class=\"pmc-not-a-paywall\">\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\tAround 1973, Bruce Springsteen moved out of Asbury Park to Bradley Beach, New Jersey \u00ad\u2014 \u201ca big move, one town down,\u201d as he told Howard Stern \u2014 and wrote this bittersweet farewell to the gritty world down on the Shore, from the switchblade lovers to the boys in high heels to the greasers getting busted for sleeping on the beach. It\u2019s his Jersey-est song, rough and hard-boiled but romantic and dreamlike, a Van Morrison-style epic highlighted by Danny Federici\u2019s nostalgic accordion. <br \/><strong>Honorable mention:<\/strong> Tom Waits, \u201cJersey Girl\u201d<\/p>\n<\/div>\n<\/article>\n<\/li>\n<li class=\"pmc-fallback-list-item-wrap lrv-u-margin-b-2\">\n<article class=\"pmc-fallback-list-item\">\n<h2>New Mexico:\u00a0Neil Young, \u2018Albuquerque\u2019\u00a0(1975)<\/h2>\n<figure>\n\t\t\t<img loading=\"lazy\" decoding=\"async\" width=\"300\" height=\"200\" src=\"https:\/\/www.rollingstone.com\/wp-content\/themes\/vip\/pmc-rollingstone-2022\/assets\/public\/lazyload-fallback.gif\" class=\"attachment-medium size-medium\" alt=\"Canadian singer-songwriter Neil Young performs on stage with Crazy Horse at Hammersmith Odeon, London, 28th March 1976. (Photo by Michael Putland\/Getty Images)\" data-lazy-src=\"https:\/\/www.rollingstone.com\/wp-content\/uploads\/2026\/06\/new-mexico-neil-young.jpg?w=300\" data-lazy-srcset=\"https:\/\/www.rollingstone.com\/wp-content\/uploads\/2026\/06\/new-mexico-neil-young.jpg 1800w, https:\/\/www.rollingstone.com\/wp-content\/uploads\/2026\/06\/new-mexico-neil-young.jpg?resize=300,200 300w\" data-lazy-sizes=\"(max-width: 300px) 85vw, 300px\"\/><img loading=\"lazy\" decoding=\"async\" width=\"300\" height=\"200\" src=\"https:\/\/www.rollingstone.com\/wp-content\/uploads\/2026\/06\/new-mexico-neil-young.jpg?w=300\" class=\"attachment-medium size-medium\" alt=\"Canadian singer-songwriter Neil Young performs on stage with Crazy Horse at Hammersmith Odeon, London, 28th March 1976. (Photo by Michael Putland\/Getty Images)\" srcset=\"https:\/\/www.rollingstone.com\/wp-content\/uploads\/2026\/06\/new-mexico-neil-young.jpg 1800w, https:\/\/www.rollingstone.com\/wp-content\/uploads\/2026\/06\/new-mexico-neil-young.jpg?resize=300,200 300w\" sizes=\"auto, (max-width: 300px) 85vw, 300px\"\/><figcaption>\n\t\t\t\t\tImage Credit: Michael Putland\/Getty Images\t\t\t\t<\/figcaption><\/figure>\n<p>\t<!-- do not apply CSS styles to this element! --><\/p>\n<div class=\"pmc-not-a-paywall\">\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\tAmid the sublime desolation of his 1975 bummer masterpiece <em>Tonight\u2019s the Night,<\/em> Neil Young sings about renting a car and driving from Albuquerque to Sante Fe, escaping the pressures of his rock-star life and letting his mind merge with the highway as the miles tack on. \u201cI\u2019ll find somewhere where they don\u2019t care who I am,\u201d he sings, with Ben Keith\u2019s steel guitar shimmering like moonlight in the high desert. <strong>Honorable mention:<\/strong> Zach Bryan, \u201cSanta Fe\u201d<\/p>\n<\/div>\n<\/article>\n<\/li>\n<li class=\"pmc-fallback-list-item-wrap lrv-u-margin-b-2\">\n<article class=\"pmc-fallback-list-item\">\n<h2>New York:\u00a0Billy Joel, \u2018New York State of Mind\u2019\u00a0(1976)<\/h2>\n<figure>\n\t\t\t<img loading=\"lazy\" decoding=\"async\" width=\"300\" height=\"200\" src=\"https:\/\/www.rollingstone.com\/wp-content\/themes\/vip\/pmc-rollingstone-2022\/assets\/public\/lazyload-fallback.gif\" class=\"attachment-medium size-medium\" alt=\"Billy Joel posed in Amsterdam, Netherlands, 1976. (Photo by Gijsbert Hanekroot\/Redferns)\" data-lazy-src=\"https:\/\/www.rollingstone.com\/wp-content\/uploads\/2026\/06\/new-york-billy-joel.jpg?w=300\" data-lazy-srcset=\"https:\/\/www.rollingstone.com\/wp-content\/uploads\/2026\/06\/new-york-billy-joel.jpg 1800w, https:\/\/www.rollingstone.com\/wp-content\/uploads\/2026\/06\/new-york-billy-joel.jpg?resize=300,200 300w\" data-lazy-sizes=\"(max-width: 300px) 85vw, 300px\"\/><img loading=\"lazy\" decoding=\"async\" width=\"300\" height=\"200\" src=\"https:\/\/www.rollingstone.com\/wp-content\/uploads\/2026\/06\/new-york-billy-joel.jpg?w=300\" class=\"attachment-medium size-medium\" alt=\"Billy Joel posed in Amsterdam, Netherlands, 1976. (Photo by Gijsbert Hanekroot\/Redferns)\" srcset=\"https:\/\/www.rollingstone.com\/wp-content\/uploads\/2026\/06\/new-york-billy-joel.jpg 1800w, https:\/\/www.rollingstone.com\/wp-content\/uploads\/2026\/06\/new-york-billy-joel.jpg?resize=300,200 300w\" sizes=\"auto, (max-width: 300px) 85vw, 300px\"\/><figcaption>\n\t\t\t\t\tImage Credit: Gijsbert Hanekroot\/Redferns\/Getty Images\t\t\t\t<\/figcaption><\/figure>\n<p>\t<!-- do not apply CSS styles to this element! --><\/p>\n<div class=\"pmc-not-a-paywall\">\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\tThere\u2019s a jillion great NYC songs, but Billy Joel\u2019s is special in the way it incorporates the whole state into his imperial vision. Joel was staying upstate in a house in Highland Falls when he wrote this classic about taking the Greyhound on the Hudson River line back to his hometown after a disappointing stint in L.A. Nas and Jay-Z based killer tunes on it. But somewhat astonishingly, this year his hometown paper <em>The<\/em> <em>New York Times<\/em> left him off its list of the 30 Greatest Living American Songwriters. <br \/><strong>Honorable mention:<\/strong> Jay-Z and Alicia Keys, \u201cEmpire State of Mind\u201d<\/p>\n<\/div>\n<\/article>\n<\/li>\n<li class=\"pmc-fallback-list-item-wrap lrv-u-margin-b-2\">\n<article class=\"pmc-fallback-list-item\">\n<h2>North Carolina:\u00a0Petey Pablo, \u2018Raise Up\u2019\u00a0(2001)<\/h2>\n<figure>\n\t\t\t<img loading=\"lazy\" decoding=\"async\" width=\"300\" height=\"200\" src=\"https:\/\/www.rollingstone.com\/wp-content\/themes\/vip\/pmc-rollingstone-2022\/assets\/public\/lazyload-fallback.gif\" class=\"attachment-medium size-medium\" alt=\"Petey Pablo during MBK Presents R&amp;B Live featuring Bilal and Jaguar Wright - October 6, 2003 at BB King Blues Club Grill in New York City, New York, United States. (Photo by Djamilla Rosa Cochran\/WireImage)\" data-lazy-src=\"https:\/\/www.rollingstone.com\/wp-content\/uploads\/2026\/06\/north-carolina-petey-pablo.jpg?w=300\" data-lazy-srcset=\"https:\/\/www.rollingstone.com\/wp-content\/uploads\/2026\/06\/north-carolina-petey-pablo.jpg 1800w, https:\/\/www.rollingstone.com\/wp-content\/uploads\/2026\/06\/north-carolina-petey-pablo.jpg?resize=300,200 300w\" data-lazy-sizes=\"(max-width: 300px) 85vw, 300px\"\/><img loading=\"lazy\" decoding=\"async\" width=\"300\" height=\"200\" src=\"https:\/\/www.rollingstone.com\/wp-content\/uploads\/2026\/06\/north-carolina-petey-pablo.jpg?w=300\" class=\"attachment-medium size-medium\" alt=\"Petey Pablo during MBK Presents R&amp;B Live featuring Bilal and Jaguar Wright - October 6, 2003 at BB King Blues Club Grill in New York City, New York, United States. (Photo by Djamilla Rosa Cochran\/WireImage)\" srcset=\"https:\/\/www.rollingstone.com\/wp-content\/uploads\/2026\/06\/north-carolina-petey-pablo.jpg 1800w, https:\/\/www.rollingstone.com\/wp-content\/uploads\/2026\/06\/north-carolina-petey-pablo.jpg?resize=300,200 300w\" sizes=\"auto, (max-width: 300px) 85vw, 300px\"\/><figcaption>\n\t\t\t\t\tImage Credit: Djamilla Rosa Cochran\/WireImage\t\t\t\t<\/figcaption><\/figure>\n<p>\t<!-- do not apply CSS styles to this element! --><\/p>\n<div class=\"pmc-not-a-paywall\">\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\t\u201cNo one really wanted to claim North Carolina,\u201d Petey Pablo said. \u201cI\u2019m <em>so<\/em> Carolina.\u201d Billing himself as \u201cthe first to put it down for North Carolina,\u201d the Greenville rapper broke out with his shirt-twisting Tar Heel anthem in 2001. Pablo showed just how Carolina he was by shouting out no less than 21 correctional facilities from throughout his home state \u2014 from Polk to Hoke to Pasquotank. <strong>Honorable mention:<\/strong> James Taylor, \u201cCarolina in My Mind\u201d<\/p>\n<\/div>\n<\/article>\n<\/li>\n<li class=\"pmc-fallback-list-item-wrap lrv-u-margin-b-2\">\n<article class=\"pmc-fallback-list-item\">\n<h2>North Dakota:\u00a0Parquet Courts, \u2018N Dakota\u2019\u00a0(2013)<\/h2>\n<figure>\n\t\t\t<img loading=\"lazy\" decoding=\"async\" width=\"300\" height=\"200\" src=\"https:\/\/www.rollingstone.com\/wp-content\/themes\/vip\/pmc-rollingstone-2022\/assets\/public\/lazyload-fallback.gif\" class=\"attachment-medium size-medium\" alt=\"ROTTERDAM, NETHERLANDS - JULY 07: Andrew Savage of Parquet Courts performs on stage at Zuiderpark on July 7, 2013 in Rotterdam, Netherlands. (Photo by Dimitri Hakke\/Redferns via Getty Images)\" data-lazy-src=\"https:\/\/www.rollingstone.com\/wp-content\/uploads\/2026\/06\/north-dakota-parquet-courts.jpg?w=300\" data-lazy-srcset=\"https:\/\/www.rollingstone.com\/wp-content\/uploads\/2026\/06\/north-dakota-parquet-courts.jpg 1800w, https:\/\/www.rollingstone.com\/wp-content\/uploads\/2026\/06\/north-dakota-parquet-courts.jpg?resize=300,200 300w\" data-lazy-sizes=\"(max-width: 300px) 85vw, 300px\"\/><img loading=\"lazy\" decoding=\"async\" width=\"300\" height=\"200\" src=\"https:\/\/www.rollingstone.com\/wp-content\/uploads\/2026\/06\/north-dakota-parquet-courts.jpg?w=300\" class=\"attachment-medium size-medium\" alt=\"ROTTERDAM, NETHERLANDS - JULY 07: Andrew Savage of Parquet Courts performs on stage at Zuiderpark on July 7, 2013 in Rotterdam, Netherlands. (Photo by Dimitri Hakke\/Redferns via Getty Images)\" srcset=\"https:\/\/www.rollingstone.com\/wp-content\/uploads\/2026\/06\/north-dakota-parquet-courts.jpg 1800w, https:\/\/www.rollingstone.com\/wp-content\/uploads\/2026\/06\/north-dakota-parquet-courts.jpg?resize=300,200 300w\" sizes=\"auto, (max-width: 300px) 85vw, 300px\"\/><figcaption>\n\t\t\t\t\tImage Credit: Dimitri Hakke\/Redferns\/Getty Images\t\t\t\t<\/figcaption><\/figure>\n<p>\t<!-- do not apply CSS styles to this element! --><\/p>\n<div class=\"pmc-not-a-paywall\">\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\tA slow-rolling travelogue through rural North Dakota set to spaced-out Pavement-style guitar drone. The Brooklyn band was inspired by a three-day drive it took from Fargo to Seattle while on tour, and being blown away by the endless wide-open grandeur. The song shouts out grain elevators, \u201canti-meth murals,\u201d and the Bismarck tractor association. As frontman Andrew Savage said of the track, \u201cAll things can be beautiful, even the banal and boring things.\u201d <br \/><strong>Honorable mention:<\/strong> Bruce Hornsby, \u201cNorth Dakota Slate Roof\u201d<\/p>\n<\/div>\n<\/article>\n<\/li>\n<li class=\"pmc-fallback-list-item-wrap lrv-u-margin-b-2\">\n<article class=\"pmc-fallback-list-item\">\n<h2>Ohio: Pretenders, \u2018My City Was Gone\u2019\u00a0(1982)<\/h2>\n<figure>\n\t\t\t<img loading=\"lazy\" decoding=\"async\" width=\"300\" height=\"200\" src=\"https:\/\/www.rollingstone.com\/wp-content\/themes\/vip\/pmc-rollingstone-2022\/assets\/public\/lazyload-fallback.gif\" class=\"attachment-medium size-medium\" alt=\"LOS ANGELES - DECEMBER 1984:  The Pretenders in Los Angeles, California. (Photo by Aaron Rapoport\/Corbis\/Getty Images)\" data-lazy-src=\"https:\/\/www.rollingstone.com\/wp-content\/uploads\/2026\/06\/ohio-pretenders.jpg?w=300\" data-lazy-srcset=\"https:\/\/www.rollingstone.com\/wp-content\/uploads\/2026\/06\/ohio-pretenders.jpg 1800w, https:\/\/www.rollingstone.com\/wp-content\/uploads\/2026\/06\/ohio-pretenders.jpg?resize=300,200 300w\" data-lazy-sizes=\"(max-width: 300px) 85vw, 300px\"\/><img loading=\"lazy\" decoding=\"async\" width=\"300\" height=\"200\" src=\"https:\/\/www.rollingstone.com\/wp-content\/uploads\/2026\/06\/ohio-pretenders.jpg?w=300\" class=\"attachment-medium size-medium\" alt=\"LOS ANGELES - DECEMBER 1984:  The Pretenders in Los Angeles, California. (Photo by Aaron Rapoport\/Corbis\/Getty Images)\" srcset=\"https:\/\/www.rollingstone.com\/wp-content\/uploads\/2026\/06\/ohio-pretenders.jpg 1800w, https:\/\/www.rollingstone.com\/wp-content\/uploads\/2026\/06\/ohio-pretenders.jpg?resize=300,200 300w\" sizes=\"auto, (max-width: 300px) 85vw, 300px\"\/><figcaption>\n\t\t\t\t\tImage Credit: Aaron Rapoport\/Corbis\/Getty Images\t\t\t\t<\/figcaption><\/figure>\n<p>\t<!-- do not apply CSS styles to this element! --><\/p>\n<div class=\"pmc-not-a-paywall\">\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\tChrissie Hynde grew up in Cuyahoga Falls, Ohio, and went to Kent State, before heading off in the 1970s to England, where she helped start the punk movement. In the Pretenders classic \u201cMy City Was Gone,\u201d she comes back to Ohio and finds the Rust Belt hit hard by deindustrialization \u2014 \u201cfrom Seneca to Cuyahoga Falls.\u201d But this sad story has a happy ending. Hynde moved back to Akron and has become a local business owner and civic booster. <br \/><strong>Honorable mention:<\/strong> Ian Hunter, \u201cCleveland Rocks\u201d<\/p>\n<\/div>\n<\/article>\n<\/li>\n<li class=\"pmc-fallback-list-item-wrap lrv-u-margin-b-2\">\n<article class=\"pmc-fallback-list-item\">\n<h2>Oklahoma:\u00a0Don Williams, \u2018Tulsa Time\u2019\u00a0(1978)<\/h2>\n<figure>\n\t\t\t<img loading=\"lazy\" decoding=\"async\" width=\"300\" height=\"200\" src=\"https:\/\/www.rollingstone.com\/wp-content\/themes\/vip\/pmc-rollingstone-2022\/assets\/public\/lazyload-fallback.gif\" class=\"attachment-medium size-medium\" alt=\"19th September 1979:  American country singer and songwriter Don Williams (1939 - ), talking to press at a hotel in London before the start of his UK tour.  (Photo by Stuart Nicol\/Evening Standard\/Getty Images)\" data-lazy-src=\"https:\/\/www.rollingstone.com\/wp-content\/uploads\/2026\/06\/oklahoma-don-williams.jpg?w=300\" data-lazy-srcset=\"https:\/\/www.rollingstone.com\/wp-content\/uploads\/2026\/06\/oklahoma-don-williams.jpg 1800w, https:\/\/www.rollingstone.com\/wp-content\/uploads\/2026\/06\/oklahoma-don-williams.jpg?resize=300,200 300w\" data-lazy-sizes=\"(max-width: 300px) 85vw, 300px\"\/><img loading=\"lazy\" decoding=\"async\" width=\"300\" height=\"200\" src=\"https:\/\/www.rollingstone.com\/wp-content\/uploads\/2026\/06\/oklahoma-don-williams.jpg?w=300\" class=\"attachment-medium size-medium\" alt=\"19th September 1979:  American country singer and songwriter Don Williams (1939 - ), talking to press at a hotel in London before the start of his UK tour.  (Photo by Stuart Nicol\/Evening Standard\/Getty Images)\" srcset=\"https:\/\/www.rollingstone.com\/wp-content\/uploads\/2026\/06\/oklahoma-don-williams.jpg 1800w, https:\/\/www.rollingstone.com\/wp-content\/uploads\/2026\/06\/oklahoma-don-williams.jpg?resize=300,200 300w\" sizes=\"auto, (max-width: 300px) 85vw, 300px\"\/><figcaption>\n\t\t\t\t\tImage Credit: Stuart Nicol\/Evening Standard\/Getty Images\t\t\t\t<\/figcaption><\/figure>\n<p>\t<!-- do not apply CSS styles to this element! --><\/p>\n<div class=\"pmc-not-a-paywall\">\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\tA cocky local hotshot with dreams of stardom leaves Oklahoma for L.A., only to realize that maybe life back home wasn\u2019t so bad after all \u2014 it\u2019s an ageless story perfectly told by country great Don Williams. Written by his guitarist Danny Flowers in a snowed-in Oklahoma hotel while on tour, \u201cTulsa Time\u201d was a country Number One hit in 1978. Recalled Flowers years later, \u201cI was thinking about my friends in Tulsa and what my experience there was like, so I just started writing this song.\u201d <br \/><strong>Honorable mention:<\/strong> Flaming Lips, \u201cDo You Realize??\u201d<\/p>\n<\/div>\n<\/article>\n<\/li>\n<li class=\"pmc-fallback-list-item-wrap lrv-u-margin-b-2\">\n<article class=\"pmc-fallback-list-item\">\n<h2>Oregon:\u00a0Elliott Smith, \u2018Rose Parade\u2019 (1997)<\/h2>\n<figure>\n\t\t\t<img loading=\"lazy\" decoding=\"async\" width=\"300\" height=\"200\" src=\"https:\/\/www.rollingstone.com\/wp-content\/themes\/vip\/pmc-rollingstone-2022\/assets\/public\/lazyload-fallback.gif\" class=\"attachment-medium size-medium\" alt=\"Elliott Smith performs on stage at Leeds Festival, United Kingdom, 1998. He is playing a Gibson ES330 guitar. (Photo by Martyn Goodacre\/Getty Images)\" data-lazy-src=\"https:\/\/www.rollingstone.com\/wp-content\/uploads\/2026\/06\/oregon-elliott-smith.jpg?w=300\" data-lazy-srcset=\"https:\/\/www.rollingstone.com\/wp-content\/uploads\/2026\/06\/oregon-elliott-smith.jpg 1800w, https:\/\/www.rollingstone.com\/wp-content\/uploads\/2026\/06\/oregon-elliott-smith.jpg?resize=300,200 300w\" data-lazy-sizes=\"(max-width: 300px) 85vw, 300px\"\/><img loading=\"lazy\" decoding=\"async\" width=\"300\" height=\"200\" src=\"https:\/\/www.rollingstone.com\/wp-content\/uploads\/2026\/06\/oregon-elliott-smith.jpg?w=300\" class=\"attachment-medium size-medium\" alt=\"Elliott Smith performs on stage at Leeds Festival, United Kingdom, 1998. He is playing a Gibson ES330 guitar. (Photo by Martyn Goodacre\/Getty Images)\" srcset=\"https:\/\/www.rollingstone.com\/wp-content\/uploads\/2026\/06\/oregon-elliott-smith.jpg 1800w, https:\/\/www.rollingstone.com\/wp-content\/uploads\/2026\/06\/oregon-elliott-smith.jpg?resize=300,200 300w\" sizes=\"auto, (max-width: 300px) 85vw, 300px\"\/><figcaption>\n\t\t\t\t\tImage Credit: Martyn Goodacre\/Getty Images\t\t\t\t<\/figcaption><\/figure>\n<p>\t<!-- do not apply CSS styles to this element! --><\/p>\n<div class=\"pmc-not-a-paywall\">\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\tAdmittedly, Nineties low-fi folk legend Elliott Smith does not have a very sunny attitude toward Portland\u2019s Rose Parade \u2014 a local tradition that\u2019s taken place annually since 1907. For Smith, the event is a jumping-off point for a dissection of false ritual and unearned pomp. And it\u2019s beautiful, one of the many reasons why Smith, who died in 2003, is the greatest songwriter Oregon has ever produced. <br \/><strong>Honorable mention:<\/strong> The Shins, \u201cNew Slang\u201d<\/p>\n<\/div>\n<\/article>\n<\/li>\n<li class=\"pmc-fallback-list-item-wrap lrv-u-margin-b-2\">\n<article class=\"pmc-fallback-list-item\">\n<h2>Pennsylvania:\u00a0Ween, \u2018Freedom of 76\u2019 (1994)<\/h2>\n<figure>\n\t\t\t<img loading=\"lazy\" decoding=\"async\" width=\"300\" height=\"200\" src=\"https:\/\/www.rollingstone.com\/wp-content\/themes\/vip\/pmc-rollingstone-2022\/assets\/public\/lazyload-fallback.gif\" class=\"attachment-medium size-medium\" alt=\"UNITED KINGDOM - JANUARY 01:  READING FESTIVAL  Photo of WEEN  (Photo by Nicky J. Sims\/Redferns)\" data-lazy-src=\"https:\/\/www.rollingstone.com\/wp-content\/uploads\/2026\/06\/pennsylvania-ween.jpg?w=300\" data-lazy-srcset=\"https:\/\/www.rollingstone.com\/wp-content\/uploads\/2026\/06\/pennsylvania-ween.jpg 1800w, https:\/\/www.rollingstone.com\/wp-content\/uploads\/2026\/06\/pennsylvania-ween.jpg?resize=300,200 300w\" data-lazy-sizes=\"(max-width: 300px) 85vw, 300px\"\/><img loading=\"lazy\" decoding=\"async\" width=\"300\" height=\"200\" src=\"https:\/\/www.rollingstone.com\/wp-content\/uploads\/2026\/06\/pennsylvania-ween.jpg?w=300\" class=\"attachment-medium size-medium\" alt=\"UNITED KINGDOM - JANUARY 01:  READING FESTIVAL  Photo of WEEN  (Photo by Nicky J. Sims\/Redferns)\" srcset=\"https:\/\/www.rollingstone.com\/wp-content\/uploads\/2026\/06\/pennsylvania-ween.jpg 1800w, https:\/\/www.rollingstone.com\/wp-content\/uploads\/2026\/06\/pennsylvania-ween.jpg?resize=300,200 300w\" sizes=\"auto, (max-width: 300px) 85vw, 300px\"\/><figcaption>\n\t\t\t\t\tImage Credit: Nicky J. Sims\/Redferns\/Getty Images\t\t\t\t<\/figcaption><\/figure>\n<p>\t<!-- do not apply CSS styles to this element! --><\/p>\n<div class=\"pmc-not-a-paywall\">\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\tTwo dudes from New Hope, Pennsylvania, with an electric, satiric notion of pop music, Ween had a surprise MTV hit in the Nineties with \u201cPush th\u2019 Little Daisies.\u201d Their 1994 LP, <em>Chocolate and Cheese,<\/em> comes up with this clever love letter to Philly \u2014 from South Street to the Liberty Bell to Boyz II Men. The title honors our nation\u2019s founding, and Gene Ween\u2019s falsetto vocals recall a different \u201976, the golden age of Philly soul and Hall and Oates. <br \/><strong>Honorable mention:<\/strong> Boyz II Men, \u201cMotownphilly\u201d<\/p>\n<\/div>\n<\/article>\n<\/li>\n<li class=\"pmc-fallback-list-item-wrap lrv-u-margin-b-2\">\n<article class=\"pmc-fallback-list-item\">\n<h2>Rhode Island:\u00a0Taylor Swift, \u2018The Last Great American Dynasty\u2019\u00a0(2020)<\/h2>\n<figure>\n\t\t\t<img loading=\"lazy\" decoding=\"async\" width=\"300\" height=\"200\" src=\"https:\/\/www.rollingstone.com\/wp-content\/themes\/vip\/pmc-rollingstone-2022\/assets\/public\/lazyload-fallback.gif\" class=\"attachment-medium size-medium\" alt=\"LOS ANGELES, CALIFORNIA - MARCH 14: (EDITORIAL ONLY, NO COVERS) In this image released on March 14, Taylor Swift performs onstage for the 63rd Annual GRAMMY Awards broadcast on March 14, 2021. (Photo by TAS Rights Management 2021 via Getty Images)\" data-lazy-src=\"https:\/\/www.rollingstone.com\/wp-content\/uploads\/2026\/06\/rhode-island-taylor-swift.jpg?w=300\" data-lazy-srcset=\"https:\/\/www.rollingstone.com\/wp-content\/uploads\/2026\/06\/rhode-island-taylor-swift.jpg 1800w, https:\/\/www.rollingstone.com\/wp-content\/uploads\/2026\/06\/rhode-island-taylor-swift.jpg?resize=300,200 300w\" data-lazy-sizes=\"(max-width: 300px) 85vw, 300px\"\/><img loading=\"lazy\" decoding=\"async\" width=\"300\" height=\"200\" src=\"https:\/\/www.rollingstone.com\/wp-content\/uploads\/2026\/06\/rhode-island-taylor-swift.jpg?w=300\" class=\"attachment-medium size-medium\" alt=\"LOS ANGELES, CALIFORNIA - MARCH 14: (EDITORIAL ONLY, NO COVERS) In this image released on March 14, Taylor Swift performs onstage for the 63rd Annual GRAMMY Awards broadcast on March 14, 2021. (Photo by TAS Rights Management 2021 via Getty Images)\" srcset=\"https:\/\/www.rollingstone.com\/wp-content\/uploads\/2026\/06\/rhode-island-taylor-swift.jpg 1800w, https:\/\/www.rollingstone.com\/wp-content\/uploads\/2026\/06\/rhode-island-taylor-swift.jpg?resize=300,200 300w\" sizes=\"auto, (max-width: 300px) 85vw, 300px\"\/><figcaption>\n\t\t\t\t\tImage Credit: TAS Rights Management 2021\/Getty Images\t\t\t\t<\/figcaption><\/figure>\n<p>\t<!-- do not apply CSS styles to this element! --><\/p>\n<div class=\"pmc-not-a-paywall\">\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\t\u201cRebekah gave up on the Rhode Island set forever\/Flew in all her Bitch Pack friends from the city,\u201d Taylor Swift sings on this highlight from her 2020 masterpiece <em>Folklore.<\/em> She compares herself to Standard Oil heiress Rebekah Harkness, a controversial socialite and previous owner of Holiday House, the beachfront estate in Westerly, Rhode Island, that Swift purchased in 2013. Set to a Radiohead-tinged Aaron Dessner track, she unfolds a dazzling portrayal of class gate-crashing by the seaside. <br \/><strong>Honorable mention:<\/strong> The Softies, \u201cHoliday in Rhode Island\u201d<\/p>\n<\/div>\n<\/article>\n<\/li>\n<li class=\"pmc-fallback-list-item-wrap lrv-u-margin-b-2\">\n<article class=\"pmc-fallback-list-item\">\n<h2>South Carolina:\u00a0The Byrds, \u2018Hickory Wind\u2019 (1968)<\/h2>\n<figure>\n\t\t\t<img loading=\"lazy\" decoding=\"async\" width=\"300\" height=\"200\" src=\"https:\/\/www.rollingstone.com\/wp-content\/themes\/vip\/pmc-rollingstone-2022\/assets\/public\/lazyload-fallback.gif\" class=\"attachment-medium size-medium\" alt=\"The new-look Byrds return to Britain after 3 years. l to r- Roger McGuinn, Kevin Kelley, Gram Parsons and Chris HillmanMay 1968. (Photo by Bower\/Daily Mirror\/Mirrorpix via Getty Images)\" data-lazy-src=\"https:\/\/www.rollingstone.com\/wp-content\/uploads\/2026\/06\/south-carolina-gram-parsons-byrds.jpg?w=300\" data-lazy-srcset=\"https:\/\/www.rollingstone.com\/wp-content\/uploads\/2026\/06\/south-carolina-gram-parsons-byrds.jpg 1800w, https:\/\/www.rollingstone.com\/wp-content\/uploads\/2026\/06\/south-carolina-gram-parsons-byrds.jpg?resize=300,200 300w\" data-lazy-sizes=\"(max-width: 300px) 85vw, 300px\"\/><img loading=\"lazy\" decoding=\"async\" width=\"300\" height=\"200\" src=\"https:\/\/www.rollingstone.com\/wp-content\/uploads\/2026\/06\/south-carolina-gram-parsons-byrds.jpg?w=300\" class=\"attachment-medium size-medium\" alt=\"The new-look Byrds return to Britain after 3 years. l to r- Roger McGuinn, Kevin Kelley, Gram Parsons and Chris HillmanMay 1968. (Photo by Bower\/Daily Mirror\/Mirrorpix via Getty Images)\" srcset=\"https:\/\/www.rollingstone.com\/wp-content\/uploads\/2026\/06\/south-carolina-gram-parsons-byrds.jpg 1800w, https:\/\/www.rollingstone.com\/wp-content\/uploads\/2026\/06\/south-carolina-gram-parsons-byrds.jpg?resize=300,200 300w\" sizes=\"auto, (max-width: 300px) 85vw, 300px\"\/><figcaption>\n\t\t\t\t\tImage Credit: Bower\/Daily Mirror\/Mirrorpix\/Getty Images\t\t\t\t<\/figcaption><\/figure>\n<p>\t<!-- do not apply CSS styles to this element! --><\/p>\n<div class=\"pmc-not-a-paywall\">\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\tAs a member of the Byrds on their 1968 classic <em>Sweetheart of the Rodeo,<\/em> Gram Parsons helped invent country rock. He grew up in Florida, the heir to his family\u2019s huge citrus fortune. On \u201cHickory Wind,\u201d he\u2019s a Southern boy longing for home, opening the song by wistfully singing, \u201cIn South Carolina, there are many tall pines\/I remember the oak tree that we used to climb.\u201d In just a couple of phrases, you feel transported right to the Piedmont. <br \/><strong>Honorable mention:<\/strong> Darius Rucker, \u201cWagon Wheel\u201d<\/p>\n<\/div>\n<\/article>\n<\/li>\n<li class=\"pmc-fallback-list-item-wrap lrv-u-margin-b-2\">\n<article class=\"pmc-fallback-list-item\">\n<h2>South Dakota:\u00a0Dwight Yoakam, \u2018Rapid City, South Dakota\u2019\u00a0(2003)<\/h2>\n<figure>\n\t\t\t<img loading=\"lazy\" decoding=\"async\" width=\"300\" height=\"200\" src=\"https:\/\/www.rollingstone.com\/wp-content\/themes\/vip\/pmc-rollingstone-2022\/assets\/public\/lazyload-fallback.gif\" class=\"attachment-medium size-medium\" alt=\"Dwight Yoakam performs at the Concert for Artists' Rights at the Universal Amphitheatre in Universal City, California, February 26. (Photo by Annamaria DiSanto\/WireImage)\" data-lazy-src=\"https:\/\/www.rollingstone.com\/wp-content\/uploads\/2026\/06\/south-dakota-dwight-yoakam.jpg?w=300\" data-lazy-srcset=\"https:\/\/www.rollingstone.com\/wp-content\/uploads\/2026\/06\/south-dakota-dwight-yoakam.jpg 1800w, https:\/\/www.rollingstone.com\/wp-content\/uploads\/2026\/06\/south-dakota-dwight-yoakam.jpg?resize=300,200 300w\" data-lazy-sizes=\"(max-width: 300px) 85vw, 300px\"\/><img loading=\"lazy\" decoding=\"async\" width=\"300\" height=\"200\" src=\"https:\/\/www.rollingstone.com\/wp-content\/uploads\/2026\/06\/south-dakota-dwight-yoakam.jpg?w=300\" class=\"attachment-medium size-medium\" alt=\"Dwight Yoakam performs at the Concert for Artists' Rights at the Universal Amphitheatre in Universal City, California, February 26. (Photo by Annamaria DiSanto\/WireImage)\" srcset=\"https:\/\/www.rollingstone.com\/wp-content\/uploads\/2026\/06\/south-dakota-dwight-yoakam.jpg 1800w, https:\/\/www.rollingstone.com\/wp-content\/uploads\/2026\/06\/south-dakota-dwight-yoakam.jpg?resize=300,200 300w\" sizes=\"auto, (max-width: 300px) 85vw, 300px\"\/><figcaption>\n\t\t\t\t\tImage Credit: Annamaria DiSanto\/WireImage\t\t\t\t<\/figcaption><\/figure>\n<p>\t<!-- do not apply CSS styles to this element! --><\/p>\n<div class=\"pmc-not-a-paywall\">\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\tThis high-plains honky-tonk lament was originally written by 1970s country outlier Kinky Friedman, a song about a drifter getting restless in Rapid City, where \u201cthe mail don\u2019t move so fast.\u201d The lyrics shout out Al\u2019s Oasis, a beloved highway eatery outside of Chamberlain (population: 2,473). Dwight Yoakam cut a heartfelt version for his 2003 covers album, <em>In Others\u2019 Words.<\/em> <br \/><strong>Honorable mention:<\/strong> James McMurtry, \u201cSouth Dakota\u201d<\/p>\n<\/div>\n<\/article>\n<\/li>\n<li class=\"pmc-fallback-list-item-wrap lrv-u-margin-b-2\">\n<article class=\"pmc-fallback-list-item\">\n<h2>Tennessee:\u00a0Chris Stapleton, \u2018Tennessee Whiskey\u2019 (2015)<\/h2>\n<figure>\n\t\t\t<img loading=\"lazy\" decoding=\"async\" width=\"300\" height=\"200\" src=\"https:\/\/www.rollingstone.com\/wp-content\/themes\/vip\/pmc-rollingstone-2022\/assets\/public\/lazyload-fallback.gif\" class=\"attachment-medium size-medium\" alt=\"NASHVILLE, TN - JUNE 09:  (EDITORIAL USE ONLY) Chris Stapleton performs onstage during the 2018 CMA Music festival at Nissan Stadium on June 9, 2018 in Nashville, Tennessee.  (Photo by Jason Kempin\/Getty Images)\" data-lazy-src=\"https:\/\/www.rollingstone.com\/wp-content\/uploads\/2026\/06\/tennessee-chris-stapleton.jpg?w=300\" data-lazy-srcset=\"https:\/\/www.rollingstone.com\/wp-content\/uploads\/2026\/06\/tennessee-chris-stapleton.jpg 1800w, https:\/\/www.rollingstone.com\/wp-content\/uploads\/2026\/06\/tennessee-chris-stapleton.jpg?resize=300,200 300w\" data-lazy-sizes=\"(max-width: 300px) 85vw, 300px\"\/><img loading=\"lazy\" decoding=\"async\" width=\"300\" height=\"200\" src=\"https:\/\/www.rollingstone.com\/wp-content\/uploads\/2026\/06\/tennessee-chris-stapleton.jpg?w=300\" class=\"attachment-medium size-medium\" alt=\"NASHVILLE, TN - JUNE 09:  (EDITORIAL USE ONLY) Chris Stapleton performs onstage during the 2018 CMA Music festival at Nissan Stadium on June 9, 2018 in Nashville, Tennessee.  (Photo by Jason Kempin\/Getty Images)\" srcset=\"https:\/\/www.rollingstone.com\/wp-content\/uploads\/2026\/06\/tennessee-chris-stapleton.jpg 1800w, https:\/\/www.rollingstone.com\/wp-content\/uploads\/2026\/06\/tennessee-chris-stapleton.jpg?resize=300,200 300w\" sizes=\"auto, (max-width: 300px) 85vw, 300px\"\/><figcaption>\n\t\t\t\t\tImage Credit: Jason Kempin\/Getty Images\t\t\t\t<\/figcaption><\/figure>\n<p>\t<!-- do not apply CSS styles to this element! --><\/p>\n<div class=\"pmc-not-a-paywall\">\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\tWith all due respect to \u201cTennessee Orange\u201d and \u201cThe Tennessee Waltz,\u201d this eternally covered 1981 co-write from Music Row hands Dean Dillon and Linda Hargrove just cuts deeper than anything else, especially in Stapleton\u2019s 2015 rendition. Borrowing a melody from Etta James\u2019 1967 song \u201cI\u2019d Rather Go Blind,\u201d he connects country and soul music, Nashville and Memphis, making a whole history of musical integration all his own. <br \/><strong>Honorable mention:<\/strong> Osborne Brothers, \u201cRocky Top\u201d<\/p>\n<\/div>\n<\/article>\n<\/li>\n<li class=\"pmc-fallback-list-item-wrap lrv-u-margin-b-2\">\n<article class=\"pmc-fallback-list-item\">\n<h2>Texas:\u00a0Beyonc\u00e9, \u2018Texas Hold \u2019Em\u2019 (2024)<\/h2>\n<figure>\n\t\t\t<img loading=\"lazy\" decoding=\"async\" width=\"300\" height=\"200\" src=\"https:\/\/www.rollingstone.com\/wp-content\/themes\/vip\/pmc-rollingstone-2022\/assets\/public\/lazyload-fallback.gif\" class=\"attachment-medium size-medium\" alt=\"Texas:\u00a0Beyonc\u00e9, 'Texas Hold \u2019Em' (2024)\" data-lazy-src=\"https:\/\/www.rollingstone.com\/wp-content\/uploads\/2026\/06\/texas-beyonce.jpg?w=300\" data-lazy-srcset=\"https:\/\/www.rollingstone.com\/wp-content\/uploads\/2026\/06\/texas-beyonce.jpg 1800w, https:\/\/www.rollingstone.com\/wp-content\/uploads\/2026\/06\/texas-beyonce.jpg?resize=300,200 300w\" data-lazy-sizes=\"(max-width: 300px) 85vw, 300px\"\/><img loading=\"lazy\" decoding=\"async\" width=\"300\" height=\"200\" src=\"https:\/\/www.rollingstone.com\/wp-content\/uploads\/2026\/06\/texas-beyonce.jpg?w=300\" class=\"attachment-medium size-medium\" alt=\"Texas:\u00a0Beyonc\u00e9, 'Texas Hold \u2019Em' (2024)\" srcset=\"https:\/\/www.rollingstone.com\/wp-content\/uploads\/2026\/06\/texas-beyonce.jpg 1800w, https:\/\/www.rollingstone.com\/wp-content\/uploads\/2026\/06\/texas-beyonce.jpg?resize=300,200 300w\" sizes=\"auto, (max-width: 300px) 85vw, 300px\"\/><figcaption>\n\t\t\t\t\tImage Credit: Blair Caldwell*\t\t\t\t<\/figcaption><\/figure>\n<p>\t<!-- do not apply CSS styles to this element! --><\/p>\n<div class=\"pmc-not-a-paywall\">\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\tBorn and raised in Houston, Beyonc\u00e9 has dropped references to her love of Texas in songs throughout her career, usually via allusions to her hometown\u2019s vibrant hip-hop traditions. \u201cTexas Hold \u2019Em\u201d was a script-flipping first taste of her country album, <em>Cowboy Carter,<\/em> a banjo-driven revelation that line-danced its way to the top of the country charts in early 2024, making her the first Black artist to have a country Number One hit. <br \/><strong>Honorable mention:<\/strong> The Silver Jews, \u201cDallas\u201d<\/p>\n<\/div>\n<\/article>\n<\/li>\n<li class=\"pmc-fallback-list-item-wrap lrv-u-margin-b-2\">\n<article class=\"pmc-fallback-list-item\">\n<h2>Utah:\u00a0Randy Newman, \u2018The Beehive State\u2019\u00a0(1968)<\/h2>\n<figure>\n\t\t\t<img loading=\"lazy\" decoding=\"async\" width=\"300\" height=\"200\" src=\"https:\/\/www.rollingstone.com\/wp-content\/themes\/vip\/pmc-rollingstone-2022\/assets\/public\/lazyload-fallback.gif\" class=\"attachment-medium size-medium\" alt=\"Musician Randy Newman at the piano in his home studio in Los Angeles. (Photo by \u00a9 Shepard Sherbell\/CORBIS SABA\/Corbis via Getty Images)\" data-lazy-src=\"https:\/\/www.rollingstone.com\/wp-content\/uploads\/2026\/06\/utah-randy-newman.jpg?w=300\" data-lazy-srcset=\"https:\/\/www.rollingstone.com\/wp-content\/uploads\/2026\/06\/utah-randy-newman.jpg 1800w, https:\/\/www.rollingstone.com\/wp-content\/uploads\/2026\/06\/utah-randy-newman.jpg?resize=300,200 300w\" data-lazy-sizes=\"(max-width: 300px) 85vw, 300px\"\/><img loading=\"lazy\" decoding=\"async\" width=\"300\" height=\"200\" src=\"https:\/\/www.rollingstone.com\/wp-content\/uploads\/2026\/06\/utah-randy-newman.jpg?w=300\" class=\"attachment-medium size-medium\" alt=\"Musician Randy Newman at the piano in his home studio in Los Angeles. (Photo by \u00a9 Shepard Sherbell\/CORBIS SABA\/Corbis via Getty Images)\" srcset=\"https:\/\/www.rollingstone.com\/wp-content\/uploads\/2026\/06\/utah-randy-newman.jpg 1800w, https:\/\/www.rollingstone.com\/wp-content\/uploads\/2026\/06\/utah-randy-newman.jpg?resize=300,200 300w\" sizes=\"auto, (max-width: 300px) 85vw, 300px\"\/><figcaption>\n\t\t\t\t\tImage Credit: \u00a9 Shepard Sherbell\/Corbis\/Getty Images\t\t\t\t<\/figcaption><\/figure>\n<p>\t<!-- do not apply CSS styles to this element! --><\/p>\n<div class=\"pmc-not-a-paywall\">\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\tThis jaunty oddity from Randy Newman\u2019s 1968 debut imagines a Senate debate some time in the Gilded Age, probably right after Utah got statehood in 1896. The chair calls on the gentleman from Kansas, who rises to speak for the farmer and the little man. Then we hear from the gentleman from Utah. \u201cWell, we got to irrigate our deserts\/We\u2019ve got to get some things to grow,\u201d he implores, and then he gets to the real point. \u201cAnd we got to tell this country about Utah\/\u2019Cause nobody seems to know.\u201d The Doobie Brothers and Harry Nilsson both did good covers. <br \/><strong>Honorable mention:<\/strong> Imagine Dragons, \u201cThunder\u201d<\/p>\n<\/div>\n<\/article>\n<\/li>\n<li class=\"pmc-fallback-list-item-wrap lrv-u-margin-b-2\">\n<article class=\"pmc-fallback-list-item\">\n<h2>Vermont: Noah Kahan, \u2018Stick Season\u2019\u00a0(2022)<\/h2>\n<figure>\n\t\t\t<img loading=\"lazy\" decoding=\"async\" width=\"300\" height=\"200\" src=\"https:\/\/www.rollingstone.com\/wp-content\/themes\/vip\/pmc-rollingstone-2022\/assets\/public\/lazyload-fallback.gif\" class=\"attachment-medium size-medium\" alt=\"Vermont: Noah Kahan, 'Stick Season'\u00a0(2022)\" data-lazy-src=\"https:\/\/www.rollingstone.com\/wp-content\/uploads\/2026\/06\/vermont-noah-kahan.jpg?w=300\" data-lazy-srcset=\"https:\/\/www.rollingstone.com\/wp-content\/uploads\/2026\/06\/vermont-noah-kahan.jpg 1800w, https:\/\/www.rollingstone.com\/wp-content\/uploads\/2026\/06\/vermont-noah-kahan.jpg?resize=300,200 300w\" data-lazy-sizes=\"(max-width: 300px) 85vw, 300px\"\/><img loading=\"lazy\" decoding=\"async\" width=\"300\" height=\"200\" src=\"https:\/\/www.rollingstone.com\/wp-content\/uploads\/2026\/06\/vermont-noah-kahan.jpg?w=300\" class=\"attachment-medium size-medium\" alt=\"Vermont: Noah Kahan, 'Stick Season'\u00a0(2022)\" srcset=\"https:\/\/www.rollingstone.com\/wp-content\/uploads\/2026\/06\/vermont-noah-kahan.jpg 1800w, https:\/\/www.rollingstone.com\/wp-content\/uploads\/2026\/06\/vermont-noah-kahan.jpg?resize=300,200 300w\" sizes=\"auto, (max-width: 300px) 85vw, 300px\"\/><figcaption>\n\t\t\t\t\tImage Credit: Youtube\t\t\t\t<\/figcaption><\/figure>\n<p>\t<!-- do not apply CSS styles to this element! --><\/p>\n<div class=\"pmc-not-a-paywall\">\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\tWritten during the Covid lockdown at his parents\u2019 house in Strafford, Vermont, Noah Kahan\u2019s breakout hit uses the bleak, barren time between when the last leaves fall and the first snow as a moving metaphor for post-breakup loneliness. In doing so, he took \u201cstick season,\u201d a term pretty much only known to locals, and entered it into the pop lexicon. As he said after the song blew up, \u201cIt\u2019s a time of transition in the weather, but also in a lot of people\u2019s lives.\u201d <br \/><strong>Honorable mention:<\/strong> Phish, \u201cFarmhouse\u201d<\/p>\n<\/div>\n<\/article>\n<\/li>\n<li class=\"pmc-fallback-list-item-wrap lrv-u-margin-b-2\">\n<article class=\"pmc-fallback-list-item\">\n<h2>Virginia:\u00a0Clipse, \u2018Virginia\u2019\u00a0(2002)<\/h2>\n<figure>\n\t\t\t<img loading=\"lazy\" decoding=\"async\" width=\"300\" height=\"200\" src=\"https:\/\/www.rollingstone.com\/wp-content\/themes\/vip\/pmc-rollingstone-2022\/assets\/public\/lazyload-fallback.gif\" class=\"attachment-medium size-medium\" alt=\"Rappers Pusha-T and No Malice of the hip hop group The Clipse pose for a photo in June, 2003 in Virginia Beach, Virginia.   (Photo by Gregory Bojorquez\/Getty Images)\" data-lazy-src=\"https:\/\/www.rollingstone.com\/wp-content\/uploads\/2026\/06\/virginia-clipse.jpg?w=300\" data-lazy-srcset=\"https:\/\/www.rollingstone.com\/wp-content\/uploads\/2026\/06\/virginia-clipse.jpg 1800w, https:\/\/www.rollingstone.com\/wp-content\/uploads\/2026\/06\/virginia-clipse.jpg?resize=300,200 300w\" data-lazy-sizes=\"(max-width: 300px) 85vw, 300px\"\/><img loading=\"lazy\" decoding=\"async\" width=\"300\" height=\"200\" src=\"https:\/\/www.rollingstone.com\/wp-content\/uploads\/2026\/06\/virginia-clipse.jpg?w=300\" class=\"attachment-medium size-medium\" alt=\"Rappers Pusha-T and No Malice of the hip hop group The Clipse pose for a photo in June, 2003 in Virginia Beach, Virginia.   (Photo by Gregory Bojorquez\/Getty Images)\" srcset=\"https:\/\/www.rollingstone.com\/wp-content\/uploads\/2026\/06\/virginia-clipse.jpg 1800w, https:\/\/www.rollingstone.com\/wp-content\/uploads\/2026\/06\/virginia-clipse.jpg?resize=300,200 300w\" sizes=\"auto, (max-width: 300px) 85vw, 300px\"\/><figcaption>\n\t\t\t\t\tImage Credit: Gregory Bojorquez\/Getty Images\t\t\t\t<\/figcaption><\/figure>\n<p>\t<!-- do not apply CSS styles to this element! --><\/p>\n<div class=\"pmc-not-a-paywall\">\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\t\u201cVirginia\u2019s for lovers, but trust there\u2019s hate here,\u201d the Virginia Beach duo rap, putting their own diabolical spin on their state\u2019s famous motto. Sure, we know there\u2019s more to do in \u201cthat ol\u2019 Virginny\u201d than cook up drugs, but when Pusha T and Malice are on the mic, they make it seem like the only thing going on anywhere. Slinky and ominous, threatening yet irresistible, \u201cVirginia\u201d finds the state\u2019s greatest modern musical ambassadors delivering a cold-eyed warning that\u2019s so sleek and cool it also feels like an invitation. <br \/><strong>Honorable mention: <\/strong>Lucy Dacus, \u201cBus Back to Richmond\u201d<\/p>\n<\/div>\n<\/article>\n<\/li>\n<li class=\"pmc-fallback-list-item-wrap lrv-u-margin-b-2\">\n<article class=\"pmc-fallback-list-item\">\n<h2>Washington:\u00a0Nirvana, \u2018Sliver\u2019 (1990)<\/h2>\n<figure>\n\t\t\t<img loading=\"lazy\" decoding=\"async\" width=\"300\" height=\"200\" src=\"https:\/\/www.rollingstone.com\/wp-content\/themes\/vip\/pmc-rollingstone-2022\/assets\/public\/lazyload-fallback.gif\" class=\"attachment-medium size-medium\" alt=\"FRANKFURT, GERMANY - NOVEMBER 12: Nirvana posed in Frankfurt on November 12 1991. (Left to right) Dave Grohl (drums), Kurt Cobain (vocals\/guitar) and Krist Novoselic (bass). (Photo by Paul Bergen\/Redferns)\" data-lazy-src=\"https:\/\/www.rollingstone.com\/wp-content\/uploads\/2026\/06\/washington-nirvana.jpg?w=300\" data-lazy-srcset=\"https:\/\/www.rollingstone.com\/wp-content\/uploads\/2026\/06\/washington-nirvana.jpg 1800w, https:\/\/www.rollingstone.com\/wp-content\/uploads\/2026\/06\/washington-nirvana.jpg?resize=300,200 300w\" data-lazy-sizes=\"(max-width: 300px) 85vw, 300px\"\/><img loading=\"lazy\" decoding=\"async\" width=\"300\" height=\"200\" src=\"https:\/\/www.rollingstone.com\/wp-content\/uploads\/2026\/06\/washington-nirvana.jpg?w=300\" class=\"attachment-medium size-medium\" alt=\"FRANKFURT, GERMANY - NOVEMBER 12: Nirvana posed in Frankfurt on November 12 1991. (Left to right) Dave Grohl (drums), Kurt Cobain (vocals\/guitar) and Krist Novoselic (bass). (Photo by Paul Bergen\/Redferns)\" srcset=\"https:\/\/www.rollingstone.com\/wp-content\/uploads\/2026\/06\/washington-nirvana.jpg 1800w, https:\/\/www.rollingstone.com\/wp-content\/uploads\/2026\/06\/washington-nirvana.jpg?resize=300,200 300w\" sizes=\"auto, (max-width: 300px) 85vw, 300px\"\/><figcaption>\n\t\t\t\t\tImage Credit: Paul Bergen\/Redferns\/Getty Images\t\t\t\t<\/figcaption><\/figure>\n<p>\t<!-- do not apply CSS styles to this element! --><\/p>\n<div class=\"pmc-not-a-paywall\">\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\tKurt Cobain was a damaged kid with a dream from the rural logging town of Aberdeen, Washington, and this early Nirvana highlight is his most autobiographical reflection on what that was like. \u201cSliver\u201d is a grunge-pop short story about a childhood memory of a weird day at grandma\u2019s \u2014 gross\u00a0 food, ice cream in front of the TV, and finally waking up in his mom\u2019s arms. Without any angst or rage, it gets at the basic experiences that subtly warp us. <br \/><strong>Honorable mention:<\/strong> Sir Mix-a-Lot, \u201cPosse on Broadway\u201d<\/p>\n<\/div>\n<\/article>\n<\/li>\n<li class=\"pmc-fallback-list-item-wrap lrv-u-margin-b-2\">\n<article class=\"pmc-fallback-list-item\">\n<h2>West Virginia:\u00a0John Denver, \u2018Take Me Home, Country Roads\u2019\u00a0(1971)<\/h2>\n<figure>\n\t\t\t<img loading=\"lazy\" decoding=\"async\" width=\"300\" height=\"200\" src=\"https:\/\/www.rollingstone.com\/wp-content\/themes\/vip\/pmc-rollingstone-2022\/assets\/public\/lazyload-fallback.gif\" class=\"attachment-medium size-medium\" alt=\"John Denver poses for a portrait in his hotel room in 1979 in Amsterdam, Netherlands. (Photo by Gijsbert Hanekroot\/Redferns)\" data-lazy-src=\"https:\/\/www.rollingstone.com\/wp-content\/uploads\/2026\/06\/west-virginia-john-denver.jpg?w=300\" data-lazy-srcset=\"https:\/\/www.rollingstone.com\/wp-content\/uploads\/2026\/06\/west-virginia-john-denver.jpg 1800w, https:\/\/www.rollingstone.com\/wp-content\/uploads\/2026\/06\/west-virginia-john-denver.jpg?resize=300,200 300w\" data-lazy-sizes=\"(max-width: 300px) 85vw, 300px\"\/><img loading=\"lazy\" decoding=\"async\" width=\"300\" height=\"200\" src=\"https:\/\/www.rollingstone.com\/wp-content\/uploads\/2026\/06\/west-virginia-john-denver.jpg?w=300\" class=\"attachment-medium size-medium\" alt=\"John Denver poses for a portrait in his hotel room in 1979 in Amsterdam, Netherlands. (Photo by Gijsbert Hanekroot\/Redferns)\" srcset=\"https:\/\/www.rollingstone.com\/wp-content\/uploads\/2026\/06\/west-virginia-john-denver.jpg 1800w, https:\/\/www.rollingstone.com\/wp-content\/uploads\/2026\/06\/west-virginia-john-denver.jpg?resize=300,200 300w\" sizes=\"auto, (max-width: 300px) 85vw, 300px\"\/><figcaption>\n\t\t\t\t\tImage Credit: Gijsbert Hanekroot\/Redferns\/Getty Images\t\t\t\t<\/figcaption><\/figure>\n<p>\t<!-- do not apply CSS styles to this element! --><\/p>\n<div class=\"pmc-not-a-paywall\">\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\tNo one involved with this song was from West Virginia. Its writers, Bill Danoff and Taffy Nivert, were from Massachusetts and Washington, D.C., respectively, and John Denver was born in New Mexico. Maybe that\u2019s part of why it\u2019s about myth as much as memory. Even though images like \u201cMiner\u2019s lady, stranger to blue water\u201d stunningly evoke a specific place, the song has become an anthem of singalong nostalgia the world over. This summer during the World Cup we\u2019ve been reminded once again how much America loves this song. <br \/><strong>Honorable mention:<\/strong> Tyler Childers, \u201cCharleston Girl\u201d<\/p>\n<\/div>\n<\/article>\n<\/li>\n<li class=\"pmc-fallback-list-item-wrap lrv-u-margin-b-2\">\n<article class=\"pmc-fallback-list-item\">\n<h2>Wisconsin:\u00a0Bon Iver, \u2018Minnesota, WI\u2019 (2011)<\/h2>\n<figure>\n\t\t\t<img loading=\"lazy\" decoding=\"async\" width=\"300\" height=\"200\" src=\"https:\/\/www.rollingstone.com\/wp-content\/themes\/vip\/pmc-rollingstone-2022\/assets\/public\/lazyload-fallback.gif\" class=\"attachment-medium size-medium\" alt=\"BERKELEY, CA - SEPTEMBER 22: Justin Vernon of Bon Iver performs in support of the bands' self titled release at The Greek Theater on September 22, 2011 in Berkeley, California. (Photo by Tim Mosenfelder\/Getty Images)\" data-lazy-src=\"https:\/\/www.rollingstone.com\/wp-content\/uploads\/2026\/06\/wisconsin-bon-iver.jpg?w=300\" data-lazy-srcset=\"https:\/\/www.rollingstone.com\/wp-content\/uploads\/2026\/06\/wisconsin-bon-iver.jpg 1800w, https:\/\/www.rollingstone.com\/wp-content\/uploads\/2026\/06\/wisconsin-bon-iver.jpg?resize=300,200 300w\" data-lazy-sizes=\"(max-width: 300px) 85vw, 300px\"\/><img loading=\"lazy\" decoding=\"async\" width=\"300\" height=\"200\" src=\"https:\/\/www.rollingstone.com\/wp-content\/uploads\/2026\/06\/wisconsin-bon-iver.jpg?w=300\" class=\"attachment-medium size-medium\" alt=\"BERKELEY, CA - SEPTEMBER 22: Justin Vernon of Bon Iver performs in support of the bands' self titled release at The Greek Theater on September 22, 2011 in Berkeley, California. (Photo by Tim Mosenfelder\/Getty Images)\" srcset=\"https:\/\/www.rollingstone.com\/wp-content\/uploads\/2026\/06\/wisconsin-bon-iver.jpg 1800w, https:\/\/www.rollingstone.com\/wp-content\/uploads\/2026\/06\/wisconsin-bon-iver.jpg?resize=300,200 300w\" sizes=\"auto, (max-width: 300px) 85vw, 300px\"\/><figcaption>\n\t\t\t\t\tImage Credit: Tim Mosenfelder\/Getty Images\t\t\t\t<\/figcaption><\/figure>\n<p>\t<!-- do not apply CSS styles to this element! --><\/p>\n<div class=\"pmc-not-a-paywall\">\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\tBon Iver\u2019s Justin Vernon went from crafting songs in his rural cabin to becoming an unlikely star, and he\u2019s kept it real, living in Eau Claire, where he hosts the yearly Eaux Claires Festival. \u201cMinnesota, WI\u201d focuses on the experience of Hmong immigrants, refugees who began arriving in Minnesota and Wisconsin after the Vietnam War and have established strong communities in the region. \u201cNever gonna break,\u201d he sings in his angelic falsetto, tempering hardship with Midwestern optimism. <br \/><strong>Honorable mention:<\/strong> Jerry Lee Lewis, \u201cWhat\u2019s Made Milwaukee Famous (Has Made a Loser Out of Me)\u201d<\/p>\n<\/div>\n<\/article>\n<\/li>\n<li class=\"pmc-fallback-list-item-wrap lrv-u-margin-b-2\">\n<article class=\"pmc-fallback-list-item\">\n<h2>Wyoming:\u00a0The Hold Steady, \u2018Cheyenne Sunrise\u2019 (2009)<\/h2>\n<figure>\n\t\t\t<img loading=\"lazy\" decoding=\"async\" width=\"300\" height=\"200\" src=\"https:\/\/www.rollingstone.com\/wp-content\/themes\/vip\/pmc-rollingstone-2022\/assets\/public\/lazyload-fallback.gif\" class=\"attachment-medium size-medium\" alt=\"COLUMBIA, MD - AUGUST 30: Lead singer Craig Finn of Hold Steady performs at the Virgin Mobile FreeFest on August 30, 2009 in Columbia, Maryland. (Photo by Brendan Hoffman\/Getty Images)\" data-lazy-src=\"https:\/\/www.rollingstone.com\/wp-content\/uploads\/2026\/06\/wyoming-hold-steady.jpg?w=300\" data-lazy-srcset=\"https:\/\/www.rollingstone.com\/wp-content\/uploads\/2026\/06\/wyoming-hold-steady.jpg 1800w, https:\/\/www.rollingstone.com\/wp-content\/uploads\/2026\/06\/wyoming-hold-steady.jpg?resize=300,200 300w\" data-lazy-sizes=\"(max-width: 300px) 85vw, 300px\"\/><img loading=\"lazy\" decoding=\"async\" width=\"300\" height=\"200\" src=\"https:\/\/www.rollingstone.com\/wp-content\/uploads\/2026\/06\/wyoming-hold-steady.jpg?w=300\" class=\"attachment-medium size-medium\" alt=\"COLUMBIA, MD - AUGUST 30: Lead singer Craig Finn of Hold Steady performs at the Virgin Mobile FreeFest on August 30, 2009 in Columbia, Maryland. (Photo by Brendan Hoffman\/Getty Images)\" srcset=\"https:\/\/www.rollingstone.com\/wp-content\/uploads\/2026\/06\/wyoming-hold-steady.jpg 1800w, https:\/\/www.rollingstone.com\/wp-content\/uploads\/2026\/06\/wyoming-hold-steady.jpg?resize=300,200 300w\" sizes=\"auto, (max-width: 300px) 85vw, 300px\"\/><figcaption>\n\t\t\t\t\tImage Credit: Brendan Hoffman\/Getty Images\t\t\t\t<\/figcaption><\/figure>\n<p>\t<!-- do not apply CSS styles to this element! --><\/p>\n<div class=\"pmc-not-a-paywall\">\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\tIf you\u2019re an American state, and Craig Finn of the Hold Steady hasn\u2019t written a song about being fucked up in you, you\u2019re doing it wrong. Against a rootsy backdrop that recalls Bob Dylan and the Band, he plays one of the downest and outest guys he\u2019s ever sung about, contrasting his own decay with the beauty of Wyoming: \u201cThere\u2019s nothing quite like a Cheyenne sunrise to make us has-beens feel too old.\u201d <br \/><strong>Honorable mention:<\/strong> Chris LeDoux, \u201cSong of Wyoming\u201d<\/p>\n<\/div>\n<\/article>\n<\/li>\n<\/ul><\/div>\n<\/div>\n<\/div><\/div>\n<p><br \/>\n<br \/><a href=\"https:\/\/www.rollingstone.com\/music\/music-lists\/best-state-songs-1235578675\/\">Source link <\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>To honor America\u2019s 250th birthday, we pick a favorite song for every state in the Union Happy birthday, America! To celebrate our nation\u2019s semiquincentennial,&#8230;<\/p>\n","protected":false},"author":5,"featured_media":67835,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[36],"tags":[],"class_list":["post-67834","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-pop","article","has-excerpt","has-avatar","has-author","has-date","has-comment-count","has-category-meta","has-read-more","thumbnail-"],"_links":{"self":[{"href":"https:\/\/musicianvoice.com\/index.php\/wp-json\/wp\/v2\/posts\/67834","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/musicianvoice.com\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/musicianvoice.com\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/musicianvoice.com\/index.php\/wp-json\/wp\/v2\/users\/5"}],"replies":[{"embeddable":true,"href":"https:\/\/musicianvoice.com\/index.php\/wp-json\/wp\/v2\/comments?post=67834"}],"version-history":[{"count":0,"href":"https:\/\/musicianvoice.com\/index.php\/wp-json\/wp\/v2\/posts\/67834\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/musicianvoice.com\/index.php\/wp-json\/wp\/v2\/media\/67835"}],"wp:attachment":[{"href":"https:\/\/musicianvoice.com\/index.php\/wp-json\/wp\/v2\/media?parent=67834"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/musicianvoice.com\/index.php\/wp-json\/wp\/v2\/categories?post=67834"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/musicianvoice.com\/index.php\/wp-json\/wp\/v2\/tags?post=67834"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}