{"id":68906,"date":"2026-07-20T19:51:30","date_gmt":"2026-07-20T19:51:30","guid":{"rendered":"https:\/\/musicianvoice.com\/index.php\/2026\/07\/20\/have-we-reached-a-breaking-point\/"},"modified":"2026-07-20T19:51:30","modified_gmt":"2026-07-20T19:51:30","slug":"have-we-reached-a-breaking-point","status":"publish","type":"post","link":"https:\/\/musicianvoice.com\/index.php\/2026\/07\/20\/have-we-reached-a-breaking-point\/","title":{"rendered":"Have We Reached a Breaking Point?"},"content":{"rendered":"<p> <br \/>\n<\/p>\n<div>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\tMike Sabath isn\u2019t interested in cutting corners. The 28-year-old has been in music for a long time, both as an artist as well as a producer-songwriter with an extensive list of collaborators throughout his career. He primarily works with British singers <a href=\"https:\/\/www.rollingstone.com\/music\/music-features\/complicated-albums-raye-rosalia-albums-challenging-fans-1235551321\/\">Raye<\/a> and Jade, but he\u2019s also manned the boards for Niall Horan, Shawn Mendes, Zara Larsson, Sabrina Carpenter, and more over the past decade. AI tools aren\u2019t part of that process. \u201cI don\u2019t use AI in my rooms, and I haven\u2019t worked with people that do yet, to be honest,\u201d Sabath tells <em>Rolling Stone. <\/em>However, it\u2019s top of mind outside of the studio, where he\u2019s frequently having conversations with artists and industry executives about the urgency around the growing technology.<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\tSabath gets chills when he thinks of artists like Raye, with whom he\u2019s worked since her 2023 debut <em>My 21st Century Blues<\/em>, and <a href=\"https:\/\/www.rollingstone.com\/music\/music-live-reviews\/rosalia-lux-madison-square-garden-setlist-1235579646\/\">Rosal\u00eda<\/a>, who he\u2019s long admired. He qualifies both as masters of their craft \u2014 and hopes people consider artists like them when conversation turns to AI and what it\u2019s threatening to replace. \u201cThe art of mastery in general has continued to be diluted over the years, and technology is a huge part of that,\u201d Sabath says.<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\tWhile artists are focusing on sharpening their skills and expanding their reach, their releases are being used to train models that replicate the output of real musicians quicker than performers can safeguard their intellectual property. Discussions like the ones Sabath has been having are now spilling into public forums and across social media as artists like <a href=\"https:\/\/www.rollingstone.com\/t\/sza\/\" id=\"auto-tag_sza\" data-tag=\"sza\">SZA<\/a>, <a href=\"https:\/\/www.rollingstone.com\/t\/doja\/\" id=\"auto-tag_doja\" data-tag=\"doja\">Doja<\/a> Cat, Kenny Beats, and more voice their frustration.\u00a0<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\t\u201cThe greatest tool that the big money folks use is instilling the feeling of fear and that we can\u2019t stop it,\u201d Sabath says, noting that there\u2019s a constant push towards normalizing AI. <a href=\"https:\/\/www.rollingstone.com\/music\/music-features\/ai-in-music-how-used-now-1235536484\/\">A <em>Rolling Stone<\/em> report <\/a>from earlier this year noted all the ways in which AI was entering the workflows of top producers, songwriters, and artists. Earlier this year, Diplo went viral after telling artists who are hesitant to embrace AI: \u201cYou need to adapt or just give up and become an Uber driver until everyone has a Waymo.\u201d Sabath isn\u2019t convinced an AI future is as inevitable as it\u2019s being made out to be. \u201cPeople go, \u2018Well, it\u2019s just the wave, let\u2019s just ride it.\u2019 It\u2019s like, well, we made the wave. Humans made the wave,\u201d he says. \u201cYou locked in and made <a href=\"https:\/\/www.rollingstone.com\/t\/suno\/\" id=\"auto-tag_suno\" data-tag=\"suno\">Suno<\/a> real and are continuing to make it better.\u201d\u00a0<\/p>\n<section class=\"brands-most-popular \/\/ editors-pick-module lrv-u-margin-tb-2 lrv-u-border-a-2 u-box-shadow-5-5 lrv-u-padding-lr-1 a-span1 u-padding-b-1@tablet u-overflow-hidden\">\n<h2 id=\"section-heading\" class=\"c-heading larva  lrv-u-text-align-center u-border-color-black a-font-theme-primary-xxs lrv-u-color-black lrv-u-text-transform-uppercase u-letter-spacing-0063 lrv-u-padding-t-050 u-padding-b-0375@tablet lrv-u-padding-b-050@mobile-max lrv-u-border-b-2\">\n<p>\t\tEditor\u2019s picks<\/p>\n<\/h2>\n<\/section>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\t<a href=\"https:\/\/www.rollingstone.com\/music\/music-features\/suno-ai-chatgpt-for-music-1234982307\/\">Suno<\/a> previously <a href=\"https:\/\/www.rollingstone.com\/music\/music-news\/a-i-music-suno-fires-back-at-record-labels-admits-training-on-copyrighted-music-lawsuit-1235072061\/\">owned up <\/a>to training its model on \u201ctens of millions of recordings\u201d available online. The admission came in a legal filing created in response to a <a href=\"https:\/\/www.rollingstone.com\/music\/music-news\/record-labels-sue-music-generators-suno-and-udio-1235042056\/\">lawsuit<\/a> from the Recording Industry Association of America (RIAA) \u2014 which represents the industry\u2019s \u201cBig Three\u201d record companies, Universal Music Group, Sony Music Entertainment and Warner Music Group \u2014 accusing Suno and Udio of training their AI tech on unlicensed works from their artists.\u00a0<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\t\u201cTraining without approval is crazy to me,\u201d Sabath says.\u00a0<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\tIn June, <a href=\"https:\/\/www.theatlantic.com\/technology\/2026\/06\/ai-music-generators-suno-google-udio\/687485\/\" rel=\"nofollow\" target=\"_blank\"><em>The Atlantic<\/em><\/a> expanded its investigation into the generative-AI industry with the addition of an expansive dataset titled Laion-Disco-12M. The set, compiled by the nonprofit LAION in November 2024, contains a collection of more than 12 million songs retrieved from YouTube. The company paired each link with \u201cmetadata to support basic machine learning research in foundation models for generic audio, music information retrieval, and audio dataset analysis.\u201d For a year and a half, this data was available through LAION, but <em>The Atlantic<\/em>\u2019s <a href=\"https:\/\/www.theatlantic.com\/category\/ai-watchdog\/\" rel=\"nofollow\" target=\"_blank\">engine<\/a> made it easily searchable.\u00a0<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\tThere are works from more than 250,000 artists listed in the dataset, including SZA and Kehlani, who both shared screenshots of their search results (238 and 179 songs, respectively) on their Instagram Stories in June. A search for Sabath\u2019s name yields 18 results. There are even more when factoring in his production and songwriting credits. The database doesn\u2019t guarantee the music listed has actively been used for training, but that it\u2019s readily available to AI developers. \u201cIf you\u2019re a musician and you support this degenerate shit?\u201d SZA <a href=\"https:\/\/www.rollingstone.com\/music\/music-news\/sza-ai-music-diplo-exploiting-artists-1235581273\/\">wrote<\/a> on Instagram. \u201cYou\u2019re disgusting and there\u2019s NOTHING YOU COULD EVER SAY TO ME TO MAKE THIS OKAY.\u201d<\/p>\n<section class=\"brands-most-popular \/\/ recirculation-modules lrv-u-margin-tb-2 lrv-u-border-a-2 u-box-shadow-5-5 lrv-u-padding-lr-1 a-span1 u-padding-b-1@tablet u-overflow-hidden\">\n<h2 id=\"section-heading\" class=\"c-heading larva  lrv-u-text-align-center u-border-color-black a-font-theme-primary-xxs lrv-u-color-black lrv-u-text-transform-uppercase u-letter-spacing-0063 lrv-u-padding-t-050 u-padding-b-0375@tablet lrv-u-padding-b-050@mobile-max lrv-u-border-b-2\">\n<p>\t\tRelated Content<\/p>\n<\/h2>\n<\/section>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\tIn April 2024, over 200 artists signed an <a href=\"https:\/\/artistrightsnow.medium.com\/200-artists-urge-tech-platforms-stop-devaluing-music-559fb109bbac\" rel=\"nofollow\" target=\"_blank\">open letter<\/a> from the Artist Rights Alliance calling on \u201cAI developers, technology companies, platforms and digital music services to cease the use of artificial intelligence (AI) to infringe upon and devalue the rights of human artists.\u201d Chappell Roan, Doechii, Noah Kahan, Lola Young, Billie Eilish, and more signed. The concern around the use of AI in music has grown exponentially since then.\u00a0<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\t\u201cWhen we wrote that letter, AI training to a lot of artists was theoretical,\u201d says Jen Jacobsen, executive director of the Artist Rights Alliance. \u201cMost artists didn\u2019t have much visibility into how their work was being used. Now, with the AI Watchdog database and other avenues, it\u2019s making the issue very real and very personal for artists.\u201d<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\tIt\u2019s also testing, if not completely eroding, the trust between artists and their audiences. In June, fans discovered a heap of unreleased songs they believed to be <a href=\"https:\/\/www.rollingstone.com\/music\/music-news\/doja-cat-slams-ai-leaks-1235583037\/\">Doja Cat leaks<\/a>; she later revealed they were all AI. \u201cReally disappointed in everyone thinking that\u2019s me,\u201d she wrote on X. \u201cFuck AI for real.\u201d Weeks later, debate persists as to whether they even believe her. Some argued the songs <em>are <\/em>real, but were written off as AI to minimize interest. One fan thanked the person who shared the songs for \u201cmaking my day better even if they are AI.\u201d\u00a0<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\tOne prevailing argument against AI is that robots and machines can\u2019t possibly replicate emotional human experiences. At least not yet. \u201cThe technology is as bad as it\u2019s ever going to be,\u201d says J Erving, founder of the distribution company Human Re Sources, whose client roster includes Raye, Jill Scott, and more. \u201cThink about how much better the songwriting is going to get, how much better the song creation is going to be, as they continue to build on what\u2019s available to people to use currently.\u201d\u00a0<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\tErving\u2019s career in the music industry spans more than two decades and even he\u2019s been duped on a few occasions. \u201cThere\u2019s one artist in particular that I went back to my team yelling and screaming about, and I\u2019m like, \u2018How the hell is this kid not on our radar? This music is amazing,\u2019\u201d he says. It turned out to be AI. \u201cI had no idea that this was AI. The song was really good, his voice was really good \u2014 it checked a lot of the boxes that I would want to see from an emerging act.\u201d Despite this, the executive doesn\u2019t plan on getting into the business of distributing music for AI artists.\u00a0<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\tOn the other side of more deceptive releases are real artists, like singer and producer Natanya, whose music is distributed via Human Re Sources. Even with just one album and a few loose singles under her belt, a few of Natanya\u2019s pop and R&amp;B releases are already showing up in AI database searches. This highlights exactly what artists like SZA are worried about. In her Instagram post, she argued \u201cthe best and brightest Black minds of writers and producers\u201d are being used to train AI models on platforms like Suno.\u00a0<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\tIn her fight to protect artists in the face of AI through the Artist Rights Alliance, Jacobsen recognized a persistent cycle: \u201cFirst, an artist has their work stolen and used without their permission, so that\u2019s a number one violation,\u201d she says. \u201cThen their stolen work is used to create some new piece of I don\u2019t know, it\u2019s not art, but it\u2019s a new work that is then competing directly against the person whose work was infringed upon.\u201d This year, an AI-generated hit spent six weeks at Number One on Billboard\u2019s U.S. Afrobeats Songs chart: \u201cLet Me Be\u201d is credited to the performer Second Voice, but originated as a demo from Rwandan artist Elvin Cena. Cena turned to Suno to complete the song, boosting it with upbeat amapiano production and altering the second verse to feature a woman\u2019s voice, he recently told <a href=\"https:\/\/www.okayafrica.com\/this-artist-waited-years-for-a-breakout-then-ai-gave-him-a-hit\/1427500\" rel=\"nofollow\" target=\"_blank\"><em>Okayafrica<\/em><\/a>. It appeared on the chart alongside artists like Ayra Starr, Tyla, and Asake.<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\t\u201cTo some extent we\u2019re still talking a lot about copyright infringement and who\u2019s stealing our stuff,\u201d Jacobsen says. \u201cBut the debate to some extent has shifted or evolved from infringement to participation in the marketplace.\u201d Both sides of the conversation require the parties profiting from this work to allow artists to have a say in how their intellectual property is used. \u201cThere needs to be responsibility, and anything involving rules of the marketplace has to start with transparency,\u201d Jacobsen says. \u201cArtists or fans can\u2019t talk about what they want or what they want to change until they know what\u2019s happening in the first place.\u201d\u00a0<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\tGuardrails for musicians take time to develop, like<a href=\"https:\/\/tidal.com\/ai-policy\" rel=\"nofollow\" target=\"_blank\"> the AI policy <\/a>that TIDAL will put into practice in mid-July. On June 29, the streaming platform announced plans to identify and tag music found to be almost completely AI-generated. These labeled releases will be allowed to exist on the platform, but not eligible for monetization. \u201cIn my opinion, it\u2019s almost, \u2018Why not earlier?\u2019 \u201d says Robert Andersen, principal designer at TIDAL developer Block.<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\tSpotify and Apple Music have both rolled out features to identify AI-generated content, though they largely rely on transparency from artists and their distributors. \u201cWe looked for a partner that would be able to help us basically scan every single track in our catalog and give it a score of how much AI was used in the creation of that track,\u201d Andersen says. \u201cThe hardest part is making sure that we are completely accurate about our assumptions.\u201d Andersen thinks it will take some time to fine-tune their technology to reduce the number of potential false positives or false negatives.\u00a0<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\tAI will continue developing in the meantime. \u201cWe\u2019ve heard that a lot of the top pop songs and stuff like that on the charts are at least partially generated,\u201d he says. \u201cThere\u2019s this whole confusing spectrum here, which is why we\u2019re taking a stance on 98 to 100 percent is not OK, but 50 percent? 25 percent? It\u2019s really hard to say.\u201d For now, TIDAL is focused on protecting its userbase, which will be able to filter out primarily AI-generated releases similarly to the way explicit content can be blocked. \u201cI go on our Reddit quite a bit, for better or for worse, and people are just raging nonstop about AI slop on TIDAL being recommended to them,\u201d Andersen says. \u201cAnd artists have spammy impersonations that appear on their profiles and steal those plays.\u201d<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\tArtists whose likeness is being exploited to train programs share a sense of protectiveness around the distinctiveness of their output \u2014 whether it\u2019s Doja Cat feeling let down by her fans falling for alleged AI dupes, or Elvin Cena listing \u201cLet Me Be\u201d under a separate artist name as to not dilute his own creative brand by associating too closely with AI. The same rings true for emerging indie artists, Andersen says. \u201cA lot of the indie artists that we talk to that are starting out in their bedrooms and just beginning for the first time, they\u2019re scared of these tools \u2014 they think it\u2019s sort of atrocious,\u201d Andersen says. \u201cThey\u2019re also open to the idea of automation for things like the tedious parts of their lives. You see a little bit of a willingness to like to learn and be tech-forward, but mostly just a lot of fear and skepticism.\u201d\u00a0<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\tSuno is moving into the independent space with Spark, a recently announced incubator program providing independent acts with grants, marketing support, and access to writing camps with other musicians, songwriters, producers. Participants must be unsigned and completely independent and are required to use Suno\u2019s tools at some point in the creation process, even if only to generate a new idea.\u00a0<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\tSpecific details \u2014 like how much Suno will pay out to artists through Spark \u2014 have not been publicly disclosed. In the \u201cGood Vibes Only\u201d section of the Suno Spark Program <a href=\"https:\/\/suno.com\/spark-terms?__clerk_handshake=eyJhbGciOiJSUzI1NiIsInR5cCI6IkpXVCJ9.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.Wk-j4XlHWXsRDeB7X5ZRr1gcBaLKa5KgXufMy-zyv3QhwGOd8GuImgDTXrd9Lvl0-6z6kX3vgFmOD4UqHPSjE2KKTcPe7d5mLhtflpkjNBruKE11LPoF5MCeRwccAvMMN1Zz_Piph9S3xHR8qf-Mfh7MmFC2QcAYjrjYxi2Ea1WkxWjEhC7hoje5qolMRbWnZfXGMshK0U0CtZig6-Kq0lkBCOW2c6ZEdRiEHL8itSgXFY58uIoR9mypIuk0tiJtPZdfo2nVqwqqKx10-pH3Fl3wAUt9-i8XWzAkMGkdU1GDGeCQOWgaQoS1RFrPAZvh86junSK5z6-qMtEk3B-fYA\" rel=\"nofollow\" target=\"_blank\">terms and conditions<\/a>, effective June 21, the company included an anti-disparagement clause that has since been revised. Those selected for the program, it initially read, \u201cwill not at any time make any statements or representations, either directly or indirectly, whether orally or in writing, that portrays Suno, Suno personnel, and\/or any Suno products or services in a negative light.\u201d\u00a0<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\tThis particular section of the fine print drew criticism across social media. \u201cFor lack of a better analogy, there\u2019s a human element to this, where it\u2019s not even about the business side,\u201d Erving says. \u201cIf I come to you and I say, \u2018Hey, I\u2019m going to give you $2, but in exchange for that, you can\u2019t be honest about me,\u2019 that doesn\u2019t feel right on a human level.\u201d The section has since been updated, effective June 26, with new language that shifts focus away from Suno itself. Now, it holds that at any time during or after participation in the program, selected artists may not \u201cdisparage Spark or its participants,\u201d in particular. Suno states this is about \u201cmaintaining mutual respect, and does not prevent you from speaking honestly about your experience in the program.\u201d\u00a0<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\tA spokesman for Suno notes that the company\u2019s music partnerships team built the Spark program to support independent artists, and have received many thousands of applications already. \u201cWe fundamentally believe the best music will always be made by humans, no matter what tools they are using to create it,\u201d says Paul Sinclair, Chief Music Officer for Suno. \u201cThat\u2019s what we all love about music \u2014 the emotion, the imperfections, and the stories that can only come from real lived experiences.\u201d\u00a0<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\tThe company\u2019s music partnerships team \u201cworks with thousands of artists who have a wide range of perspectives about AI,\u201d he says. \u201cThis includes giving them access to test our products, provide feedback, and learning what will best support them in their creative processes.\u201d A recent report from <a href=\"https:\/\/www.rollingstone.com\/music\/music-features\/americans-english-music-bad-bunny-luminate-report-1235594219\/\">Luminate<\/a> also showed that musicians are increasingly open to using generative AI as a tool. Still, Sinclair says, \u201cWe also understand why many artists have concerns about AI and we respect that and it\u2019s our job to listen.\u201d<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\tDays before Suno announced Spark, it was on the receiving end of a call out from the producer Kenneth Blume, or Kenny Beats. \u201cYou are true losers. Whoever\u2019s running this account, and your boss, and their bosses boss,\u201d he wrote on <a href=\"https:\/\/x.com\/kennybeats\/status\/2068480551728898431\" rel=\"nofollow\" target=\"_blank\">X<\/a>. \u201cI can\u2019t imagine going into work daily knowing you are stealing from countless struggling musicians. I can\u2019t imagine being proud to earn a paycheck obliterating the work and dreams of artists. Get fucked, every single one of you.\u201d<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\tBlume\u2019s frustration regarding unethical AI trends aligns with what Sabath describes as \u201cthis facade that it\u2019s not people making choices \u2014 that it\u2019s a company or a brand making a choice.\u201d In the past year, Sabath came close to working with \u201ca couple of large corporations,\u201d but backed out when he realized their principles weren\u2019t aligned with his own. \u201cI\u2019ve talked to execs who have values but are disregarding them for their job, and that\u2019s a problem,\u201d he says. In that particular instance, there were only two people at the table: \u201cTwo people that have the decision-making power in how AI music is gonna be able to be used in this particular area.\u201d<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\tOne of the primary goals of the Artist Rights Alliance is to expand the dialogue to include more people who will be directly impacted by AI. Most of the questions Jacobsen rattles off only recently became primary concerns, compared to when the open letter was written in 2024: \u201cWere artists consulted? Do performers share in the revenue of the deal? Is the consent that\u2019s in the deal meaningful? Are artists able to give a meaningful opt-in consent to their work being used?\u201d Even when artists are consulted and informed, they should be mindful of the fine print. \u201cIf your whole entire goal in life is to be an artist, contributing to these platforms seems to be eroding the value of artistry,\u201d Andersen says. \u201cWhen people can just generate 20 songs of their choice, it sort of makes the struggle of an artist or the work of an artist look trivial.\u201d<\/p>\n<section class=\"brands-most-popular \/\/ recirculation-modules trending-in-article lrv-u-margin-tb-2 lrv-u-border-a-2 u-box-shadow-5-5 lrv-u-padding-lr-1 a-span1 u-padding-b-1@tablet u-overflow-hidden\">\n<h2 id=\"section-heading\" class=\"c-heading larva  lrv-u-text-align-center u-border-color-black a-font-theme-primary-xxs lrv-u-color-black lrv-u-text-transform-uppercase u-letter-spacing-0063 lrv-u-padding-t-050 u-padding-b-0375@tablet lrv-u-padding-b-050@mobile-max lrv-u-border-b-2\">\n<p>\t\tTrending Stories<\/p>\n<\/h2>\n<\/section>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\tAnd these are just the concerns that pertain directly to musicians. SZA has emphasized the dangers of <a href=\"https:\/\/www.rollingstone.com\/music\/music-news\/sza-ai-use-environmental-racism-pollution-1235387310\/\">environmental racism<\/a>, which targets marginalized groups, linked directly to the prevalence of AI. \u201cNone of you care \u2018cause you\u2019re codependent on a machine,\u201d she argued. Sabath similarly worries we\u2019re actively being trained to lack the patience and ability to take action during hard times. \u201cIt\u2019s always been, \u2018Alright, new tech, more efficient, potentially more money here \u2014 oh, it\u2019s gonna kill these people, but we\u2019re gonna be able to do this a little faster,\u2019\u201d Sabath says. \u201cIt\u2019s actually gonna raise the temperature of the Earth by this much, but it\u2019s all good.\u2019 It\u2019s always that, because there\u2019s a trade off when you\u2019re trying to cut corners. That\u2019s how it works.\u201d<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\tStill, with more artists speaking out, the producer is hopeful more people will push back against a future in which music is entirely reliant on AI. \u201cWhen you get up close to these corporations, you realize, \u2018Oh, there\u2019s actually only a couple of you motherfuckers making choices around here\u2019 \u2014 so actually, it\u2019s not that crazy,\u201d Sabath says. \u201cIt\u2019s just conversations and decision making that says, \u2018We are going to prioritize the humans here and we\u2019re going to prioritize chills.\u2019\u201d<\/p>\n<\/div>\n<p><br \/>\n<br \/><a href=\"https:\/\/www.rollingstone.com\/music\/music-features\/ai-artists-pushback-sza-doja-cat-1235585855\/\">Source link <\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Mike Sabath isn\u2019t interested in cutting corners. The 28-year-old has been in music for a long time, both as an artist as well as&#8230;<\/p>\n","protected":false},"author":5,"featured_media":68907,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[36],"tags":[],"class_list":["post-68906","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-pop","article","has-excerpt","has-avatar","has-author","has-date","has-comment-count","has-category-meta","has-read-more","thumbnail-"],"_links":{"self":[{"href":"https:\/\/musicianvoice.com\/index.php\/wp-json\/wp\/v2\/posts\/68906","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/musicianvoice.com\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/musicianvoice.com\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/musicianvoice.com\/index.php\/wp-json\/wp\/v2\/users\/5"}],"replies":[{"embeddable":true,"href":"https:\/\/musicianvoice.com\/index.php\/wp-json\/wp\/v2\/comments?post=68906"}],"version-history":[{"count":0,"href":"https:\/\/musicianvoice.com\/index.php\/wp-json\/wp\/v2\/posts\/68906\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/musicianvoice.com\/index.php\/wp-json\/wp\/v2\/media\/68907"}],"wp:attachment":[{"href":"https:\/\/musicianvoice.com\/index.php\/wp-json\/wp\/v2\/media?parent=68906"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/musicianvoice.com\/index.php\/wp-json\/wp\/v2\/categories?post=68906"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/musicianvoice.com\/index.php\/wp-json\/wp\/v2\/tags?post=68906"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}