{"id":69182,"date":"2026-07-24T13:33:36","date_gmt":"2026-07-24T13:33:36","guid":{"rendered":"https:\/\/musicianvoice.com\/index.php\/2026\/07\/24\/poisons-hit-cover-confused-co-writer-of-your-mama-dont-dance\/"},"modified":"2026-07-24T13:33:36","modified_gmt":"2026-07-24T13:33:36","slug":"poisons-hit-cover-confused-co-writer-of-your-mama-dont-dance","status":"publish","type":"post","link":"https:\/\/musicianvoice.com\/index.php\/2026\/07\/24\/poisons-hit-cover-confused-co-writer-of-your-mama-dont-dance\/","title":{"rendered":"Poison&#8217;s Hit Cover Confused Co-Writer of &#8216;Your Mama Don&#8217;t Dance&#8217;"},"content":{"rendered":"<p> <br \/>\n<\/p>\n<div>\n<p><a href=\"https:\/\/ultimateclassicrock.com\/tags\/poison\/\">Poison<\/a> helped Loggins and Messina&#8217;s &#8220;Your Mama Don&#8217;t Dance&#8221; return to the Top 10 in 1989 \u2013 but that left original co-writer and performer Jim Messina frankly confused. <\/p>\n<p>&#8220;I listened to it,&#8221; Messina tells two-time Grammy Award\u2013winning producer Pete Ganbar on the latest edition of <em><a href=\"https:\/\/lnk.to\/rrhspodcast\" target=\"_blank\">Rock and Roll High School<\/a><\/em>, &#8220;and thought, &#8216;Man, that doesn&#8217;t sound like the song I wrote.'&#8221;<\/p>\n<p>It&#8217;s understandable: Loggins and Messina were a Americana-leaning pop rock duo that Messina started with then-unknown <a href=\"https:\/\/ultimateclassicrock.com\/tags\/kenny-loggins\/\">Kenny Loggins<\/a> after stints in <a href=\"https:\/\/ultimateclassicrock.com\/tags\/buffalo-springfield\/\">Buffalo Springfield<\/a> and <a href=\"https:\/\/ultimateclassicrock.com\/tags\/poco\/\">Poco<\/a>. Poison was a glammed-up pop metal band with hooks almost as big as their teased-out hair.<\/p>\n<div class=\"single-post-image \">\n<figure class=\"img-tag has-sizer v3 aligncenter\">\n<div class=\"theframe \" data-loading=\"lazy\"><\/div><figcaption>Loggins and Messina&#8217;s &#8220;Your Mama Don&#8217;t Dance&#8221; hit the Top 10 twice. (Michael Ochs Archives, Getty Images \/ Columbia \/ Capitol)<\/figcaption><span class=\"visually-hidden\">Loggins and Messina&#8217;s &#8220;Your Mama Don&#8217;t Dance&#8221; hit the Top 10 twice. (Michael Ochs Archives, Getty Images \/ Columbia \/ Capitol)<\/span><\/figure>\n<\/div>\n<h3>How Jim Messina Began to Appreciate Poison<\/h3>\n<p>Loggins and Messina&#8217;s <a href=\"https:\/\/ultimateclassicrock.com\/loggins-and-messina-your-mama-dont-dance\/\">signature original version<\/a> of &#8220;Your Mama Don&#8217;t Dance,&#8221; from their self-titled 1972 album, was a gold-selling Top 4 smash. <em>Loggins and Messina<\/em> would become the second of three consecutive million-selling LPs. Poison&#8217;s No. 10 hit cover version ended up as the fourth hit single from their multi-platinum second album <em><a href=\"https:\/\/ultimateclassicrock.com\/poison-open-up-and-say-ahh\/\">Open Up and Say&#8230; Ahh!<\/a><\/em><\/p>\n<p>Messina decided to dig a little deeper. &#8220;I started listening to their other music and it dawned on me,&#8221; he said. &#8220;It&#8217;s about the art and depends on what your style is, your genre, however you do it.&#8221; <\/p>\n<p style=\"text-align:center\"><strong>Listen to Poison&#8217;s Cover of &#8216;Your Mama Don&#8217;t Dance&#8217;<\/strong><\/p>\n<p>He eventually came to appreciate Poison&#8217;s completely reinvented approach. &#8220;I realized their music had a genre like Picasso has his thing and Dali has his thing,&#8221; Messina said. &#8220;It&#8217;s about the art and then I really started appreciating how people record other people\u2019s music.&#8221;<\/p>\n<p><strong>READ MORE:<\/strong> <a href=\"https:\/\/ultimateclassicrock.com\/70s-bands-should-have-been-bigger\/\">Poco is One of Five \u201870s Bands Who Should Have Been Bigger<\/a><\/p>\n<p>Loggins and Messina split in 1976, and Loggins went on to <a href=\"https:\/\/ultimateclassicrock.com\/kenny-loggins-interview-danger-zone-2022\/\">solo superstardom<\/a>. Messina has since issued nine solo albums of his own, including 2025&#8217;s <em>Here, There and Everywhere<\/em>. His <a href=\"https:\/\/www.jimmessina.com\/tour\" target=\"_blank\">expansive tours<\/a> touch on every stage of his career. (See a complete list of confirmed dates, venues and cities below.)<\/p>\n<p>&#8220;At 78 years old, I&#8217;m singing sometimes five nights in a row,&#8221; Messina added. &#8220;I&#8217;m singing all the songs, not just half of the songs. I&#8217;m working harder now than I ever have in my life but I&#8217;m enjoying it.&#8221;<\/p>\n<p style=\"text-align:center\"><strong>Listen to Loggins and Messina&#8217;s &#8216;Your Mama Don&#8217;t Dance&#8217;<\/strong><\/p>\n<h3>Jim Messina 2026 Tour Dates<\/h3>\n<p>8\/25-26 \u2013 Minneapolis, MN @ Dakota<br \/>8\/28 \u2013 Skokie, IL @ North Shore Center for the Performing Arts<br \/>8\/29 \u2013 Edwardsville, IL @ Wildey Theatre<br \/>10\/1 \u2013 Buffalo, NY @ Buffalo State Performing Arts Center<br \/>10\/15 \u2013 Savannah, GA @ District Live at Plant Riverside District<br \/>10\/16 \u2013 Newberry, SC @ Newberry Opera House<br \/>11\/6 \u2013 Waynesboro, VA @ Wayne Theatre<br \/>11\/8 \u2013 Richmond, VA @ The Tin Pan<br \/>1\/7\/2027 \u2013 Oxford, AL @ Oxford Performing Arts Center<br \/>1\/14\/2027 \u2013 Clearwater, FL @ Bilheimer Capitol Theatre<\/p>\n<div class=\"photogallery-wrapper blog-photogallery \">\n<h2 class=\"photogallery-title\">The &#8217;80s Most Outrageous Rock Fashion<\/h2>\n<div class=\"photogallery-description\">\n<p>In the same way that ducktails defined the &#8217;50s and bell bottoms became shorthand for the &#8217;70s, neon-lit sartorial choices can be firmly placed in the Reagan years.<\/p>\n<\/div>\n<p class=\"photogallery-credit\">Gallery Credit: <a href=\"https:\/\/ultimateclassicrock.com\/author\/nickderiso\/\" target=\"_blank\">Nick DeRiso<\/a><\/p>\n<\/div>\n<p style=\"text-align:center\"><strong>Real-Life Spinal Tap Stories: Poison\u2019s Richie Kotzen<\/strong><\/p>\n<\/div>\n<p><script src=\"https:\/\/ultimateclassicrock.com\/rest\/carbon\/api\/scripts.js?mver=164&#038;gver=10&#038;bid=295&#038;urls[]=https%3A%2F%2Fbtloader.com%2Ftag%3Fo%3D5642230212591616%26upapi%3Dtrue&#038;urls[]=https%3A%2F%2Fcdn.p-n.io%2Fpushly-sdk.min.js%3Fdomain_key%3DmxuuNIMSzp6MHphJEoAGlLFQ3qmwQguzkGZl&#038;urls[]=https%3A%2F%2Ftownsquare.media%2Fpublic%2Fresources%2Fjs%2Fpubcid.min.js&#038;urls[]=https%3A%2F%2Fplatform.twitter.com%2Fwidgets.js&#038;urls[]=https%3A%2F%2Fapis.google.com%2Fjs%2Fplatform.js&#038;urls[]=https%3A%2F%2Fconnect.facebook.net%2Fen_US%2Fsdk.js&#038;urls[]=https%3A%2F%2Fassets.pinterest.com%2Fjs%2Fpinit.js\" type=\"text\/javascript\" async defer data-osano=\"ESSENTIAL\"><\/script><br \/>\n<br \/><br \/>\n<br \/><a href=\"https:\/\/ultimateclassicrock.com\/poison-your-mama-dont-dance-loggins-and-messina\/\">Source link <\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Poison helped Loggins and Messina&#8217;s &#8220;Your Mama Don&#8217;t Dance&#8221; return to the Top 10 in 1989 \u2013 but that left original co-writer and performer&#8230;<\/p>\n","protected":false},"author":3,"featured_media":69183,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[35],"tags":[],"class_list":["post-69182","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-rock","article","has-excerpt","has-avatar","has-author","has-date","has-comment-count","has-category-meta","has-read-more","thumbnail-"],"_links":{"self":[{"href":"https:\/\/musicianvoice.com\/index.php\/wp-json\/wp\/v2\/posts\/69182","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/musicianvoice.com\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/musicianvoice.com\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/musicianvoice.com\/index.php\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/musicianvoice.com\/index.php\/wp-json\/wp\/v2\/comments?post=69182"}],"version-history":[{"count":0,"href":"https:\/\/musicianvoice.com\/index.php\/wp-json\/wp\/v2\/posts\/69182\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/musicianvoice.com\/index.php\/wp-json\/wp\/v2\/media\/69183"}],"wp:attachment":[{"href":"https:\/\/musicianvoice.com\/index.php\/wp-json\/wp\/v2\/media?parent=69182"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/musicianvoice.com\/index.php\/wp-json\/wp\/v2\/categories?post=69182"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/musicianvoice.com\/index.php\/wp-json\/wp\/v2\/tags?post=69182"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}