{"id":69316,"date":"2026-07-27T15:12:29","date_gmt":"2026-07-27T15:12:29","guid":{"rendered":"https:\/\/musicianvoice.com\/index.php\/2026\/07\/27\/why-wont-we-admit-ella-langley-has-the-song-of-the-summer\/"},"modified":"2026-07-27T15:12:29","modified_gmt":"2026-07-27T15:12:29","slug":"why-wont-we-admit-ella-langley-has-the-song-of-the-summer","status":"publish","type":"post","link":"https:\/\/musicianvoice.com\/index.php\/2026\/07\/27\/why-wont-we-admit-ella-langley-has-the-song-of-the-summer\/","title":{"rendered":"Why Won&#8217;t We Admit Ella Langley Has the Song of the Summer?"},"content":{"rendered":"<p> <br \/>\n<\/p>\n<div>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\tIt\u2019s late July, the time of year when the days are long, the parents are restless, and everyone is consumed with a seasonal debate: What exactly is the <a href=\"https:\/\/www.rollingstone.com\/t\/song-of-the-summer\/\" id=\"auto-tag_song-of-the-summer\" data-tag=\"song-of-the-summer\">Song of the Summer<\/a>? Though this amorphous title isn\u2019t usually anointed until around Labor Day, the chatter starts almost as soon as the season heats up. In today\u2019s social media-centric, algorithm-driven market, however, it\u2019s harder than ever to reach consensus. Still, one thing seems pretty clear to me \u2014 <a href=\"https:\/\/www.rollingstone.com\/music\/music-country\/ella-langley-choosin-texas-may-tie-whitney-houston-1235593283\/\">Ella Langley\u2019s \u201cChoosin\u2019 Texas\u201d<\/a> is hands down the song of Summer 2026.<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\tSo, why aren\u2019t we admitting it yet?<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\tIf the song stays Number One on the Hot 100 this week, \u201cChoosin\u2019 Texas\u201d <a href=\"https:\/\/www.rollingstone.com\/music\/music-country\/ella-langley-choosin-texas-chart-record-whitney-houston-1235596043\/\">will surpass <\/a>Whitney Houston\u2019s \u201cI Will Always Love You\u201d and Mariah Carey\u2019s \u201cWe Belong Together\u201d as the only non-holiday song by a woman to hold the top spot for more than 15 weeks. According to the <a rel=\"noreferrer noopener\" target=\"_blank\" href=\"https:\/\/www.billboard.com\/charts\/summer-songs\/\"><em>Billboard<\/em> Summer Songs Chart,<\/a> it\u2019s already the clear winner, with Drake and Taylor Swift trailing behind. Langley\u2019s defining hit is still viral on TikTok, and it\u2019s on both country radio and the dance floor \u2014 even <a href=\"https:\/\/holler.country\/news\/breaking\/drake-plays-ella-langleys-choosin-texas-in-the-club-weeks-after-she-blocked-him-on-the-charts\/\" target=\"_blank\" rel=\"noreferrer noopener nofollow\">Drake<\/a>, one of Langley\u2019s competitors for this year\u2019s title, played it himself during a DJ set, while others have been offering up <a href=\"https:\/\/www.instagram.com\/reels\/DU3mx5WD-KW\/\" target=\"_blank\" rel=\"noreferrer noopener nofollow\">their own remixed takes.<\/a><\/p>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\tBut even if you leave all of the pervasive data behind \u2014 after all, Song of the Summer runs as much on vibes as anything else \u2014 \u201cChoosin\u2019 Texas\u201d still should lay claim to the spot. With its relaxed dancehall melody, catchy guitar lick, and Langley\u2019s buttery twang, it just <em>feels<\/em> good. And that\u2019s what a true summer song should be. A singable, danceable, and drink-to-able jam that makes you forget about your troubles, roll the windows down (global warming be damned!), and pour a cold one any time it comes on the radio or your playlist. At the end of the day, <a rel=\"noreferrer noopener nofollow\" target=\"_blank\" href=\"https:\/\/www.berklee.edu\/berklee-now\/news\/what-makes-a-song-a-song-of-the-summer\">it\u2019s about nostalgia<\/a>. That a Song of the Summer can capture a sort of bygone, bittersweet feeling of ephemeral youth is just as important as being a nightclub staple.<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\tYet many online Song of the Summer lists don\u2019t even include \u201cChoosin\u2019 Texas.\u201d It\u2019s not a contender <a rel=\"noreferrer noopener nofollow\" data-id=\"https:\/\/www.forbes.com\/sites\/desjahaltvater\/2026\/07\/06\/10-songs-that-are-shaping-the-sound-of-summer-2026\/\" target=\"_blank\" data-type=\"link\" href=\"https:\/\/www.forbes.com\/sites\/desjahaltvater\/2026\/07\/06\/10-songs-that-are-shaping-the-sound-of-summer-2026\/\">here<\/a>, <a rel=\"noreferrer noopener nofollow\" target=\"_blank\" href=\"https:\/\/www.complex.com\/music\/a\/dimassanfiorenzo\/summer-2026-hit-songs-ranked\">nor is it one here.<\/a> Or <a rel=\"noreferrer noopener nofollow\" target=\"_blank\" href=\"https:\/\/www.thefader.com\/2026\/06\/10\/15-picks-for-song-of-the-summer-2026\">here<\/a>. While \u201cChoosin\u2019 Texas\u201d is in the running in plenty of other conversations, it seems like a song this omnipresent should have been crowned the warm-weather champ by now. In 2024, <em><a rel=\"noreferrer noopener nofollow\" target=\"_blank\" href=\"https:\/\/www.theguardian.com\/music\/article\/2024\/jun\/09\/frothy-fun-and-hard-to-resist-is-sabrina-carpenters-espresso-the-song-of-the-summer\">The Guardian<\/a><\/em><a href=\"https:\/\/www.theguardian.com\/music\/article\/2024\/jun\/09\/frothy-fun-and-hard-to-resist-is-sabrina-carpenters-espresso-the-song-of-the-summer\" rel=\"nofollow\" target=\"_blank\"> <\/a><a href=\"https:\/\/www.theguardian.com\/music\/article\/2024\/jun\/09\/frothy-fun-and-hard-to-resist-is-sabrina-carpenters-espresso-the-song-of-the-summer\" target=\"_blank\" rel=\"noreferrer noopener nofollow\">was already anointing \u201cEspresso\u201d<\/a> with the title in June. It\u2019s hard not to wonder if the inherent countryness of \u201cChoosin\u2019 Texas\u201d leaves some list-makers and critics hesitant to hop onboard.<\/p>\n<section class=\"brands-most-popular \/\/ editors-pick-module lrv-u-margin-tb-2 lrv-u-border-a-2 u-box-shadow-5-5 lrv-u-padding-lr-1 a-span1 u-padding-b-1@tablet u-overflow-hidden\">\n<h2 id=\"section-heading\" class=\"c-heading larva  lrv-u-text-align-center u-border-color-black a-font-theme-primary-xxs lrv-u-color-black lrv-u-text-transform-uppercase u-letter-spacing-0063 lrv-u-padding-t-050 u-padding-b-0375@tablet lrv-u-padding-b-050@mobile-max lrv-u-border-b-2\">\n<p>\t\tEditor\u2019s picks<\/p>\n<\/h2>\n<\/section>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\tAfter all, there\u2019s arguably never been a Song of the Summer contender that sounds <em>this<\/em> country. While Lil Nas X\u2019s \u201cOld Town Road,\u201d Morgan Wallen\u2019s \u201cLast Night,\u201d and the Wallen\/Post Malone collab \u201cI Had Some Help\u201d have all taken the title in recent years, they contain just as many pop signifiers as they do anything distinctly country. And no woman has ever had a country song dubbed \u201cSong of the Summer\u201d in the existence of <em>Billboard\u2019s<\/em> tracking, which dates back until 1958. Not Taylor Swift, not Shania Twain.<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\t\u201cChoosin\u2019 Texas\u201d is all of these things: as country as can be, and sung by a woman. And, above all, it feels like a summer song. It\u2019s breezy, catchy, feel-good with a throwback melody that satisfies that nostalgic itch. But the bias against <a href=\"https:\/\/www.rollingstone.com\/t\/country-music\/\" id=\"auto-tag_country-music\" data-tag=\"country-music\">country music<\/a> \u2014 despite its rising popularity \u2014 still reigns. The cultural kiss-off of \u201cI listen to everything but country\u201d has yet to die, and remains a surefire way to demonstrate not just a musical taste but a position of class (\u201cAnything but Country\u201d is the title of a whole chapter of Nadine Hubbs\u2019 book <em>Rednecks, Queers &amp; Country Music<\/em>, which analyzes this in detail).<\/p>\n<section class=\"brands-most-popular \/\/ recirculation-modules trending-in-article lrv-u-margin-tb-2 lrv-u-border-a-2 u-box-shadow-5-5 lrv-u-padding-lr-1 a-span1 u-padding-b-1@tablet u-overflow-hidden\">\n<h2 id=\"section-heading\" class=\"c-heading larva  lrv-u-text-align-center u-border-color-black a-font-theme-primary-xxs lrv-u-color-black lrv-u-text-transform-uppercase u-letter-spacing-0063 lrv-u-padding-t-050 u-padding-b-0375@tablet lrv-u-padding-b-050@mobile-max lrv-u-border-b-2\">\n<p>\t\tTrending Stories<\/p>\n<\/h2>\n<\/section>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\tLangley has also not signified her own personal politics, which is one of the only reliable ways a country artist can surpass the stereotypical coastal assumptions about their music. But the chorus of \u201cChoosin\u2019 Texas\u201d? That seems like something that everyone can agree on.<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\tOnline, offline, young and old, in the car and at the club, the song, written by Langley, Miranda Lambert, Luke Dick, and Joybeth Taylor, has been unbeatable since its release last October. So, I\u2019ve seen and heard enough: \u201cChoosin\u2019 Texas\u201d is the Song of the Summer, a country song with steel guitar and mandolin that mentions not one but two Southern states, sung by a female artist from Alabama. In a divided world, maybe choosin\u2019 to admit it can actually do us all a lot of good.<\/p>\n<\/div>\n<p><script async src=\"\/\/www.instagram.com\/embed.js\"><\/script><br \/>\n<br \/><br \/>\n<br \/><a href=\"https:\/\/www.rollingstone.com\/music\/music-features\/ella-langley-choosin-texas-song-of-the-summer-2026-1235598551\/\">Source link <\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>It\u2019s late July, the time of year when the days are long, the parents are restless, and everyone is consumed with a seasonal debate:&#8230;<\/p>\n","protected":false},"author":5,"featured_media":69317,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[36],"tags":[],"class_list":["post-69316","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-pop","article","has-excerpt","has-avatar","has-author","has-date","has-comment-count","has-category-meta","has-read-more","thumbnail-"],"_links":{"self":[{"href":"https:\/\/musicianvoice.com\/index.php\/wp-json\/wp\/v2\/posts\/69316","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/musicianvoice.com\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/musicianvoice.com\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/musicianvoice.com\/index.php\/wp-json\/wp\/v2\/users\/5"}],"replies":[{"embeddable":true,"href":"https:\/\/musicianvoice.com\/index.php\/wp-json\/wp\/v2\/comments?post=69316"}],"version-history":[{"count":0,"href":"https:\/\/musicianvoice.com\/index.php\/wp-json\/wp\/v2\/posts\/69316\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/musicianvoice.com\/index.php\/wp-json\/wp\/v2\/media\/69317"}],"wp:attachment":[{"href":"https:\/\/musicianvoice.com\/index.php\/wp-json\/wp\/v2\/media?parent=69316"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/musicianvoice.com\/index.php\/wp-json\/wp\/v2\/categories?post=69316"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/musicianvoice.com\/index.php\/wp-json\/wp\/v2\/tags?post=69316"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}