{"id":69478,"date":"2026-07-29T15:29:38","date_gmt":"2026-07-29T15:29:38","guid":{"rendered":"https:\/\/musicianvoice.com\/index.php\/2026\/07\/29\/black-sabbaths-tony-iommi-talks-from-the-dark-solo-album-ozzy\/"},"modified":"2026-07-29T15:29:38","modified_gmt":"2026-07-29T15:29:38","slug":"black-sabbaths-tony-iommi-talks-from-the-dark-solo-album-ozzy","status":"publish","type":"post","link":"https:\/\/musicianvoice.com\/index.php\/2026\/07\/29\/black-sabbaths-tony-iommi-talks-from-the-dark-solo-album-ozzy\/","title":{"rendered":"Black Sabbath&#8217;s Tony Iommi Talks &#8216;From the Dark&#8217; Solo Album, Ozzy"},"content":{"rendered":"<p> <br \/>\n<\/p>\n<div>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\tSometimes <a href=\"https:\/\/www.rollingstone.com\/t\/tony-iommi\/\" id=\"auto-tag_tony-iommi\" data-tag=\"tony-iommi\">Tony Iommi<\/a> needs to remind himself to write songs that sound a little more upbeat. \u201cI tend to always start off with the doomy stuff,\u201d the former <a href=\"https:\/\/www.rollingstone.com\/t\/black-sabbath\/\" id=\"auto-tag_black-sabbath\" data-tag=\"black-sabbath\">Black Sabbath<\/a> guitarist says with a chuckle on a phone call from his home in England. \u201cIt always has been that way. I just get absorbed with doomy riffs. It\u2019s a feeling I get when I play something heavy and powerful. I still like the up-tempo stuff, of course, though.\u201d<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\t\u201cWorld Alone,\u201d the first single off <em>From the Dark<\/em>, Iommi\u2019s upcoming solo album \u2014 his first in more than two decades, due Oct. 23 \u2014 is decidedly up-tempo. But it\u2019s still heavy. The song finds the guitarist, 78, playing a walloping riff and a snarling solo, recalling Black Sabbath\u2019s cutting <em>Mob Rules <\/em>album but with a unique, modern twist thanks to vocalist J\u00f8rn Lande\u2019s gutsy wailing and apocalyptic lyrics. The song and the seven others on the album, which only sound heavier and more menacing, show how Iommi is doing his own thing apart from Black Sabbath\u2019s legacy but still staying within the doomy world of sound he began constructing nearly 60 years ago.<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\tOver the past year, ever since Black Sabbath played their final gig at <a href=\"https:\/\/www.rollingstone.com\/t\/ozzy-osbourne\/\" id=\"auto-tag_ozzy-osbourne\" data-tag=\"ozzy-osbourne\">Ozzy Osbourne<\/a>\u2018s <a data-id=\"https:\/\/www.rollingstone.com\/music\/music-live-reviews\/ozzy-osbourne-black-sabbath-back-to-the-beginning-concert-1235379405\/\" data-type=\"link\" href=\"https:\/\/www.rollingstone.com\/music\/music-live-reviews\/ozzy-osbourne-black-sabbath-back-to-the-beginning-concert-1235379405\/\">farewell concert<\/a>, Back to the Beginning, Iommi has kept a mostly low profile. That\u2019s because he\u2019s been fine-tuning ideas he\u2019d been honing for at least half a decade. The seeds for the album sprang from two instrumental songs, 2021\u2019s <a href=\"https:\/\/www.rollingstone.com\/music\/music-features\/tony-iommi-interview-scent-of-dark-black-sabbath-1261643\/\">\u201cScent of Dark\u201d<\/a> and 2024\u2019s <a href=\"https:\/\/www.rollingstone.com\/music\/music-news\/tony-iommi-deified-1235068753\/\">\u201cDeified,\u201d<\/a> that he recorded to release along with his own designer perfume. As the songs came together, he felt like he wanted a proper, well-rounded band backing him for this outing.<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\tHis first solo album was 2000\u2019s <em>Iommi<\/em>, if you don\u2019t count 1986\u2019s <em>Seventh Star<\/em>, which was a solo album that Black Sabbath\u2019s record label credited to the band, or the string of Sabbath albums on which Iommi was the only original member. The <em>Iommi <\/em>album featured singers such as Billy Corgan and Henry Rollins and various backing musicians on each track, while <em>The 1996 DEP Sessions <\/em>(2004) and <em>Fused <\/em>(2005) both featured former Deep Purple frontman Glenn Hughes singing.<\/p>\n<section class=\"brands-most-popular \/\/ editors-pick-module lrv-u-margin-tb-2 lrv-u-border-a-2 u-box-shadow-5-5 lrv-u-padding-lr-1 a-span1 u-padding-b-1@tablet u-overflow-hidden\">\n<h2 id=\"section-heading\" class=\"c-heading larva  lrv-u-text-align-center u-border-color-black a-font-theme-primary-xxs lrv-u-color-black lrv-u-text-transform-uppercase u-letter-spacing-0063 lrv-u-padding-t-050 u-padding-b-0375@tablet lrv-u-padding-b-050@mobile-max lrv-u-border-b-2\">\n<p>\t\tEditor\u2019s picks<\/p>\n<\/h2>\n<\/section>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\tFor <em>From the Dark<\/em>, which Iommi co-produced with his longtime collaborator and engineer Mike Exeter, the guitarist opted for musicians who aren\u2019t household names. In addition to Lande, the dramatically expressive Norwegian vocalist whose credits include albums with Masterplan and Ark, <em>From the Dark<\/em> features bassist Becky Baldwin and drummer Karl Brazil; Exeter plays keys. Queen guitarist Brian May plays a guest solo on the doomy \u201cDeath Wake.\u201d Other standouts include \u201cLegacy\u201d and \u201cStormwatcher,\u201d which bear Iommi\u2019s signature dusky sounds.<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\tThe guitarist announced the album on Wednesday at <a rel=\"noreferrer noopener nofollow\" target=\"_blank\" href=\"https:\/\/www.youtube.com\/live\/wnbYy-eZIxQ\">a livestreamed event<\/a> in his hometown of Birmingham, England, where he debuted the movie-like video for \u201cWorld Alone,\u201d but <em>Rolling Stone <\/em>spoke to him earlier in July about how it came together and all that has happened since Back to the Beginning.<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\t<strong>Why was it important for you to do a solo album and not call it \u201cBlack Sabbath\u201d?<\/strong><br \/>Well, Black Sabbath\u2019s now finished as far as the band goes, really. Obviously, the last stuff was with Ozz. Anything I\u2019d do with Black Sabbath would just be me, and I don\u2019t want to do that again. We\u2019ve been there and done that.<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\t<strong>How did you connect with vocalist J\u00f8rn Lande for this album?<\/strong><br \/>We\u2019ve worked with him before. When we\u2019d done the Dio tribute after <a href=\"https:\/\/www.rollingstone.com\/music\/music-news\/metal-icon-ronnie-james-dio-dead-at-67-after-cancer-battle-94545\/\" data-type=\"link\" data-id=\"https:\/\/www.rollingstone.com\/music\/music-news\/metal-icon-ronnie-james-dio-dead-at-67-after-cancer-battle-94545\/\">Ronnie<\/a> passed away, we had J\u00f8rn come and sing <a rel=\"noreferrer noopener nofollow\" target=\"_blank\" href=\"https:\/\/www.youtube.com\/watch?v=RNcbu5a482I\">a couple of songs<\/a> with us at the tribute, and I really liked his voice. So, I thought, \u201cWell, I\u2019d like to use him.\u201d I liked his voice. I mean, you could go and pick some named people, but I\u2019ve done that.<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\t<strong>How did \u201cWorld Alone\u201d come together?<\/strong><br \/>I tend to go right into all the doomy stuff, and I thought, \u201cWell, we could do something with an up-tempo riff, as well.\u201d When I\u2019d done that, and then I heard the melody he\u2019d done, it all worked.<\/p>\n<section class=\"brands-most-popular \/\/ recirculation-modules lrv-u-margin-tb-2 lrv-u-border-a-2 u-box-shadow-5-5 lrv-u-padding-lr-1 a-span1 u-padding-b-1@tablet u-overflow-hidden\">\n<h2 id=\"section-heading\" class=\"c-heading larva  lrv-u-text-align-center u-border-color-black a-font-theme-primary-xxs lrv-u-color-black lrv-u-text-transform-uppercase u-letter-spacing-0063 lrv-u-padding-t-050 u-padding-b-0375@tablet lrv-u-padding-b-050@mobile-max lrv-u-border-b-2\">\n<p>\t\tRelated Content<\/p>\n<\/h2>\n<\/section>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\t<strong>What was the idea behind the video?<\/strong><br \/>I didn\u2019t want to do a video with all the band. I didn\u2019t even really, to be honest, want to do a video. But they did it. It\u2019s sort of like a movie, really. And I appear a couple of times standing there playing. But I just didn\u2019t want to go the old route of all the bands standing there playing and doing one of them. That\u2019s been done a hundred times.<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\tI\u2019m not really into doing videos myself anyway because I always look \u2026 I\u2019m boring. I\u2019m just standing there playing. Nothing else I can do. I can\u2019t jump around or leap around or anything. I\u2019m too old for that [<em>laughs<\/em>]. But I think the guys that made it did a good job.<\/p>\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube\">\n<p>\n<span class=\"embed-youtube\" style=\"text-align:center; display: block;\"><iframe loading=\"lazy\" title=\"Tony Iommi \u2013 World Alone (Official Video)\" width=\"1200\" height=\"675\" src=\"https:\/\/www.youtube.com\/embed\/IddUJxhDgZk?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe><\/span>\n<\/p>\n<\/figure>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\t<strong>Did you give J\u00f8rn any direction for the lyrics at all for the album?<\/strong><br \/>No, I didn\u2019t give him any lyrical ideas at all. With a singer, it\u2019s good if they can do their own stuff because when they\u2019ve got to sing it, they can put it over better. It\u2019s like with Ronnie \u2014 when he used to write the lyrics, there\u2019s certain words that he could really get powerful on. And I think it\u2019s the same with J\u00f8rn.<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\t<strong>Some of his lyrics describe nuclear apocalypses. What strikes you when you listened to them?<br \/><\/strong>My first thought was, \u201cGod, this is really sort of heavy, but it\u2019s things that\u2019s happening.\u201d It\u2019s what\u2019s happening today in the world, really. Much like with the old Sabbath stuff, when we did \u201cWar Pigs\u201d; that is happening today. What J\u00f8rn has done in this with the nuclear stuff and everything that\u2019s happening, it\u2019s pretty grim, really.<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\t<strong>Are the riffs on the album new or were they ideas you\u2019d been holding onto?<\/strong><br \/>No, they\u2019ve all been new. The thing is, I\u2019ve got loads of riffs on CDs, cassettes, and all sorts of stuff. But by the time I\u2019ve gone back to try and find something on them, I\u2019ve come up with something new.<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\t<strong>How do you get in the mood to write? Do you have candles burning?<\/strong><br \/>Occasional candles burning, yeah [<em>laughs<\/em>]. I generally go in the studio and just play for a bit. And if nothing happens, I\u2019ll leave it. I don\u2019t push it. But generally, I\u2019ll come up with something.<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\tNormally when you do an album, you\u2019re working every day, and you\u2019ve got to do the album in a certain time because you\u2019re under pressure; you\u2019re either touring, or you\u2019ve got to record it or whatever. But I\u2019m not in that situation. I\u2019ve been able to just take me time and live with the stuff.<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\t<strong>Do you have to push yourself to write up-tempo songs like \u201cWorld Alone\u201d?<\/strong><br \/>Not really. But I do remind myself [to write them]. When I heard [the rest of] what we\u2019ve got I thought, \u201cWell, we need to have some up-tempo tracks and a mid-tempo track just to balance off the album, really.\u201d<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\tI did have a couple of acoustic things, but I\u2019ve not used them. I thought I\u2019d keep the album like it is. And not only that, it\u2019s already quite long. We wouldn\u2019t be able to fit them on.<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\t<strong>Speaking of acoustic playing, I was pleasantly surprised by the acoustic solo in the middle of \u201cLegacy.\u201d<\/strong><br \/>I like to do something you don\u2019t really expect. And to be honest, I hate playing acoustic. I\u2019m not very good at playing acoustic. But on that bit, I just thought it would be nice and different.<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\t<strong>My favorite riff on the album is in the beginning of \u201cDeath Wake.\u201d You hold out a note and it kind of shudders, like creaking wood.<\/strong><br \/>Yes, it\u2019s a weird riff. I like that track as well. I like anything doom. Of course, I got Brian May on it playing the solo on that one.<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\t<strong>You\u2019ve been close friends with Brian May for decades. When and how did you first meet?<\/strong><br \/>In the very early Seventies, he was in one studio, and I was in another. And we just hit it off. We\u2019ve been friends for, God, nearly 60 years.<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\tWe stay in touch all the time. He\u2019s played onstage a couple of times with me, and then we\u2019ve done a couple of album tracks we played on together. He\u2019s a very, very close friend.<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\t<strong>Does he play on other songs on the album?<\/strong><br \/>No. I did say to him, \u201cDo you want to play on something else?\u201d He said, \u201cNo, no. Your solos are good. I don\u2019t need to play.\u201d<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\tBut it was great that he did. I just played him a couple of things, and he\u2019d done it here at the studio in my house. Then of course he\u2019d play something and go, \u201cOh, I don\u2019t know about it.\u201d I go, \u201cI like it.\u201d<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\t<strong>Are there other guests on the album?<\/strong><br \/>No, because I wanted to keep it basically like a band. I wanted to use the same people.<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\t<strong>How did you find the drummer on the album, Karl Brazil?<\/strong><br \/>It\u2019s strange, really. I\u2019ve got a house by the beach, which we go down to now and again. I was walking along the perimeter of the beach, and this guy come up to me and said, \u201cOh, Tony, hello.\u201d And I thought he\u2019s just a fan. And he said, \u201cWe\u2019ve got a mutual friend. Mike Exeter is my engineer. I\u2019m Robbie Williams\u2019 drummer.\u201d Then Mike, my engineer, he said, \u201cOh, yeah, he\u2019s a good drummer, Karl.\u201d<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\tI used him on one of my instrumental tracks with the perfume thing I did. And then I thought it\u2019d be nice to use him on the album because he\u2019s a good player. Also, he\u2019s from Birmingham, which is really good because I wanted to try and keep it local.<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\t<strong>I\u2019ve been curious how your Robbie Williams collaboration, <\/strong><a href=\"https:\/\/www.youtube.com\/watch?v=YfAFBOECxw4\" target=\"_blank\" rel=\"noreferrer noopener nofollow\"><strong>the song \u201cRocket,\u201d<\/strong><\/a><strong>came together, since it was surprising.<\/strong><br \/>It surprised me as well. It was weird just when they asked if I\u2019d play on a track with him. I didn\u2019t realize he was going to release it as a single. Then he wanted to do a video of song. So I did that with him. And it was very good. It was very different for me to do, and I enjoyed it.<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\t<strong>What do you like about the bassist, Becky Baldwin, who plays in Mercyful Fate and Fury?<br \/><\/strong>Becky lives in Birmingham, and she\u2019s a really good player. And she\u2019s certainly a fan of Geezer [Butler, Black Sabbath\u2019s bassist], and she plays in Geezer\u2019s style. And that\u2019s what I wanted. She\u2019s really good.<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\t<strong>Had you considered working with Geezer on this album?<\/strong><br \/>I wanted him to play on this album, but he couldn\u2019t do it. He\u2019s doing his own album, I think. Or at the time, something happened there, so he couldn\u2019t come to England. I wanted to get it done and finally get it out, really. Because Becky\u2019s, as I say, a fan of Geezer, and she plays in that style, I though let\u2019s give it a try. And she was good.<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\t<strong>Speaking of Geezer, there\u2019s been a lot of talk in the last year about a legal battle holding up the release of Black Sabbath\u2019s earliest recordings, when you were still called Earth. Now that <\/strong><a href=\"https:\/\/www.rollingstone.com\/music\/music-news\/black-sabbath-settle-dispute-earth-demos-ownership-1235553436\/\"><strong>you have the rights to them<\/strong><\/a><strong>, will they come out?<\/strong><br \/>They will come out at some point. It\u2019s weird when you hear stuff from so long ago, and all these things crop up that you forgot about.<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\t<strong>What struck you when you listened to the recordings again for the first time in decades?<\/strong><br \/>The sound and everything. Bloody hell, we\u2019d done it in a little studio. But it was fun to hear them, actually. I sat listening to them all, and it was good because there\u2019s some jazzy stuff and bluesy stuff we done on them where we just used to jam. On a lot of the jams, it was all guitar, and I forgot about half of that. I can\u2019t play that now.<\/p>\n<div class=\"post-content-image \/\/  \">\n<figure class=\"o-figure   size-large alignnone lrv-u-max-width-100p\" style=\"width:1024px\">\n<div class=\"c-lazy-image  lrv-u-border-a-2\">\n<div class=\"lrv-a-crop-16x9\" style=\"padding-bottom:calc((683\/1024)*100%);\">\n<p>\t\t\t\t\t\t<\/p><\/div>\n<\/p><\/div><figcaption class=\"c-figcaption  lrv-u-flex lrv-u-flex-direction-column lrv-u-align-items-center\">\n<p>\t\t\t\t\t<span class=\"u-border-color-black u-border-lr-2 lrv-u-padding-tb-025 lrv-u-padding-lr-075 lrv-u-border-b-2 lrv-u-width-100p lrv-u-text-align-center a-font-basic-secondary-s\">Iommi and Ozzy Osbourne, 2016.  <\/span><\/p>\n<p>\t\t\t\t\t\t\t\t\t<cite class=\"lrv-u-text-transform-uppercase lrv-a-font-body-xs lrv-u-margin-t-050 lrv-u-text-align-center\">Kevin Mazur\/WireImage<\/cite><\/p>\n<\/figcaption><\/figure>\n<\/div>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\t<strong>Are you satisfied with Black Sabbath\u2019s legacy being done?<\/strong><br \/>Yeah. The legacy\u2019s been fantastic, really. I think it was a good thing to finish off when we did the Back to the Beginning one, because all the bands who were fans of Sabbath came onto that show, which was just brilliant. And it was so nice of them to all put themselves out to come and play on the same show and no egos or anything. Everybody just got on with it and played. It was great for a final thing with Sabbath to take it together as the original band and finish it off as it should.<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\t<strong>How did doing that last performance feel for you?<br \/><\/strong>On the night, it felt very strange for me because obviously we\u2019d never been onstage with Ozzy in a throne before, sitting down. He was always jumping around, pulling faces, and making me and Geezer laugh. But on this occasion, I couldn\u2019t see him because he\u2019s in that throne at the front.<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\tObviously, we hadn\u2019t played with Bill [Ward, Black Sabbath\u2019s drummer] for 20 years, so Bill wanted me to stand back by him just because he was unsure of some bits. And so I did.<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\t<strong>When I watched it, I found it to be a very emotional performance.<\/strong><br \/>It was. It really was. Of course, nobody knew Ozzy was going to go not long afterwards either. I knew he weren\u2019t well, but I didn\u2019t expect it to happen that quick.<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\t<strong>Were you able to say goodbye?<\/strong><br \/>He texted me the night before, funny enough, and said he weren\u2019t feeling great and so on. But obviously, most of our conversations to each other have been, \u201cHow are you feeling? How\u2019s this? How\u2019s that?\u201d And so it was just another conversation. I didn\u2019t expect him to go overnight. Blimey. It was a hell of a shock, really.<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\t<strong>He told me in interviews how meaningful it was to him that you were supportive of him as he healed up in recent years.<\/strong><br \/>Well, we did stay in touch a lot. And he was going through so many different things and constantly in and out of hospital and having this done and that done. And again, he stood by me when I was <a href=\"https:\/\/www.rollingstone.com\/music\/music-news\/black-sabbath-guitarist-tony-iommis-cancer-in-remission-118228\/\">diagnosed with cancer<\/a>. He called me every day. So we\u2019ve been supportive of each other. I do miss our conversations.<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\t<strong>How have you handled the last year without him?<\/strong><br \/>It\u2019s been really strange. I still don\u2019t feel like he\u2019s gone because when I look on YouTube or whatever, there\u2019s something to do with Ozzy, and I see him again and again. It\u2019s almost like he\u2019s still here. It\u2019s really peculiar. Only, we were in touch so many times. That\u2019s what I miss.<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\t<strong>How has your health been?<\/strong><br \/>OK, I hope. I still go in regularly for checkups. Doing this album now, it gave me time to be able to do stuff. Monday and Tuesday, we\u2019d always book [time with Mike Exeter] to work here at my house [studio]. But on a Monday or Tuesday, it\u2019d always be I had to go to hospital for a visit. They wanted to do this or do that. It just always seemed to fall on a Monday or a Tuesday. But we managed to get it done.<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\t<strong>Do you have more material? Should we expect another solo album like this in the near future?<\/strong><br \/>I hope so. I just enjoy doing it. It\u2019s what I\u2019ve always done.<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\tI\u2019m not into just retiring and sitting back and doing nothing. I have to do something, and music is the only thing I know what to do. I like creating it. I think it\u2019s good for your mind, as well, to be able to make things up and come up with ideas.<\/p>\n<section class=\"brands-most-popular \/\/ recirculation-modules trending-in-article lrv-u-margin-tb-2 lrv-u-border-a-2 u-box-shadow-5-5 lrv-u-padding-lr-1 a-span1 u-padding-b-1@tablet u-overflow-hidden\">\n<h2 id=\"section-heading\" class=\"c-heading larva  lrv-u-text-align-center u-border-color-black a-font-theme-primary-xxs lrv-u-color-black lrv-u-text-transform-uppercase u-letter-spacing-0063 lrv-u-padding-t-050 u-padding-b-0375@tablet lrv-u-padding-b-050@mobile-max lrv-u-border-b-2\">\n<p>\t\tTrending Stories<\/p>\n<\/h2>\n<\/section>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\t<strong>Will you be performing live with the solo band?<\/strong><br \/>There\u2019s no plans for anything. I just take it as it comes now. That\u2019s the good thing. You can sort of pick and choose: \u201cDo I want to do that? Or is there an offer to do that?\u201d<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\t<strong>What\u2019s next for you, then?<\/strong><br \/>Well, I\u2019ve done a couple of instrumentals, which I was going to put on this album, but I didn\u2019t because we didn\u2019t have enough space. So I might put those out somewhere along the line on an album, but I\u2019m going to continue writing and seeing what happens. There\u2019s always things that keep popping up to do \u2014 a bit for movies or anything, really, that just comes out of the blue \u2014\u00a0and then you say, \u201cOh, that\u2019s a good idea.\u201d And then I\u2019ll have a go at it. I\u2019m not ready to go away yet.<\/p>\n<\/div>\n<p><br \/>\n<br \/><a href=\"https:\/\/www.rollingstone.com\/music\/music-features\/tony-iommi-from-the-dark-interview-black-sabbath-ozzy-1235599849\/\">Source link <\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Sometimes Tony Iommi needs to remind himself to write songs that sound a little more upbeat. \u201cI tend to always start off with the&#8230;<\/p>\n","protected":false},"author":5,"featured_media":69479,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[36],"tags":[],"class_list":["post-69478","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-pop","article","has-excerpt","has-avatar","has-author","has-date","has-comment-count","has-category-meta","has-read-more","thumbnail-"],"_links":{"self":[{"href":"https:\/\/musicianvoice.com\/index.php\/wp-json\/wp\/v2\/posts\/69478","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/musicianvoice.com\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/musicianvoice.com\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/musicianvoice.com\/index.php\/wp-json\/wp\/v2\/users\/5"}],"replies":[{"embeddable":true,"href":"https:\/\/musicianvoice.com\/index.php\/wp-json\/wp\/v2\/comments?post=69478"}],"version-history":[{"count":0,"href":"https:\/\/musicianvoice.com\/index.php\/wp-json\/wp\/v2\/posts\/69478\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/musicianvoice.com\/index.php\/wp-json\/wp\/v2\/media\/69479"}],"wp:attachment":[{"href":"https:\/\/musicianvoice.com\/index.php\/wp-json\/wp\/v2\/media?parent=69478"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/musicianvoice.com\/index.php\/wp-json\/wp\/v2\/categories?post=69478"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/musicianvoice.com\/index.php\/wp-json\/wp\/v2\/tags?post=69478"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}