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\n\tIt\u2019s easy to associate Daniel Lanois<\/a> with a distinct sonic approach shared by many of the classic albums he helped birth, from Emmylou Harris<\/a>\u2018 Wrecking Ball<\/em> to Bob Dylan<\/a>\u2018s Time Out of Mind<\/em>. The Canadian producer\/musician creates songs that feel like they\u2019re haunted by their own ghosts, laced with intertwining echoes, tiny sonic fractures, and a palpable sense of place. But in the new episode of Rolling Stone Music Now, <\/em>Lanois says his job is much bigger than that. \u201cPeople talk about the sound, but what about the soul?\u201d he says. \u201cThe sound of a record, well, that\u2019s a given\u2026 But how about the soul of a record? Sound is my thing. But that\u2019s not the main <\/em>thing that I bring to the table.\u201d<\/p>\n \n