{"id":69946,"date":"2026-08-05T15:15:33","date_gmt":"2026-08-05T15:15:33","guid":{"rendered":"https:\/\/musicianvoice.com\/index.php\/2026\/08\/05\/koe-wetzel-reunites-with-his-favorite-duet-partner-ella-langley\/"},"modified":"2026-08-05T15:15:33","modified_gmt":"2026-08-05T15:15:33","slug":"koe-wetzel-reunites-with-his-favorite-duet-partner-ella-langley","status":"publish","type":"post","link":"https:\/\/musicianvoice.com\/index.php\/2026\/08\/05\/koe-wetzel-reunites-with-his-favorite-duet-partner-ella-langley\/","title":{"rendered":"Koe Wetzel Reunites With His Favorite Duet Partner: Ella Langley"},"content":{"rendered":"<p> <br \/>\n<\/p>\n<div>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\t<a href=\"https:\/\/www.rollingstone.com\/t\/koe-wetzel\/\" id=\"auto-tag_koe-wetzel\" data-tag=\"koe-wetzel\">Koe Wetzel<\/a> took a spin through the final mix of \u201cJaded\u201d and smiles. \u201cYeah, for sure,\u201d he says to his producer. The East Texas troubadour has been teasing the song almost from the moment he released <em>The Night Champion<\/em> in June, and for good reason: His favorite duet partner is back.<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\t<a href=\"https:\/\/www.rollingstone.com\/t\/ella-langley\/\" id=\"auto-tag_ella-langley\" data-tag=\"ella-langley\">Ella Langley<\/a>, whose twangy \u201cChoosin\u2019 Texas\u201d has been making history on the charts all summer long, collaborated with Wetzel on \u201cJaded,\u201d a funky disco two-step tale of two lovers both wanting to know how the other became so jaded. The single drops on Friday via Columbia records. \u201cJaded\u201d marks their second collab together, following <a href=\"https:\/\/www.youtube.com\/watch?v=vHDtG1oyv3U\" data-type=\"link\" data-id=\"https:\/\/www.youtube.com\/watch?v=vHDtG1oyv3U\" target=\"_blank\" rel=\"noreferrer noopener nofollow\">\u201cThat\u2019s Why We Fight,\u201d<\/a> off Langley\u2019s 2023 debut EP, <em>Excuse the Mess<\/em>.<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\tIn late May, Wetzel and that producer, Gabe Simon, invited me to listen to not only the 11 tracks on <em>The Night Champion<\/em> \u2014\u00a0Wetzel\u2019s sixth studio album \u2014\u00a0but to the seven additional songs that make up the album\u2019s deluxe version, including \u201cJaded.\u201d<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\tSimon may be best known for his work with Lana Del Rey and Noah Kahan \u2014\u00a0he was nominated for a Grammy with the latter \u2014\u00a0but he and Wetzel have a bond that\u2019s almost familial. When I walk through the gold-rimmed door of Nashville\u2019s Gold Pacific Studios, I find the two men sitting at a console. This is their last chance to pick apart <em>The Night Champion<\/em> together, and they\u2019ve both been fretting it. The album is Wetzel\u2019s first as a new dad, and he\u2019s been taking better care of himself than he has for most of his 10-plus year career. If the uncharted territory in Wetzel\u2019s home life mellows out his music, he and Simon both want <em>The Night Champion<\/em> to bring out Wetzel\u2019s outsized personality and melodies one more time.<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\t\u201cI\u2019m the kind of guy that\u2019s always gonna be brutally honest when it comes to lyrics. I don\u2019t think it\u2019s gonna be a drastic change,\u201d Wetzel tells <em>Rolling Stone<\/em>. \u201cBut I just feel like this record really embodied the wild, crazy, says-whatever type of guy I\u2019ve been.\u201d<\/p>\n<section class=\"brands-most-popular \/\/ editors-pick-module lrv-u-margin-tb-2 lrv-u-border-a-2 u-box-shadow-5-5 lrv-u-padding-lr-1 a-span1 u-padding-b-1@tablet u-overflow-hidden\">\n<h2 id=\"section-heading\" class=\"c-heading larva  lrv-u-text-align-center u-border-color-black a-font-theme-primary-xxs lrv-u-color-black lrv-u-text-transform-uppercase u-letter-spacing-0063 lrv-u-padding-t-050 u-padding-b-0375@tablet lrv-u-padding-b-050@mobile-max lrv-u-border-b-2\">\n<p>\t\tEditor\u2019s picks<\/p>\n<\/h2>\n<\/section>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\tSimon cues up the record\u2019s opening track, \u201cSinner.\u201d By the time we finish, it becomes clear that <em>The Night Champion<\/em> has the most emotional range of any Wetzel record. The LP has been out long enough for listeners to hear this in tender songs like the Medium Build co-write \u201cThe Man\u201d or \u201cWhen I Was,\u201d which showcases harmonies from Maggie Antone.<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\tBut \u201cSinner\u201d gives little of this away. It\u2019s a room-filling song, heavy on reverb from a banjo, which Simon ran through a half-stack of Marshall amplifiers. When he hits the chorus of, \u201cI told God I\u2019d be a better man\/and with a tear in his eye he said, \u2018Son don\u2019t lie you\u2019re probably going to do it again,\u2019\u201d Wetzel is joined in harmony by Sam Harris of X Ambassadors. Their voices echo over heavy kick drums and a bass guitar.<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\t\u201cI love the baritone,\u201d Simon shouts over the song. \u201cIt\u2019s like the big balls of the \u2018Wetzel Sound.\u2019\u201d<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\tJust about everyone in <a href=\"https:\/\/www.rollingstone.com\/t\/country-music\/\" id=\"auto-tag_country-music\" data-tag=\"country-music\">country music<\/a> heard \u201cHigh Road,\u201d Wetzel\u2019s 2024 duet with Jessie Murph that ended 2025 as the top song on Billboard\u2019s Country Airplay charts and embodies the \u201cWetzel Sound\u201d: the singer\u2019s low vocals set over bass and percussion to make it seem as if the instruments are harmonizing with him, while allowing Murph\u2019s voice to stand on its own.<\/p>\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube\">\n<p>\n<span class=\"embed-youtube\" style=\"text-align:center; display: block;\"><iframe loading=\"lazy\" title=\"Koe Wetzel - Sinner (Official Visualizer)\" width=\"1200\" height=\"675\" src=\"https:\/\/www.youtube.com\/embed\/sk-KbOkwplE?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe><\/span>\n<\/p>\n<\/figure>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\t\u201cUsually, if we\u2019re doing a big song like this, it\u2019s gotta have [guitarist] Josh Serrato\u2019s really heavy tones,\u201d Simon says when \u201cSinner\u201d finishes. \u201cHe brings the metal side of his sound. And then, we\u2019re trying to find the perfect balance between you being able to understand what he\u2019s saying, and him being fucked up. There is a sweet spot, though, and it\u2019s different on a song like \u2018I\u2019ll Lock Up,\u2019 where we want him to be really intelligible. But here, we\u2019re trying to find that thing where, you don\u2019t really <em>care<\/em> what he\u2019s saying, because you\u2019re just screaming at the top of your lungs.\u201d<\/p>\n<section class=\"brands-most-popular \/\/ recirculation-modules lrv-u-margin-tb-2 lrv-u-border-a-2 u-box-shadow-5-5 lrv-u-padding-lr-1 a-span1 u-padding-b-1@tablet u-overflow-hidden\">\n<h2 id=\"section-heading\" class=\"c-heading larva  lrv-u-text-align-center u-border-color-black a-font-theme-primary-xxs lrv-u-color-black lrv-u-text-transform-uppercase u-letter-spacing-0063 lrv-u-padding-t-050 u-padding-b-0375@tablet lrv-u-padding-b-050@mobile-max lrv-u-border-b-2\">\n<p>\t\tRelated Content<\/p>\n<\/h2>\n<\/section>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\tThat notion is easiest to grasp in big, in-your-face songs like \u201cSinner\u201d or \u201cCircus,\u201d but it\u2019s also what Simon and Wetzel say make the ballads unique. Simon points to \u201cWhen I Was\u201d as an example. In the opening verse, Wetzel laments, \u201cI\u2019ll never be just as free as I was\/when I was her man,\u201d over an acoustic guitar. Then, the drums and bass line kick in, as do Antone\u2019s haunting harmonies. The combination takes what otherwise could be a cry-in-your-beer song and adds the swagger that sets Wetzel apart. It\u2019s the same principle as the in-your-face tones of the screamer numbers.<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\t\u201cWe talk a lot here about Koe-difying stuff,\u201d Simon continues. \u201cThat is, we take Koe, and if a song is sweeter, then we need to find a little bit of darkness. It doesn\u2019t have to be dramatic, just a little bit of fucked up.\u201d<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\tWetzel won\u2019t argue with \u201ca little bit of fucked up\u201d as a descriptor. His reputation was almost certainly cemented when he released <em>Noise Complaint<\/em> in 2016, and the tale of a drunken-driving arrest in \u201cFebruary 28, 2016\u201d that featured on the album. It helped that it was a true story, and when it launched Wetzel out of Texas bars and into the larger consciences of both country and rock, he had no problem leaning into it.<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\tWhen it came to write and record <em>The Night Champion<\/em>, the follow-up to his mainstream breakout <em><a href=\"https:\/\/www.rollingstone.com\/music\/music-features\/koe-wetzel-9-lives-album-arrest-taco-bell-1235061665\/\">9 Lives<\/a><\/em>, Wetzel hadn\u2019t outgrown his raging party days, but he recognized that he was older, had responsibilities, and a business to uphold. He\u2019s engaged now too, and he and his fianc\u00e9e recently welcomed their first child, a daughter. He wanted a record that reflected all that. \u201cThere was a lot of reckoning going on,\u201d Simon recalls of making the LP.<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\t\u201cThere was a lot of push-and-pull,\u201d adds Wetzel. \u201cIs this the last time I can be as vulnerable, and as honest, and say what I want to say? I don\u2019t know how having a kid is gonna affect my songwriting. When I talk about <em>The Night Champion<\/em> \u2014 what I\u2019ve been doing the last 10 years, and the sound up to now \u2014\u00a0it\u2019s almost like closing a book. Not a chapter. A fucking <em>book<\/em>. I don\u2019t know what\u2019s coming.<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\t\u201cIt\u2019s more or less, like, I have to think about the situation more than just jumping into the water,\u201d he continues. \u201cLet\u2019s dip our toe in and see what the temperature is before we cannonball. This is definitely the curtain call for how things have been up to this point.\u201d<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\tThe thing about curtain calls, though, is that they bring out the biggest cheers from a crowd, and in turn, the best from an artist. Wetzel \u2014 and Simon \u2014\u00a0took aim at that feeling in making <em>The Night Champion<\/em> and its deluxe cohort. A song like \u201cRonnie Ray,\u201d coming from Wetzel, would have been all but inconceivable even a year ago. It\u2019s a fantasy inspired by the movie \u201cOut Cold\u201d and the Eve 6 song \u201cAnytime\u201d that accompanied the snowboard comedy. \u201cI fucked with Eve 6 so heavily in middle school, and I told the guys I wanted to write a rock song,\u201d Wetzel says.<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\tSo, he and Simon \u2014\u00a0along with Serrato and songwriters Carrie K and Aaron Ratiere \u2014 went to a cemetery not far from the studio. They were in search of names on headstones to take back the studio and make up a story. They chose \u201cRonnie Ray.\u201d<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\t\u201cWe need something to really spice up the vibe, we make up these characters, and Ronnie Ray was one of them. He\u2019s a real piece of shit,\u201d Simon recalls of the title character who spends the song on the business end of lyrics like \u201cRonnie Ray, you should have stayed away from my whole life.\u201d<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\t\u201cRonnie Ray\u201d was part of a five-song drop of tunes from the deluxe release of <em>The Night Champion<\/em> in mid-July. Another of those was \u201cRolling &amp; Smoking,\u201d based on a relative of Carrie K, who also helped write the song. Even hearing that directly from Wetzel, it\u2019s hard to imagine a song to better encapsulate Wetzel\u2019s first decade in the spotlight, or Simon\u2019s idea of the \u201cWetzel Sound.\u201d<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\tIt starts slow, with Wetzel regretting his life choices and the possibility he\u2019ll wake up on a park bench one day with a bottle of tequila. This may be that dark, slightly-fucked-up edge in his ballads, but it gives way to a full-blown, shout-at-the-top-of-your-lungs chorus: \u201cI was smoking, drinking, fighting and fucking\/here\u2019s to hoping I can turn this shit around.\u201d<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\tIt\u2019s a chorus that fans on Wetzel\u2019s ongoing Night Champion World Tour are all but certain to lose their voice screaming back at the star.<\/p>\n<section class=\"brands-most-popular \/\/ recirculation-modules trending-in-article lrv-u-margin-tb-2 lrv-u-border-a-2 u-box-shadow-5-5 lrv-u-padding-lr-1 a-span1 u-padding-b-1@tablet u-overflow-hidden\">\n<h2 id=\"section-heading\" class=\"c-heading larva  lrv-u-text-align-center u-border-color-black a-font-theme-primary-xxs lrv-u-color-black lrv-u-text-transform-uppercase u-letter-spacing-0063 lrv-u-padding-t-050 u-padding-b-0375@tablet lrv-u-padding-b-050@mobile-max lrv-u-border-b-2\">\n<p>\t\tTrending Stories<\/p>\n<\/h2>\n<\/section>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\t\u201cThat shit is gonna go off online like crazy,\u201d Wetzel smiles. \u201cI\u2019m calling that from the jump.\u201d<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\t<em>Josh Crutchmer is a journalist and author whose upcoming book, <\/em><a href=\"https:\/\/backloungepublishing.com\/sonoransounds\/\" target=\"_blank\" rel=\"noreferrer noopener nofollow\"><em>Sonoran Sounds<\/em><\/a><em>, is set for release in March 2027 via Back Lounge Publishing.<\/em><\/p>\n<\/div>\n<p><br \/>\n<br \/><a href=\"https:\/\/www.rollingstone.com\/music\/music-features\/koe-wetzel-favorite-duet-partner-ella-langley-interview-1235603905\/\">Source link <\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Koe Wetzel took a spin through the final mix of \u201cJaded\u201d and smiles. \u201cYeah, for sure,\u201d he says to his producer. The East Texas&#8230;<\/p>\n","protected":false},"author":5,"featured_media":69947,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[36],"tags":[],"class_list":["post-69946","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-pop","article","has-excerpt","has-avatar","has-author","has-date","has-comment-count","has-category-meta","has-read-more","thumbnail-"],"_links":{"self":[{"href":"https:\/\/musicianvoice.com\/index.php\/wp-json\/wp\/v2\/posts\/69946","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/musicianvoice.com\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/musicianvoice.com\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/musicianvoice.com\/index.php\/wp-json\/wp\/v2\/users\/5"}],"replies":[{"embeddable":true,"href":"https:\/\/musicianvoice.com\/index.php\/wp-json\/wp\/v2\/comments?post=69946"}],"version-history":[{"count":0,"href":"https:\/\/musicianvoice.com\/index.php\/wp-json\/wp\/v2\/posts\/69946\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/musicianvoice.com\/index.php\/wp-json\/wp\/v2\/media\/69947"}],"wp:attachment":[{"href":"https:\/\/musicianvoice.com\/index.php\/wp-json\/wp\/v2\/media?parent=69946"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/musicianvoice.com\/index.php\/wp-json\/wp\/v2\/categories?post=69946"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/musicianvoice.com\/index.php\/wp-json\/wp\/v2\/tags?post=69946"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}