{"id":70054,"date":"2026-08-07T04:38:33","date_gmt":"2026-08-07T04:38:33","guid":{"rendered":"https:\/\/musicianvoice.com\/index.php\/2026\/08\/07\/karol-g-no-me-arrepiento-de-sentir-tanto-album-review\/"},"modified":"2026-08-07T04:38:33","modified_gmt":"2026-08-07T04:38:33","slug":"karol-g-no-me-arrepiento-de-sentir-tanto-album-review","status":"publish","type":"post","link":"https:\/\/musicianvoice.com\/index.php\/2026\/08\/07\/karol-g-no-me-arrepiento-de-sentir-tanto-album-review\/","title":{"rendered":"Karol G &#8216;No Me Arrepiento de Sentir Tanto&#8217; Album Review"},"content":{"rendered":"<p> <br \/>\n<\/p>\n<div>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\tIt\u2019s been a little over a year since <a href=\"https:\/\/www.rollingstone.com\/t\/karol-g\/\" id=\"auto-tag_karol-g\" data-tag=\"karol-g\">Karol G<\/a> invited us into the glitzy, ambitious world of <em><a href=\"https:\/\/www.rollingstone.com\/music\/music-album-reviews\/karol-g-tropicoqueta-review-1235371057\/\" data-type=\"link\" data-id=\"https:\/\/www.rollingstone.com\/music\/music-album-reviews\/karol-g-tropicoqueta-review-1235371057\/\">Tropicoqueta<\/a><\/em> where she took on the role of a showgirl to thread together the varied sounds of Latin pop and enticed the world to dance along. But what happens when the showgirl goes home, wipes off her makeup, and is left to sit with her dark blue feelings? Welcome to <em><a href=\"https:\/\/www.rollingstone.com\/music\/music-latin\/karol-g-new-album-no-me-arrepiento-de-sentir-tanto-1235600947\/\" data-type=\"link\" data-id=\"https:\/\/www.rollingstone.com\/music\/music-latin\/karol-g-new-album-no-me-arrepiento-de-sentir-tanto-1235600947\/\">No Me Arrepiento de Sentir Tanto<\/a><\/em>, which translates to <em>I Don\u2019t Regret Feeling So Much<\/em>.\u00a0<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\tOn her sixth studio album, the Colombian superstar steps away from the globe-trotting adventure of <em><a data-id=\"https:\/\/www.rollingstone.com\/music\/music-latin\/karol-g-tropicoqueta-album-interview-1235367271\/\" data-type=\"link\" href=\"https:\/\/www.rollingstone.com\/music\/music-latin\/karol-g-tropicoqueta-album-interview-1235367271\/\">Tropicoqueta<\/a><\/em> and peels back the curtain to reveal a more intimate space: the moody one inside her bedroom. Here, the singer gets more vulnerable than ever as she details the past year, and all of its challenges, chief among them a highly break-up from fellow Colombian musician Feid, plus career criticism, family issues, and more.<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\tWritten partly during a solo trip to Hawaii, <em>No Me Arrepiento de Sentir Tanto <\/em>is a sharply focused album that\u2019s as transparent as its title suggests, never shying away from the tumultuous emotions that follow the end of a relationship. We\u2019ve seen Karol here before on <a href=\"https:\/\/www.rollingstone.com\/music\/music-album-reviews\/review-karol-g-manana-sera-bonito-1234683257\/\"><em>Ma\u00f1ana Ser\u00e1 Bonito<\/em><\/a>, the historic, life-altering LP that brought her <a href=\"https:\/\/www.rollingstone.com\/music\/music-latin\/karol-g-metlife-show-manana-sera-bonitoj-balvin-surprise-1234821599\/\" data-type=\"link\" data-id=\"https:\/\/www.rollingstone.com\/music\/music-latin\/karol-g-metlife-show-manana-sera-bonitoj-balvin-surprise-1234821599\/\">stadium-level success<\/a>. But where that album centered on coming out of a break-up unscathed, <em>No Me Arrepiento de Sentir Tanto <\/em>is about choosing to wallow in the sadness \u2014 and uncovering a whole new power in that choice.<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\tTrue to the messy nature of a break-up, the 14-song track list mirrors all of the tug and pull phases of heartbreak. There\u2019s that first burst of rage on the ferocious hyperpop album opener \u201cTe Llevas To,\u201d where Karol declares, \u201cEres un cabr\u00f3n \u2026 te importa zero.\u201d A few tracks later, she\u2019s written love off forever on the alt-perreo \u201cBebiendo L\u00e1grimas.\u201d By the time Drake hops on the sultry late-summer stunner \u201cAh\u00ed,\u201d the Colombian singer just wants to forget about the past and have a good time. With <a data-id=\"https:\/\/www.rollingstone.com\/music\/music-latin\/drakes-latin-music-collaborations-karol-g-1235560629\/?_thumbnail_id=1235560626\" data-type=\"link\" href=\"https:\/\/www.rollingstone.com\/music\/music-latin\/drakes-latin-music-collaborations-karol-g-1235560629\/?_thumbnail_id=1235560626\">Champagne Papi <\/a>doing his best Spanish-language vocals, she does just that. It doesn\u2019t last long.\u00a0<\/p>\n<section class=\"brands-most-popular \/\/ editors-pick-module lrv-u-margin-tb-2 lrv-u-border-a-2 u-box-shadow-5-5 lrv-u-padding-lr-1 a-span1 u-padding-b-1@tablet u-overflow-hidden\">\n<h2 id=\"section-heading\" class=\"c-heading larva  lrv-u-text-align-center u-border-color-black a-font-theme-primary-xxs lrv-u-color-black lrv-u-text-transform-uppercase u-letter-spacing-0063 lrv-u-padding-t-050 u-padding-b-0375@tablet lrv-u-padding-b-050@mobile-max lrv-u-border-b-2\">\n<p>\t\tEditor\u2019s picks<\/p>\n<\/h2>\n<\/section>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\tOn the contemplative album highlight \u201cFinal Feliz,\u201d Karol is back in her feelings, unable to shake the pain of her loss. \u201cSi no vas a estar \/ No hay final feliz,\u201d she sings, her delicate falsetto almost cracking over Oklou\u2019s syncopated beats. That overwhelming sadness reigns across <em>No Me Arrepiento de Sentir Tanto<\/em> as Karol grapples with the grief of losing not just her relationship, but the illusion of forever and the future she saw for herself.\u00a0<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\tEven in the middle of her solitude, Karol made sure to invite collaborators into the studio to piece together the varied sounds that ripple and sway throughout <em>No Me Arrepiento de Sentir Tanto<\/em>. Of course, her trusty producers Edgar Barrera, Ovy On The Drums, and Sky Rompiendo make an appearance but the LP also features a ton of exciting first-time collaborators from Bruno Mars, Drake, Oklou, Judeline, and the Spanish artist\/producer Rusowsky. Karol even tapped Tainy once more, after finally working with him on last fall\u2019s <a href=\"https:\/\/www.rollingstone.com\/music\/music-latin\/tainy-karol-g-unica-1235470151\/\">\u201c\u00danica,\u201d<\/a> his expert percussion forceful enough to get anyone to dance through their heartbreak.<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\tWhile <em>Tropicoqueta<\/em> saw Karol experimenting with a swath of Latin genres, the Colombian superstar has opened herself up to indie rock and experimental pop on <em>No Me Arrepiento de Sentir Tanto<\/em>. She doesn\u2019t stop there, either. Her Mars collaboration \u201cStill\u201d marks her first-ever fully English-language song. \u201cI\u2019d still love you even with a broken heart,\u201d Karol croons over the synthy ballad bound to become a hit.<\/p>\n<section class=\"brands-most-popular \/\/ recirculation-modules trending-in-article lrv-u-margin-tb-2 lrv-u-border-a-2 u-box-shadow-5-5 lrv-u-padding-lr-1 a-span1 u-padding-b-1@tablet u-overflow-hidden\">\n<h2 id=\"section-heading\" class=\"c-heading larva  lrv-u-text-align-center u-border-color-black a-font-theme-primary-xxs lrv-u-color-black lrv-u-text-transform-uppercase u-letter-spacing-0063 lrv-u-padding-t-050 u-padding-b-0375@tablet lrv-u-padding-b-050@mobile-max lrv-u-border-b-2\">\n<p>\t\tTrending Stories<\/p>\n<\/h2>\n<\/section>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\tBeyond these new flavors, Karol G still reminds listeners of her strong Colombian roots and Latin music expertise. \u201cAlguien Que te Amaba\u201d is yet another cumbia ode to the singer\u2019s idol Selena Quintanilla, and was even written with the late icon\u2019s composer, Pete Astudillo. Meanwhile, \u201cCon Qui\u00e9n Andar\u00e1?\u201d starts off with a modernized snippet of 1974 Spanish rock gem \u201cPorque te Vas\u201d by Jeanette before diving into the reggaeton that made Karol famous.<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\tIn fact, success isn\u2019t something that the Colombian superstar is chasing on <em>No Me Arrepiento de Sentir Tanto<\/em>, even as she expands her reach. This is the type of album that happens after the stadiums have been filled across the world, the crown has been won, and all that is left is unrelenting honesty. Now, Karol G is free to let it all out.<\/p>\n<\/div>\n<p><br \/>\n<br \/><a href=\"https:\/\/www.rollingstone.com\/music\/music-album-reviews\/karol-g-no-me-arrepiento-de-sentir-album-review-1235604209\/\">Source link <\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>It\u2019s been a little over a year since Karol G invited us into the glitzy, ambitious world of Tropicoqueta where she took on the&#8230;<\/p>\n","protected":false},"author":5,"featured_media":70055,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[36],"tags":[],"class_list":["post-70054","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-pop","article","has-excerpt","has-avatar","has-author","has-date","has-comment-count","has-category-meta","has-read-more","thumbnail-"],"_links":{"self":[{"href":"https:\/\/musicianvoice.com\/index.php\/wp-json\/wp\/v2\/posts\/70054","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/musicianvoice.com\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/musicianvoice.com\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/musicianvoice.com\/index.php\/wp-json\/wp\/v2\/users\/5"}],"replies":[{"embeddable":true,"href":"https:\/\/musicianvoice.com\/index.php\/wp-json\/wp\/v2\/comments?post=70054"}],"version-history":[{"count":0,"href":"https:\/\/musicianvoice.com\/index.php\/wp-json\/wp\/v2\/posts\/70054\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/musicianvoice.com\/index.php\/wp-json\/wp\/v2\/media\/70055"}],"wp:attachment":[{"href":"https:\/\/musicianvoice.com\/index.php\/wp-json\/wp\/v2\/media?parent=70054"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/musicianvoice.com\/index.php\/wp-json\/wp\/v2\/categories?post=70054"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/musicianvoice.com\/index.php\/wp-json\/wp\/v2\/tags?post=70054"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}