{"id":70245,"date":"2026-08-11T13:12:39","date_gmt":"2026-08-11T13:12:39","guid":{"rendered":"https:\/\/musicianvoice.com\/index.php\/2026\/08\/11\/dwayne-the-rock-johnson-interview-your-dad-music-career\/"},"modified":"2026-08-11T13:12:39","modified_gmt":"2026-08-11T13:12:39","slug":"dwayne-the-rock-johnson-interview-your-dad-music-career","status":"publish","type":"post","link":"https:\/\/musicianvoice.com\/index.php\/2026\/08\/11\/dwayne-the-rock-johnson-interview-your-dad-music-career\/","title":{"rendered":"Dwayne &#8216;The Rock&#8217; Johnson Interview: &#8216;Your Dad,&#8217; Music Career"},"content":{"rendered":"<p> <br \/>\n<\/p>\n<div>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\tCan you hear what the Rock is singing? Dwayne \u201cThe Rock\u201d Johnson dreamed of becoming a country star when he was a teenager, but his professional music career technically dates back to \u201cIt Doesn\u2019t Matter,\u201d the 2000 <a href=\"https:\/\/www.rollingstone.com\/t\/wyclef-jean\/\" id=\"auto-tag_wyclef-jean\" data-tag=\"wyclef-jean\">Wyclef Jean<\/a> track where he provided some shouted catchphrases. Johnson broke out his sturdy singing voice and guitar strumming on talk shows here and there over the years, but his real musical breakthrough was 2016\u2019s <em><a href=\"https:\/\/www.rollingstone.com\/tv-movies\/tv-movie-reviews\/moana-review-disneys-animated-polynesian-musical-is-a-feminist-delight-111053\/\">Moana<\/a><\/em>, where, in character as the demigod Maui, he sang the Lin-Manuel Miranda-penned \u201c<a href=\"https:\/\/www.youtube.com\/watch?v=79DijItQXMM\" rel=\"nofollow\" target=\"_blank\">You\u2019re Welcome<\/a>\u201d \u2014 which scored 1.8 billion streams on YouTube alone.\u00a0<\/p>\n<figure class=\"wp-block-embed is-type-rich is-provider-embed-handler wp-block-embed-embed-handler\">\n<p>\n<span class=\"embed-youtube\" style=\"text-align:center; display: block;\"><iframe loading=\"lazy\" title=\"Dwayne Johnson - Your Dad (From &quot;Moana: Voices Across The Ocean&quot;)\" width=\"1200\" height=\"675\" src=\"https:\/\/www.youtube.com\/embed\/7_S-LpnTo6c?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe><\/span>\n<\/p>\n<\/figure>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\tBut Johnson is most proud of his newest musical venture, the heartstring-tugging \u201cYour Dad,\u201d a track he co-wrote with Iam Tongi, the Hawaiian singer <a href=\"https:\/\/www.rollingstone.com\/tv-movies\/tv-movie-features\/american-idol-iam-tongi-interview-winner-james-blunt-monsters-hawaii-father-death-katy-perry-lionel-richie-luke-bryan-1234740658\/\">who won <em>American Idol <\/em>in 2023<\/a>. (We\u2019re debuting the song\u2019s video, above.)\u00a0The song is a highlight of the just-released <em><a href=\"https:\/\/www.rollingstone.com\/t\/moana\/\" id=\"auto-tag_moana\" data-tag=\"moana\">Moana<\/a>: Voices Across the Ocean<\/em>, a companion album to the recent live-action version of <em>Moana<\/em>. Johnson executive-produced the album with his wife, Lauren Hashian, alongside Tiana Nonosina Liufau and Kayla Fa\u2019amaligi, who also choreographed the film and helped ensure its cultural accuracy.\u00a0<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\tJohnson jumped on a Zoom with <em>Rolling Stone<\/em> to talk about the new song, fatherhood, his teenage adventures in Nashville \u2014 and why he\u2019s getting serious about pursuing music.<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\t<strong>Anyone who really knows you knows that you can sing. <br \/><\/strong>Well, thank you, man, for saying that. That\u2019s a very nice compliment. I appreciate it. I always like to say I sing from the heart \u2014\u00a0and I sing in keys that don\u2019t exist [<em>laughs<\/em>]. So it\u2019s a good combo. Growing up, in our family, and generally in Polynesian families, there is a lot of singing and there\u2019s a lot of ceremonial dancing and things like that. So it was kind of in the ether as I was growing up.\u00a0<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\tAt a very early age, my deep influences were Sam Cooke, Elvis, George Jones, Merle Haggard, even Johnny Paycheck. Guys like that who just were on top of their genres, and also Willie Nelson, who, as a matter of fact, gave me my first guitar. You know the Trigger guitar he has? The historic one? I guess Martin only made 100 of those, and as a birthday gift, \u2019cause I was such a huge fan, he gave me one of those. I mean, I play like dog shit compared to him, but it\u2019s still a cool gift. Anyway, that\u2019s my musical start.<\/p>\n<section class=\"brands-most-popular \/\/ editors-pick-module lrv-u-margin-tb-2 lrv-u-border-a-2 u-box-shadow-5-5 lrv-u-padding-lr-1 a-span1 u-padding-b-1@tablet u-overflow-hidden\">\n<h2 id=\"section-heading\" class=\"c-heading larva  lrv-u-text-align-center u-border-color-black a-font-theme-primary-xxs lrv-u-color-black lrv-u-text-transform-uppercase u-letter-spacing-0063 lrv-u-padding-t-050 u-padding-b-0375@tablet lrv-u-padding-b-050@mobile-max lrv-u-border-b-2\">\n<p>\t\tEditor\u2019s picks<\/p>\n<\/h2>\n<\/section>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\t<strong>How much songwriting had you done in your life before this song?<br \/><\/strong>Not a lot. I wrote a little bit with <a href=\"https:\/\/www.rollingstone.com\/t\/tech-n9ne\/\" id=\"auto-tag_tech-n9ne\" data-tag=\"tech-n9ne\">Tech N9ne<\/a> on that track we did, <a href=\"https:\/\/www.youtube.com\/watch?v=E9T78bT26sk\" rel=\"nofollow\" target=\"_blank\">\u201cFace Off\u201d<\/a> [in 2020]. He helped me put that structure together, because I love hip-hop \u2014 and country, and blues. He\u2019d say, \u201cPut this here, say this like this, triple it up like that.\u201d And it was like a master class, \u2019cause he\u2019s one of the kings. And then honestly, not that much.<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\tSo if I can give you a little background of this song \u2014 for this album that we did, my wife Lauren and I produced it with our other two producers, Tiana and Kayla. And the idea was, \u201cHey, we\u2019d love for you to be on this album. Can you contribute and sing a song?\u201d And I thought about it, and then I thought, \u201cGod, I don\u2019t know what I can sing here.\u201d And I said, \u201cI feel like I\u2019d love to partner up with somebody who can help me write and put something together.\u201d So I called Iam Tongi and I said, \u201cHey brother, do you have anything in mind that maybe it\u2019s already in your brain, in your heart, that we could make mine?\u201d And he said, \u201cYeah, I think I do.\u201d<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\t<strong>What did he send you?<br \/><\/strong>He called me back two days later. He sent me a song. It was called \u201cMy Dad,\u201d and I heard it and got very emotional and I was crying, because it\u2019s a song that he wrote singing to his young kids that he doesn\u2019t have yet \u2014 he\u2019s getting married in a couple of months \u2014 about his dad that passed away. And he\u2019s telling his kids, \u201cOh, your grandfather was amazing.\u201d And then the other part of the song is then he sings to his dad, who\u2019s in heaven. He tells his dad, \u201cHey, I\u2019m gonna tell them that you moved mountains, and you fought giants.\u201d I have chills.<\/p>\n<section class=\"brands-most-popular \/\/ recirculation-modules lrv-u-margin-tb-2 lrv-u-border-a-2 u-box-shadow-5-5 lrv-u-padding-lr-1 a-span1 u-padding-b-1@tablet u-overflow-hidden\">\n<h2 id=\"section-heading\" class=\"c-heading larva  lrv-u-text-align-center u-border-color-black a-font-theme-primary-xxs lrv-u-color-black lrv-u-text-transform-uppercase u-letter-spacing-0063 lrv-u-padding-t-050 u-padding-b-0375@tablet lrv-u-padding-b-050@mobile-max lrv-u-border-b-2\">\n<p>\t\tRelated Content<\/p>\n<\/h2>\n<\/section>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\tI heard the song, and I called him, and I said, \u201cI love you for sending this to me, but I\u2019m not ready to sing this to my dad. I just can\u2019t.\u201d I have a complicated relationship with my dad. My dad also passed away a few years ago. It\u2019s complicated sometimes, right?<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\t<strong>So how did it become your song?<\/strong><strong><br \/><\/strong>I said, \u201cBut Iam, I love the idea of this song, and if you can walk down this road with me, can we rewrite it and I could sing it to my daughters? Just as their dad.\u201d And there was a great line in there about, \u201cA deeper love than I never knew. You took my heart, and you pulled me through,\u201d in the second verse.<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\tIt just all comes together when it\u2019s meant to, on a cellular level. And as you know with Iam, not only obviously incredibly accomplished already with <em>American Idol<\/em>, but also he sings from the soul, and he writes from the soul, and he\u2019s so young. It\u2019s crazy. So the original was, \u201cMy Dad.\u201d And I said, \u201cWhat if it was \u2018Your Dad?&#8217;\u201d<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\t<strong>That line about \u201cpulling me through\u201d \u2014\u00a0 when you\u2019re a dad, career stuff that might have gotten to you beforehand affects you differently, right? You have something else to focus on. It changes the way you deal with everything.<\/strong><strong><br \/><\/strong>Oh, man. It\u2019s like the great emotional recalibrator for us as dads, right? Man, when we\u2019re around our daughters, you realize, \u201cOh, this is the stuff that\u2019s really important. The other stuff is important, but it\u2019s not that important to get tied up over in your guts about.\u201d<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\t<strong>You\u2019ve been part of hits before \u2014 the <em>Moana<\/em> soundtrack, and going back to Wyclef in 2000. But one of your original ambitions was to be a singer. Is it time to dig deeper into music?<br \/><\/strong>I\u2019m exploring that now, and I appreciate you asking that. As you roll along in life, I\u2019ve been real fortunate to be part of some really cool projects, and love it. But music has always been such an anchor for me, and very specifically in genres that I love, like country music, traditional country music. And we\u2019re exploring that now.<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\tI\u2019ve reached this point in my life and in my career where, honestly, Brian, when I wake up in the morning, I swing my legs out of bed, and whatever the thing is that I\u2019m doing, I wanna feel like I\u2019m just running towards it. And the most gratifying things we do are when it\u2019s for us, because we have enough pressure to deliver for so many other entities.<br \/><strong><br \/><\/strong>The things we do, we must do them for ourselves, and then we must feel it in here, behind our ribcage. But they\u2019re also always connected to some sort of commerce. You make films, especially the big four-quadrant movies, you want them to do well. But this song, for me, is just a song to my daughters. Where there\u2019s no pressure of an expectation to deliver something that, \u201cWell, how are the sales, and how\u2019s the box office? And how\u2019s the streams?\u201d It\u2019s just from me to them.<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\t<strong>Was this album your wife\u2019s idea?<\/strong><strong><br \/><\/strong>Yeah. It was, man. It\u2019s been so gratifying, and we\u2019ve never done that before, where we\u2019re working on this thing and it\u2019s the same north star. She\u2019s so talented. I got to see this side of her as a producer, as executive producer and writer. And her pen game is so strong. Her dad was the drummer of Boston. Remember that rock group Boston? His name was Sib Hashian. So she comes already with a reverence and respect for music, you know?<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\tBack in the first <em>Moana<\/em>, when the music had blown up, she said, \u201cHey, I wonder if we should do some sort of inspired-by album.\u201d Then <em><a href=\"https:\/\/www.rollingstone.com\/tv-movies\/tv-movie-reviews\/moana-2-review-disney-1235175741\/\">Moana 2<\/a><\/em> came a few years ago, and she said, \u201cOh, remember that idea?\u201d I said, \u201cThat\u2019s a great idea. We should do that.\u201d And then we started talking about live action, and she said, \u201cI think the timing now is perfect \u2019cause we\u2019ve already had Beyonc\u00e9 with <em>Lion King<\/em>, Kendrick with <em>Black Panther<\/em>.\u201d And I had dinner with Disney execs, and immediately it was a very fast yes.<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\tYou realize what a special moment this is for Polynesian culture and Polynesian artists. These Polynesian artists who we have are well known within the genre, but on a global scale, not well known. Their voices are beautiful. On our album, there\u2019s a track called \u201cFamily Tree,\u201d and it\u2019s from a guy named Stan Walker, who won <em>Australian Idol<\/em>. That was the very first song that was sent in to Lauren and I, and our producers, Tiana and Kayla. And he sings from his guts. So they all understood the assignment, like, \u201cOh, this isn\u2019t about a TikTok dance or a cool hook. This is our culture.\u201d\u00a0<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\t<strong>I\u2019m curious what it\u2019s like to sit in front of a microphone and record a song just as Dwayne. You\u2019re no stranger to the studio, but usually as an actor. Is that scary at all?<br \/><\/strong>It wasn\u2019t scary, Brian. It was freeing. You give one big exhale, and you just thank the universe for this gift. I\u2019ve had so much fun playing Maui or doing the Wyclef song. But there is characterization in these. There\u2019s a performance in all of these. But to just go in and stripped away any big production \u2014 no big live band, just him and his guitar. And me in quiet, in the studios, and Lauren was there, and I was looking at pictures of my daughters. Oh, it was the best.<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\t<strong>When you said you\u2019re exploring music, what form might that exploration take?<br \/><\/strong>Maybe something in just the old-school soul genre, with some country flavor. I love old-school soul. Sam Cooke. From Sam Cooke, again, to Merle Haggard. That\u2019s how I grew up. And those were my strong influences from my dad. My dad was a pro wrestler, and we lived on the road, and I lived in the backseat of the car, \u2019cause we just drove. And every night a different city. And so that\u2019s all he would listen to. So my thought is, \u201cOh, man, I wanna go and write and sing and explore the things that I love.\u201d<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\t<strong>You spent some time in Nashville as a teenager, didn\u2019t you?<br \/><\/strong>When we were in Hawaii when I was 15, we were evicted in 1987 from our little one-room apartment. But we couldn\u2019t stay on the island, \u2019cause we had no money and no place to live. So I was sent to Nashville, \u2019cause my dad was in Nashville at that time. I was supposed to live with my dad, but that situation didn\u2019t happen, \u2019cause it just didn\u2019t happen [<em>laughs<\/em>].<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\tSo anyway, I wound up living with a guy who was a stranger in a motel, and who\u2019s become one of my best friends still today. His name is Downtown Bruno. We had no money. He was broke. I was broke. He was nice enough to let me live in his little motel room. And we didn\u2019t have a car, but we\u2019d go down to Lower Broad in Nashville, and that was heaven for me because I had loved country music. And there\u2019s Tootsie\u2019s, and there\u2019s the Ryman Auditorium, and there\u2019s the Ernest Tubb Record Shop. And we didn\u2019t have any money, but if you keep going down Lower Broad, that\u2019s where all the really shitty dive bars are. We\u2019d hang out in them. I was 15.<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\t<strong>So how did you get from there to trying to sing?<\/strong><strong><br \/><\/strong>Across the street from this motel was a country grocery store called Piggly Wiggly. And they\u2019re still there. So I was inside Piggly Wiggly, and I was stealing shit, like Hostess donuts. I was like, \u201cWe\u2019re gonna eat one way or the other.\u201d And I\u2019m 15, so I\u2019m putting stuff in my pockets, and as I\u2019m doing that like an idiot, I was just singing. And I was singing \u201cOld Habits,\u201d which is a Hank Jr. song. \u201cOld habits\u2026 I kicked the habit of smoking back some time ago.\u201d Singing, like a fucking idiot.<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\tAnd this woman comes around and she looks at me, and she kinda startled me. I thought, \u201cOh, man. I\u2019m caught. I\u2019m busted.\u201d And she goes, \u201cWere you singing?\u201d And I went, \u201cYeah.\u201d And she goes, \u201cOh, I just had to come around to see who was singing.\u201d She goes, \u201cAre you a singer?\u201d I went, \u201cNo.\u201d Now mind you, I\u2019m 15. I\u2019m 6\u20194\u2033. I\u2019m 220. I have a Tom Selleck mustache already. I look like I\u2019m 58. And she goes, \u201cYou should look into singing.\u201d And I went, \u201cYeah?\u201d And she goes, \u201cDo you live here?\u201d I was like, \u201cWell, I just got to town a couple weeks ago.\u201d She goes, \u201cYou should go down to Broad Street. That\u2019s where you can go get a gig.\u201d<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\t<strong>Did you go?<\/strong><strong><br \/><\/strong>I\u2019d walk up and down these bars and I would go into these places. No guitar, nothing. Didn\u2019t even know how to play. And I\u2019d say, \u201cHey, I\u2019m looking for a job.\u201d They\u2019d say, \u201cOh, what do you sing?\u201d And I said, \u201cWell, I could sing\u2026\u201d And I just started, I\u2019ll sing \u201cOld Habits\u201d to them. I sang a Merle song like, oh, what is it? \u201cMemories and drinks don\u2019t mix too well\u2026\u201d<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\t<strong>\u201cMisery and Gin,\u201d I think that\u2019s the one.<\/strong><strong><br \/><\/strong>Yeah, yeah. \u201cMisery and Gin.\u201d Oh, it\u2019s the best. \u201cHere I am again, mixing drinks.\u201d And they would say, \u201cHow old are you?\u201d And I was like, \u201c15.\u201d And they go, \u201cOh, you\u2019re too young. You can\u2019t even be in here.\u201d Then I learned my lesson, and then a couple of bars later I was like, \u201cOh, I\u2019m 22.\u201d And they\u2019re like, \u201cHmm, can we see your license?\u201d I said, \u201cWell, I don\u2019t have a license.\u201d Then it\u2019s, \u201cAll right, get out.\u201d\u00a0<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\tSo I never got a gig. That\u2019s my point, man. I\u2019m gonna go find a dive bar down on Broad Street, and that\u2019s where I\u2019m gonna begin my singing career.<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\t<strong>I guess open mics would be tough at this point.<\/strong><strong><br \/><\/strong>I\u2019ll go in costume and full prosthetics.<\/p>\n<section class=\"brands-most-popular \/\/ recirculation-modules trending-in-article lrv-u-margin-tb-2 lrv-u-border-a-2 u-box-shadow-5-5 lrv-u-padding-lr-1 a-span1 u-padding-b-1@tablet u-overflow-hidden\">\n<h2 id=\"section-heading\" class=\"c-heading larva  lrv-u-text-align-center u-border-color-black a-font-theme-primary-xxs lrv-u-color-black lrv-u-text-transform-uppercase u-letter-spacing-0063 lrv-u-padding-t-050 u-padding-b-0375@tablet lrv-u-padding-b-050@mobile-max lrv-u-border-b-2\">\n<p>\t\tTrending Stories<\/p>\n<\/h2>\n<\/section>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\t<strong>Count me in for that country-with-soul-elements album.<\/strong><strong><br \/><\/strong>Sounds all right, right? There feels like there could be something there.\u00a0<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\t<strong>You could do a whole duets album, if you wanted to, and I bet people would be happy to do it with you.<\/strong><strong><br \/><\/strong>Oh, that would be a cool idea. I have such reverence and respect for all music, but especially in Nashville. Because of how I came up there, and you see all these artists coming up. So I wanna approach this project, whatever it\u2019s gonna be, with that level of respect. Like you said, if it\u2019s an all duets, but just where, hey, here\u2019s my heart and my love, and here\u2019s how deep my country roots go. It\u2019s like, oh, I\u2019d be honored to sing with you guys, you know?<\/p>\n<\/div>\n<p><br \/>\n<br \/><a href=\"https:\/\/www.rollingstone.com\/music\/music-features\/dwayne-the-rock-johnson-interview-your-dad-music-career-1235606544\/\">Source link <\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Can you hear what the Rock is singing? Dwayne \u201cThe Rock\u201d Johnson dreamed of becoming a country star when he was a teenager, but&#8230;<\/p>\n","protected":false},"author":5,"featured_media":70246,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[36],"tags":[],"class_list":["post-70245","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-pop","article","has-excerpt","has-avatar","has-author","has-date","has-comment-count","has-category-meta","has-read-more","thumbnail-"],"_links":{"self":[{"href":"https:\/\/musicianvoice.com\/index.php\/wp-json\/wp\/v2\/posts\/70245","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/musicianvoice.com\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/musicianvoice.com\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/musicianvoice.com\/index.php\/wp-json\/wp\/v2\/users\/5"}],"replies":[{"embeddable":true,"href":"https:\/\/musicianvoice.com\/index.php\/wp-json\/wp\/v2\/comments?post=70245"}],"version-history":[{"count":0,"href":"https:\/\/musicianvoice.com\/index.php\/wp-json\/wp\/v2\/posts\/70245\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/musicianvoice.com\/index.php\/wp-json\/wp\/v2\/media\/70246"}],"wp:attachment":[{"href":"https:\/\/musicianvoice.com\/index.php\/wp-json\/wp\/v2\/media?parent=70245"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/musicianvoice.com\/index.php\/wp-json\/wp\/v2\/categories?post=70245"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/musicianvoice.com\/index.php\/wp-json\/wp\/v2\/tags?post=70245"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}