{"id":70552,"date":"2026-08-14T18:20:32","date_gmt":"2026-08-14T18:20:32","guid":{"rendered":"https:\/\/musicianvoice.com\/index.php\/2026\/08\/14\/slash-talks-shredding-with-broadways-vampires-in-the-lost-boys\/"},"modified":"2026-08-14T18:20:32","modified_gmt":"2026-08-14T18:20:32","slug":"slash-talks-shredding-with-broadways-vampires-in-the-lost-boys","status":"publish","type":"post","link":"https:\/\/musicianvoice.com\/index.php\/2026\/08\/14\/slash-talks-shredding-with-broadways-vampires-in-the-lost-boys\/","title":{"rendered":"Slash Talks Shredding With Broadway\u2019s Vampires in \u2018The Lost Boys\u2019"},"content":{"rendered":"<p> <br \/>\n<\/p>\n<div>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\tOn Wednesday night, <a href=\"https:\/\/www.rollingstone.com\/t\/slash\/\" id=\"auto-tag_slash\" data-tag=\"slash\">Slash<\/a> played songs from 1987 to a stadium crowd in New Jersey. Roughly 20 hours later, he walked onto a different stage and it was 1987 again \u2014 this time on purpose.<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\tThe occasion was <em>The Lost Boys<\/em>, the Tony-winning musical adaptation of Joel Schumacher\u2019s vampire comedy, which opened in theaters 10 days after <em>Appetite for Destruction.<\/em> Onstage, the show\u2019s Santa Carla boardwalk glowed in neon; the ensemble worked crimped hair, leather trenches, fishnets and biker boots. In that light, the timing felt less like coincidence than homage.<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\tSlash appeared early, during the rousing rock-club scene in which the show\u2019s vampire band tears into \u201cHave to Have You.\u201d (Duff McKagan watched from the audience.) He stepped out beside David \u2014 the Billy Idol-coiffed, Billy Squier-strutting bloodsucker played by Ali Louis Bourzgui, who won a Tony for the role in June.<\/p>\n<p>\u201cThat literally felt like being in the center of a real rock concert,\u201d Bourzgui tells <em>Rolling Stone<\/em>. \u201cSlash came out and immediately started shredding \u2014 the whole audience got on their feet and stayed up till the end. The whole cast and I started running off the energy and adrenaline and performed that song as hard as we ever have.\u201d<\/p>\n<p>Slash played the solo on the studio version of \u201cHave to Have You,\u201d released as the show\u2019s first single last October. But Thursday was his first time running it live alongside the actor-musicians. The appearance, billed as one night only, was his <a href=\"https:\/\/www.rollingstone.com\/t\/broadway\/\" id=\"auto-tag_broadway\" data-tag=\"broadway\">Broadway<\/a> debut. He is also a producer and investor in the show, recruited by his friend Patrick Wilson, a lead producer alongside his college roommates and fellow Guns N\u2019 Roses diehards James Carpinello and Marcus Chait.<\/p>\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube\">\n<div class=\"wp-block-embed__wrapper\">\n<p><iframe loading=\"lazy\" title=\"&quot;Have to Have You&quot; - The Lost Boys (Feat. Slash)\" width=\"1200\" height=\"675\" src=\"https:\/\/www.youtube.com\/embed\/EkNq3lG9Iig?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe><\/p>\n<\/div>\n<\/figure>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\t\u201cThe only thing I\u2019ve done that reminds me of this is when I performed [\u2018I\u2019m Just Ken\u2019] with Ryan Gosling at the Academy Awards,\u201d Slash tells <em>Rolling Stone<\/em> a few hours before curtain, having just rehearsed with the cast for the first time. He had seen the finished show exactly once, on Tuesday, from a seat in the audience. \u201cI was sort of embarrassed,\u201d he says. \u201cI\u2019ve been involved with this thing since the beginning. I wasn\u2019t here for the preview. I wasn\u2019t here for any of it, because I\u2019ve been on the road.\u201d<\/p>\n<p>He was not prepared for how hard the score would land. \u201cThe songs are really powerful,\u201d he says. \u201cI got choked up a couple times, and that\u2019s really sort of a rarity for me. And there was nothing I could do about it. It just got me by the throat.\u201d One of the numbers that undid him was \u201cBelong to Someone,\u201d a ballad about wanting a place to land. \u201cYou just have to experience it and you\u2019ll understand,\u201d he says.<\/p>\n<p>The emotional intensity rivaled the stagecraft: \u201cThe special effects that they put together to pull off some of the iconic scenes from the movie are unbelievable. The motorcycle scene is one in particular. I was really like, how are they going to do this? I never saw rehearsal tape for this particular part, so when they got into it, that sort of blew my mind.\u201d<\/p>\n<p>Producing horror is not new territory. Slash has backed a run of genre films through his companies Slasher Films and Berserkergang, and this fall he is scoring \u2018Killcea\u00f1era,\u2019 a haunted house at Universal Studios Hollywood\u2019s Halloween Horror Nights. Producing a musical was another matter. \u201cYou have that spontaneous live thing, which is what rock and roll is all about, so I can relate to that,\u201d he says. \u201cBut then you do have a big ensemble cast, and you have a lot of people in production, and there\u2019s certain elements that don\u2019t exist in a movie.\u201d<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\tWilson\u2019s pitch for the show has always been demographic before it was musical. \u201cI wanted the show to feel eclectic,\u201d Wilson says after the show. \u201cWe wanted the show to hit every demographic: Male, female, [every color] of skin, sexual orientation, all of it. And so we wanted to find ownership, investors, marketers that really spoke to the wide reach, because we always felt like the show was different from a standard Broadway show.\u201d So he went through the Rolodex and landed on a hunch. \u201cI bet Slash loves this movie. I just had this feeling, because I knew he was a horror guy.\u201d<\/p>\n<section class=\"brands-most-popular \/\/ recirculation-modules trending-in-article lrv-u-margin-tb-2 lrv-u-border-a-2 u-box-shadow-5-5 lrv-u-padding-lr-1 a-span1 u-padding-b-1@tablet u-overflow-hidden\">\n<h2 id=\"section-heading\" class=\"c-heading larva  lrv-u-text-align-center u-border-color-black a-font-theme-primary-xxs lrv-u-color-black lrv-u-text-transform-uppercase u-letter-spacing-0063 lrv-u-padding-t-050 u-padding-b-0375@tablet lrv-u-padding-b-050@mobile-max lrv-u-border-b-2\">\n<p>\t\tTrending Stories<\/p>\n<\/h2>\n<\/section>\n<section class=\"brands-most-popular \/\/ recirculation-modules lrv-u-margin-tb-2 lrv-u-border-a-2 u-box-shadow-5-5 lrv-u-padding-lr-1 a-span1 u-padding-b-1@tablet u-overflow-hidden\">\n<h2 id=\"section-heading\" class=\"c-heading larva  lrv-u-text-align-center u-border-color-black a-font-theme-primary-xxs lrv-u-color-black lrv-u-text-transform-uppercase u-letter-spacing-0063 lrv-u-padding-t-050 u-padding-b-0375@tablet lrv-u-padding-b-050@mobile-max lrv-u-border-b-2\">\n<p>\t\tRelated Content<\/p>\n<\/h2>\n<\/section>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\t\u201cHe\u2019s such a great actor, so it\u2019s sort of an honor knowing him,\u201d Slash adds. \u201cWhen I first met him I was a little bit starstruck, because I thought he was great in \u2018The Conjuring.\u2019 He just did \u2018Cape Fear,\u2019 which he was phenomenal at. So I try not to shower him with compliments.\u201d<\/p>\n<p>What sold him, he says, was what the stage version found in the material that the film had left alone. \u201cI loved that [the adaptation] addresses kids who have been abandoned by a parent and what they go through, and how they have to learn to adapt. Some kids have problems and people don\u2019t know what\u2019s behind. The majority of kids have troubled backgrounds in some way, shape or form.\u201d The movie, he says, \u201cwas more like a crazy love triangle, and it had that rock \u2018n\u2019 roll element to it, and it was fun. But in the stage production, there\u2019s a lot more storytelling.\u201d<\/p>\n<p>If a rock guitarist crying at a Broadway show sounds unlikely, consider where he first learned the form. In the mid-1970s, Slash\u2019s mother, the costume designer Ola Hudson, worked on the American production of <em>The Rocky Horror Show<\/em>, whose Frank-N-Furter is the unmistakable touchstone of Bourzgui\u2019s David, down to the depraved purr.<\/p>\n<p>\u201cMy mom did <em>Rocky Horror<\/em> when I was a kid, so I was around for that. I was just hanging out, being a nuisance,\u201d he says. \u201cShe was doing makeup and clothes for that so I saw that every night for a long time. She did <em>Jesus Christ Superstar<\/em>, so I was there for that \u2026 I was a big <em>Tommy<\/em> fan, and [loved] when they turned that into a play.\u201d Hudson died in 2009. \u201cShe would have loved [watching tonight],\u201d Slash says. \u201cShe loved this stuff. She would have dug it.\u201d\u00a0<\/p>\n<section class=\"brands-most-popular \/\/ editors-pick-module lrv-u-margin-tb-2 lrv-u-border-a-2 u-box-shadow-5-5 lrv-u-padding-lr-1 a-span1 u-padding-b-1@tablet u-overflow-hidden\">\n<h2 id=\"section-heading\" class=\"c-heading larva  lrv-u-text-align-center u-border-color-black a-font-theme-primary-xxs lrv-u-color-black lrv-u-text-transform-uppercase u-letter-spacing-0063 lrv-u-padding-t-050 u-padding-b-0375@tablet lrv-u-padding-b-050@mobile-max lrv-u-border-b-2\">\n<p>\t\tEditor\u2019s picks<\/p>\n<\/h2>\n<\/section>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\tOn Thursday, the nuisance from the wings was the one being gawked at by a cast young enough to be his kids \u2014 a detail Wilson clocked from backstage. \u201cThey all were geeking out on that stage, which I was too.\u201d he says. \u201cIt just shows the reach of one, his music; two, of really that band; but really of [Slash]. The greatest living guitarist of all time.\u201d\u00a0<\/p>\n<\/div>\n<p><br \/>\n<br \/><a href=\"https:\/\/www.rollingstone.com\/music\/music-features\/slash-guns-n-roses-lost-boys-1235609306\/\">Source link <\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>On Wednesday night, Slash played songs from 1987 to a stadium crowd in New Jersey. Roughly 20 hours later, he walked onto a different&#8230;<\/p>\n","protected":false},"author":5,"featured_media":70553,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[36],"tags":[],"class_list":["post-70552","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-pop","article","has-excerpt","has-avatar","has-author","has-date","has-comment-count","has-category-meta","has-read-more","thumbnail-"],"_links":{"self":[{"href":"https:\/\/musicianvoice.com\/index.php\/wp-json\/wp\/v2\/posts\/70552","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/musicianvoice.com\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/musicianvoice.com\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/musicianvoice.com\/index.php\/wp-json\/wp\/v2\/users\/5"}],"replies":[{"embeddable":true,"href":"https:\/\/musicianvoice.com\/index.php\/wp-json\/wp\/v2\/comments?post=70552"}],"version-history":[{"count":0,"href":"https:\/\/musicianvoice.com\/index.php\/wp-json\/wp\/v2\/posts\/70552\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/musicianvoice.com\/index.php\/wp-json\/wp\/v2\/media\/70553"}],"wp:attachment":[{"href":"https:\/\/musicianvoice.com\/index.php\/wp-json\/wp\/v2\/media?parent=70552"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/musicianvoice.com\/index.php\/wp-json\/wp\/v2\/categories?post=70552"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/musicianvoice.com\/index.php\/wp-json\/wp\/v2\/tags?post=70552"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}