{"id":71070,"date":"2026-08-23T16:34:29","date_gmt":"2026-08-23T16:34:29","guid":{"rendered":"https:\/\/musicianvoice.com\/index.php\/2026\/08\/23\/big-thiefs-new-album-horsepower-what-we-know\/"},"modified":"2026-08-23T16:34:29","modified_gmt":"2026-08-23T16:34:29","slug":"big-thiefs-new-album-horsepower-what-we-know","status":"publish","type":"post","link":"https:\/\/musicianvoice.com\/index.php\/2026\/08\/23\/big-thiefs-new-album-horsepower-what-we-know\/","title":{"rendered":"Big Thief&#8217;s New Album &#8216;Horsepower&#8217;: What We Know"},"content":{"rendered":"<p> <br \/>\n<\/p>\n<div>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\tOn Saturday night, Aug. 23, in Nashville, fans arrived to <a href=\"https:\/\/www.rollingstone.com\/t\/big-thief\/\" id=\"auto-tag_big-thief\" data-tag=\"big-thief\">Big Thief<\/a>\u2019s show at the Ryman Auditorium prepared for a standard (but no less great) evening of songs. Instead, they were in for a pretty epic surprise: the band would be playing their new unreleased triple album, <em>Horsepower<\/em>, in its entirety, alongside some of the people who helped create it.\u00a0And those people? An incredible array of Americana and roots icons including <a data-id=\"1234658249\" data-type=\"post\" href=\"https:\/\/www.rollingstone.com\/music\/music-country\/iris-dement-new-album-workin-on-a-world-1234658249\/\">Iris DeMent<\/a>, <a data-id=\"1030246\" data-type=\"post\" href=\"https:\/\/www.rollingstone.com\/music\/music-country\/gillian-welch-lost-songs-album-1030246\/\">Gillian Welch<\/a>, and <a data-id=\"1235422187\" data-type=\"post\" href=\"https:\/\/www.rollingstone.com\/music\/music-country\/lucinda-williams-documentary-tour-1235422187\/\">Lucinda Williams<\/a>, as well as a renowned cast of players.<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\tThere were signs on the way into the venue that something was up: the curious lack of an opening act, the posters around the venue asking to refrain from phone use, the stage set with enough seats for a band three times their size, the fiddles waiting on stands. As soon as the trio of Adrianne Lenker, Buck Meek, and James Krivchenia, along with touring bassist Joshua Crumbly, took their seats around a mysterious wooden table \u2014 and stayed seated for almost the entire show \u2014 the audience realized something very unusual was in store.<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\tLenker, in a pair of jeans and patterned shirt, explained that <em>Horsepower<\/em> was made in Nashville last May (Welch is the co-owner of <a data-id=\"1235083602\" data-type=\"post\" href=\"https:\/\/www.rollingstone.com\/music\/music-album-reviews\/gillian-welch-and-david-rawlings-woodland-review-1235083602\/\">Woodland Studios <\/a>alongside David Rawlings, but the band did not mention whether or not that was the site of the recording). She also told the crowd that, while the album would be played in its entirety, it would not be in sequence \u2014 and those coming to hear tour staples like \u201cNot\u201d and \u201cSimulation Swarm\u201d or tracks from 2025\u2019s <em><a href=\"https:\/\/www.rollingstone.com\/music\/music-album-reviews\/big-thief-double-infinity-review-1235420675\/\">Double Infinity<\/a><\/em> might be a little bit disappointed.\u00a0<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\t\u201cIf you had some hopes of hearing some of the songs you might know, those could be discarded,\u201d Lenker said, explaining there would be two sets with an intermission in the middle. \u201cBut if you\u2019re all open to it, it could be a really unique night of music.\u201d<\/p>\n<div class=\"post-content-image \/\/  \">\n<figure class=\"o-figure   size-large alignnone lrv-u-max-width-100p\" style=\"width:1024px\">\n<div class=\"c-lazy-image  lrv-u-border-a-2\">\n<div class=\"lrv-a-crop-16x9\" style=\"padding-bottom:calc((791\/1024)*100%);\">\n<p>\t\t\t\t\t\t<\/p><\/div>\n<\/p><\/div><figcaption class=\"c-figcaption  lrv-u-flex lrv-u-flex-direction-column lrv-u-align-items-center\">\n<p>\t\t\t\t\t<span class=\"u-border-color-black u-border-lr-2 lrv-u-padding-tb-025 lrv-u-padding-lr-075 lrv-u-border-b-2 lrv-u-width-100p lrv-u-text-align-center a-font-basic-secondary-s\">Big Thief debuted their new album \u2018Horsepower\u2019 during a guest-heavy concert at Nashville\u2019s Ryman Auditorium. Photo: Genesis B\u00e1ez*<\/span><\/p>\n<\/figcaption><\/figure>\n<\/div>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\tShe wasn\u2019t wrong. As she played the first song solo on acoustic guitar and slowly welcomed more and more players to the stage, it felt like a culminating moment for a band that has always integrated folk and country influences into their unique corner of indie rock. Here are our five takeaways during this special night with Big Thief.<\/p>\n<section class=\"brands-most-popular \/\/ editors-pick-module lrv-u-margin-tb-2 lrv-u-border-a-2 u-box-shadow-5-5 lrv-u-padding-lr-1 a-span1 u-padding-b-1@tablet u-overflow-hidden\">\n<h2 id=\"section-heading\" class=\"c-heading larva  lrv-u-text-align-center u-border-color-black a-font-theme-primary-xxs lrv-u-color-black lrv-u-text-transform-uppercase u-letter-spacing-0063 lrv-u-padding-t-050 u-padding-b-0375@tablet lrv-u-padding-b-050@mobile-max lrv-u-border-b-2\">\n<p>\t\tEditor\u2019s picks<\/p>\n<\/h2>\n<\/section>\n<h2 id=\"most-of-the-songs-on-horsepower-have-been-in-the-big-thief-universe-for-a-few-years-if-not-much-longer\" class=\"heading larva \/\/   lrv-a-font-primary-l   \">\n\t\tMost of the songs on <em>Horsepower<\/em> have been in the Big Thief universe for a few years, if not much longer.\t<\/h2>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\tThough the band didn\u2019t explicitly name all of the 29 songs that will appear on <em>Horsepower<\/em> as they played them, many are not completely new to fans. Songs like the title track, \u201cHappiness,\u201d \u201cBaby Honey Sweet Darlin,\u201d \u201cSpatchcock Chickenshit Bingo,\u201d and \u201cMuscle Memory\u201d have been performed live onstage before, and another, \u201cSadness Is a Gift,\u201d was previously recorded on Lenker\u2019s solo album, <em><a href=\"https:\/\/www.rollingstone.com\/music\/music-album-reviews\/adrianne-lenker-bright-future-review-1234994093\/\">Bright Future.<\/a><\/em> In fact, almost two-thirds of <em>Horsepower<\/em> has already been debuted on the road, often in much different configurations.\u00a0One (known initially as \u201cBloom\u201d and now \u201c21\u201d) was even the first song, Lenker said, that she and Meek wrote together.<\/p>\n<h2 id=\"iris-dement-gillian-welch-and-lucinda-williams-voices-are-a-big-part-of-the-album-s-sound\" class=\"heading larva \/\/   lrv-a-font-primary-l   \">\n\t\tIris DeMent, Gillian Welch, and Lucinda Williams\u2019 voices are a big part of the album\u2019s sound.\t<\/h2>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\tIt was DeMent who first took the stage to join the band, which makes sense with their origin story. \u201cWhen Buck and I first met, we bonded over <a href=\"https:\/\/www.rollingstone.com\/t\/iris-dement\/\" id=\"auto-tag_iris-dement\" data-tag=\"iris-dement\">Iris DeMent<\/a>,\u201d Lenker once <a href=\"https:\/\/au.rollingstone.com\/music\/music-features\/big-thief-new-album-adrianne-lenker-interview-35818\/\">told <em>Rolling Stone<\/em><\/a>. \u201cIt\u2019s a deep part of us.\u201d Welch joined next, picking up the acoustic guitar and banjo, and Williams came to the stage for the very last two songs. Lenker, DeMent, Welch, and Willaims\u2019 voices all made for perfect folk harmonies, and DeMent, in particular, looked like she was having an absolute blast, clapping and dancing in her seat the entire time \u2014 only stopping to give Lenker, who admitted to being nervous, a rub or two on the back.<\/p>\n<section class=\"brands-most-popular \/\/ recirculation-modules lrv-u-margin-tb-2 lrv-u-border-a-2 u-box-shadow-5-5 lrv-u-padding-lr-1 a-span1 u-padding-b-1@tablet u-overflow-hidden\">\n<h2 id=\"section-heading\" class=\"c-heading larva  lrv-u-text-align-center u-border-color-black a-font-theme-primary-xxs lrv-u-color-black lrv-u-text-transform-uppercase u-letter-spacing-0063 lrv-u-padding-t-050 u-padding-b-0375@tablet lrv-u-padding-b-050@mobile-max lrv-u-border-b-2\">\n<p>\t\tRelated Content<\/p>\n<\/h2>\n<\/section>\n<h2 id=\"it-s-some-of-the-twangiest-sounding-arrangements-big-thief-have-created-yet-but-it-s-not-just-limited-to-that\" class=\"heading larva \/\/   lrv-a-font-primary-l   \">\n\t\tIt\u2019s some of the twangiest-sounding arrangements Big Thief have created yet, but it\u2019s not just limited to that.\t<\/h2>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\tIn addition to Big Thief\u2019s core unit, as well as DeMent, Williams, and Welch, the band was joined by a renowned cast of session players and instrumentalists that helped <em>Horsepower\u2019s<\/em> sound reach rich, dynamic heights: Greg Leisz and Russ Pahl on steel and guitar, with Zosha Warpeha, Richard Bowden, and Hannah Read as a three-piece fiddle section. Recorded in Nashville, it\u2019s certainly some of the twangiest sounding work they\u2019ve done, but the influences are incredibly varied: you can hear echoes of Gram Parson, Joni Mitchell, John Prine, Rodney Crowell, even a little Paul Simon and Radiohead. And, of course, Williams, DeMent, and Welch. It\u2019s also extremely rich in narrative storytelling. There are a lot of on-the-road songs about travels through this strange, heartbreaking, and beautiful planet.<\/p>\n<section class=\"brands-most-popular \/\/ recirculation-modules trending-in-article lrv-u-margin-tb-2 lrv-u-border-a-2 u-box-shadow-5-5 lrv-u-padding-lr-1 a-span1 u-padding-b-1@tablet u-overflow-hidden\">\n<h2 id=\"section-heading\" class=\"c-heading larva  lrv-u-text-align-center u-border-color-black a-font-theme-primary-xxs lrv-u-color-black lrv-u-text-transform-uppercase u-letter-spacing-0063 lrv-u-padding-t-050 u-padding-b-0375@tablet lrv-u-padding-b-050@mobile-max lrv-u-border-b-2\">\n<p>\t\tTrending Stories<\/p>\n<\/h2>\n<\/section>\n<div class=\"post-content-image \/\/  \">\n<figure class=\"o-figure   size-large alignnone lrv-u-max-width-100p\" style=\"width:1024px\">\n<div class=\"c-lazy-image  lrv-u-border-a-2\">\n<div class=\"lrv-a-crop-16x9\" style=\"padding-bottom:calc((683\/1024)*100%);\">\n<p>\t\t\t\t\t\t<img loading=\"lazy\" class=\"c-lazy-image__img lrv-u-background-color-grey-lightest lrv-u-width-100p lrv-u-display-block lrv-u-height-auto\" src=\"https:\/\/www.rollingstone.com\/wp-content\/themes\/vip\/pmc-rollingstone-2022\/assets\/public\/lazyload-fallback.gif\" data-lazy-src=\"https:\/\/www.rollingstone.com\/wp-content\/uploads\/2026\/08\/MG_0907-2.jpg?w=1024\" alt=\"\" data-lazy-srcset=\"\" data-lazy-sizes=\"\" height=\"683\" width=\"1024\" decoding=\"async\"\/><\/p><\/div>\n<\/p><\/div><figcaption class=\"c-figcaption  lrv-u-flex lrv-u-flex-direction-column lrv-u-align-items-center\">\n<p>\t\t\t\t\t<span class=\"u-border-color-black u-border-lr-2 lrv-u-padding-tb-025 lrv-u-padding-lr-075 lrv-u-border-b-2 lrv-u-width-100p lrv-u-text-align-center a-font-basic-secondary-s\">Photo: Genesis B\u00e1ez<\/span><\/p>\n<\/figcaption><\/figure>\n<\/div>\n<h2 id=\"big-thief-are-thinking-a-lot-about-how-to-be-happy-in-this-difficult-world\" class=\"heading larva \/\/   lrv-a-font-primary-l   \">\n\t\tBig Thief are thinking a lot about how to be happy in this difficult world.\t<\/h2>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\t\u201cThis fucked up world, why must everything be conquered,\u201d Lenker asked on \u201cBeautiful World.\u201d But it\u2019s clear she doesn\u2019t see wallowing in misery as any sort of serviceable way to cope. Happiness is a recurrent theme here, as is love (Lenker dedicated \u201c6-7-8-9 She\u2019s Fine\u201d to her girlfriend), as is finding ways to feel joy and even silliness in the madness. On the delightful silly \u201cSpatchcock Chickenshit Bingo\u201d Lenker offers a laundry list of little ways to do so: \u201cPut your pants on backwards\/Walk to the store like that.\u201d\u00a0It\u2019s probably the first Big Thief song that could ever lend itself to a TikTok dance. Lenker told the audience that the last song of the night, \u201cGift Pleasure Joy,\u201d was written in the studio, while they were recording, about the process itself. \u201cWhat a gift, what a pleasure, what a joy,\u201d she sang, finally getting up from her seat for the only time of the evening. It seemed clear the band wanted fans to leave with a way to find their own gifts, pleasure, and joy.<\/p>\n<h2 id=\"there-will-eventually-be-a-film-of-the-ryman-experience\" class=\"heading larva \/\/   lrv-a-font-primary-l   \">\n\t\tThere will eventually be a film of the Ryman experience.\t<\/h2>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\tThere were multiple cameras documenting the entire night for a concert film to be aired at a later date \u2014\u00a0details are yet to be revealed. We also don\u2019t know when the album will be released or officially announced. We do know that the band plans to do the entire thing again on Sunday night in Nashville, possibly with some of the same special guests. So if you want to see another iteration of this unique performance, there\u2019s still a little time to hop a plane to Nashville.<\/p>\n<\/div>\n<p><br \/>\n<br \/><a href=\"https:\/\/www.rollingstone.com\/music\/music-features\/big-thief-new-album-horsepower-what-we-know-1235613005\/\">Source link <\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>On Saturday night, Aug. 23, in Nashville, fans arrived to Big Thief\u2019s show at the Ryman Auditorium prepared for a standard (but no less&#8230;<\/p>\n","protected":false},"author":5,"featured_media":71071,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[36],"tags":[],"class_list":["post-71070","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-pop","article","has-excerpt","has-avatar","has-author","has-date","has-comment-count","has-category-meta","has-read-more","thumbnail-"],"_links":{"self":[{"href":"https:\/\/musicianvoice.com\/index.php\/wp-json\/wp\/v2\/posts\/71070","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/musicianvoice.com\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/musicianvoice.com\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/musicianvoice.com\/index.php\/wp-json\/wp\/v2\/users\/5"}],"replies":[{"embeddable":true,"href":"https:\/\/musicianvoice.com\/index.php\/wp-json\/wp\/v2\/comments?post=71070"}],"version-history":[{"count":0,"href":"https:\/\/musicianvoice.com\/index.php\/wp-json\/wp\/v2\/posts\/71070\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/musicianvoice.com\/index.php\/wp-json\/wp\/v2\/media\/71071"}],"wp:attachment":[{"href":"https:\/\/musicianvoice.com\/index.php\/wp-json\/wp\/v2\/media?parent=71070"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/musicianvoice.com\/index.php\/wp-json\/wp\/v2\/categories?post=71070"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/musicianvoice.com\/index.php\/wp-json\/wp\/v2\/tags?post=71070"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}