{"id":71517,"date":"2026-08-28T13:06:29","date_gmt":"2026-08-28T13:06:29","guid":{"rendered":"https:\/\/musicianvoice.com\/index.php\/2026\/08\/28\/beastie-boys-mike-d-releases-solo-album-thank-you\/"},"modified":"2026-08-28T13:06:29","modified_gmt":"2026-08-28T13:06:29","slug":"beastie-boys-mike-d-releases-solo-album-thank-you","status":"publish","type":"post","link":"https:\/\/musicianvoice.com\/index.php\/2026\/08\/28\/beastie-boys-mike-d-releases-solo-album-thank-you\/","title":{"rendered":"Beastie Boys&#8217; Mike D Releases Solo Album &#8216;Thank You&#8217;"},"content":{"rendered":"<p> <br \/>\n<\/p>\n<div>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\tThat classic Eighties question rises again: <a href=\"https:\/\/www.rollingstone.com\/t\/mike-d\/\" id=\"auto-tag_mike-d\" data-tag=\"mike-d\">Mike D<\/a>\u2019s in the house, whatcha gonna do? The <a href=\"https:\/\/www.rollingstone.com\/t\/beastie-boys\/\" id=\"auto-tag_beastie-boys\" data-tag=\"beastie-boys\">Beastie Boys<\/a> ended in 2012, when the late Adam \u201cMCA\u201d Yauch <a href=\"https:\/\/www.rollingstone.com\/music\/music-news\/the-many-lives-of-adam-yauch-69924\/\">died way too young of cancer<\/a>. His lifelong friends Michael \u201cMike D\u201d Diamond and Adam \u201cAd-Rock\u201d Horowitz made the tough but admirable decision not to even try pushing on without him. Since then, there\u2019s been no music from either surviving Beastie \u2014 as Mike D has said, the grief made it too painful to even walk into the studio. But <em>Thank You<\/em> is his first solo album, the sound of a man revitalized. He\u2019s not trying to rehash the Beasties\u2019 sound \u2014 he\u2019s just trying to live up to their spirit, and he gets there.<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\tDiamond teams up with his two sons, Davis and Skyler, from their own band Very Nice Person, and his backing band 5D. It\u2019s the first release from any Beastie Boys in 15 years, since their tossed-off 2011 jam <em><a href=\"https:\/\/www.rollingstone.com\/music\/music-album-reviews\/hot-sauce-committee-part-two-120385\/\">Hot Sauce Committee Part Two<\/a><\/em>. But he\u2019s reflecting on starting fresh in middle age. \u201cI need a Plan B, retired MC,\u201d he toasts in the walloping \u201cWhat We Got.\u201d \u201cSecretly you tried to vet me\/Think it\u2019s over but you haven\u2019t even met me.\u201d<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\tMike D was always the Beastie who came on like the man with the plan, overflowing with hustle and concept and angles. The boys started out as New York punk brats, then became old-school hip-hop pioneers in the early Def Jam era with their massively influential<em> <a href=\"https:\/\/www.rollingstone.com\/music\/music-album-reviews\/licensed-to-ill-106355\/\">Licensed to Ill,<\/a><\/em> teaming up with young producer Rick Rubin. Even their biggest fans assumed it was a one-shot. Yet the Beasties rebounded with one of the most shockingly brilliant sophomore albums ever, the sampledelic collage <em><a href=\"https:\/\/www.rollingstone.com\/music\/music-news\/the-rolling-stone-hall-of-fame-the-beastie-boys-pauls-boutique-102800\/\">Paul\u2019s Boutique<\/a><\/em>, in the golden hip-hop summer of 1989. They accidentally evolved into Nineties elder statesmen, with the genre-scrambling art-funk punk of <em>Check Your Head<\/em>,<em> Ill Communication<\/em>, and <em>Hello Nasty<\/em>. But they kept using their clout to pursue bigger spiritual and creative quests, without neglecting the dumb jokes. They were the band everyone else wanted to be.<\/p>\n<section class=\"brands-most-popular \/\/ editors-pick-module lrv-u-margin-tb-2 lrv-u-border-a-2 u-box-shadow-5-5 lrv-u-padding-lr-1 a-span1 u-padding-b-1@tablet u-overflow-hidden\">\n<h2 id=\"section-heading\" class=\"c-heading larva  lrv-u-text-align-center u-border-color-black a-font-theme-primary-xxs lrv-u-color-black lrv-u-text-transform-uppercase u-letter-spacing-0063 lrv-u-padding-t-050 u-padding-b-0375@tablet lrv-u-padding-b-050@mobile-max lrv-u-border-b-2\">\n<p>\t\tEditor\u2019s picks<\/p>\n<\/h2>\n<\/section>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\tBu the Beasties\u2019 music holds up so vibrantly because it was always the story of a friendship, packing the grooves with musical and lyrical jokes, as these three jerks grew up in public together. That\u2019s why their music has never faded away. (Harry Styles has \u201cNo Sleep \u2019Til Brooklyn\u201d on his current pre-show playlist.) Mike D isn\u2019t trying to repeat their music on <em>Thank You<\/em> \u2014 but he is trying to live up to that friendship and everything it meant.<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\tAt 60, Diamond has weighty matters on his mind, but he\u2019s in festive mode, mixing up the rock and rap with glitchy, scratchy electro beats, splashes of drum-and-bass or dub, and his sorely missed nasal power-whine vocals. It\u2019s not far from the sound his onetime NYC comrade Kim Gordon has explored on her excellent recent records. He\u2019s not going for grand statements or sonic novelty; he always sounds like Mike D, which is good news. \u201cAt first I was like, \u2018Everything has to be new and different,\u2019\u201d he <a href=\"https:\/\/www.rollingstone.com\/music\/music-features\/mike-d-thank-you-solo-album-interview-1235602665\/\">told <em>Rolling Stone\u2019<\/em>s Kory Grow<\/a>, before realizing, \u201cThere\u2019s certain things that are inescapably me and that\u2019s all right.\u201d<\/p>\n<section class=\"brands-most-popular \/\/ recirculation-modules trending-in-article lrv-u-margin-tb-2 lrv-u-border-a-2 u-box-shadow-5-5 lrv-u-padding-lr-1 a-span1 u-padding-b-1@tablet u-overflow-hidden\">\n<h2 id=\"section-heading\" class=\"c-heading larva  lrv-u-text-align-center u-border-color-black a-font-theme-primary-xxs lrv-u-color-black lrv-u-text-transform-uppercase u-letter-spacing-0063 lrv-u-padding-t-050 u-padding-b-0375@tablet lrv-u-padding-b-050@mobile-max lrv-u-border-b-2\">\n<p>\t\tTrending Stories<\/p>\n<\/h2>\n<\/section>\n<div class=\"post-content-image \/\/  \">\n<figure class=\"o-figure   size-large alignnone lrv-u-max-width-100p\" style=\"width:1024px\">\n<div class=\"c-lazy-image  lrv-u-border-a-2\">\n<div class=\"lrv-a-crop-16x9\" style=\"padding-bottom:calc((1024\/1024)*100%);\">\n<p>\t\t\t\t\t\t<\/p><\/div>\n<\/p><\/div><figcaption class=\"c-figcaption  lrv-u-flex lrv-u-flex-direction-column lrv-u-align-items-center\">\n<\/figcaption><\/figure>\n<\/div>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\tAll over the album, he faces up to the day-to-day adult challenge of keeping inspiration alive, as a grizzled legend with a lot of history behind him but restless to go somewhere new.\u00a0\u201cStart and start and start again,\u201d he raps in the industrial-trap banger \u201cMake It Stop.\u201d \u201cWhat stays is always change.\u201d He sounds vulnerable here, pondering loss and fatherhood and mortality \u2014 as he puts in \u201cWhat We Got,\u201d\u00a0 \u201cLost in the mosh pit\/Pressure in the cockpit.\u201d But he\u2019s mostly out to let loose and have some fun, as in high-energy funk highlights like \u201cSecret Pt 2\u201d and \u201cTrue Colors.\u201d He also rips into modern greed culture with the furious techno-blare of \u201cCrypto.\u201d<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\tBut the emotional powerhouse is the title track, \u201cThank You,\u201d where Mike D reflects on where he\u2019s been, over poignant acoustic guitar with a touch of bossa nova. He recalls the early days of the Beasties, when \u201cwe were just kids\/We were just figuring it out, working it out.\u201d Those memories are encoded deep in the music as well as his voice \u2014 the sound isn\u2019t far from the <em>Hello Nasty <\/em>meditation \u201cI Don\u2019t Know.\u201d He sounds vulnerable, a bit mournful, but dazed by gratitude. By the end, he\u2019s repeating the message \u201cThank you for having me,\u201d singing it to his old friends, his audience, and no doubt, to his younger self. Mike D sounds reflective about the adventures he\u2019s had \u2014 but the most thrilling thing about this album is how he sounds hungry for more.<\/p>\n<\/div>\n<p><br \/>\n<br \/><a href=\"https:\/\/www.rollingstone.com\/music\/music-album-reviews\/mike-d-beastie-boys-thank-you-album-review-1235616806\/\">Source link <\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>That classic Eighties question rises again: Mike D\u2019s in the house, whatcha gonna do? The Beastie Boys ended in 2012, when the late Adam&#8230;<\/p>\n","protected":false},"author":5,"featured_media":71518,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[36],"tags":[],"class_list":["post-71517","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-pop","article","has-excerpt","has-avatar","has-author","has-date","has-comment-count","has-category-meta","has-read-more","thumbnail-"],"_links":{"self":[{"href":"https:\/\/musicianvoice.com\/index.php\/wp-json\/wp\/v2\/posts\/71517","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/musicianvoice.com\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/musicianvoice.com\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/musicianvoice.com\/index.php\/wp-json\/wp\/v2\/users\/5"}],"replies":[{"embeddable":true,"href":"https:\/\/musicianvoice.com\/index.php\/wp-json\/wp\/v2\/comments?post=71517"}],"version-history":[{"count":0,"href":"https:\/\/musicianvoice.com\/index.php\/wp-json\/wp\/v2\/posts\/71517\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/musicianvoice.com\/index.php\/wp-json\/wp\/v2\/media\/71518"}],"wp:attachment":[{"href":"https:\/\/musicianvoice.com\/index.php\/wp-json\/wp\/v2\/media?parent=71517"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/musicianvoice.com\/index.php\/wp-json\/wp\/v2\/categories?post=71517"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/musicianvoice.com\/index.php\/wp-json\/wp\/v2\/tags?post=71517"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}