{"id":72350,"date":"2026-09-09T14:41:30","date_gmt":"2026-09-09T14:41:30","guid":{"rendered":"https:\/\/musicianvoice.com\/index.php\/2026\/09\/09\/julia-wolf-on-new-song-lamb-with-kellin-quinn-twilight-new-music\/"},"modified":"2026-09-09T14:41:30","modified_gmt":"2026-09-09T14:41:30","slug":"julia-wolf-on-new-song-lamb-with-kellin-quinn-twilight-new-music","status":"publish","type":"post","link":"https:\/\/musicianvoice.com\/index.php\/2026\/09\/09\/julia-wolf-on-new-song-lamb-with-kellin-quinn-twilight-new-music\/","title":{"rendered":"Julia Wolf on New Song &#8216;Lamb&#8217; with Kellin Quinn, &#8216;Twilight,&#8217; New Music"},"content":{"rendered":"<p> <br \/>\n<\/p>\n<div>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\t<a href=\"https:\/\/www.rollingstone.com\/t\/julia-wolf\/\" id=\"auto-tag_julia-wolf\" data-tag=\"julia-wolf\"><span class=\"a-style-intro lrv-a-floated-left lrv-u-display-inline-block lrv-u-margin-r-050 u-margin-b-n025\"><br \/>\n\t\t\t<span class=\"a-font-theme-primary lrv-u-align-items-center lrv-u-flex lrv-u-height-100p lrv-u-justify-content-center lrv-u-width-100p u-font-size-150 u-font-size-104@mobile-max u-line-height-124 u-line-height-94@mobile-max\">J<\/span><br \/>\n\t\t<\/span>ulia Wolf<\/a> is seeing things in the music video for her latest single \u201cLamb\u201d \u2014 or at least the animated rendering of herself is. It\u2019s a familiar scene framed through video game graphics. The singer-songwriter is riding a motorcycle a little too fast down a slick road cloaked in a light layer of fog when she starts to hallucinate. The scene starts to recall <em>The Twilight Saga: New Moon<\/em>, only instead of Edward Cullen appearing in front of her as he did for Bella Swan, it\u2019s <a href=\"https:\/\/www.rollingstone.com\/t\/sleeping-with-sirens\/\" id=\"auto-tag_sleeping-with-sirens\" data-tag=\"sleeping-with-sirens\">Sleeping With Sirens<\/a> frontman Kellin Quinn, who lends a guest verse to Wolf\u2019s second single of the year.<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\tThere are <em>Twilight <\/em>references littered all throughout the \u201cLamb\u201d video, an animated adventure created by motion designer and editor Dylan Oscroft. Wolf carries a stuffed lion and lamb in the same orange backpack as Bella; passes by a red Chevrolet pickup truck and a silver Volvo; and ends up in the same wildflower-filled meadow, only hers is more of a purgatory. \u201cSo, why do you bother holding me softer than water?\u201d Wolf sings on the thrashing new single. \u201cI didn\u2019t mean to be picked for the slaughter, but a lamb is a lamb.\u201d You can practically see the movie scene: <em>And so the lion fell in love with the lamb. What a stupid lamb. What a sick, masochistic lion.<\/em><\/p>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\tWolf can\u2019t imagine ever getting sick of <em>Twilight<\/em>. She has the film\u2019s logo tattooed on her hand and found a niche, tight-knit audience when she started setting her breakout single \u201cIn My Room\u201d to edits from the movie. <\/p>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\t\u201cI like to say it was my first love, honestly,\u201d Wolf says on a rooftop terrace in New York, ready for the heat to dull into an autumn chill. \u201cI didn\u2019t really experience relationships or boys or anything until way later, and so that\u2019s what I had and what I fell in love with.\u201d<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\tWolf is good at working with what she has, especially as an independent artist. First, she relied on the ease of access provided by social media to expand her fanbase. Then, she powered through bare bones tours and festival sets until she could afford to factor lighting and production into her budget.\u00a0It\u2019s all starting to pay off. Now, Wolf has the resources to add Quinn to her growing list of collaborators (which also includes <a data-id=\"1235424543\" data-type=\"post\" href=\"https:\/\/www.rollingstone.com\/music\/music-features\/julia-wolf-interview-drake-new-single-1235424543\/\">Drake<\/a>, Yeat, John Summit, and more) and bulk up her live show for the tour she\u2019ll kick off this month at the Forever Twilight in Forks Festival in Forks, Washington.<\/p>\n<section class=\"brands-most-popular \/\/ editors-pick-module lrv-u-margin-tb-2 lrv-u-border-a-2 u-box-shadow-5-5 lrv-u-padding-lr-1 a-span1 u-padding-b-1@tablet u-overflow-hidden\">\n<h2 id=\"section-heading\" class=\"c-heading larva  lrv-u-text-align-center u-border-color-black a-font-theme-primary-xxs lrv-u-color-black lrv-u-text-transform-uppercase u-letter-spacing-0063 lrv-u-padding-t-050 u-padding-b-0375@tablet lrv-u-padding-b-050@mobile-max lrv-u-border-b-2\">\n<p>\t\tEditor\u2019s picks<\/p>\n<\/h2>\n<\/section>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\t\u201cWe do have some really crazy shows planned for next year already that we won\u2019t give away \u2014 but insane, insanity, ridiculous. I can barely believe that this is what they want me to do,\u201d Wolf says. \u201cI would like to announce an album before those things come out.\u201d It\u2019s all in service of fulfilling her daily mantra and nightly prayer: \u201cI just want to make music that makes people feel.\u201d\u00a0Here, Wolf talks navigating her breakout year, the hellish behind-the-scenes of filming her <a href=\"https:\/\/www.rollingstone.com\/music\/music-lists\/best-songs-of-2026-so-far-1235571412\/julia-wolf-deep-end-1235574768\/\">\u201cDeep End\u201d<\/a> video, and the lyric she made Quinn cut from his verse on \u201cLamb.\u201d<\/p>\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube\">\n<p>\n<span class=\"embed-youtube\" style=\"text-align:center; display: block;\"><iframe loading=\"lazy\" title=\"Julia Wolf - lamb (feat. Kellin Quinn)\" width=\"1200\" height=\"675\" src=\"https:\/\/www.youtube.com\/embed\/S6XpZqs6WY4?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe><\/span>\n<\/p>\n<\/figure>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\t<strong>There are all of these references throughout the \u201cLamb\u201d video that reference your older songs \u2014 \u201cWishbone,\u201d \u201cSunshine State,\u201d \u201cYou\u2019ve Lost a Lot of Blood.\u201d How did you decide what to put into this video game world?<br \/><\/strong>I have to be so honest with you. That was all the guy who did it, Dylan Oscroft. He happens to be just a huge fan, I didn\u2019t realize. I only found him because he made a video for my producer Scro, who has his own artist project. I just thought, this is so sick, maybe we should reach out. He was so over the moon about it \u2014 he was comparing me reaching out to him to how I explained Drake reaching out to me. Like he threw his phone across the room and was losing his mind. So it was really him that put in all these Easter eggs. When I saw them all, I was like this is just above and beyond.<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\t<strong>What was it like watching the video back for the first time?<br \/><\/strong>I was so shocked that I didn\u2019t have any notes. I\u2019m usually very much a notes girl, kind of picky about this, that, and the other, but he just killed it. I was so locked in, I was entertained the whole time. Nothing felt like it needed work. And then the Easter eggs got me immediately. He just cares so much.<\/p>\n<section class=\"brands-most-popular \/\/ recirculation-modules lrv-u-margin-tb-2 lrv-u-border-a-2 u-box-shadow-5-5 lrv-u-padding-lr-1 a-span1 u-padding-b-1@tablet u-overflow-hidden\">\n<h2 id=\"section-heading\" class=\"c-heading larva  lrv-u-text-align-center u-border-color-black a-font-theme-primary-xxs lrv-u-color-black lrv-u-text-transform-uppercase u-letter-spacing-0063 lrv-u-padding-t-050 u-padding-b-0375@tablet lrv-u-padding-b-050@mobile-max lrv-u-border-b-2\">\n<p>\t\tRelated Content<\/p>\n<\/h2>\n<\/section>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\t<strong>Tell me about the little stuffed animals, the lion and the lamb.<br \/><\/strong>I think the whole \u201clamb is a lamb\u201d thing is just how I view myself and my way of handling relationships. It kind of feels like I was born like this, like I\u2019ve just been this way. I think that comes from my mother and watching her habits. For as kind and thoughtful as she was to me and my sister growing up, she was not that way to herself. So to me, it\u2019s like yeah, well, a lamb is a lamb. That\u2019s why there\u2019s a little lamb stuffie at the end, just to tie it all together.<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\t<strong>How did you connect with Kellin Quinn for this song?<br \/><\/strong>I\u2019ve been listening to Sleeping with Sirens like crazy, especially this last year. The songwriting has such crazy structure, it\u2019s not really predictable at all. There isn\u2019t any copy and paste to it. I\u2019ve been trying to embody that and listen to it all the time. And then I just reached out to shoot my shot because I was in Portland. He lives in a small town in Oregon, and I was like, \u201cHey, I\u2019m here if you wanna maybe do something.\u201d And then he\u2019s like, \u201cYeah, my daughter loves you.\u201d His daughter is 13 or something. It\u2019s so weird to think of these guys having full-grown children. But yeah, he was like, \u201cOh my God, we\u2019re all so excited.\u201d So he took a plane.<br \/><strong><br \/><\/strong>I had my parts of the song done. It was the chorus and the first verse, and I literally just played it for him in this beautiful studio. We were in an old library that was turned into [a studio]. It was so Portland, surrounded by trees. It was awesome. I just played it. He was like, \u201cOh, this is sick.\u201d And then he went away into a different room that had a piano and these beautiful windows, and I could see him through the glass. He just put headphones on. He sat for however long, wrote his thing. He came back in. I was like, \u201cThis is great. Just cut out the last line because it\u2019s too positive.\u201d<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\t<strong>What was the line?<br \/><\/strong>You know, he loves the \u201cdon\u2019t give up on us\u201d thing. I was like, \u201cKellin, with this song, we\u2019re giving up. Scratch that. Keep everything else. It\u2019s perfect.\u201d Then he just started doing it, and it was incredible. He loves to be a positive guy and I love him for that. But for me? No.<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\t<strong>What was the appeal of using this video game format instead of being in front of the camera?<br \/><\/strong>I mean, if it were up to me, I would never do video anything because I pick myself apart way too much. This was such a fun way to get me and Kellin to do something together. I love video games and all that, anything cozy, but to be able to give the song such a clear visual in the <em>Twilight<\/em> world, I was so happy. Watching little me in the meadow at the end, I was like, \u201cOh my gosh, this is so cute!\u201d That\u2019s all that I want personally in life. It was just fun to get to do it that way, because I just struggle with video stuff.<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\t<strong>For \u201cDeep End\u201d you were literally underwater.<br \/><\/strong>You don\u2019t even want to know what that day was like. That was the worst. We had to stop for hypothermia. They told me that the pool was heated. It was not heated. It was freezing. We were in Staten Island. Horrible. Never again. Ever. Learning how to scuba dive the day of \u2014 didn\u2019t like that. I\u2019m a paranoid girl. I\u2019m already a nervous girl and then they had me breathing underwater with no contact lenses in. Don\u2019t even get me started on the weighted belts. They were asking me, \u201cHow much weight do you think will be able to keep you down, but enough that you could still pop up?\u201d I started crying immediately when they asked me that. I was like, \u201cThis is the last straw. You\u2019re kidding.\u201d How are you asking me? What do I know?<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\t<strong>Do you see a clear relationship and throughline between your songs? You\u2019ve mentioned before that \u201cIn My Room\u201d was already pretty old by the time it had this moment.<br \/><\/strong>The thing that I am realizing so much \u2014 because even a song of mine like \u201cWishbone\u201d is now starting to bubble a little bit on TikTok, which is so cool \u2014 I think things just take time for people to catch on and see that there is a throughline between everything. It\u2019s just like we were saying, me trying to be as honest as I can with the lyrics, and that\u2019s going to continue to happen because anytime I try putting myself in a character\u2019s shoes or something else that you do hear a lot of songwriters have success with, it\u2019s so corny. If I try, it\u2019s horrendous. I have to just go off what it is that I\u2019m feeling in that moment, and it\u2019ll just look probably like a chronology of my life, really.<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\t<strong>Are you a patient person?<br \/><\/strong>Depends on what we\u2019re talking about. Career-wise, I\u2019ve been forced to be patient, really, just because we are independent, and that when you\u2019re up against a lot of people who are not that, or a nepo baby, whatever it is \u2014 it just forces you to have to be chill and trust that things are coming. It just takes a little longer sometimes.<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\t<strong>Are you still enjoying being independent? I\u2019m sure there have been calls and people knocking at the door.<br \/><\/strong>We love that because I gave \u201cIn My Room\u201d to every major label, and they all sent my home. I was like, OK, that\u2019s fine. But I love it because being independent, I have a say in everything. I opened my phone this morning and there was a girl in tears about Universal withholding her music, she\u2019s not allowed to release anything, and that story is a tale as old as time. We don\u2019t get that over at AWAL. It\u2019s just really chill and I love that.<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\t<strong>Are you leaning more towards an EP or an album for your next release?<br \/><\/strong>I think I am an album kind of girl. I just love a complete body of work. I look at people like Ethel Cain, like Phoebe Bridgers, who aren\u2019t afraid to take their time. It does give me some peace of mind because I will start to freak out and be like, \u201cEveryone is gonna forget me if I don\u2019t put something new out.\u201d But that\u2019s just not the case. Especially because things need time from the past, and I am proud of <em>Pressure<\/em>, and she still is growing, but I do need to write new music. I\u2019ve set aside the beginning of this coming new year to do that, say no to things, and finally be able to have a little bit of free time because it\u2019s hard. We went to LA last week with the mindset of making new songs. But when you only have a week to do it and you\u2019re being thrown into these sessions \u2014 I need to just go back to me, Scro, and my boyfriend. It was the three of us who made <em>Pressure<\/em>. It\u2019s gonna be the three of us who are gonna make the next thing.<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\t<strong>Are you ever scared that you\u2019ll hear something in someone else\u2019s music that you already have written down?<br \/><\/strong>It happened during the Phoebe stuff. She was talking about making snow angels and stuff. Different context, but I was like, oh, I just wrote something about making snow angels. And then she said something about \u201che\u2019s in the shower and I\u2019m talking to myself.\u201d I have so many lyrics about talking to myself out loud because I\u2019m always talking to my spirit guides and things like that, the angels. So, yes. For sure. I guess it helps me cross things out.<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\t<strong>How did you react when you found out \u201cIn My Room\u201d was Number One on Alternative Radio?<br \/><\/strong>That was so cool because we put in so much work this summer, going to crazy random cities, doing tons of radio shows. Radio I guess is one of the few places where you really do see the work that you do make a difference. You start getting more spins, then suddenly we get Number One. They told me very few women in history have ever gotten that. That\u2019s ridiculous. I\u2019m very honored to be a part of it, but also we need to up that number.<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\t<strong>That\u2019s the route for a lot of alt rock artists having to do the radio shows, lay the groundwork, and not just have a hit blow up and have people throw money at you. It\u2019s how we see acts like Bring Me the Horizon, or Pierce the Veil, who you have a show with coming up, end up at Madison Square Garden so many years in.<br \/><\/strong>I\u2019m just so grateful for it, and you do get to experience seeing the growth and being present in the moment of it. I take such inspiration from guys like them and Fall Out Boy, just looking at where they started and all the B-market tours that the agents don\u2019t want you to do. It\u2019s like I\u2019m doing them though, because those people are gonna come out. They\u2019ll hopefully come back. That\u2019s how you grow. There are no shortcuts and we\u2019re just in a world full of shortcuts right now that I refuse. I will do the marathon versus the sprint if that\u2019s going to land me more longevity.<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\t<strong>What do you think about how your music might be introducing different audiences to that format?<br \/><\/strong>It\u2019s so exciting. I mean, my first thought when you talk about that is the Yeat interview where he says he heard \u201cLinger\u201d by the Cranberries for the first time, and he says he\u2019d never listened to rock music ever before that moment, and it was just a light bulb and so inspiring to him. I think that\u2019s why I love doing collabs with all these people in different pockets because it does kind of open the eyes to a new audience who isn\u2019t necessarily into it or aware of it, aware that people are even making alternative music. I have to just stay true to what we\u2019ve been doing. I had a moment where I was like, \u201cOh, we need to make a high-end music video for \u2018Deep End,\u2019\u201d which we did. But I was going through this thing of like, it needs to sound more polished and sonically different. And then we put it out and I was like, gosh, I don\u2019t know, I need to go back to my roots.<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\t<strong>What has it been like watching your audience expand this year? \u201cIn My Room\u201d has been consistently growing.<br \/><\/strong>I am so appreciative of that because I do see a lot of these quick rises and then the fall off, and of course I\u2019m so paranoid of that. But to that point, I think a lot of the growth has come from the live performance, like these videos going around, which is so cool. It\u2019s just about the music and people like it. We are continuing to grow, and I think I\u2019ve really tried to also inject a lot of myself and personality in there, so that it isn\u2019t just one song. It\u2019s like, oh, this is the community, the world that we\u2019re all jumping into together, and make it so that if another young girl sees that I\u2019m watching Gilmore Girls, then it\u2019s like, \u201cOh, we\u2019re the same.\u201d We\u2019re in it together.<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\t<strong>You\u2019re about to head out on the road for three months of shows. How are you feeling about it?<br \/><\/strong>It\u2019s my first time even having lighting and stage production. It\u2019s usually just me and a curtain. I think inherently everything that I gravitate towards is always on the darker, familiar side. The stage is very much going to reflect that and give that kind of cozy bedroom feel, but also the forest feel. I\u2019m so big on that aspect of things because I\u2019m really not so much of a city girl. I grew up in the suburbs. I\u2019m very much a quiet, chill person. So I think the stage is going to reflect that, and the lighting will really help me narrate the story of these moments that feel really impactful. <\/p>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\t<strong>The tour opens in Forks, Washington. <br \/><\/strong>When I first went there, the forest alone made me start crying. It makes everything feel so real. They do a Twilight Festival. It\u2019s a week long over there, and I desperately wanted to perform at the last one. They were like, \u201cOh no, we just can\u2019t do it.\u201d So when they said no, that\u2019s when I did the Bella Swan shows instead, like at her house, which was a dream come true. And then this year they reached out and they were like, \u201cHey, we can do this now.\u201d I was like, \u201cOK, cool, but can we just make it free for everyone?\u201d Because the tickets are quite pricey for the week-long event. They\u2019re like, \u201cYeah, well, if you do the welcome party, anyone can go to it.\u201d So they sent me a picture of the stage, and it\u2019s like a pickup truck with a trailer attached to the back of it. It\u2019s so good, and it\u2019s just going to be in a park.<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\t<strong>Thinking about the younger version of yourself that related to Bella, as you\u2019ve gotten older, how do you see that connection between yourself and that character change?<br \/><\/strong>I feel like I\u2019m still the same, honestly. There isn\u2019t too much growth that\u2019s happened in terms of the way that she feels self-conscious, and she doesn\u2019t feel worthy of him or doesn\u2019t understand why he would pick her, I guess. It\u2019s something that I still just relate to a little too much. But it gives me a lot of comfort. I just watch it, and sometimes I will get that little feeling of giddiness that I used to get even just for a split second, it catches me off guard. I\u2019m like, oh yeah, it\u2019s just very magical for me to experience those feelings that are so long gone for us.<\/p>\n<section class=\"brands-most-popular \/\/ recirculation-modules trending-in-article lrv-u-margin-tb-2 lrv-u-border-a-2 u-box-shadow-5-5 lrv-u-padding-lr-1 a-span1 u-padding-b-1@tablet u-overflow-hidden\">\n<h2 id=\"section-heading\" class=\"c-heading larva  lrv-u-text-align-center u-border-color-black a-font-theme-primary-xxs lrv-u-color-black lrv-u-text-transform-uppercase u-letter-spacing-0063 lrv-u-padding-t-050 u-padding-b-0375@tablet lrv-u-padding-b-050@mobile-max lrv-u-border-b-2\">\n<p>\t\tTrending Stories<\/p>\n<\/h2>\n<\/section>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\t<strong>The soundtracks from <em>Twilight<\/em> have also lived on in their own way. How do you think about longevity in regard to your own music?<br \/><\/strong>The reason why I even started posting \u201cIn My Room\u201d with <em>Twilight<\/em> is because I didn\u2019t want to be on video, and this was something I loved, and I wanted a clear visual for people to just understand right away. I feel like I could build those same kinds of worlds with the other music, and just start putting them in places to where people are like, \u201cOh, OK, yeah, it\u2019s really easy for me to get now. I understand.\u201d I don\u2019t post as crazy as I used to. I\u2019m afforded the ability to have space and chill a little bit so that things can grow. I don\u2019t have to be the one shoving it down everyone, but rather just giving it time for people to even discover it. Hopefully the more videos of shows that do well will just inspire people to check out some of the other songs.<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\t<strong>How do you have that be a part of this world that you\u2019re building around your music without essentially becoming the <em>Twilight<\/em> girl?<br \/><\/strong>That\u2019s such a good question because I love it so dearly, but now that it\u2019s happened with \u201cIn My Room,\u201d and it\u2019s also in the \u201cLamb\u201d music video, I don\u2019t know. I can\u2019t help myself. I just love it so much. If people want to label me that way and not take the time to see the rest of the discography and who I am as a person, so be it. I try to do the vlogs and interviews where it is just more personality stuff to show who I am outside of that. But at the end of the day, I do really just love it. I think I\u2019ll just continue creating and collaborating with other people and growing the shows, and hopefully getting another radio song.<\/p>\n<\/div>\n<p><br \/>\n<br \/><a href=\"https:\/\/www.rollingstone.com\/music\/music-features\/julia-wolf-exclusive-breakout-year-lamb-video-kellin-quinn-1235620064\/\">Source link <\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>J ulia Wolf is seeing things in the music video for her latest single \u201cLamb\u201d \u2014 or at least the animated rendering of herself&#8230;<\/p>\n","protected":false},"author":5,"featured_media":72351,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[36],"tags":[],"class_list":["post-72350","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-pop","article","has-excerpt","has-avatar","has-author","has-date","has-comment-count","has-category-meta","has-read-more","thumbnail-"],"_links":{"self":[{"href":"https:\/\/musicianvoice.com\/index.php\/wp-json\/wp\/v2\/posts\/72350","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/musicianvoice.com\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/musicianvoice.com\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/musicianvoice.com\/index.php\/wp-json\/wp\/v2\/users\/5"}],"replies":[{"embeddable":true,"href":"https:\/\/musicianvoice.com\/index.php\/wp-json\/wp\/v2\/comments?post=72350"}],"version-history":[{"count":0,"href":"https:\/\/musicianvoice.com\/index.php\/wp-json\/wp\/v2\/posts\/72350\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/musicianvoice.com\/index.php\/wp-json\/wp\/v2\/media\/72351"}],"wp:attachment":[{"href":"https:\/\/musicianvoice.com\/index.php\/wp-json\/wp\/v2\/media?parent=72350"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/musicianvoice.com\/index.php\/wp-json\/wp\/v2\/categories?post=72350"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/musicianvoice.com\/index.php\/wp-json\/wp\/v2\/tags?post=72350"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}