{"id":72378,"date":"2026-09-09T17:05:35","date_gmt":"2026-09-09T17:05:35","guid":{"rendered":"https:\/\/musicianvoice.com\/index.php\/2026\/09\/09\/hear-dolly-partons-first-posthumous-song-stanley-brothers-tribute\/"},"modified":"2026-09-09T17:05:35","modified_gmt":"2026-09-09T17:05:35","slug":"hear-dolly-partons-first-posthumous-song-stanley-brothers-tribute","status":"publish","type":"post","link":"https:\/\/musicianvoice.com\/index.php\/2026\/09\/09\/hear-dolly-partons-first-posthumous-song-stanley-brothers-tribute\/","title":{"rendered":"Hear Dolly Parton&#8217;s First Posthumous Song &#8212; Stanley Brothers Tribute"},"content":{"rendered":"<p> <br \/>\n<\/p>\n<div>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\tAlmost all of the tracks on the years-in-the-making, all-star tribute album <em>Where the Soul Never Dies: Celebrating 80 Years of The <a href=\"https:\/\/www.rollingstone.com\/t\/stanley-brothers\/\" id=\"auto-tag_stanley-brothers\" data-tag=\"stanley-brothers\">Stanley Brothers<\/a><\/em>, due Oct. 16, were recorded live in the studio, but the album\u2019s producers made an exception for <a href=\"https:\/\/www.rollingstone.com\/t\/dolly-parton\/\" id=\"auto-tag_dolly-parton\" data-tag=\"dolly-parton\">Dolly Parton<\/a>. During a Covid surge circa 2022, Parton was taking no chances, so she recorded her vocal for the traditional song \u201cBound to Ride\u201d (which the Stanley Brothers helped popularize with a 1964 recording) alone at her own studio. The virtuoso musicians known as the First Ladies of Bluegrass earlier laid down a backing track for her on their own, though you\u2019d never know it by the playful vibrancy of her performance. <\/p>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\tNow, two weeks after Parton\u2019s <a href=\"https:\/\/www.rollingstone.com\/music\/music-country\/dolly-parton-dead-obit-1234810193\/\" data-type=\"link\" data-id=\"https:\/\/www.rollingstone.com\/music\/music-country\/dolly-parton-dead-obit-1234810193\/\">death<\/a> at age 80, the song is her first posthumous release, taking her back to her deepest mountain roots. (Click <a href=\"https:\/\/found.ee\/wherethesoulneverdies\" rel=\"nofollow\" target=\"_blank\">here<\/a> to preorder and presave the album, and check out the single below.)<\/p>\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube\">\n<p>\n<span class=\"embed-youtube\" style=\"text-align:center; display: block;\"><iframe loading=\"lazy\" title=\"Bound to Ride\" width=\"1200\" height=\"900\" src=\"https:\/\/www.youtube.com\/embed\/l_UpqPpacR8?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe><\/span>\n<\/p>\n<\/figure>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\t<em>Where the Soul Never Dies <\/em>was produced by banjoist <a href=\"https:\/\/www.rollingstone.com\/t\/alison-brown\/\" id=\"auto-tag_alison-brown\" data-tag=\"alison-brown\">Alison Brown<\/a> and bassist Garry West, the husband-and-wife team behind Compass Records, and timed to the Stanley Brothers\u2019 long-delayed induction into the Country Music Hall of Fame. Beginning in the mid-1940s, Carter and <a href=\"https:\/\/www.rollingstone.com\/t\/ralph-stanley\/\" id=\"auto-tag_ralph-stanley\" data-tag=\"ralph-stanley\">Ralph Stanley<\/a>, along with their band, the Clinch Mountain Boys,\u00a0combined the string-band music of <a href=\"https:\/\/www.rollingstone.com\/t\/bill-monroe\/\" id=\"auto-tag_bill-monroe\" data-tag=\"bill-monroe\">Bill Monroe<\/a> with the mountain ballads and church singing they learned in southwestern Virginia, plus Carter Family-inspired harmonies.<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\tThe album also includes Willie Nelson and Sierra Ferrell on \u201cI\u2019ll Fly Away,\u201d Jamey Johnson and singer-songwriter Shawn Camp on a stark \u201cRank Strangers to Me,\u201d Dierks Bentley with Della Mae on \u201cHow Mountain Girls Can Love,\u201d Jim Lauderdale with the Travelin\u2019 McCourys on \u201cRiding That Midnight Train,\u201d the Nitty Gritty Dirt Band on \u201cThink of What You\u2019ve Done,\u201d Rhiannon Giddens and Dirk Powell on \u201cLittle Birdie,\u201d Ralph Stanley II with Tim O\u2019Brien on \u201cMother No Longer Awaits Me at Home,\u201d\u00a0and the group I\u2019m With Her performing the hymn-like \u201cGoing Up Home to Live in Green Pastures.\u201d Rounding out the album is Steve Martin and Ed Helms\u2019 take on a Stanley Brothers comedy routine.<\/p>\n<section class=\"brands-most-popular \/\/ editors-pick-module lrv-u-margin-tb-2 lrv-u-border-a-2 u-box-shadow-5-5 lrv-u-padding-lr-1 a-span1 u-padding-b-1@tablet u-overflow-hidden\">\n<h2 id=\"section-heading\" class=\"c-heading larva  lrv-u-text-align-center u-border-color-black a-font-theme-primary-xxs lrv-u-color-black lrv-u-text-transform-uppercase u-letter-spacing-0063 lrv-u-padding-t-050 u-padding-b-0375@tablet lrv-u-padding-b-050@mobile-max lrv-u-border-b-2\">\n<p>\t\tEditor\u2019s picks<\/p>\n<\/h2>\n<\/section>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\tThe producers hope to remind listeners\u2019 of how much country, bluegrass, and Americana owe the Stanley Brothers, who also influenced artists from Bob Dylan to Bruce Springsteen. \u201cI feel like a lot of their stuff is just in the ether,\u201d West says. \u201cIt\u2019s just there, and it\u2019s taken for granted. Some of these things are such classics that a lot of people that play these tunes now \u2014 because they\u2019re so commonly played in pickup bands \u2014 I would bet a lot of the musicians don\u2019t even know the origins of them as Stanley Brothers songs, or at least from their recordings.\u201d<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\tFor the Parton track, the First Ladies of Bluegrass\u00a0 \u2014 co-producer Brown (banjo), Becky Buller (fiddle), <a href=\"https:\/\/www.rollingstone.com\/t\/sierra-hull\/\" id=\"auto-tag_sierra-hull\" data-tag=\"sierra-hull\">Sierra Hull<\/a> (mandolin), Missy Raines (bass), and <a href=\"https:\/\/www.rollingstone.com\/t\/molly-tuttle\/\" id=\"auto-tag_molly-tuttle\" data-tag=\"molly-tuttle\">Molly Tuttle<\/a> (guitar) \u2014 rearranged \u201cBound to Ride,\u201d complete with a newly written eight-bar bridge drawn from an obscure verse. The band worked up the new version while masked around a studio coffee table, and Buller sang a scratch vocal in the band\u2019s best guess at Parton\u2019s key.\u00a0<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\t\u201cI call it the full Dolly,\u201d West says. \u201cWe didn\u2019t know what we would get back, and she really did over-deliver. We were shocked. We couldn\u2019t have gotten anything better.\u201d Parton ended up calling out each of the First Ladies by name during the song, which left the musicians deeply moved.\u00a0<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\tThe idea for the album originated with another label before corporate reshuffling stalled it, and industry veteran J. Tayloe Emery brought the project to Brown and West, whose Compass Records straddles bluegrass and the broader Americana world. The couple produced every track themselves, cutting tracks live at their Nashville headquarters, the former Glaser Brothers studio, where outlaw country got its name.  Brown\u2019s own banjo turns up on most of the album. \u201cI\u2019m the best in my price range,\u201d she jokes.<\/p>\n<section class=\"brands-most-popular \/\/ recirculation-modules lrv-u-margin-tb-2 lrv-u-border-a-2 u-box-shadow-5-5 lrv-u-padding-lr-1 a-span1 u-padding-b-1@tablet u-overflow-hidden\">\n<h2 id=\"section-heading\" class=\"c-heading larva  lrv-u-text-align-center u-border-color-black a-font-theme-primary-xxs lrv-u-color-black lrv-u-text-transform-uppercase u-letter-spacing-0063 lrv-u-padding-t-050 u-padding-b-0375@tablet lrv-u-padding-b-050@mobile-max lrv-u-border-b-2\">\n<p>\t\tRelated Content<\/p>\n<\/h2>\n<\/section>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\tWillie Nelson\u2019s contribution also came together remotely. The country legend initially sent back a track where he simply harmonized with the guide vocal, but when they asked his longtime producer, Buddy Cannon, to take another shot at it, Nelson recorded a strong lead vocal and even a guitar solo. West then decided \u201cthere was room for another voice, a different generational take on it,\u201d and recruited Sierra Ferrell to turn the song into a duet.<\/p>\n<section class=\"brands-most-popular \/\/ recirculation-modules trending-in-article lrv-u-margin-tb-2 lrv-u-border-a-2 u-box-shadow-5-5 lrv-u-padding-lr-1 a-span1 u-padding-b-1@tablet u-overflow-hidden\">\n<h2 id=\"section-heading\" class=\"c-heading larva  lrv-u-text-align-center u-border-color-black a-font-theme-primary-xxs lrv-u-color-black lrv-u-text-transform-uppercase u-letter-spacing-0063 lrv-u-padding-t-050 u-padding-b-0375@tablet lrv-u-padding-b-050@mobile-max lrv-u-border-b-2\">\n<p>\t\tTrending Stories<\/p>\n<\/h2>\n<\/section>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\tThen there\u2019s \u201cPardon Me, Stranger,\u201d in which Steve Martin, Ed Helms, and Brown reinvent \u201cHow Far to Little Rock,\u201d the comedy routine the Stanleys performed for years onstage. Brown and Martin each wrote part of the new song, while Martin and Helms came up with new jokes to replace the old-timey ones from the Stanleys\u2019 bit. The finished track features three banjos, with Helms picking alongside Brown and Martin.<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\tThe celebration continues Oct. 28, when Brown and West will convene many of the record\u2019s artists \u2014\u00a0they\u2019re not ready to announce which ones \u2014 for a live tribute at Nashville\u2019s CMA Theater. The producers hope the album, the concert, and the induction are just the beginning. \u201cOur hope is that younger players just pick up on the music again and keep it moving forward and keep it alive and keep reinventing it,\u201d West says. \u201cNot being afraid of reinventing it, not being afraid of freshening it up.\u201d<\/p>\n<\/div>\n<p><br \/>\n<br \/><a href=\"https:\/\/www.rollingstone.com\/music\/music-news\/dolly-parton-posthumous-song-stanley-brothers-tribute-1235623533\/\">Source link <\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Almost all of the tracks on the years-in-the-making, all-star tribute album Where the Soul Never Dies: Celebrating 80 Years of The Stanley Brothers, due&#8230;<\/p>\n","protected":false},"author":5,"featured_media":72379,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[36],"tags":[],"class_list":["post-72378","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-pop","article","has-excerpt","has-avatar","has-author","has-date","has-comment-count","has-category-meta","has-read-more","thumbnail-"],"_links":{"self":[{"href":"https:\/\/musicianvoice.com\/index.php\/wp-json\/wp\/v2\/posts\/72378","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/musicianvoice.com\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/musicianvoice.com\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/musicianvoice.com\/index.php\/wp-json\/wp\/v2\/users\/5"}],"replies":[{"embeddable":true,"href":"https:\/\/musicianvoice.com\/index.php\/wp-json\/wp\/v2\/comments?post=72378"}],"version-history":[{"count":0,"href":"https:\/\/musicianvoice.com\/index.php\/wp-json\/wp\/v2\/posts\/72378\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/musicianvoice.com\/index.php\/wp-json\/wp\/v2\/media\/72379"}],"wp:attachment":[{"href":"https:\/\/musicianvoice.com\/index.php\/wp-json\/wp\/v2\/media?parent=72378"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/musicianvoice.com\/index.php\/wp-json\/wp\/v2\/categories?post=72378"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/musicianvoice.com\/index.php\/wp-json\/wp\/v2\/tags?post=72378"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}