{"id":72454,"date":"2026-09-10T13:54:30","date_gmt":"2026-09-10T13:54:30","guid":{"rendered":"https:\/\/musicianvoice.com\/index.php\/2026\/09\/10\/brian-fallon-loves-the-eighties-on-new-album-not-bad-for-new-jersey\/"},"modified":"2026-09-10T13:54:30","modified_gmt":"2026-09-10T13:54:30","slug":"brian-fallon-loves-the-eighties-on-new-album-not-bad-for-new-jersey","status":"publish","type":"post","link":"https:\/\/musicianvoice.com\/index.php\/2026\/09\/10\/brian-fallon-loves-the-eighties-on-new-album-not-bad-for-new-jersey\/","title":{"rendered":"Brian Fallon Loves the Eighties on New Album &#8216;Not Bad for New Jersey&#8217;"},"content":{"rendered":"<p> <br \/>\n<\/p>\n<div>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\t<a href=\"https:\/\/www.rollingstone.com\/t\/brian-fallon\/\" id=\"auto-tag_brian-fallon\" data-tag=\"brian-fallon\">Brian Fallon<\/a> was driving his daughter to school just before he was set to hit the road with <a href=\"https:\/\/www.rollingstone.com\/t\/gaslight-anthem\/\" id=\"auto-tag_gaslight-anthem\" data-tag=\"gaslight-anthem\">Gaslight Anthem<\/a> on their 2024 tour and pondering what fresh song the New Jersey rock band could workshop as a cover. He found a burst of inspiration from something his kid cued up.<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\t\u201c\u2018What is this beautiful song?\u2019 I asked. And she said, \u2018It\u2019s Billie Eilish,\u2019\u201d Fallon says backstage at the Basement East in East Nashville, where he\u2019s getting ready for a gig that night. The song was \u201cOcean Eyes,\u201d Eilish\u2019s 2016 debut single, and he found it both irresistible and a little bit like an Eighties anthem. \u201cI listened to it the whole way home,\u201d he recalls. \u201cI could hear a little of <a href=\"https:\/\/www.rollingstone.com\/music\/music-features\/skid-row-take-back-sebastian-bach-reunion-1235511494\/\">Skid Row<\/a> in that song.\u201d<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\tWhen the Gaslight Anthem frontman got together with his longtime pal <a href=\"https:\/\/www.rollingstone.com\/music\/music-features\/butch-walker-solo-albums-letters-1235087550\/\">Butch Walker<\/a>, who produced Fallon\u2019s 2016 solo debut <em><a href=\"https:\/\/www.rollingstone.com\/music\/music-album-reviews\/painkillers-187114\/\">Painkillers<\/a><\/em>, to record an acoustic EP for Gaslight to drop before their tour, Fallon decided to put <a href=\"https:\/\/www.youtube.com\/watch?v=wEjdOfsmNEA&amp;list=RDwEjdOfsmNEA&amp;start_radio=1\" target=\"_blank\" rel=\"noreferrer noopener nofollow\">his own spin <\/a>on Eilish\u2019s dreamy ballad. It ended up having legs far past that recording session.<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\t\u201cI could completely hear now that \u2018Ocean Eyes\u2019 might have been where the germ of this album started,\u201d he says.<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\tThat album is <em>Not Bad for New Jersey<\/em>, Fallon\u2019s new solo album streaming now (a physical version drops Friday). Produced by Walker, it finds the two men bonding over their shared appreciation of glossy rock &amp; roll, from Tom Petty to Tina Turner, and especially Bryan Adams\u2019 1984 standout, <em>Reckless<\/em>. \u201cSongs with a lot of attitude, like early Melissa Etheridge and \u2018Missing You\u2019 by John Waite, were really big for me at the time,\u201d Fallon says.<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\tAs he looked at the liner notes of those albums, Fallon noticed that many of those songs had additional co-writers. Previously, he\u2019d hunker down and work on material himself. This time, he changed things up and wrote with his friends, including\u00a0fellow singer-songwriter Donovan Woods (in Toronto), the Killers\u2019 Brandon Flowers (in Utah), and Lori McKenna and Nick Long.<\/p>\n<section class=\"brands-most-popular \/\/ editors-pick-module lrv-u-margin-tb-2 lrv-u-border-a-2 u-box-shadow-5-5 lrv-u-padding-lr-1 a-span1 u-padding-b-1@tablet u-overflow-hidden\">\n<h2 id=\"section-heading\" class=\"c-heading larva  lrv-u-text-align-center u-border-color-black a-font-theme-primary-xxs lrv-u-color-black lrv-u-text-transform-uppercase u-letter-spacing-0063 lrv-u-padding-t-050 u-padding-b-0375@tablet lrv-u-padding-b-050@mobile-max lrv-u-border-b-2\">\n<p>\t\tEditor\u2019s picks<\/p>\n<\/h2>\n<\/section>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\t\u201cI\u2019m in this era of letting people into the process,\u201d Fallon says of his changed approach to writing. \u201cI was always so, so rigid with that, and I always felt that if I didn\u2019t write the songs, it somehow made me less valuable.\u201d<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\tLast December, he headed to Walker\u2019s studio on the outskirts of Nashville and spent three weeks recording the tracks that make up <em>Not Bad for New Jersey. <\/em>Unlike Fallon\u2019s previous solo effort, 2020\u2019s <em><a href=\"https:\/\/www.rollingstone.com\/music\/music-country\/brian-fallon-gaslight-anthem-local-honey-976408\/\">Local Honey<\/a><\/em>, which saw him looking inward with a sparse set (he was in a \u201cdad role,\u201d he calls it), <em>Not Bad for New Jersey <\/em>has a bigger, rocking sound. That\u2019s best demonstrated on the Gaslight-adjacent title track, its rollicking counterpart \u201cNobody Likes You in NYC,\u201d and the bold heart-on-the-sleeve \u201cThe Big Sleep,\u201d featuring Woods on backing vocals. \u201cBetter Before,\u201d meanwhile, is pure Eighties Bryan Adams.<\/p>\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube\">\n<p>\n<span class=\"embed-youtube\" style=\"text-align:center; display: block;\"><iframe loading=\"lazy\" title=\"Brian Fallon - Not Bad for New Jersey (Official Visualizer)\" width=\"1200\" height=\"675\" src=\"https:\/\/www.youtube.com\/embed\/1uyTONAlPm8?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe><\/span>\n<\/p>\n<\/figure>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\tThe collaborative spirit that defined Fallon\u2019s songwriting also extended to the recording. Jamming with Walker and drummer Eric Slick, the trio knocked out 12 songs, with 10 making the cut. Fallon estimates they recorded 90 percent of it live. \u201cThat\u2019s how good Eric and Butch are,\u201d Fallon says. \u201cThey were incredible partners to have on this.\u201d<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\tAccording to Slick, the appreciation is mutual.<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\t\u201cHis songs paint a real picture of what his life is like, and I think he\u2019s got that Jersey thing deeply embedded in there,\u201d he says. \u201cIt makes a lot of sense that Bruce Springsteen and Brandon Flowers love his music \u2014 he\u2019s got that innate understanding of the working class, and he writes his lyrics to reflect that.\u201d\u00a0<\/p>\n<section class=\"brands-most-popular \/\/ recirculation-modules lrv-u-margin-tb-2 lrv-u-border-a-2 u-box-shadow-5-5 lrv-u-padding-lr-1 a-span1 u-padding-b-1@tablet u-overflow-hidden\">\n<h2 id=\"section-heading\" class=\"c-heading larva  lrv-u-text-align-center u-border-color-black a-font-theme-primary-xxs lrv-u-color-black lrv-u-text-transform-uppercase u-letter-spacing-0063 lrv-u-padding-t-050 u-padding-b-0375@tablet lrv-u-padding-b-050@mobile-max lrv-u-border-b-2\">\n<p>\t\tRelated Content<\/p>\n<\/h2>\n<\/section>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\t<em>Not Bad for New Jersey <\/em>features a handful of guest musicians, including Flowers, who just released his <a rel=\"nofollow\" href=\"https:\/\/google.com\/search?q=brandon+flowers+rolling+sotne&amp;rlz=1C5GCEM_enUS1099US1102&amp;oq=brandon+flowers+rolling+sotne&amp;gs_lcrp=EgZjaHJvbWUyBggAEEUYOTIHCAEQABiABDIICAIQABgWGB4yBwgDEAAY7wUyBwgEEAAY7wUyCggFEAAYgAQYogTSAQgyMjE2ajBqNKgCALACAA&amp;sourceid=chrome&amp;source=chrome.ob&amp;ie=UTF-8\" target=\"_blank\">own solo album<\/a> (\u201cI think we come from a lot of the same places and he\u2019s one of the best songwriters I\u2019ve ever heard,\u201d Fallon says), McKenna, Marc Ribot, and Def Leppard guitarist Phil Collen. A longtime fan of the veteran British hard-rock band, Fallon met Collen through their publisher and his inclusion on <em>Not Bad for New Jersey<\/em>, on the song \u201cSomewhere You Shouldn\u2019t Be,\u201d was a thrill.<\/p>\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube\">\n<p>\n<span class=\"embed-youtube\" style=\"text-align:center; display: block;\"><iframe loading=\"lazy\" title=\"Brian Fallon - Love at the End of the World (feat. Brandon Flowers) [Official Audio]\" width=\"1200\" height=\"675\" src=\"https:\/\/www.youtube.com\/embed\/f_qSU3K8RLU?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe><\/span>\n<\/p>\n<\/figure>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\t\u201cWhen I sat down with him, he couldn\u2019t have been cooler,\u201d Fallon says of Collen. \u201cHe\u2019s a guy who has not lost an ounce of joy for what he does.\u201d<\/p>\n<section class=\"brands-most-popular \/\/ recirculation-modules trending-in-article lrv-u-margin-tb-2 lrv-u-border-a-2 u-box-shadow-5-5 lrv-u-padding-lr-1 a-span1 u-padding-b-1@tablet u-overflow-hidden\">\n<h2 id=\"section-heading\" class=\"c-heading larva  lrv-u-text-align-center u-border-color-black a-font-theme-primary-xxs lrv-u-color-black lrv-u-text-transform-uppercase u-letter-spacing-0063 lrv-u-padding-t-050 u-padding-b-0375@tablet lrv-u-padding-b-050@mobile-max lrv-u-border-b-2\">\n<p>\t\tTrending Stories<\/p>\n<\/h2>\n<\/section>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\tAs for what\u2019s next, Fallon has a steady slate of touring, with dates in the U.S. and Europe that will take him through the end of 2026. Once that\u2019s wrapped, he plans on getting back to work with Gaslight Anthem at some point next year, and is already putting together song ideas for the group. As he learned with <em>Not Bad for New Jersey<\/em>, enlisting an outside songwriter could now be an option for Gaslight too.<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\t\u201cI wonder what would happen if I got my punk friends, or guys who came from punk, to write with,\u201d Fallon says. \u201cAt this stage in my career, there are enough people who I know who know somebody who knows somebody, so I can get to a lot of people. It would be so cool to see what would come out of that.\u201d<\/p>\n<\/div>\n<p><br \/>\n<br \/><a href=\"https:\/\/www.rollingstone.com\/music\/music-features\/brian-fallon-interview-not-bad-for-new-jersey-eighties-rock-1235623064\/\">Source link <\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Brian Fallon was driving his daughter to school just before he was set to hit the road with Gaslight Anthem on their 2024 tour&#8230;<\/p>\n","protected":false},"author":5,"featured_media":72455,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[36],"tags":[],"class_list":["post-72454","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-pop","article","has-excerpt","has-avatar","has-author","has-date","has-comment-count","has-category-meta","has-read-more","thumbnail-"],"_links":{"self":[{"href":"https:\/\/musicianvoice.com\/index.php\/wp-json\/wp\/v2\/posts\/72454","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/musicianvoice.com\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/musicianvoice.com\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/musicianvoice.com\/index.php\/wp-json\/wp\/v2\/users\/5"}],"replies":[{"embeddable":true,"href":"https:\/\/musicianvoice.com\/index.php\/wp-json\/wp\/v2\/comments?post=72454"}],"version-history":[{"count":0,"href":"https:\/\/musicianvoice.com\/index.php\/wp-json\/wp\/v2\/posts\/72454\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/musicianvoice.com\/index.php\/wp-json\/wp\/v2\/media\/72455"}],"wp:attachment":[{"href":"https:\/\/musicianvoice.com\/index.php\/wp-json\/wp\/v2\/media?parent=72454"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/musicianvoice.com\/index.php\/wp-json\/wp\/v2\/categories?post=72454"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/musicianvoice.com\/index.php\/wp-json\/wp\/v2\/tags?post=72454"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}