{"id":72458,"date":"2026-09-10T14:10:30","date_gmt":"2026-09-10T14:10:30","guid":{"rendered":"https:\/\/musicianvoice.com\/index.php\/2026\/09\/10\/slayyyter-shares-raging-crank-sequel-song-crank-2-with-music-video\/"},"modified":"2026-09-10T14:10:30","modified_gmt":"2026-09-10T14:10:30","slug":"slayyyter-shares-raging-crank-sequel-song-crank-2-with-music-video","status":"publish","type":"post","link":"https:\/\/musicianvoice.com\/index.php\/2026\/09\/10\/slayyyter-shares-raging-crank-sequel-song-crank-2-with-music-video\/","title":{"rendered":"Slayyyter Shares Raging &#8216;Crank&#8217; Sequel Song &#8216;Crank 2&#8217; With Music Video"},"content":{"rendered":"<p> <br \/>\n<\/p>\n<div>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\tOn her standout hit \u201cCrank,\u201d <a href=\"https:\/\/www.rollingstone.com\/t\/slayyyter\/\" id=\"auto-tag_slayyyter\" data-tag=\"slayyyter\">Slayyyter<\/a> issued a simple warning: \u201cDo not piss me off.\u201d Or else what? \u201cCrank 2,\u201d apparently. Slayyyter has shared a sequel song to the <em>Wor$t Girl in America <\/em>single that builds on the bluster<strong> <\/strong>of \u201cCrank,\u201d only this track is a little more sinister and infinitely more pissed off. <\/p>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\t\u201cI\u2019m a pretty motherfucker, hundred dollar on the trucker\/Bet you keepin\u2019 ugly bitches on your dick undercover\/He had the sickest bitch, fucked it up, what a sucker\/He think he run culture, but, bitch, I run it,\u201d Slayyyter spits over clattering production on the opening verse. The song arrives alongside a new militant and monochromatic music video. <\/p>\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube\">\n<p>\n<span class=\"embed-youtube\" style=\"text-align:center; display: block;\"><iframe loading=\"lazy\" title=\"Slayyyter - crank 2 (Official Video)\" width=\"1200\" height=\"675\" src=\"https:\/\/www.youtube.com\/embed\/L43gRv9Et2w?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe><\/span>\n<\/p>\n<\/figure>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\tOn the original \u201cCrank,\u201d Slayyyter gets so twisted she \u201ccan\u2019t say no sentences right.\u201d Here, she wants her target to hear her loud and clear \u2014 emphasis on loud. \u201cYou fucking over Slayyyter?\u201d she asks. \u201cBitch, I\u2019ll bring the blick later.\u201d <\/p>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\t\u201cCrank 2\u201d is the second release from the inverted, extended universe of<em> Wor$t Girl in America<\/em>, tentatively titled <em>Wor$t Man in America.<\/em> It follows the \u201cBeat Up Chanel$\u201d flip<a href=\"https:\/\/www.rollingstone.com\/music\/music-news\/slayyyter-brand-new-chanels-music-video-single-1235601373\/\"> \u201cBrand New Chanel$,\u201d <\/a>which also addressed betrayal and infidelity. \u201cI want to live here for a little longer, so I\u2019m kind of making an inverse album, if you will,\u201d Slayyyter told<em> <a href=\"https:\/\/www.rollingstone.com\/music\/music-features\/slayyyter-worst-girl-in-america-crank-interview-1235569057\/\">Rolling Stone<\/a><\/em> earlier this year. \u201cI just want the core of everything to feel like me, because it finally feels that.\u201d<\/p>\n<section class=\"brands-most-popular \/\/ recirculation-modules trending-in-article lrv-u-margin-tb-2 lrv-u-border-a-2 u-box-shadow-5-5 lrv-u-padding-lr-1 a-span1 u-padding-b-1@tablet u-overflow-hidden\">\n<h2 id=\"section-heading\" class=\"c-heading larva  lrv-u-text-align-center u-border-color-black a-font-theme-primary-xxs lrv-u-color-black lrv-u-text-transform-uppercase u-letter-spacing-0063 lrv-u-padding-t-050 u-padding-b-0375@tablet lrv-u-padding-b-050@mobile-max lrv-u-border-b-2\">\n<p>\t\tTrending Stories<\/p>\n<\/h2>\n<\/section>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\tThe influx of new music is as much a treat to fans as it is to Slayyyter herself, who initially figured <em>Wor$t Girl in America<\/em> would be a final sendoff after years of trying to break through. \u201cI was so depressed while making a lot of it, and I felt so hopeless,\u201d Slayyyter said, having thought, \u201cI will leave behind one really great album that I\u2019m proud of and it probably won\u2019t go anywhere, like the rest haven\u2019t, and that\u2019s fine.\u201d<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\tAs it turns out, she has a lot more to say.<\/p>\n<\/div>\n<p><br \/>\n<br \/><a href=\"https:\/\/www.rollingstone.com\/music\/music-news\/slayyyter-shares-raging-crank-sequel-song-crank-2-1235623666\/\">Source link <\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>On her standout hit \u201cCrank,\u201d Slayyyter issued a simple warning: \u201cDo not piss me off.\u201d Or else what? \u201cCrank 2,\u201d apparently. Slayyyter has shared&#8230;<\/p>\n","protected":false},"author":5,"featured_media":72459,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[36],"tags":[],"class_list":["post-72458","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-pop","article","has-excerpt","has-avatar","has-author","has-date","has-comment-count","has-category-meta","has-read-more","thumbnail-"],"_links":{"self":[{"href":"https:\/\/musicianvoice.com\/index.php\/wp-json\/wp\/v2\/posts\/72458","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/musicianvoice.com\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/musicianvoice.com\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/musicianvoice.com\/index.php\/wp-json\/wp\/v2\/users\/5"}],"replies":[{"embeddable":true,"href":"https:\/\/musicianvoice.com\/index.php\/wp-json\/wp\/v2\/comments?post=72458"}],"version-history":[{"count":0,"href":"https:\/\/musicianvoice.com\/index.php\/wp-json\/wp\/v2\/posts\/72458\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/musicianvoice.com\/index.php\/wp-json\/wp\/v2\/media\/72459"}],"wp:attachment":[{"href":"https:\/\/musicianvoice.com\/index.php\/wp-json\/wp\/v2\/media?parent=72458"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/musicianvoice.com\/index.php\/wp-json\/wp\/v2\/categories?post=72458"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/musicianvoice.com\/index.php\/wp-json\/wp\/v2\/tags?post=72458"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}