{"id":72784,"date":"2026-09-15T14:15:29","date_gmt":"2026-09-15T14:15:29","guid":{"rendered":"https:\/\/musicianvoice.com\/index.php\/2026\/09\/15\/neil-youngs-second-song-centers-on-time-and-reflection-review\/"},"modified":"2026-09-15T14:15:29","modified_gmt":"2026-09-15T14:15:29","slug":"neil-youngs-second-song-centers-on-time-and-reflection-review","status":"publish","type":"post","link":"https:\/\/musicianvoice.com\/index.php\/2026\/09\/15\/neil-youngs-second-song-centers-on-time-and-reflection-review\/","title":{"rendered":"Neil Young&#8217;s &#8216;Second Song&#8217; Centers on Time and Reflection: Review"},"content":{"rendered":"<p> <br \/>\n<\/p>\n<div>\n<p>On 2025&#8217;s <a href=\"https:\/\/ultimateclassicrock.com\/neil-young-chrome-hearts-talkin-to-the-trees-album-review\/\" target=\"_blank\"><em>Talkin to the Trees<\/em><\/a>,\u00a0his first album with his\u00a0latest band, the Chrome Hearts, <a href=\"https:\/\/ultimateclassicrock.com\/tags\/neil-young\/\" target=\"_blank\">Neil Young<\/a>\u00a0did what he&#8217;s always done: moved from one place to another at his heart&#8217;s content, taking several detours over the album&#8217;s 38-minute running time \u2014 from acoustic country folk to blaring <a href=\"https:\/\/ultimateclassicrock.com\/tags\/crazy-horse\/\" target=\"_blank\">Crazy Horse<\/a>-style bar rock. For the now 80-year-old singer-songwriter, it was both a look to the future and a nod to his past.<\/p>\n<p><em>Second Song<\/em>, their second album and his 44th overall, not counting the studio releases in his popular <a href=\"https:\/\/ultimateclassicrock.com\/neil-young-archives-albums-ranked\/\" target=\"_blank\">Neil Young Archives<\/a> series, follows a mostly familiar path with some slight departures along the way, including a pair of songs Young wrote in the &#8217;60s. While <em>Talkin to the Trees<\/em>\u00a0included songs about Donald Trump, Elon Musk and the environment, <em>Second Song<\/em> is mostly about personal reflection and the passage of time.<\/p>\n<p><strong>READ MORE:<\/strong> <a href=\"https:\/\/ultimateclassicrock.com\/top-rock-songs-list\/\" target=\"_blank\">Top 100 Rock Songs of All Time<\/a><\/p>\n<p>Though Young isn&#8217;t exactly heading into the light quietly. &#8220;<em>The president was on TV and says everything is golden \/ But he&#8217;s tearing down the old White House<\/em>,&#8221; he sings in the\u00a0trudging, nine-plus-minute\u00a0&#8220;Soon I Might Be Going.&#8221;\u00a0And the environment,\u00a0long a priority commitment for Young, appears as a supporting character in a\u00a0few\u00a0of the album&#8217;s seven songs.<\/p>\n<p>But mostly Young looks back in <em>Second Song<\/em>, taking stock of his life (&#8220;<em>I thought about the early days, when I was young<\/em>&#8220;) and waxing poetic to his main love, actress Daryl Hannah, whom he&#8217;s been married to since 2018. &#8220;<em>You are the light of my life \/ Like a river that flows right through my heart<\/em>,&#8221; he sings in &#8220;Earth Girl,&#8221; one of the most unabashedly romantic songs of his long career; he repeats the sentiment in the\u00a0album closer &#8220;I&#8217;ll Love You Forever,&#8221; first recorded with the Squires in 1964 and included on 2009&#8217;s <em>The Archives Vol. 1 1963\u20131972<\/em> but recast here as a four-minute valentine to Hannah.<\/p>\n<h3 style=\"text-align:center\">Watch the Official Lyric Video for Neil Young &amp; the Chrome Hearts&#8217; &#8216;Second Song&#8217;<\/h3>\n<p>The Chrome Hearts (drummer Anthony LeGerfo, bassist Corey McCormick, guitarist Micah Nelson and keyboardist Spooner Oldham)\u00a0follow Young through his various turns on\u00a0<em>Second Song<\/em>, expertly supporting\u00a0whether the moment calls for distanced introspection (&#8220;The Foggy Edge of Time&#8221;), hushed deliberation (the 11-and-a-half-minute title track) or <em><a href=\"https:\/\/ultimateclassicrock.com\/neil-young-harvest\/\" target=\"_blank\">Harvest<\/a><\/em>-style country rock (&#8220;Casting Me Away From You,&#8221; first tried out in 1965). It&#8217;s all familiar to everyone who has followed Young&#8217;s career for the past six decades. Even without surprises (and really, when is the last time a Neil Young album surprised <em>anyone<\/em>?), <em>Second Song<\/em> is as dependable as the changing seasons he sings about in &#8220;Day After Day.&#8221;<\/p>\n<div class=\"single-post-image \">\n<figure class=\"img-tag v3 alignnone\">\n<div class=\"theframe \" data-loading=\"lazy\"><\/div><figcaption>ROXX<\/figcaption><span class=\"visually-hidden\" aria-hidden=\"true\">neil young<\/span><\/figure>\n<\/div>\n<div class=\"photogallery-wrapper blog-photogallery \">\n<h2 class=\"photogallery-title\">From &#8216;Harvest&#8217; to &#8216;Rust Never Sleeps&#8217; to &#8216;Ragged Glory&#8217;: Every Neil Young Album Ranked<\/h2>\n<div class=\"photogallery-description\">\n<p>He&#8217;s one of rock&#8217;s most brilliant, confounding, defiant and frustrating artists.<\/p>\n<\/div>\n<p class=\"photogallery-credit\">Gallery Credit: Michael Gallucci<\/p>\n<\/div>\n<\/div>\n<p><script src=\"https:\/\/ultimateclassicrock.com\/rest\/carbon\/api\/scripts.js?mver=164&#038;gver=10&#038;bid=295&#038;urls[]=https%3A%2F%2Fbtloader.com%2Ftag%3Fo%3D5642230212591616%26upapi%3Dtrue&#038;urls[]=https%3A%2F%2Fcdn.p-n.io%2Fpushly-sdk.min.js%3Fdomain_key%3DmxuuNIMSzp6MHphJEoAGlLFQ3qmwQguzkGZl&#038;urls[]=https%3A%2F%2Ftownsquare.media%2Fpublic%2Fresources%2Fjs%2Fpubcid.min.js&#038;urls[]=https%3A%2F%2Fplatform.twitter.com%2Fwidgets.js&#038;urls[]=https%3A%2F%2Fapis.google.com%2Fjs%2Fplatform.js&#038;urls[]=https%3A%2F%2Fconnect.facebook.net%2Fen_US%2Fsdk.js&#038;urls[]=https%3A%2F%2Fassets.pinterest.com%2Fjs%2Fpinit.js\" type=\"text\/javascript\" async defer data-osano=\"ESSENTIAL\"><\/script><br \/>\n<br \/><br \/>\n<br \/><a href=\"https:\/\/ultimateclassicrock.com\/neil-young-second-song\/\">Source link <\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>On 2025&#8217;s Talkin to the Trees,\u00a0his first album with his\u00a0latest band, the Chrome Hearts, Neil Young\u00a0did what he&#8217;s always done: moved from one place&#8230;<\/p>\n","protected":false},"author":3,"featured_media":72785,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[35],"tags":[],"class_list":["post-72784","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-rock","article","has-excerpt","has-avatar","has-author","has-date","has-comment-count","has-category-meta","has-read-more","thumbnail-"],"_links":{"self":[{"href":"https:\/\/musicianvoice.com\/index.php\/wp-json\/wp\/v2\/posts\/72784","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/musicianvoice.com\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/musicianvoice.com\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/musicianvoice.com\/index.php\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/musicianvoice.com\/index.php\/wp-json\/wp\/v2\/comments?post=72784"}],"version-history":[{"count":0,"href":"https:\/\/musicianvoice.com\/index.php\/wp-json\/wp\/v2\/posts\/72784\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/musicianvoice.com\/index.php\/wp-json\/wp\/v2\/media\/72785"}],"wp:attachment":[{"href":"https:\/\/musicianvoice.com\/index.php\/wp-json\/wp\/v2\/media?parent=72784"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/musicianvoice.com\/index.php\/wp-json\/wp\/v2\/categories?post=72784"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/musicianvoice.com\/index.php\/wp-json\/wp\/v2\/tags?post=72784"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}