{"id":72977,"date":"2026-09-17T13:25:32","date_gmt":"2026-09-17T13:25:32","guid":{"rendered":"https:\/\/musicianvoice.com\/index.php\/2026\/09\/17\/small-clubs-support-thriving-local-scenes-from-new-york-to-l-a\/"},"modified":"2026-09-17T13:25:32","modified_gmt":"2026-09-17T13:25:32","slug":"small-clubs-support-thriving-local-scenes-from-new-york-to-l-a","status":"publish","type":"post","link":"https:\/\/musicianvoice.com\/index.php\/2026\/09\/17\/small-clubs-support-thriving-local-scenes-from-new-york-to-l-a\/","title":{"rendered":"Small Clubs Support Thriving Local Scenes, from New York to L.A"},"content":{"rendered":"<p> <br \/>\n<\/p>\n<div>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\tThese days, it can feel like music exists only online or at arenas with a $500 entry fee. But there are still plenty of small, independent clubs building IRL scenes and fostering community.<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\tAt Permanent Records Roadhouse in <a href=\"https:\/\/www.rollingstone.com\/t\/los-angeles\/\" id=\"auto-tag_los-angeles\" data-tag=\"los-angeles\">Los Angeles<\/a>, a record store and a 100-cap venue are connected by a large outdoor patio. During the day, patrons sip beer outside while chatting with friends or searching through crates of music. At night, the venue hosts an early show and a late show, packing in six bands or more. The location is a little out of the way, but they rarely have trouble keeping the schedule full. \u201cWe provide a place for people who are motivated to play, without having to have a massive following already,\u201d\u00a0 says owner Lance Barresi.<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\tBefore opening the Roadhouse in 2019, Barresi was no stranger to the music scene. He\u2019d played in bands growing up in Missouri, and spent almost 20 years as the owner of record stores in Chicago and L.A. Those connections have helped bring a fair number of bigger names to the Roadhouse: In just one week in August, Osees\u2019 John Dwyer premiered a new psych-noise project, post-hardcore outfit Sparta came through on their summer tour, and Conan O\u2019Brien premiered his new band, the Vigodas. But the venue\u2019s bread and butter are smaller local acts that are actively building a following. \u201cWithout spaces like this, there is no breeding ground, no community space for local musicians to try new things,\u201d Barresi says.<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\tA couple miles away, Zebulon draws slightly larger crowds \u2014 their venue can hold up to 300 \u2014 but their mission is similar. This venue has been open in a warehouse district in L.A. since 2017, when they relocated here after a decade in Williamsburg, <a href=\"https:\/\/www.rollingstone.com\/t\/brooklyn\/\" id=\"auto-tag_brooklyn\" data-tag=\"brooklyn\">Brooklyn<\/a>. Back in <a href=\"https:\/\/www.rollingstone.com\/t\/new-york\/\" id=\"auto-tag_new-york\" data-tag=\"new-york\">New York<\/a>, their shows had been free, drawing in fans and musicians for an eclectic array of performances \u2014 come for the punk show, stay for the jazz. \u201cThe fact that it was free [made] the people interact together,\u201d explains co-owner Jef Soubiran, who grew up in the south of France. Artists playing larger clubs nearby would stop in after their gigs. \u201cThey were coming for a drink, coming [with their] instrument, and it became some amazing jam at the end of the night.\u201d In L.A., they started occasionally charging a cover \u2014 usually $20 to $30 \u2014 and got a space big enough to separate the venue from a caf\u00e9 in the front, so people can come and hang out even if they aren\u2019t going to the show. \u201cWe like the idea of people meet in a caf\u00e9 and talk about what\u2019s going on, or just, after the show, be able to hang out and talk,\u201d Soubiran says. \u201cIt\u2019s very community.\u201d<\/p>\n<section class=\"brands-most-popular \/\/ editors-pick-module lrv-u-margin-tb-2 lrv-u-border-a-2 u-box-shadow-5-5 lrv-u-padding-lr-1 a-span1 u-padding-b-1@tablet u-overflow-hidden\">\n<h2 id=\"section-heading\" class=\"c-heading larva  lrv-u-text-align-center u-border-color-black a-font-theme-primary-xxs lrv-u-color-black lrv-u-text-transform-uppercase u-letter-spacing-0063 lrv-u-padding-t-050 u-padding-b-0375@tablet lrv-u-padding-b-050@mobile-max lrv-u-border-b-2\">\n<p>\t\tEditor\u2019s picks<\/p>\n<\/h2>\n<\/section>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\tThere\u2019s still plenty of that community back east, too. Baby\u2019s All Right has been a fixture of Brooklyn nightlife since it opened in Williamsburg in 2013, serving as a launching pad for NYC bands like <a href=\"https:\/\/www.rollingstone.com\/music\/music-features\/sunflower-bean-new-album-interview-1319561\/\">Sunflower Bean<\/a>, international acts like <a href=\"https:\/\/www.rollingstone.com\/music\/music-features\/king-gizzard-lizard-wizard-tour-album-jam-band-1235098990\/\" target=\"_blank\" rel=\"noreferrer noopener\">King Gizzard and the Lizard Wizard<\/a>, and future superstars like <a href=\"https:\/\/www.rollingstone.com\/t\/billie-eilish\/\">Billie Eilish<\/a> (who played there on her first ever tour in 2017). Co-founder Billy Jones saw Baby\u2019s as a place where \u201cyou can do magic,\u201d explains Eli Anya, the club\u2019s director of programming. And while Jones tragically died of brain cancer last year at 45, shortly after opening another venue, Club 101, in the East Village, his vision for a room that hosts unforgettable experiences lives on in both places. These days, Anya books two shows a night at Baby\u2019s, which holds about 330 people. \u201cYou might have a local hip-hop show in the early slot, and then a touring rock band late, and you see a big amalgamation of different genres and different styles coming together in one place,\u201d Anya says. \u201cWhich feels very New York.\u201d Like Zebulon, they have a bar space in the front that allows people to hang out before or after shows. \u201cWe welcome the space for people to congregate, and build a community within the local scene,\u201d he says.<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\tNine stops east on the L train, in Ridgewood, Queens, TV Eye has become one of the coolest clubs in the city since opening its doors on New Year\u2019s Eve 2020, hosting everyone from local punk bands to bigger acts like the UK hardcore heroes Subhumans and the cosmic jazz explorers of the Sun Ra Arkestra. When Geese\u2019s Cameron Winter played a charity show under a <a href=\"https:\/\/www.rollingstone.com\/music\/music-live-reviews\/cameron-winter-geese-secret-solo-show-1235500813\/\" target=\"_blank\" rel=\"noreferrer noopener\">fake name<\/a> this January, TV Eye was the place to see it. Co-owner Jonathan Toubin says the club represents \u201can attempt to do exclusively underground music.\u201d Living in Austin in the 1990s, Toubin could go to a rock club any night of the week. \u201cSometimes you\u2019d see your friends at the bar. Sometimes you\u2019d see a new band. But the whole idea of going to a show was very community-oriented,\u201d he says. \u201cI had a lot of nostalgia for it.\u201d<\/p>\n<section class=\"brands-most-popular \/\/ recirculation-modules lrv-u-margin-tb-2 lrv-u-border-a-2 u-box-shadow-5-5 lrv-u-padding-lr-1 a-span1 u-padding-b-1@tablet u-overflow-hidden\">\n<h2 id=\"section-heading\" class=\"c-heading larva  lrv-u-text-align-center u-border-color-black a-font-theme-primary-xxs lrv-u-color-black lrv-u-text-transform-uppercase u-letter-spacing-0063 lrv-u-padding-t-050 u-padding-b-0375@tablet lrv-u-padding-b-050@mobile-max lrv-u-border-b-2\">\n<p>\t\tRelated Content<\/p>\n<\/h2>\n<\/section>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\tAside from owning a club, Toubin is a prolific DJ, and takes his Soul Clap dance party on the road for several months of the year. When we talk, he\u2019s somewhere in Nevada, on tour with his wife, Amy Franz, and their chihuahua, Bette Davis. About 15 years ago, when first thought about taking Soul Clap out of New York, he felt a bit stuck. The party features a panel of judges who rate the dancers, and back home, it was easy enough to find willing participants \u2014 \u201csomeone from <a rel=\"noreferrer noopener nofollow\" target=\"_blank\" href=\"https:\/\/beaconscloset.com\/?srsltid=AfmBOoq1VJ7i5f_KyiLrh9aWzH8mArU0FC2QBHrOxe2ZQAq2TSH7u2Er\">Beacon\u2019s Closet<\/a>, a guy that worked at <a rel=\"noreferrer noopener nofollow\" target=\"_blank\" href=\"https:\/\/www.nytimes.com\/2016\/08\/14\/nyregion\/verb-cafe-greenpoint-brooklyn-priced-out.html\">the Verb Coffee<\/a>, some guy from <a href=\"http:\/\/rollingstone.com\/t\/tv-on-the-radio\">TV on the Radio<\/a>,\u201d he jokes. But as he started visiting clubs across the country, he found that in almost every city, he could find a place where the scene was still thriving. \u201cI can now go to another town, and my friends there, or people the venue picks, they can judge it and make it like their own community event,\u201d he says.\u00a0<\/p>\n<section class=\"brands-most-popular \/\/ recirculation-modules trending-in-article lrv-u-margin-tb-2 lrv-u-border-a-2 u-box-shadow-5-5 lrv-u-padding-lr-1 a-span1 u-padding-b-1@tablet u-overflow-hidden\">\n<h2 id=\"section-heading\" class=\"c-heading larva  lrv-u-text-align-center u-border-color-black a-font-theme-primary-xxs lrv-u-color-black lrv-u-text-transform-uppercase u-letter-spacing-0063 lrv-u-padding-t-050 u-padding-b-0375@tablet lrv-u-padding-b-050@mobile-max lrv-u-border-b-2\">\n<p>\t\tTrending Stories<\/p>\n<\/h2>\n<\/section>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\tHe starts listing off some small clubs he loves \u2014 SPACE Gallery in Portland, Maine; No Fun in Troy, New York; the Hideout in Chicago; the 13th Floor in Austin; Foothills Tavern in Las Vegas; Union Pool and the recently reopened St. Vitus in Brooklyn. Toubin notes that it\u2019s not just the way these venues put on shows, but the way they provide room for real human interaction that makes them so important. At TV Eye, aside from the 100-person performance space, there are two more rooms open to the public \u2014 no ticket necessary \u2014 as well as a patio, which often hosts DJs, and a backstage bar. \u201cWhen we built [TV Eye], I was hoping that by having common areas where people hang out, and making that more of a focus, that before and after the show, and between the bands, people would talk and maybe start a new band,\u201d he says. \u201cOr make a new friend.\u201d<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\t<em>This story is part of our <\/em><a rel=\"noreferrer noopener\" target=\"_blank\" href=\"https:\/\/www.rollingstone.com\/music\/music-lists\/reasons-to-love-rock-scenes-artists-trends-1235626112\/\"><em>Reasons to Love Rock<\/em><\/a><em> series, with all the sounds, trends, scenes, and artists that have us excited about rock music in 2026.<\/em><\/p>\n<\/div>\n<p><br \/>\n<br \/><a href=\"https:\/\/www.rollingstone.com\/music\/music-features\/rock-clubs-local-scenes-brooklyn-los-angeles-1235620952\/\">Source link <\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>These days, it can feel like music exists only online or at arenas with a $500 entry fee. But there are still plenty of&#8230;<\/p>\n","protected":false},"author":5,"featured_media":72978,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[36],"tags":[],"class_list":["post-72977","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-pop","article","has-excerpt","has-avatar","has-author","has-date","has-comment-count","has-category-meta","has-read-more","thumbnail-"],"_links":{"self":[{"href":"https:\/\/musicianvoice.com\/index.php\/wp-json\/wp\/v2\/posts\/72977","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/musicianvoice.com\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/musicianvoice.com\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/musicianvoice.com\/index.php\/wp-json\/wp\/v2\/users\/5"}],"replies":[{"embeddable":true,"href":"https:\/\/musicianvoice.com\/index.php\/wp-json\/wp\/v2\/comments?post=72977"}],"version-history":[{"count":0,"href":"https:\/\/musicianvoice.com\/index.php\/wp-json\/wp\/v2\/posts\/72977\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/musicianvoice.com\/index.php\/wp-json\/wp\/v2\/media\/72978"}],"wp:attachment":[{"href":"https:\/\/musicianvoice.com\/index.php\/wp-json\/wp\/v2\/media?parent=72977"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/musicianvoice.com\/index.php\/wp-json\/wp\/v2\/categories?post=72977"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/musicianvoice.com\/index.php\/wp-json\/wp\/v2\/tags?post=72977"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}