{"id":73117,"date":"2026-09-19T13:15:33","date_gmt":"2026-09-19T13:15:33","guid":{"rendered":"https:\/\/musicianvoice.com\/index.php\/2026\/09\/19\/ian-munsick-chooses-the-west-over-nashville-on-mountain-goat-album\/"},"modified":"2026-09-19T13:15:33","modified_gmt":"2026-09-19T13:15:33","slug":"ian-munsick-chooses-the-west-over-nashville-on-mountain-goat-album","status":"publish","type":"post","link":"https:\/\/musicianvoice.com\/index.php\/2026\/09\/19\/ian-munsick-chooses-the-west-over-nashville-on-mountain-goat-album\/","title":{"rendered":"Ian Munsick Chooses the West Over Nashville on &#8216;Mountain Goat&#8217; Album"},"content":{"rendered":"<p> <br \/>\n<\/p>\n<div>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\tIn the year since <a href=\"https:\/\/www.rollingstone.com\/t\/ian-munsick\/\" id=\"auto-tag_ian-munsick\" data-tag=\"ian-munsick\">Ian Munsick<\/a> last released a studio album, he has put his career through a near-wholesale reset. He\u2019s an independent artist now, working under his own label for the first time. In mid-September, he opened his own Western-themed bar, about as far from Nashville\u2019s Lower Broadway \u2014 the conventional home for such enterprises \u2014 as he can get. And, to hear Munsick tell it, he\u2019s never been more at peace since he dropped his new album, <em>The Mountain Goat<\/em>, last month.<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\t\u201cI\u2019ve been asking people their favorite tune on there, and getting all kinds of answers,\u201d the Wyoming native tells <em>Rolling Stone<\/em>. \u201cEvery tune on the album is hit multiple times. That\u2019s always been my goal, to create a no-skip album that, from top to bottom, you can just press play and forget about your life for an hour.\u201d<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\tMunsick released<em> The Mountain Goat<\/em> on Aug. 21 on his own West to the Rest Records, in partnership with the Triple Tigers label \u2014\u00a0his first independent venture after releasing three albums via Warner Records. The album features 15 tracks, of which 13 are original tunes co-written by Munsick, heavily bent toward the American West and its native culture. A pair of instrumental interludes rounds out the record.<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\t<em>The Mountain Goat<\/em> finds Munsick playing it straight, with his voice front-and-center over melodies that are simple and stripped-down, especially in comparison to his 2025 project,<em> <a href=\"https:\/\/www.rollingstone.com\/music\/music-features\/ian-munsick-eagle-feather-western-music-1235320992\/\">Eagle Feather<\/a><\/em>. The record still has the pop edge that has defined Munsick\u2019s sound thus far, but if there were such a term as \u201croots pop,\u201d that\u2019s where this record would be found. Munsick chalks it up to the production process \u2014\u00a0he co-produced the album with Jeremy Spillman and Mike Robinson, working remotely out of home studios rather than a major recording space in Nashville, and played nine instruments across the record himself.<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\t\u201cBeing with a major label, they have a lot of artists that they\u2019re putting out music on every single week,\u201d Munsick says. \u201cThey have a huge team coming up with all these plans, but when it comes down to the nitty-gritty, you don\u2019t always know what you\u2019re going to get. So, the fact that we were able to be extremely active and have an intricate part of the release plan with our new independent label, it feels like a lean, mean operation.\u201d<\/p>\n<section class=\"brands-most-popular \/\/ editors-pick-module lrv-u-margin-tb-2 lrv-u-border-a-2 u-box-shadow-5-5 lrv-u-padding-lr-1 a-span1 u-padding-b-1@tablet u-overflow-hidden\">\n<h2 id=\"section-heading\" class=\"c-heading larva  lrv-u-text-align-center u-border-color-black a-font-theme-primary-xxs lrv-u-color-black lrv-u-text-transform-uppercase u-letter-spacing-0063 lrv-u-padding-t-050 u-padding-b-0375@tablet lrv-u-padding-b-050@mobile-max lrv-u-border-b-2\">\n<p>\t\tEditor\u2019s picks<\/p>\n<\/h2>\n<\/section>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\tThe first single, \u201cLove Is Blind,\u201d is a heartbreak song with a pop beat and heavy fiddle, hitting three of Munsick\u2019s sweet spots. He followed that with the haunting \u201cWorld War III,\u201d in which he declares he\u2019s a peaceful man, but adds, \u201cif there ever comes a time they step out of the shadow\/and they come for me and mine, I\u2019ll fight and bleed, and I\u2019ll die happily.\u201d In a vacuum, it\u2019s a whiplash following \u201cLove Is Blind,\u201d but it was Munsick\u2019s intention to showcase his musical range with <em>The Mountain Goat<\/em>.<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\tOn \u201cEarn Your Spurs,\u201d Munsick plays mandolin and turns defiant when he sings, \u201cThe clothes don\u2019t make the man\/you earn your spurs when the cow shit hits the fan.\u201d It\u2019s the hook to a song that could be perceived as a reality check for the boots-and-hat cowboy fashion that\u2019s en vogue right now, or it could be heard as Munsick\u2019s own reply to the corners of country \u2014\u00a0from social media critics to record labels \u2014 that never took to his Western stylings.<\/p>\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube\">\n<p>\n<span class=\"embed-youtube\" style=\"text-align:center; display: block;\"><iframe loading=\"lazy\" title=\"Earn Your Spurs\" width=\"1200\" height=\"900\" src=\"https:\/\/www.youtube.com\/embed\/-Y1QyT3bndc?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe><\/span>\n<\/p>\n<\/figure>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\t\u201cIn <a href=\"https:\/\/www.rollingstone.com\/t\/country-music\/\" id=\"auto-tag_country-music\" data-tag=\"country-music\">country music<\/a>, we obviously have a lot of respect for each other, but man,\u00a0there\u2019s times when you gotta call it like it is,\u201d Munsick says. \u201cWith the background that I have, and with the respect and appreciation I have of the culture and heritage \u2014\u00a0I just started to notice that a lot of country artists have started to hop on the trend of horses and cowboys, when you know that was never part of their brand previously. It always irked me, just a tiny bit.\u201d<\/p>\n<section class=\"brands-most-popular \/\/ recirculation-modules lrv-u-margin-tb-2 lrv-u-border-a-2 u-box-shadow-5-5 lrv-u-padding-lr-1 a-span1 u-padding-b-1@tablet u-overflow-hidden\">\n<h2 id=\"section-heading\" class=\"c-heading larva  lrv-u-text-align-center u-border-color-black a-font-theme-primary-xxs lrv-u-color-black lrv-u-text-transform-uppercase u-letter-spacing-0063 lrv-u-padding-t-050 u-padding-b-0375@tablet lrv-u-padding-b-050@mobile-max lrv-u-border-b-2\">\n<p>\t\tRelated Content<\/p>\n<\/h2>\n<\/section>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\tThat also explains why, when Munsick decided to open a bar, he eschewed Nashville\u2019s Lower Broadway, where some of the biggest names in country music have branded honky-tonks, for a quintessentially-Western locale: Deadwood, South Dakota.<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\tIn September, while Munsick headlined the Deadwood Jam festival downtown, he and his wife, Caroline, officially opened Ian Musnick\u2019s Cowboy Bar &amp; Western Grill, a saloon with indoor and outdoor performance stages on the grounds of the Landmark Hotel &amp; Casino.<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\t\u201cHaving a cowboy bar on Broadway wouldn\u2019t be a cowboy bar at all,\u201d he says. \u201cI\u2019ve been in enough cowboy bars in my life to know that if you\u2019re going to call it a cowboy bar, it better be a damn cowboy bar. Being in Deadwood, it already had that vibe.\u201d<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\tMunsick has a run of headlining shows through the fall, largely through the Midwest, culminating in a November show at Billy Bob\u2019s Texas in Fort Worth. Of the late-summer collision of touring, new album, and opening a bar, Munsick says it\u2019s all just fodder for creativity.<\/p>\n<section class=\"brands-most-popular \/\/ recirculation-modules trending-in-article lrv-u-margin-tb-2 lrv-u-border-a-2 u-box-shadow-5-5 lrv-u-padding-lr-1 a-span1 u-padding-b-1@tablet u-overflow-hidden\">\n<h2 id=\"section-heading\" class=\"c-heading larva  lrv-u-text-align-center u-border-color-black a-font-theme-primary-xxs lrv-u-color-black lrv-u-text-transform-uppercase u-letter-spacing-0063 lrv-u-padding-t-050 u-padding-b-0375@tablet lrv-u-padding-b-050@mobile-max lrv-u-border-b-2\">\n<p>\t\tTrending Stories<\/p>\n<\/h2>\n<\/section>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\t\u201cThe goal is to always make music that I want to listen to, man,\u201d Munsick says. \u201cI feel like, if you do that, even if other people don\u2019t like it, it doesn\u2019t matter.\u201d<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\t<em>Josh Crutchmer is a journalist and author whose upcoming book, <\/em><a href=\"https:\/\/backloungepublishing.com\/sonoransounds\/\" target=\"_blank\" rel=\"noreferrer noopener nofollow\"><em>Sonoran Sounds<\/em><\/a><em>, is set for release in March 2027 via Back Lounge Publishing.<\/em><\/p>\n<\/div>\n<p><br \/>\n<br \/><a href=\"https:\/\/www.rollingstone.com\/music\/music-features\/ian-munsick-interview-the-mountain-goat-1235628944\/\">Source link <\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>In the year since Ian Munsick last released a studio album, he has put his career through a near-wholesale reset. He\u2019s an independent artist&#8230;<\/p>\n","protected":false},"author":5,"featured_media":73118,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[36],"tags":[],"class_list":["post-73117","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-pop","article","has-excerpt","has-avatar","has-author","has-date","has-comment-count","has-category-meta","has-read-more","thumbnail-"],"_links":{"self":[{"href":"https:\/\/musicianvoice.com\/index.php\/wp-json\/wp\/v2\/posts\/73117","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/musicianvoice.com\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/musicianvoice.com\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/musicianvoice.com\/index.php\/wp-json\/wp\/v2\/users\/5"}],"replies":[{"embeddable":true,"href":"https:\/\/musicianvoice.com\/index.php\/wp-json\/wp\/v2\/comments?post=73117"}],"version-history":[{"count":0,"href":"https:\/\/musicianvoice.com\/index.php\/wp-json\/wp\/v2\/posts\/73117\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/musicianvoice.com\/index.php\/wp-json\/wp\/v2\/media\/73118"}],"wp:attachment":[{"href":"https:\/\/musicianvoice.com\/index.php\/wp-json\/wp\/v2\/media?parent=73117"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/musicianvoice.com\/index.php\/wp-json\/wp\/v2\/categories?post=73117"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/musicianvoice.com\/index.php\/wp-json\/wp\/v2\/tags?post=73117"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}