{"id":74376,"date":"2026-10-06T16:54:34","date_gmt":"2026-10-06T16:54:34","guid":{"rendered":"https:\/\/musicianvoice.com\/index.php\/2026\/10\/06\/watch-queen-with-adam-lambert-perform-we-will-rock-you-at-final-show\/"},"modified":"2026-10-06T16:54:34","modified_gmt":"2026-10-06T16:54:34","slug":"watch-queen-with-adam-lambert-perform-we-will-rock-you-at-final-show","status":"publish","type":"post","link":"https:\/\/musicianvoice.com\/index.php\/2026\/10\/06\/watch-queen-with-adam-lambert-perform-we-will-rock-you-at-final-show\/","title":{"rendered":"Watch Queen With Adam Lambert Perform &#8216;We Will Rock You&#8217; at Final Show"},"content":{"rendered":"<p> <br \/>\n<\/p>\n<div>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\tWhen <a href=\"https:\/\/www.rollingstone.com\/t\/queen\/\" id=\"auto-tag_queen\" data-tag=\"queen\">Queen<\/a> + <a href=\"https:\/\/www.rollingstone.com\/t\/adam-lambert\/\" id=\"auto-tag_adam-lambert\" data-tag=\"adam-lambert\">Adam Lambert<\/a> wrapped up their 109-date Rhapsody Tour at Japan\u2019s Tokyo Dome on Feb. 14, 2024, it didn\u2019t feel like an event of enormous significance. The revitalized group had been gigging consistently since first coming together in 2012, and they grew in popularity with each outing until the 2018 Freddie Mercury biopic <em>Bohemian Rhapsody<\/em> \u2014 which, while <a href=\"https:\/\/www.rollingstone.com\/music\/music-news\/freddie-mercury-queen-biopic-bohemian-rhapsody-movie-fact-check-746195\/\">factually-challenged<\/a>, grossed nearly a billon dollars worldwide \u2014 supersized their audiences. <\/p>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\tAgainst all odds, and after decades of attempts, the band was finally packing many of the same stadiums as Queen at their peak. It seemed like another tour announcement was imminent.<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\tBut a little over a year later, <a href=\"https:\/\/www.rollingstone.com\/music\/music-features\/queen-bohemian-rhapsody-50th-anniversary-1235423897\/\">Queen guitarist Brian May told <em>Rolling Stone<\/em><\/a> he was having severe doubts about the group\u2019s future as a touring act. \u201cI\u2019ve had 50 years of touring and there\u2019s a part of me that thinks it\u2019s enough,\u201d he said. \u201cI don\u2019t like the idea that you wake up in your hotel room and you\u2019re trapped. I had a few experiences recently where stuff happened at home with my family and I could not go home. It got under my skin and I just thought, \u2018I\u2019m not sure if I want this anymore.\u2019 I feel like I\u2019ve given up my freedom too many times.\u201d<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\tThis felt like the setup for a massive farewell tour, one that could have grossed them hundreds of millions of dollars. But earlier this week, May stunned fans by definitively stating he was done<a href=\"https:\/\/www.thetimes.com\/culture\/music\/article\/queen-there-was-a-great-deal-of-contempt-poured-upon-us-fxkrgr6rk\" target=\"_blank\" rel=\"noreferrer noopener nofollow\"> in an interview with The Times.<\/a><\/p>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\t\u201cI made a decision 18 months ago that I didn\u2019t want to tour again,\u201d May said. \u201cA close family friend died when we were in the States, so I said to my tour manager, \u2018I\u2019ll just nip home for a few days and come back.\u2019 She looked me in the eyes and said, \u2018You know you can\u2019t do that.\u2019 I love to play, I love to travel, but the trade-off is sacrificing your freedom. I have a wife [the actress Anita Dobson], grandchildren, and a lot of astrophysics I want to do, so I\u2019m thinking maybe 50 years is enough.\u201d<\/p>\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube\">\n<p>\n<span class=\"embed-youtube\" style=\"text-align:center; display: block;\"><iframe loading=\"lazy\" title=\"QUEEN + ADAM LAMBERT \/We Will Rock You \/ THE RHAPSODY TOUR at Tokyo Dome\" width=\"1200\" height=\"675\" src=\"https:\/\/www.youtube.com\/embed\/FqF9yM_Aaw0?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe><\/span>\n<\/p>\n<\/figure>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\tPresuming he doesn\u2019t <a href=\"https:\/\/www.rollingstone.com\/music\/music-lists\/farewell-tours-not-final-1234980572\/\">change his mind,<\/a> that transforms the Tokyo Dome concert into the final chapter of a saga that the band started back in 1971. Like all Queen + Adam Lambert shows, it was very heavy on hits like \u201cRadio Gaga,\u201d \u201cAnother One Bites the Dust,\u201d \u201cCrazy Little Thing Called Love,\u201d and \u201cSomebody to Love.\u201d And in keeping with grand Queen tradition, they encored with a medley of \u201cWe Will Rock You\u201d and \u201cWe Are the Champions,\u201d though they mixed it up by adding in a brief reprise of \u201cRadio Gaga\u201d to the middle.<\/p>\n<section class=\"brands-most-popular \/\/ editors-pick-module lrv-u-margin-tb-2 lrv-u-border-a-2 u-box-shadow-5-5 lrv-u-padding-lr-1 a-span1 u-padding-b-1@tablet u-overflow-hidden\">\n<h2 id=\"section-heading\" class=\"c-heading larva  lrv-u-text-align-center u-border-color-black a-font-theme-primary-xxs lrv-u-color-black lrv-u-text-transform-uppercase u-letter-spacing-0063 lrv-u-padding-t-050 u-padding-b-0375@tablet lrv-u-padding-b-050@mobile-max lrv-u-border-b-2\">\n<p>\t\tEditor\u2019s picks<\/p>\n<\/h2>\n<\/section>\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube\">\n<p>\n<span class=\"embed-youtube\" style=\"text-align:center; display: block;\"><iframe loading=\"lazy\" title=\"Queen + Adam Lambert - We Are the Champions (Live in Tokyo 2024)\" width=\"1200\" height=\"675\" src=\"https:\/\/www.youtube.com\/embed\/jvwZaw4F0vo?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe><\/span>\n<\/p>\n<\/figure>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\tAs you can see from this fan-shot video, Lambert respects Mercury\u2019s legacy by nailing every note. At the end, confetti rains over the audience while the band comes together for a bow as \u201cGod Save the Queen\u201d plays over the PA. Percussionist Tyler Warren, bassist Neil Fairclough, and <a href=\"https:\/\/www.rollingstone.com\/music\/music-features\/queen-keyboardist-spike-edney-interview-freddie-mercury-live-aid-bohemian-rhapsody-875956\/\">keyboardist Spike Edney<\/a> then step up for their own moment, Lambert comes to the front for a solo bow, and finally Brian May and Roger Taylor put their arms around each other one last time before walking offstage together.\u00a0(<a rel=\"noreferrer noopener nofollow\" target=\"_blank\" href=\"https:\/\/www.youtube.com\/watch?v=BftcA0Ly3ho\">You can see every moment of the show here<\/a>.)<\/p>\n<section class=\"brands-most-popular \/\/ recirculation-modules trending-in-article lrv-u-margin-tb-2 lrv-u-border-a-2 u-box-shadow-5-5 lrv-u-padding-lr-1 a-span1 u-padding-b-1@tablet u-overflow-hidden\">\n<h2 id=\"section-heading\" class=\"c-heading larva  lrv-u-text-align-center u-border-color-black a-font-theme-primary-xxs lrv-u-color-black lrv-u-text-transform-uppercase u-letter-spacing-0063 lrv-u-padding-t-050 u-padding-b-0375@tablet lrv-u-padding-b-050@mobile-max lrv-u-border-b-2\">\n<p>\t\tTrending Stories<\/p>\n<\/h2>\n<\/section>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\tIs this truly the end? It\u2019s impossible to say for sure. One can easily imagine a Wembley Stadium blowout, similar to the 1992 Freddie Mercury tribute show, where they bring out a bunch of guest vocalists and give fans the chance to say goodbye. In a dream world, reclusive bassist John Deacon would even play a role.\u00a0<\/p>\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube\">\n<p>\n<span class=\"embed-youtube\" style=\"text-align:center; display: block;\"><iframe loading=\"lazy\" title=\"Various Artists - The Freddie Mercury Tribute Concert 20\/04\/1992 - Full Concert [Blu-Ray Release]\" width=\"1200\" height=\"900\" src=\"https:\/\/www.youtube.com\/embed\/ZmQnIpuxSsQ?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe><\/span>\n<\/p>\n<\/figure>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\tBut if they don\u2019t feel like organizing such a thing, May and Taylor gave the world a lot more Queen than anyone had the right to expect when Mercury died in 1991. Sure, the Paul Rogers years were a little rough, and we\u2019d all like to forget their 2008 album <em><a href=\"https:\/\/www.rollingstone.com\/music\/music-lists\/horrible-albums-by-brilliant-artists-1234672895\/queen-4-1234674923\/\">The Cosmos Rocks<\/a><\/em>. But once fate brought Adam Lambert into their orbit via <em>American Idol<\/em>, everything changed. It allowed fans of all ages to experience the majesty of a genuine Queen concert. And if May and Taylor want to step aside now, they have earned that right. But if Lambert wants to form a group like Adam Lambert\u2019s Queen Experience, he\u2019ll have no trouble selling tickets. In one form or another, this music is going to live forever.<\/p>\n<\/div>\n<p><br \/>\n<br \/><a href=\"https:\/\/www.rollingstone.com\/music\/music-features\/queen-adam-lambert-we-will-rock-you-final-show-1235637649\/\">Source link <\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>When Queen + Adam Lambert wrapped up their 109-date Rhapsody Tour at Japan\u2019s Tokyo Dome on Feb. 14, 2024, it didn\u2019t feel like an&#8230;<\/p>\n","protected":false},"author":5,"featured_media":74377,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[36],"tags":[],"class_list":["post-74376","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-pop","article","has-excerpt","has-avatar","has-author","has-date","has-comment-count","has-category-meta","has-read-more","thumbnail-"],"_links":{"self":[{"href":"https:\/\/musicianvoice.com\/index.php\/wp-json\/wp\/v2\/posts\/74376","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/musicianvoice.com\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/musicianvoice.com\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/musicianvoice.com\/index.php\/wp-json\/wp\/v2\/users\/5"}],"replies":[{"embeddable":true,"href":"https:\/\/musicianvoice.com\/index.php\/wp-json\/wp\/v2\/comments?post=74376"}],"version-history":[{"count":0,"href":"https:\/\/musicianvoice.com\/index.php\/wp-json\/wp\/v2\/posts\/74376\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/musicianvoice.com\/index.php\/wp-json\/wp\/v2\/media\/74377"}],"wp:attachment":[{"href":"https:\/\/musicianvoice.com\/index.php\/wp-json\/wp\/v2\/media?parent=74376"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/musicianvoice.com\/index.php\/wp-json\/wp\/v2\/categories?post=74376"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/musicianvoice.com\/index.php\/wp-json\/wp\/v2\/tags?post=74376"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}