{"id":74474,"date":"2026-10-07T17:14:43","date_gmt":"2026-10-07T17:14:43","guid":{"rendered":"https:\/\/musicianvoice.com\/index.php\/2026\/10\/07\/undeath-sign-to-relapse-and-share-new-song\/"},"modified":"2026-10-07T17:14:43","modified_gmt":"2026-10-07T17:14:43","slug":"undeath-sign-to-relapse-and-share-new-song","status":"publish","type":"post","link":"https:\/\/musicianvoice.com\/index.php\/2026\/10\/07\/undeath-sign-to-relapse-and-share-new-song\/","title":{"rendered":"Undeath Sign to Relapse and Share New Song"},"content":{"rendered":"


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Undeath<\/a> have signed with those custodians of heavy music over at Relapse<\/a> and debuted a new song for the label. Listen to \u201cArterial Bombardment<\/a>\u201d below. A full-length follow-up to 2024\u2019s More Insane<\/em><\/a> is coming in 2027, according to a press release.<\/p>\n

Frontperson Alex Sason said in a statement, \u201cAfter signing with Relapse we knew we had to come out swinging, and a track full of non-stop riffing, blasting, death metal sickness seems like the perfect way to do so. Our bassist Tommy Wall masterminded this song, the mad genius Colin Marston engineered, mixed and mastered it, and we believe it serves as an excellent appetizer for what\u2019s to come from this next chapter of UNDEATH.\u201d<\/p>\n

The band is in the midst of a sprawling European tour<\/a> supporting Suffocation, with headline dates around the corner. They\u2019ll return home for New York dates at Saint Vitus, with labelmates Pig Destroyer, at the end of the year.<\/p>\n

Revisit Sam Sodomsky\u2019s profile Undeath Are Bringing Ghoulish Fun Back to Death Metal<\/a>.<\/p>\n

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Source link <\/a><\/p>\n","protected":false},"excerpt":{"rendered":"

Undeath have signed with those custodians of heavy music over at Relapse and debuted a new song for the label. Listen to \u201cArterial Bombardment\u201d…<\/p>\n","protected":false},"author":2,"featured_media":74475,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[40],"tags":[],"class_list":["post-74474","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-latin","article","has-excerpt","has-avatar","has-author","has-date","has-comment-count","has-category-meta","has-read-more","thumbnail-"],"_links":{"self":[{"href":"https:\/\/musicianvoice.com\/index.php\/wp-json\/wp\/v2\/posts\/74474","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/musicianvoice.com\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/musicianvoice.com\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/musicianvoice.com\/index.php\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/musicianvoice.com\/index.php\/wp-json\/wp\/v2\/comments?post=74474"}],"version-history":[{"count":0,"href":"https:\/\/musicianvoice.com\/index.php\/wp-json\/wp\/v2\/posts\/74474\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/musicianvoice.com\/index.php\/wp-json\/wp\/v2\/media\/74475"}],"wp:attachment":[{"href":"https:\/\/musicianvoice.com\/index.php\/wp-json\/wp\/v2\/media?parent=74474"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/musicianvoice.com\/index.php\/wp-json\/wp\/v2\/categories?post=74474"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/musicianvoice.com\/index.php\/wp-json\/wp\/v2\/tags?post=74474"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}