{"id":74647,"date":"2026-10-09T14:15:40","date_gmt":"2026-10-09T14:15:40","guid":{"rendered":"https:\/\/musicianvoice.com\/index.php\/2026\/10\/09\/deafheaven-surprise-release-at-work-in-the-fields-of-the-bomb\/"},"modified":"2026-10-09T14:15:40","modified_gmt":"2026-10-09T14:15:40","slug":"deafheaven-surprise-release-at-work-in-the-fields-of-the-bomb","status":"publish","type":"post","link":"https:\/\/musicianvoice.com\/index.php\/2026\/10\/09\/deafheaven-surprise-release-at-work-in-the-fields-of-the-bomb\/","title":{"rendered":"Deafheaven Surprise-Release &#8216;At Work in the Fields of the Bomb&#8217;"},"content":{"rendered":"<p> <br \/>\n<\/p>\n<div>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\tSome artists have to be shamed into speaking out about current atrocities. <a href=\"https:\/\/www.rollingstone.com\/t\/deafheaven\/\" id=\"auto-tag_deafheaven\" data-tag=\"deafheaven\">Deafheaven<\/a> can\u2019t stop themselves.\u00a0<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\t\u201cIt\u2019s a very easy thing to acknowledge,\u201d frontman George Clarke says of the wars happening around the globe. \u201cI think if anything, speaking it plainly makes everyone understand how devastating the casual nature of it is to begin with. It should be spoken of casually because it\u2019s very much happening. I guess denying the truth will eat you alive at some point.\u201d<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\tThe metal band captures the current era in their new EP, <a href=\"https:\/\/deafheaven.lnk.to\/awitfotb\" target=\"_blank\" rel=\"noreferrer noopener nofollow\"><em>At Work in the Fields of the Bomb<\/em><\/a>, a surprise release out today. The album follows their 2025 LP <em>Lonely People with Power,<\/em> which also deals with tyrants and war-mongers. Still, the EP is meant to stand on its own. \u201cThere\u2019s a bit of thematic continuation, but these EPs are also at the same time side quests,\u201d Clarke says. \u201cIt\u2019s very much its own thing. The idea of power and warfare and all that kind of thing is just more of a continued interest of mine and the band collectively.\u201d<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\tThe band began thinking about releasing an EP last year. Their first thought was to create a heavier offering than <em>Lonely People<\/em>, which I called \u201ca mixing and merging of melody and metal, pain and poetry\u201d in my <em>Rolling Stone<\/em> <a rel=\"noreferrer noopener\" target=\"_blank\" href=\"https:\/\/www.rollingstone.com\/music\/music-album-reviews\/deafheaven-lonely-people-with-power-review-1235304804\/\">review<\/a>. Recorded at Glenwood Studios (where a K-pop band was apparently in the next room), the band made what they describe as their first-ever album produced by a true metalhead: Arthur Rizk, who\u2019s worked with acts like <a href=\"https:\/\/www.rollingstone.com\/t\/king-diamond\/\" data-type=\"link\" data-id=\"https:\/\/www.rollingstone.com\/t\/king-diamond\/\">King Diamond<\/a>, <a href=\"https:\/\/www.rollingstone.com\/t\/cro-mags\/\" data-type=\"link\" data-id=\"https:\/\/www.rollingstone.com\/t\/cro-mags\/\">Cro-Mags<\/a>, and Blood Incantation.\u00a0<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\tThe EP takes its title from Robert Del Tredici\u2019s 1987 photo book about the people involved in the production of nuclear weapons. \u201cI found the book in the library in Echo Park, and was immediately drawn to it,\u201d Clarke says. \u201cIt was work that was made in the 1980s, but still feels appropriate today, that idea that catastrophe is often built from a mundane series of details that you don\u2019t really realize is connected to an eventual undoing.\u201d<\/p>\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube\">\n<p>\n<span class=\"embed-youtube\" style=\"text-align:center; display: block;\"><iframe loading=\"lazy\" title=\"Deafheaven - Hunter (Official Film)\" width=\"1200\" height=\"900\" src=\"https:\/\/www.youtube.com\/embed\/rbpZPrT4Jqw?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe><\/span>\n<\/p>\n<\/figure>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\tThe band sought to capture that unease sonically as well. \u201cI think we all wanted to make a nasty thing,\u201d says guitarist Kerry McCoy. \u201cIt\u2019s our first thing since our demo that has anything detuned on it. I think we all wanted to kind of stretch our muscles a little bit and get kind of dissonant. Every release is a timestamp of where we are, a time capsule or something of where we are at creatively, and I think this shows where we\u2019re at creatively now.\u201d\u00a0<\/p>\n<section class=\"brands-most-popular \/\/ editors-pick-module lrv-u-margin-tb-2 lrv-u-border-a-2 u-box-shadow-5-5 lrv-u-padding-lr-1 a-span1 u-padding-b-1@tablet u-overflow-hidden\">\n<h2 id=\"section-heading\" class=\"c-heading larva  lrv-u-text-align-center u-border-color-black a-font-theme-primary-xxs lrv-u-color-black lrv-u-text-transform-uppercase u-letter-spacing-0063 lrv-u-padding-t-050 u-padding-b-0375@tablet lrv-u-padding-b-050@mobile-max lrv-u-border-b-2\">\n<p>\t\tEditor\u2019s picks<\/p>\n<\/h2>\n<\/section>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\tIt all kicks off with the bombastically brutal \u201cHunter,\u201d which Clarke says \u201cis probably the most intense that I\u2019ve sounded. The song itself is about your undoing. When I write lyrics, it\u2019s a lot of talking into a mirror, and so it addresses a \u2018you,\u2019 but a \u2018you\u2019 actually tends to be me as well. Have I acted in a way that\u2019s destroyed something? Now that that is destroyed, I can reflect on the things that brought it to that point.\u201d The band also made a short film for the song, directed by Nico Poalillo.<\/p>\n<section class=\"brands-most-popular \/\/ recirculation-modules trending-in-article lrv-u-margin-tb-2 lrv-u-border-a-2 u-box-shadow-5-5 lrv-u-padding-lr-1 a-span1 u-padding-b-1@tablet u-overflow-hidden\">\n<h2 id=\"section-heading\" class=\"c-heading larva  lrv-u-text-align-center u-border-color-black a-font-theme-primary-xxs lrv-u-color-black lrv-u-text-transform-uppercase u-letter-spacing-0063 lrv-u-padding-t-050 u-padding-b-0375@tablet lrv-u-padding-b-050@mobile-max lrv-u-border-b-2\">\n<p>\t\tTrending Stories<\/p>\n<\/h2>\n<\/section>\n<div class=\"post-content-image \/\/  \">\n<figure class=\"o-figure   aligncenter size-large aligncenter lrv-u-max-width-100p\" style=\"width:819px\">\n<div class=\"c-lazy-image  lrv-u-border-a-2\">\n<div class=\"lrv-a-crop-16x9\" style=\"padding-bottom:calc((1024\/819)*100%);\">\n<p>\t\t\t\t\t\t<\/p><\/div>\n<\/p><\/div><figcaption class=\"c-figcaption  lrv-u-flex lrv-u-flex-direction-column lrv-u-align-items-center\">\n<p>\t\t\t\t\t<span class=\"u-border-color-black u-border-lr-2 lrv-u-padding-tb-025 lrv-u-padding-lr-075 lrv-u-border-b-2 lrv-u-width-100p lrv-u-text-align-center a-font-basic-secondary-s\">Deafheaven in New York, September 2026.<\/span><\/p>\n<p>\t\t\t\t\t\t\t\t\t<cite class=\"lrv-u-text-transform-uppercase lrv-a-font-body-xs lrv-u-margin-t-050 lrv-u-text-align-center\">Griffin Lotz for Rolling Stone<\/cite><\/p>\n<\/figcaption><\/figure>\n<\/div>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\tThe doomy \u201cThree Princes\u201d follows. McCoy says they wrote it after the <a href=\"https:\/\/www.nytimes.com\/2026\/03\/11\/us\/politics\/iran-school-missile-strike.html?eafs_enabled=false\" rel=\"nofollow\" target=\"_blank\">bombing<\/a> of the Shajareh Tayyebeh Elementary School in Minab, Iran. \u201cI thought one of the most nightmarish things you could do would be to soundtrack the brain to the AI that did this monstrous thing,\u201d he says. \u201cIt\u2019s this static-y, nasty thing that ends with a funeral bell.\u201d<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\tThe 12-minute epic \u201cSorry Laid the Hearth\u201d carries us into the future, when all the destruction has been done, and we\u2019re left in the ashes \u2014 <em>\u00e0 la<\/em> that iconic <em>Twilight Zone<\/em> episode, \u201cTime Enough at Last,\u201d which the band references often in the studio. \u201cIt basically just hammers home the whole idea of you\u2019re here now and you\u2019re stuck here,\u201d Clarke says. \u201cAll you have is reflection.\u201d<\/p>\n<\/div>\n<p><br \/>\n<br \/><a href=\"https:\/\/www.rollingstone.com\/music\/music-features\/deafheaven-new-music-interview-1235639794\/\">Source link <\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Some artists have to be shamed into speaking out about current atrocities. Deafheaven can\u2019t stop themselves.\u00a0 \u201cIt\u2019s a very easy thing to acknowledge,\u201d frontman&#8230;<\/p>\n","protected":false},"author":5,"featured_media":74648,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[36],"tags":[],"class_list":["post-74647","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-pop","article","has-excerpt","has-avatar","has-author","has-date","has-comment-count","has-category-meta","has-read-more","thumbnail-"],"_links":{"self":[{"href":"https:\/\/musicianvoice.com\/index.php\/wp-json\/wp\/v2\/posts\/74647","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/musicianvoice.com\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/musicianvoice.com\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/musicianvoice.com\/index.php\/wp-json\/wp\/v2\/users\/5"}],"replies":[{"embeddable":true,"href":"https:\/\/musicianvoice.com\/index.php\/wp-json\/wp\/v2\/comments?post=74647"}],"version-history":[{"count":0,"href":"https:\/\/musicianvoice.com\/index.php\/wp-json\/wp\/v2\/posts\/74647\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/musicianvoice.com\/index.php\/wp-json\/wp\/v2\/media\/74648"}],"wp:attachment":[{"href":"https:\/\/musicianvoice.com\/index.php\/wp-json\/wp\/v2\/media?parent=74647"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/musicianvoice.com\/index.php\/wp-json\/wp\/v2\/categories?post=74647"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/musicianvoice.com\/index.php\/wp-json\/wp\/v2\/tags?post=74647"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}