{"id":75148,"date":"2026-10-16T13:45:35","date_gmt":"2026-10-16T13:45:35","guid":{"rendered":"https:\/\/musicianvoice.com\/index.php\/2026\/10\/16\/vandoliers-singer-jenni-rose-on-her-new-pop-punk-band-tomgirls\/"},"modified":"2026-10-16T13:45:35","modified_gmt":"2026-10-16T13:45:35","slug":"vandoliers-singer-jenni-rose-on-her-new-pop-punk-band-tomgirls","status":"publish","type":"post","link":"https:\/\/musicianvoice.com\/index.php\/2026\/10\/16\/vandoliers-singer-jenni-rose-on-her-new-pop-punk-band-tomgirls\/","title":{"rendered":"Vandoliers&#8217; Singer Jenni Rose on Her New Pop-Punk Band Tomgirls"},"content":{"rendered":"<p> <br \/>\n<\/p>\n<div>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\tOnce again, Jenni Rose finds herself in unfamiliar territory. And once again, she\u2019s mired in a blend of cautious excitement and raw anxiety. \u201cI was just talking to my girlfriend,\u201d Rose tells <em>Rolling Stone<\/em>, \u201cand I can\u2019t believe that people are gonna hear this and see me like this.\u201d<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\tRose is referencing <a href=\"https:\/\/www.rollingstone.com\/t\/tomgirls\/\" id=\"auto-tag_tomgirls\" data-tag=\"tomgirls\">Tomgirls<\/a>, a three-piece pop-punk band she formed with her <a href=\"https:\/\/www.rollingstone.com\/t\/vandoliers\/\" id=\"auto-tag_vandoliers\" data-tag=\"vandoliers\">Vandoliers<\/a> bandmates Trey Alfaro and Patrick Smith. After <a href=\"https:\/\/www.rollingstone.com\/music\/music-features\/vandoliers-singer-jenni-rose-trans-woman-1235317476\/\">coming out as a trans woman in April 2025<\/a> when Vandoliers \u2014 the cowpunk band Rose founded in 2015 \u2014\u00a0announced their <em>Life Behind Bars<\/em> album, Rose created Tomgirls as a side project to help her process and express the kaleidoscope of emotions she was suddenly feeling as the trans leader of a country band in Texas.<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\tThat band, Vandoliers, are going nowhere. But Tomgirls are what\u2019s occupying Rose\u2019s mind today. In February, they will release <em>Sissy<\/em>, their 10-track debut LP, on Rose\u2019s independent label Skull and Bow Records. Tomgirls even set up a <a href=\"https:\/\/tomgirlsband.com\/\" target=\"_blank\" rel=\"noreferrer noopener nofollow\">website<\/a> dedicated to pre-orders.<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\t\u201cThe idea of it is the trans experience,\u201d Rose says, \u201cand this dynamic build into accepting yourself.\u201d<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\tAhead of the album, Tomgirls dropped <em>Sissy<\/em>\u2019s first single \u201cRun\u201d on Friday, along with its accompanying video \u2014\u00a0a classically pop-punk themed production that features Rose in a white dress, singing, dancing and playing an electric guitar. She\u2019s joined by Alfaro on drums and Smith on bass against a colorful backdrop that oscillates from hot pink to deep blue.<\/p>\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube\">\n<p>\n<span class=\"embed-youtube\" style=\"text-align:center; display: block;\"><iframe loading=\"lazy\" title=\"Tomgirls - Run (Official Music Video)\" width=\"1200\" height=\"675\" src=\"https:\/\/www.youtube.com\/embed\/Gzd6uV6BYq4?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe><\/span>\n<\/p>\n<\/figure>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\tThose three did the lions\u2019 share of work on <em>Sissy<\/em>. Rose wrote, produced, and engineered the record herself \u2014 a first for her \u2014\u00a0and was partially responsible for mixing it too. Its sound is decidedly punk, but that shouldn\u2019t throw Vandoliers fans for a loop, as Rose\u2019s native Texas drawl gives the project a sense of place.<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\tThroughout the record, though, it\u2019s the lyrics that keep <em>Sissy<\/em> grounded in Rose\u2019s transition. The electric guitar and Alfaro\u2019s punk beats are a cover for a lot of pain, interspersed with real hope, that Rose worked through. The agonizing title track mixes love Rose cannot have with insecurity as she sings, \u201cNobody loves me\/I\u2019m just a sissy, craving your touch,\u201d in the refrain. And \u201cRed Flags\u201d is an angry state-of-the-world snapshot with a chorus of, \u201cWish I could go outside, without feeling like they want to murder me, because I don\u2019t believe.\u201d<\/p>\n<section class=\"brands-most-popular \/\/ editors-pick-module lrv-u-margin-tb-2 lrv-u-border-a-2 u-box-shadow-5-5 lrv-u-padding-lr-1 a-span1 u-padding-b-1@tablet u-overflow-hidden\">\n<h2 id=\"section-heading\" class=\"c-heading larva  lrv-u-text-align-center u-border-color-black a-font-theme-primary-xxs lrv-u-color-black lrv-u-text-transform-uppercase u-letter-spacing-0063 lrv-u-padding-t-050 u-padding-b-0375@tablet lrv-u-padding-b-050@mobile-max lrv-u-border-b-2\">\n<p>\t\tEditor\u2019s picks<\/p>\n<\/h2>\n<\/section>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\tRose first realized she was trans while Vandoliers were recording <em>Life Behind Bars<\/em>. She started writing the pop-punk songs that would become <em>Sissy<\/em> as a means of processing the stress that came with that realization.<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\t\u201cI don\u2019t know if it was just because I was scared that maybe my band wouldn\u2019t accept me, or if I really wanted to transition,\u201d she says. \u201cThese songs, kind of, are me processing if I\u2019m going to transition or not. Because around October 2024 I didn\u2019t have my name. I didn\u2019t know if I was gonna come out publicly. All of these songs are me processing that, and in \u2018Run,\u2019 I found my name. It was really because I gave myself just a nice little cushion of familiarity to be vulnerable in, because I love this music. Nineties pop punk is what I grew up on. That\u2019s what made me want to start playing in a band.\u201d\u00a0<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\tBefore Rose came out in a 2025 interview with <em>Rolling Stone<\/em>, she kept a tight inner circle, sharing her identity on a need-to-know basis. She started with her parents, and expanded her support system slowly and deliberately. As part of that process, she would share the demos that ultimately turned into <em>Sissy<\/em> with people as she came out to them. \u201cThis process was different,\u201d Rose explains. \u201cIt was more like a diary.\u201d Ultimately, it was Alfaro who heard the demos and insisted that Rose get in the studio.<\/p>\n<section class=\"brands-most-popular \/\/ recirculation-modules lrv-u-margin-tb-2 lrv-u-border-a-2 u-box-shadow-5-5 lrv-u-padding-lr-1 a-span1 u-padding-b-1@tablet u-overflow-hidden\">\n<h2 id=\"section-heading\" class=\"c-heading larva  lrv-u-text-align-center u-border-color-black a-font-theme-primary-xxs lrv-u-color-black lrv-u-text-transform-uppercase u-letter-spacing-0063 lrv-u-padding-t-050 u-padding-b-0375@tablet lrv-u-padding-b-050@mobile-max lrv-u-border-b-2\">\n<p>\t\tRelated Content<\/p>\n<\/h2>\n<\/section>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\t\u201cThe thing I remember most is Jenni showing me these songs in a gas station parking lot,\u201d Alfaro recalls. \u201cMy inner pop-punk kid ears perked, and as I listened to the lyrics, they are very personal and emotional. After 20 years of friendship, I feel Tomgirls is one of the truest things Jenni has ever written.\u201d<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\tOn New Year\u2019s Eve 2024, Vandoliers opened for the Toadies in Austin, and Rose came out to Toadies\u2019 bassist Doni Blair, who shared Alfaro\u2019s sentiments.<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\tBlair sent Rose\u2019s demos to his brother, Zach,\u00a0lead guitarist for the punk band Rise Against and a Dallas resident like Rose. Zach Blair and Rose began sharing the demos back and forth and, in the process, Rose realized two things: First, she was capable of recording and producing the album herself. And second, the first real expansion of Rose\u2019s inner circle beyond her family was to fellow musicians. Along with Alfaro, both Doni and Zach Blair encouraged Rose to play Tomgirls songs live, and the four of them eventually booked a handful of concerts for the band in Austin, Denton, and Dallas. Rose found herself learning parts of the music business in real-time that she had never had cause to take up before.<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\t\u201cI don\u2019t know, maybe the universe is just teaching me how to do this myself right now, or be self-sufficient,\u201d Rose says. \u201cBut that\u2019s how it\u2019s been. I\u2019d be looking for all these people, and it wasn\u2019t really panning out, and then I would just learn a skill and just do it. So, Tomgirls has been kind of like, in the back, while Vandoliers is touring the world multiple times. This was just happening in between all those massive Vandoliers things.\u201d<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\t<em>Life Behind Bars<\/em> has been out for more than a year, and Vandoliers have a handful of major gigs on the book this year \u2014 they\u2019ll sail on Flogging Molly\u2019s Salty Dog Cruise this month and have their annual co-bill with Silverada at Cain\u2019s Ballroom in Tulsa in December. Usually, this is the point where Rose would have another Vandoliers album written. But she has to get Tomgirls into the world first.<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\t\u201cIf anybody wants us to play, we\u2019ll be there,\u201d Rose says of Vandoliers. \u201cBut, right now, as far as doing another world tour? Not yet. We need another album, and I gotta get through this Tomgirls thing, even if it\u2019s just for me and even if it\u2019s just for my family. The moment <em>Sissy<\/em> is out, I\u2019ll probably be writing something else.<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\t\u201cThere\u2019s not a big \u2018Vandoliers are breaking up\u2019 kind of story out there. But this is super exciting, and Tomgirls is just like a gayer, louder thing,\u201d she continues. \u201cAnd Patrick and Trey are in it. Once I\u2019m writing a Vandoliers record, then we will be back in Vandoliers territory.\u201d<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\tEven if Rose\u2019s nervous tension over Tomgirls is justified, she has already scaled higher emotional cliffs. Before her acceptance that she was trans, Rose had put herself through upheaval at a fundamental, personal level. Once a hard partier with alcohol and drugs, Rose found sobriety in the window between the end of the pandemic and her gender awakening. But when she made the decision to come out, she worried about returning to substance abuse and the impulses that accompany it.<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\tThat never happened.<\/p>\n<section class=\"brands-most-popular \/\/ recirculation-modules trending-in-article lrv-u-margin-tb-2 lrv-u-border-a-2 u-box-shadow-5-5 lrv-u-padding-lr-1 a-span1 u-padding-b-1@tablet u-overflow-hidden\">\n<h2 id=\"section-heading\" class=\"c-heading larva  lrv-u-text-align-center u-border-color-black a-font-theme-primary-xxs lrv-u-color-black lrv-u-text-transform-uppercase u-letter-spacing-0063 lrv-u-padding-t-050 u-padding-b-0375@tablet lrv-u-padding-b-050@mobile-max lrv-u-border-b-2\">\n<p>\t\tTrending Stories<\/p>\n<\/h2>\n<\/section>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\t\u201cI didn\u2019t know how resilient I was,\u201d Rose says, reflecting on her life since coming out. \u201cI felt like there were so many things that, if they happened, I would never recover. And I\u2019m still here.\u201d<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\t<em>Josh Crutchmer is a journalist and author whose upcoming book, <\/em><a href=\"https:\/\/backloungepublishing.com\/sonoransounds\/\" target=\"_blank\" rel=\"noreferrer noopener nofollow\"><em>Sonoran Sounds<\/em><\/a><em>, is set for release in March 2027 via Back Lounge Publishing.<\/em><\/p>\n<\/div>\n<p><br \/>\n<br \/><a href=\"https:\/\/www.rollingstone.com\/music\/music-features\/jenni-rose-vandoliers-interview-tomgirls-band-1235643763\/\">Source link <\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Once again, Jenni Rose finds herself in unfamiliar territory. And once again, she\u2019s mired in a blend of cautious excitement and raw anxiety. \u201cI&#8230;<\/p>\n","protected":false},"author":5,"featured_media":75149,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[36],"tags":[],"class_list":["post-75148","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-pop","article","has-excerpt","has-avatar","has-author","has-date","has-comment-count","has-category-meta","has-read-more","thumbnail-"],"_links":{"self":[{"href":"https:\/\/musicianvoice.com\/index.php\/wp-json\/wp\/v2\/posts\/75148","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/musicianvoice.com\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/musicianvoice.com\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/musicianvoice.com\/index.php\/wp-json\/wp\/v2\/users\/5"}],"replies":[{"embeddable":true,"href":"https:\/\/musicianvoice.com\/index.php\/wp-json\/wp\/v2\/comments?post=75148"}],"version-history":[{"count":0,"href":"https:\/\/musicianvoice.com\/index.php\/wp-json\/wp\/v2\/posts\/75148\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/musicianvoice.com\/index.php\/wp-json\/wp\/v2\/media\/75149"}],"wp:attachment":[{"href":"https:\/\/musicianvoice.com\/index.php\/wp-json\/wp\/v2\/media?parent=75148"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/musicianvoice.com\/index.php\/wp-json\/wp\/v2\/categories?post=75148"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/musicianvoice.com\/index.php\/wp-json\/wp\/v2\/tags?post=75148"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}